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Bullet Train

The end of the line is just the beginning.
2022 | 126m | English

(511750 votes)

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Popularity: 14 (history)

Details

Unlucky assassin Ladybug is determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected, yet conflicting, objectives—on the world's fastest train.
Release Date: Aug 03, 2022
Director: David Leitch
Writer: Zak Olkewicz, Kotaro Isaka
Genres: Comedy, Action, Thriller
Keywords japan, assassin, based on novel or book, mission, train, luck, deadly snake, duringcreditsstinger, amused, shinkansen
Production Companies Columbia Pictures, 87North Productions
Box Office Revenue: $239,300,000
Budget: $90,000,000
Updates Updated: Aug 15, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Brad Pitt Ladybug
Joey King Prince
Aaron Taylor-Johnson Tangerine
Brian Tyree Henry Lemon
Andrew Koji Kimura
Hiroyuki Sanada The Elder
Michael Shannon White Death
Sandra Bullock Maria
Bad Bunny Wolf
Logan Lerman The Son
Zazie Beetz The Hornet
Masi Oka Conductor
Karen Fukuhara Kayda Izumi Concession Girl
Kevin Akiyoshi Ching Wataru
Minchi Murakami Tokyo Zookeeper
Kaori Taketani Asami Akiyama
Toshitaka Katsumi Policeman
Jim Garrity Senator
Emelina Adams Angelina Young
Jenson Cheng Hospital Thug
Nobuaki Shimamoto Minegishi
Yoshi Sudarso Young Elder
Johanna Watts White Death's Wife
Ian Gabriel Martinez Wolf (9 Years Old)
Tania Verafield Wolf's Mother
Pancho Cardena Cartel Enforcer
Julio Gabay El Saguaro
Andrea Muñoz Mrs. Wolf
Nancy Daly Annoyed Passenger
Arnold Chun Takashi Ito
Naomi Matsuda Impatient Passenger
Benmio McCrea Cardiovascular Surgeon
Pasha D. Lychnikoff Alexei Ilyin
Primus Johnson Young Lemon
Miles Marz Young Tangerine
Michelle Lee Watchful Nurse
Parker Lin Young Kimura
Garland Scott Angry Merc
Jason Matthew Smith Curious Merc
Zooey Miyoshi Okimi (Water Kid)
Kamil Aydin White Death Thug
David Leitch Jeff Zufelt
Channing Tatum Train Passenger (uncredited)
Ryan Reynolds Carver (uncredited)
RiRia Train Passenger (uncredited)
Ray Buffer Russian Thug (uncredited)
Samuel Code Wedding Guest (uncredited)
Dane E. Connor Passenger (uncredited)
Josh Cruze Bartender (uncredited)
Louis Delavenne International Traveler (uncredited)
Mike Ferguson Russian (uncredited)
M.G. Gong Gangster on Shizuoka Station (uncredited)
Rolando Gonzalez Cartel (uncredited)
Brandon Halvorsen Passenger (uncredited)
Masashi Ishizuka Oden Food Stand Chef (uncredited)
Shota Kakibata Passenger (uncredited)
Darren Keilan Passenger (uncredited)
Alice Ko Passenger (uncredited)
Waymond Lee Passenger (uncredited)
Willington Liu Assassin (uncredited)
Ego Mikitas Man in Black (uncredited)
Woon Young Park Big Guy (uncredited)
Shoko Rice Rail Worker (uncredited)
Ezra Samson Wataru #3 (uncredited)
Jose J. Santana Bodyguard (uncredited)
Sakura Sugihara Passenger (uncredited)
Charlotte Xia Japanese Girl (uncredited)
Harrison Xu Passenger (uncredited)
Howard Young Passenger (uncredited)
Pablo Ramos Wedding Guest (uncredited)
Kim Taratko Passenger (uncredited)
Marco Torres Paramedic (uncredited)
Name Job
Andrew DiBartolomeo Stunts
Alvin Chon Stunts
Anis Cheurfa Utility Stunts
Jenson Cheng Stunts
Mike Chaturantabut Stunts
Richard Cetrone Stunt Double
Richard Burden Stunts
Nick Benseman Stunt Driver
Can Aydin Stunts
Tsuyoshi Abe Stunts
Sala Baker Stunts
Peter J. Devlin Production Sound Mixer
Zak Olkewicz Screenplay
Jonathan Sela Director of Photography
Steven John Brown Stunts
Dominic Lewis Original Music Composer
Whitney James Makeup Artist
Elísabet Ronaldsdóttir Editor
Jeff Imada Stunts
Season Kent Music Supervisor
Kotaro Isaka Book
Greg Rementer Stunt Coordinator, Second Unit Director
Trevor Logan Stunts
Chris Palermo Stunt Driver
PeiPei Alena Yuan Stunts
Travis Wong Stunts
Kyro Wavebourne Stunts
Philip Tan Stunts
Yoshi Sudarso Stunt Double
Daniel Stevens Stunt Double
