Popularity: 3 (history)
Director: | Greg Kwedar |
---|---|
Writer: | Greg Kwedar, Clarence Maclin, Clint Bentley, John Divine G Whitfield, John H. Richardson |
Staring: |
Divine G, imprisoned at Sing Sing for a crime he didn't commit, finds purpose by acting in a theatre group alongside other incarcerated men in this story of resilience, humanity, and the transformative power of art. | |
Release Date: | Jul 12, 2024 |
---|---|
Director: | Greg Kwedar |
Writer: | Greg Kwedar, Clarence Maclin, Clint Bentley, John Divine G Whitfield, John H. Richardson |
Genres: | Drama |
Keywords | prison, based on novel or book, male friendship, based on true story, wrongful imprisonment, sing sing, african american, inspirational, theatre |
Production Companies | Black Bear Pictures, Marfa Peach Company, Edith Productions |
Box Office |
Revenue: $3,401,789
Budget: $2,000,000 |
Updates |
Updated: Jun 26, 2025 Entered: Apr 20, 2024 |
Name | Character |
---|---|
Colman Domingo | John 'Divine G' Whitfield |
Clarence Maclin | Clarence 'Divine Eye' Maclin |
Sean San Jose | Mike Mike |
Paul Raci | Brent Buell |
David "Dap" Giraudy | David 'Dap' Giraudy |
Patrick "Preme" Griffin | Patrick 'Preme' Griffin |
Mosi Eagle | Mosi Eagle |
James "Big E" Williams | James 'Big E' Williams |
Sean Dino Johnson | Sean 'Dino' Johnson |
Brent Buell | |
Michael Capra | |
Joanna Chan | |
Cecily Lyn | |
Johnny Simmons | Unnamed Inmate |
Katherine Vockins | |
Reynaldo Gayle | |
Sharon Washington | Social Worker |
Dario Peña | Dario Peña |
Miguel Valentin | Miguel Valentin |
Jon Adrian "JJ" Velazquez | Jon Adrian 'JJ' Velazquez |
Pedro Cotto | Pedro Cotto |
Camillo "Carmine" LoVacco | Camillo 'Carmine' LoVacco |
Cornell "Nate" Alston | Charlie |
John Divine G Whitfield | The Book Fan |
Name | Job |
---|---|
Greg Kwedar | Story, Director, Screenplay |
Bryce Dessner | Original Music Composer |
Pat Scola | Director of Photography |
Parker Laramie | Editor |
Ruta Kiskyte | Production Design |
Jacob Harbeck | Art Direction |
Desira Pesta | Costume Design |
Michael Kwedar | Set Dresser |
Omar Egas | Assistant Art Director |
Michael Harbeck | Assistant Art Director |
Taylor Harris-Butler | Second Assistant Director |
Michael A. Toscano | First Assistant Director |
Joel Marich | Gaffer |
Rati Chkhetiani | Foley Editor |
Luka Kasrelishvili | Foley Editor |
Salome Maisuradze | Foley Mixer |
Lee Salevan | Sound Designer |
Beqa Turashvili | Foley Artist |
Lia Parks | Special Effects Makeup Artist |
Christina Vida Roldos | Special Effects Makeup Artist |
Lori Christie | Props |
Paul Hollman | Sound Re-Recording Mixer |
Brent Buell | Theatre Play |
Clarence Maclin | Story |
Clint Bentley | Story, Screenplay |
John Divine G Whitfield | Story |
John H. Richardson | Book |
Russell Sadeghpour | Visual Effects Supervisor |
Andrew Ryan Shepherd | Title Designer |
Beso Kacharava | Foley Supervisor |
Alexander Sanikidze | Foley Editor |
Sean McCormick | Production Sound Mixer |
Eric Macey | First Assistant Camera |
Abraham Alexander | Songs |
Adrian Quesada | Songs |
Biko Gogaladze | Foley Artist |
Name | Title |
---|---|
Raúl Domingo | Executive Producer |
Greg Kwedar | Producer |
Teddy Schwarzman | Executive Producer |
Colman Domingo | Executive Producer |
Clint Bentley | Producer |
Monique Walton | Producer |
Michael Heimler | Executive Producer |
Clarence Maclin | Executive Producer |
John Divine G Whitfield | Executive Producer |
Larry Kalas | Executive Producer |
Larry Kelly | Executive Producer |
Nancy Schafer | Executive Producer |
Karin Young Shiel | Co-Producer |
Brent Buell | Co-Producer |
Myriam Schroeter | Co-Producer |
Linda Halbert | Associate Producer |
Sleena Wilson | Associate Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 7 | 13 | 3 |
2024 | 5 | 9 | 16 | 5 |
2024 | 6 | 12 | 23 | 5 |
2024 | 7 | 19 | 41 | 9 |
2024 | 8 | 14 | 23 | 7 |
2024 | 9 | 19 | 37 | 11 |
2024 | 10 | 12 | 24 | 6 |
2024 | 11 | 14 | 53 | 5 |
2024 | 12 | 19 | 30 | 8 |
2025 | 1 | 36 | 61 | 24 |
2025 | 2 | 44 | 70 | 7 |
2025 | 3 | 29 | 76 | 3 |
2025 | 4 | 4 | 5 | 3 |
2025 | 5 | 12 | 22 | 4 |
2025 | 6 | 5 | 6 | 4 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 65 | 429 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 107 | 556 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 505 | 687 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 38 | 356 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 82 | 392 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 52 | 327 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 73 | 301 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 306 | 759 |
"G" (Colman Domingo) spends much of his time in prison leading their amateur dramatics society. This quite disparate group of felons are quite adept at turning their hand to everything from Shakespeare to things he's written himself, and with his clemency hearing looming and him having new evidence ... that he didn't commit the crime he's in for, he is generally an upbeat and optimistic man. They are one person short on their team, and so decide to approach new arrival Clarence Maclin to see if he will join their group. He does, but he takes a different approach to the whole operation and that looks like it is going to set the two men on a collision course. Their next performance is to be a comedy - but as the story unfolds we find that there isn't so much funny about the various scenarios of the incarcerated characters. There's very little emphasis here on who did what to get behind bars in the first place, the thrust focusses more on the characterisations of the men - many of whom are actually former prisoners themselves, as director Greg Kwedar uses the stage - and, occasionally, the costumes, as the perfect setting to explore the lives of these people. Some of them are hopeful of release, some less so. Some protest their innocence, others - well maybe not so much. Then there's the increasingly potent dynamic between Domingo and Maclin. One assuming he is better placed to help the other, but is that true? Could there be more in common between them than it initially appears? Domingo is on great form, especially towards the end, but it's actually Maclin who delivers the stronger character here. That's doubtless informed by his real experiences, but he still brings a degree of nuance to a role that has little expectation of release nor belief in the rehabilitative powers of the routine day-to-day life in "Sing Sing". It's an intense and engaging drama that does draw us in to care what happens whilst creating personalties that are flawed, yes, but not beyond redemption and that are distinctly human.