Menu
The King of Kings Poster

The King of Kings

A father's greatest joy is raising his son.
2025 | 104m | English

(6813 votes)

TMDb IMDb

Popularity: 6 (history)

Details

Charles Dickens tells his young son Walter the greatest story ever told, and what begins as a bedtime tale becomes a life-changing journey. Through vivid imagination, the boy walks alongside Jesus, witnessing His miracles, facing His trials, and understanding His ultimate sacrifice.
Release Date: Apr 07, 2025
Director: Jang Seong-ho
Writer: Jang Seong-ho, Charles Dickens
Genres: Animation, Family, Fantasy, Adventure, Drama
Keywords based on novel or book, 19th century, 1st century, jesus christ, father son relationship, christian film, imagination, historical epic, biblical
Production Companies MOFAC, GIANTSTEP, Blue Harbor Entertainment
Box Office Revenue: $66,465,461
Budget: $25,200,000
Updates Updated: Jul 05, 2025
Entered: Feb 15, 2025
Trailers and Extras

International Posters

Full Credits

Name Character
Oscar Isaac Jesus Christ (voice)
Kenneth Branagh Charles Dickens (voice)
Uma Thurman Catherine Dickens (voice)
Pierce Brosnan Pontius Pilate (voice)
Roman Griffin Davis Walter Dickens (voice)
Forest Whitaker Peter (voice)
Ben Kingsley High Priest Caiaphas (voice)
Mark Hamill King Herod (voice)
Ava Sanger Mary Dickens (voice)
Jim Cummings James the Greater / Pharisee Hillel (voice)
Dee Bradley Baker Willa the Cat (voice)
Fred Tatasciore Pharisee Eleazar (voice)
James Arnold Taylor Melchior / Matthew / Thomas / Phillip / Young Jesus (voice)
Vanessa Marshall Mary of Bethany / Adulteress (voice)
Mick Wingert Gaspar / Pharisee Mahaliell (voice)
Imari Williams Balthazar / Bartholomew (voice)
Frank Todaro Gestas (voice)
Millicent Miereanu Martha (voice)
Name Job
Han Eon-deok Animation Supervisor
Jang Seong-ho Screenplay, Director, Editor
Charles Dickens Novel
Kim Woo-hyung Director of Photography
Kim Tae-seong Original Music Composer
Duncan Campbell Sound Designer
Olivia Aquilina Foley Editor
Emma Bortignon Supervising Dialogue Editor
Carlos Manrique Clavijo Sound Effects Editor
Sam Rogers Foley Artist
Lee Yee Foley Supervisor
Alicia Slusarski Sound Effects Editor
Jamie Thomason Additional Writing, Casting Director, Casting
We Hyun-song Art Direction
Yu Ji-eun Art Direction
Rob Edwards Additional Writing
Name Title
Andrew Mann Executive Producer
Jang Seong-ho Producer
Kim Woo-hyung Producer
Jared Geesey Executive Producer
Brandon Purdie Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 1 2 1
2024 5 2 5 1
2024 6 4 9 1
2024 7 5 14 1
2024 8 2 7 1
2024 9 2 5 1
2024 10 4 10 1
2024 11 3 10 1
2024 12 4 8 2
2025 1 5 12 3
2025 2 5 8 1
2025 3 4 11 1
2025 4 23 47 2
2025 5 15 26 7
2025 6 14 25 6
2025 7 8 10 6
2025 8 5 6 3
2025 9 4 7 3
2025 10 5 7 4

Trending Position


Year Month High Avg
2025 10 259 634
Year Month High Avg
2025 9 127 565
Year Month High Avg
2025 8 498 823
Year Month High Avg
2025 7 184 631
Year Month High Avg
2025 6 20 426
Year Month High Avg
2025 5 27 571
Year Month High Avg
2025 4 46 302

Return to Top

Reviews

Geronimo1967
6.0

Charles Dickens has a young son who loves stories of King Arthur and Camelot, of dragons and sword play - and refuses to go to bed until his father regales him with a story. This evening, though, dad tries a different tack by telling him a tale of the king of kings. The lad is suitably sceptical but ... is soon engrossed in a story of Jesus and the birth of Christianity. This animation uses a paternally Dickensian narration to plonk the young Walter amidst the scenarios as Jesus fights temptation in the desert, has his battles with the nasty Pharisees and recruits his group of followers who share his dream of a peaceful and more equitable world. What makes this telling a little more interesting is that it tries to tell us the stories through the eyes of the young lad. Like those bibles we got as kids that accentuate the adventure elements of the parables, that allow the imagination of a child to get hold of some exciting stories rather than adopt anything akin to the more pontifical. To that end, it plays nicely to Walter’s imagination and, of course, the sentiment extols the virtues the writer intended. It does mess around with the time lines a bit though, and imposing the kid in the middle of the biblical scenes rather disjointed it I felt, but is does engage quite entertainingly as it gathers pace. Though it could never be described as graphic, it also doesn’t shy away from demonstrating just how brutal these times could be if your face didn’t fit or if you crossed the authorities - local or Roman, and as an history lesson it is much more approachable than many more gospel-led lectures on the birth of Christ and his religion. Adults may find it a bit unchallenging, but as a kids introduction to the concepts of faith - in it’s broadest sense, decency and just a bit of fun, too, it uses amiable animation techniques and works fine.

Apr 14, 2025