Nikki Stanley Stunt Double
Cale Schultz Stunts
Kellina Rutherford Stunt Double
Gabriel 'G-Rod' Rodriguez Stunts
Nathaniel Perry Stunt Double
Woon Young Park Stunts
Justin Yu Stunts
Chris O'Hara Stunts
Anthony N. Stunts
Kyle Murillo Stunts
Rahma Farahat Assistant Art Director
Lucas Bielan "A" Camera Operator
Hiroo Minami Stunt Double
Jalil Jay Lynch Stunts
Kurt D. Lott Utility Stunts
Daniel Locicero Stunts
Will Leong Stunt Double, Stunts, Stunt Driver
Colby Lemmo Stunts
Michael Lehr Stunts
Brian Le Stunts
Jay Kwon Stunts
Ross Kohnstam Stunts
Lu Junchang Stunts
Alfred Hsing Stunts
Jimmy Hart Utility Stunts
Chad Guerrero Jr. Stunts
Michelle Jubilee Gonzalez Stunts
Andrew Franklin Stunts
Mónica López Aleman Stunts
Brittany Morrissey Executive In Charge Of Production
Sarah Evelyn Costume Design
Lindsay Graham Ahanonu Casting
Richard Bloom Art Direction
Nicolas Plotquin Art Direction
Chris Farmer Supervising Art Director
Elizabeth Keenan Set Decoration
Merc Arceneaux Makeup Department Head
Jean Ann Black Makeup Artist
Robert Kato DeStefan Makeup Artist
Carleigh Herbert Makeup Artist
Michelle Audrina Kim Makeup Artist
Marissa Lafayette Makeup Artist
Ken Niederbaumer Makeup Artist
Ashley Tarver Makeup Artist
Nathan W. Bailey Set Designer
Celina Hollaender Set Designer
Chris Larsen Set Dresser
Natascha Matzat Set Designer
Sam Page Set Designer
Adorjan Portik Set Designer
Karen Riemenschneider Set Decoration Buyer
Joe Weber Set Designer
Frank A. Montaño Sound Re-Recording Mixer
Anthony Almaraz Set Costumer
Valentina Aulisi Set Costumer
Josh Mar Set Costumer
Liza Montoya Set Costumer
Bob Moore Jr. Set Costumer
Paul Barry First Assistant Director
Jason Halley Second Assistant Director
Brent O'Connor Unit Production Manager
Andrea Manners Script Supervisor
Steven Melton Property Master
Michael Brazelton Visual Effects Supervisor
Whitney Richman Visual Effects Producer
Bryan Yaconelli Production Supervisor
Jimmy E. Jensen First Assistant "A" Camera
Tristan Chavez Second Assistant "A" Camera
Coy Aune "B" Camera Operator
Stephen Early First Assistant "B" Camera
Trevor Carroll-Coe Second Assistant "B" Camera
Lisa Rodgers Post Production Supervisor
Jon Taylor Sound Re-Recording Mixer
Nick Ellsberg First Assistant Editor
Ross Dunkerley Chief Lighting Technician, Gaffer
Buzzy Burwell Assistant Chief Lighting Technician
Mark Hyde Key Grip
David Winner Best Boy Grip
Daniel Pershing Dolly Grip
Tim Christie Dolly Grip
Janine Rath-Thompson Hair Department Head
Anna Quinn Key Hair Stylist
Cynthia Welles Key Hair Stylist
Elissa Ruminer Hairstylist
Richard Redlefsen Key Makeup Artist
Rory Gaudio Makeup Artist
Stephen Bettles Makeup Artist
Joanne Yue Set Production Assistant
Shanice Williamson Executive Producer's Assistant
Camilo Urdaneta Production Assistant
Nathalie Taylor Production Assistant, Set Production Assistant
Logan Slovacek Additional Production Assistant
Cora Richards Set Medic
Colby Raban Production Assistant
Gio Randazzo Stand In
Nicole Francisca Kimmel Assistant Production Coordinator
Darina Prokofyeva Set Medic
Rob O'Malley Stand In
Carol McConnaughey Unit Publicist
Teresa Jolene Lee Set Production Assistant
Matthew Grote Lee Production Assistant
Kathleen Keller Production Coordinator
Jennifer Jereza Second Assistant Accountant
Akiko Izumitani Set Production Assistant
Gillian Henry Production Assistant
Daniela Giraldo Set Production Assistant
Mary Fox Production Accountant
Ariadne Figueroa-Thygesen Set Production Assistant
Kenji Doughty Key Set Production Assistant
Susana Corrales Set Production Assistant
Diane Cohen Set Production Assistant
Nick Clark Set Production Assistant
Chad Clark Second Assistant Accountant
Jose Chitay Production Secretary
Julia Cavanaugh Stand In
Chris Carr Stand In
Samuel E. Canter Production Secretary
Daniel Benjamin Studio Teacher
Edward Allen Production Controller
James Uccello Generator Operator
Chasen Ibarra Driver
Kimberly A. Frank Driver
Russell Bertolino Production Driver
Alex Alanis Driver
Dan Williams Location Manager
Lindsay Dellaporta Location Coordinator
Carey Crews Assistant Location Manager
Mike Cho Assistant Location Manager
Michael Zogleman Electrician
Nick Zeigler Lighting Technician
Satoshi Yamazaki Grip
Brendan Urckfitz Grip
Tony Thompson Drone Pilot
Brent Studler Electrician
Joseph M. Schmitz Lighting Technician
Benoit Richard Lighting Programmer
Adam Murray Grip
David J. Myrick Second Unit Director of Photography
Brian Minzlaff Lighting Technician
Kevin Miles Additional Second Assistant Camera
Jeremiah Magan Grip
Kaiyoti Rigging Grip
Loren Johnson Lighting Technician
Bradley J. Jenkins Rigging Grip
Sean Hale Hunt Additional Grip
David A. Hoffman Additional Grip
Trish Herremans Lighting Technician
Rick Harris Key Rigging Grip
Jason Juhl Gray Grip
Juan Carlos Gómez Electrician
Corey Gineris Drone Pilot
Scott Garfield Still Photographer
Brent Egan Additional Second Assistant Camera
Eduardo De La Mora Rigging Grip
Ryan Cancelosi Rigging Grip
Jon Brooker Grip
Tyler Witte Stunt Driver
Willie Weber Stunt Driver
Cord Walker Utility Stunts
Josh Seifert Utility Stunts
Armand Rabanal Stunts
Allen Quindiagan Stunts
Allan Padelford Stunt Driver
Joe Ordaz Stunts
Cameron Okubo Stunts
Gemma Nguyen Stunts
Tadahiro Nakamura Stunts
Mike Mukatis Stunts
Marco Morales Stunts
Kyle Mclean Stunt Double
Rachel McDermott Stunts
Braxton McAllister Stunts
Sam Ly Stunts
West LeClay Stunts
Kirk A. Jenkins Fight Choreographer
Yoshio Iizuka Stunts
Alvin Hsing Stunts
Randy Haynie Utility Stunts
Jason Gray Utility Stunts
Brandon Cornell Utility Stunts
Evan Copage Stunts
Micaiah Chau Stunts
Pablo Wang Compositor
Rosie Walker Digital Compositor
V. Sivaranjan Compositor
Sabiha Shaikh Visual Effects Producer
Aaron Reznick Visual Effects Production Manager
Tom Reagan Visual Effects Editor
Prasanth K. Raj Compositor
Prithvi Parmar Lighting Artist
Joan Panis CG Supervisor
Jesse Morrow Visual Effects Producer
Kriti Mor Lighting Artist
Chad Meire Digital Compositor
Priyal Mahadik Visual Effects Editor
Raphael Legros Digital Compositor
Lisa Lee Visual Effects Coordinator
Kong Kyungyong Visual Effects Production Manager
Navaneeth Krishna Digital Compositor
Anil Gupta Digital Compositor
Shizan Faisal Compositor
Nancy Duff Visual Effects Coordinator
Tulio Dueñas Additional First Assistant Camera
Richard Leo Cook Visual Effects Production Manager
Janhvi Hitesh Chudasama Visual Effects Coordinator
Keith Haynes Special Effects Technician
J.D. Schwalm Special Effects Supervisor
Roxanne Gross Special Effects Technician
Emils Gludins Special Effects Technician
Roland Fullajtar Special Effects Technician
Kurt Harris Special Effects
Jason Sheriff Special Effects
Daniel Futcher Additional Music
Akshay Khanna Digital Compositor
Todd Harris Storyboard Artist
Rahul Roy Compositing Artist
Hymnson Chan Stunts
David Leitch Director
David Scheunemann Production Design
Mary Vernieu Casting
Mark P. Stoeckinger Supervising Sound Editor
Evan Schiff Additional Editing
Alice Ko Stand In
Sera Trimble Stunt Double
Pak Ho-Sung Stunts
Al Burton Transportation Coordinator
Bridger Nielson Second Unit Director of Photography
Stephen James Visual Effects Supervisor
Saado Abou-Khazaal Visual Effects Producer
Trevor Morgan Stunts
Name Title
Antoine Fuqua Producer
Kat Samick Executive Producer
Ryosuke Saegusa Executive Producer
Yuma Terada Executive Producer
Brent O'Connor Executive Producer
Kelly McCormick Producer
David Leitch Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 102 141 80
2024 5 111 138 82
2024 6 88 178 56
2024 7 89 146 63
2024 8 86 138 52
2024 9 60 78 44
2024 10 72 116 53
2024 11 65 88 46
2024 12 71 114 53
2025 1 75 129 48
2025 2 57 87 11
2025 3 21 72 4
2025 4 15 25 10
2025 5 15 23 12
2025 6 13 17 12
2025 7 13 16 11
2025 8 12 15 11
2025 9 13 16 11
2025 10 13 15 11

Trending Position


Year Month High Avg
2025 10 132 554
Year Month High Avg
2025 9 141 563
Year Month High Avg
2025 8 81 467
Year Month High Avg
2025 7 115 445
Year Month High Avg
2025 6 102 425
Year Month High Avg
2025 5 50 413
Year Month High Avg
2025 4 32 402
Year Month High Avg
2025 3 128 534
Year Month High Avg
2025 2 19 321
Year Month High Avg
2025 1 53 481
Year Month High Avg
2024 12 104 608
Year Month High Avg
2024 11 278 647
Year Month High Avg
2024 10 240 529
Year Month High Avg
2024 9 207 480
Year Month High Avg
2024 8 179 418

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Reviews

msbreviews
7.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/bullet-train-spoiler-free-review "Bullet Train employs David Leitch's maximalist style in a purposefully silly narrative driven by frenetic action and distinct humor. Although it doesn't stray from the familiar formulas and do ... esn't leave viewers blown away by never-before-seen action sequences, the execution of all the intended cinematic moments is more than satisfying, resulting in a couple of hours full of entertainment. The exceptional cast is worth the ticket, and every second with Aaron Taylor-Johnson and Brian Tyree Henry is genuinely hilarious. Brad Pitt shines as well. Despite visual effects, script, and character development all traveling in economy class, it would be a "crime" not to recommend this trip." Rating: B

Aug 06, 2022
Kgprophet
6.0

“Snatch” On A Train It should not be a coincidence that Bullet Train and the movie Snatch both feature Brad Pitt. This kind of offbeat storytelling appeals to Pitt. I get a flashback of Pitt in “Twelve Monkeys”, embracing the lunacy. One might also see Tarantino in the storytelling as well. ... Most of the critics get it right though, the execution is a little flat. What works however are the montages of the other assassins and their backstory. The entire production, and I mean every single shot, feels like it is from a graphic novel. Careful attention to glowing backlights from buttons or tv screens or fancy lighting in general makes this bristle with Japanese cityscape. In fact every shot of the Bullet train that goes from Tokyo to Kyoto (which I have taken myself) shows it as (CGI) cityscape. So the slick feel is done by using cutaway shots of the bullet train never leaving the city (believe it our not in reality the train does go through some countryside) as a punch point as some stunning event happens with the plot. So this is a thriller, and it tries to throw in some whodunnit of who killed who. It also adds tension as our protagonist does not know he is in possible danger while the audience has been clued in. I like the attempt to go against stereotypes with our main characters. That includes the rich adolescent daughter. Dressed innocently, she actually has a cold heart. As for Brad Pitt, he is a little too “this all for fun”, and becomes a little too relaxed in a movie star going through the motions kind of way. Which I guarantee is not what Pitt is actually doing. I think he takes any role seriously and is acting out his character to the fullest. It's just that his character feels a but thin here. I felt the movie started off on the wrong foot with the banter between Pitt and his handler. As an editor, I would trusted the audience to let Pitt enter the story without the on the nose exposition. I also think that a slightly more serious tone would not make the gratuitous violence feel so comic book. Therein lies the reason this movie exists in the first place, John Wick. Audiences are expecting creative action sequences, and there are many set pieces that take advantage of being stuck on a train. Two other main characters are a lower class set of English assassins, straight from “Snatch”. That movie depicted a good number of lower class criminals in England speaking goofy dialogue and taking part in some Three Stooges style of mishaps. The duo here spend the entire movie bickering, finding their personal problems more interesting than our caper. I felt their schtick was pushed (their names are Tangerine and Lemon), and the expected humour didn't really connect with the audience. Which is too bad, because they are essentially the main characters, probably getting more screen time than Pitt. The Japan setting worked very well, although I expect that none of the film was actually shot in Japan, except maybe one of the early establishing shots. The stylish production design necessitated lots of embellishments to the slick backgrounds that the real world can't match. That's OK, I appreciated how cool the movie looked as this convoluted world of Japanese but not Japanese criminals go after the Macguffin. That is, although this a Japanese crime movie, many of the key characters are not Japanese. As for the action scenes, they are serviceable with a mix of weapons and hand to hand fighting. However there is an annoying habit of victims dying and not dying. Those type of one twist too many issues prevent this movie from being a James Bond kind of generic thriller that delivers the goods. I just recently saw “Gray Man”, and took note that although the story had nothing original to say, it stayed to it's core action tenets and didn't try to confuse the audience with any real twists. So even though both of these films are losers for the critics, there still is a level of roller coaster ride mentality that makes a well made action yarn enjoyable. So I enjoyed this more than those recent lazy Fast and Furious films, but found the story too convoluted, even more than “Gray Man”. 6 out of 10.

Aug 15, 2022
garethmb
N/A

I first got an extended look at “Bullet Train” during Cinemacon when a reel of the film was shown during the Sony showcase to an enthusiastic crowd. The footage mixed action and humor with quirky and dysfunctional characters and became a must-see film for me based on the teased footage. The film ... is based on a book by Kotaro Isaka and stars Brad Pitt as an operative named Ladybug. He is called at the last minute as a replacement and given instructions to board a Bullet Train and snatch a case in one of the passenger areas before exiting at the next station. Having gone through a recent crisis, Ladybug is awash in various philosophical and new age ideas as he attempts to find his inner peace and a new path in life, as such he does not take a gun with him when he boards despite being instructed to do so by his handler. The train is filled with various killers and dangerous people who are there to accomplish various goals and most of whom fail frequently in violent and hysterical manners which further complicate their agendas as well as that of the others and often puts them into conflict with one another as the story unfolds. It would be difficult to go into further detail on the various characters without spoiling some of the reveals and twists along the way but suffice it to say that Aaron Taylor-Johnson and Brian Tyree Henry as Tangerine and Lemon are great and their banter, as well as capers, is a frequent highlight. There are some surprise cameos in the film which add to the fun and Joey King is as great as perhaps one of the more complicated characters in the film. Pitt is clearly the star but the film allows him as well as his supporting cast plenty of moments to shine and the humor flies fast and frequent as does the action which creates a very engaging and stylistic hybrid of western and Asian cinema. The film does drag slightly late before leading to the finale but thanks to the great cast and action it comes through in the end. Director David Leitch has worked on films such as “Deadpool 2”, “Atomic Blonde”, and “John Wick: and you can see that he has a knack for directing action and comedy as this is a very fun and engaging film that has some great action and humor and one that you will not want to miss. 4 stars out of 5.

Aug 06, 2022
r96sk
9.0

Such a blast! Personally, I wasn't expecting much from <em>'Bullet Train'</em> at all. The (most overplayed) trailer didn't fill with me with much interest and I thought the bullet train aspect would be gimmicky and perhaps even too limiting. However, to my surprise it's the exact opposite to all ... that. It's supremely entertaining and very amusing! I love the whole style of the film, the editing is top notch. the bloody visuals are class and the music is superbly chosen - every track hits. Then you also have an excellent cast. I thought, again based on the trailer(s) that I saw, it would be a run-of-the-mill Brad Pitt feature, but his performance is terrific throughout. Aaron Taylor-Johnson and Brian Tyree Henry are a quality double act, I thought their accents and dynamic would get tiresome but if anything I enjoyed them the more I saw them - funny guys! Joey King was the only character I wasn't sold on during the film, though by the end I dug her performance too. Andrew Koji and Hiroyuki Sanada are also very good, while Michael Shannon, Benito A. Martínez Ocasio (aka Bad Bunny) and Zazie Beetz are welcomed cast members as well. There are also a few other noteworthy people involved, including two that Pitt knows well from a different <a href="https://letterboxd.com/film/the-lost-city-2022/" rel="nofollow">2022 flick</a>. Seriously, what a cast! If I had to mention one gripe, it would be the run time/pacing - this is me nit-picking, though at like one or two (no more than that) moments I did feel like it wasn't paced incredibly. Again, no biggie though. All in all, I most definitely had a great time with this and would certainly recommend it.* *still, if you want an even greater film set entirely on a train then you gotta check out the outstanding <em>'<a href="https://letterboxd.com/film/source-code/" rel="nofollow">Source Code</a>'</em> - one of my favourites!

Aug 09, 2022
Geronimo1967
7.0

Brad Pitt is "Ladybug" - a now zen-like, semi-retired, hitman brought out of retirement to appropriate a suitcase from a train. Easy enough task, you might think - especially as he obtains it relatively easily. It then transpires, though, that there is much more afoot. Also on the train are the two ... guys who own the suitcase - "Lemon" (Brian Tyree Henry) and his twin "Tangerine" (Aaron Taylor-Johnson) who have been tasked with rescuing the recently kidnapped son of the legendary "White Death" crime lord and his ransom (in the suitcase). When the pair discover that their loot has gone missing and that their charge has developed a rather nasty habit of bleeding from the eyes, they have to keep their suspicious employer at bay and find their luggage whilst this high-speed train hurtles from Tokyo to Kyoto. Add to the mix the slightly enigmatic "Prince" (Joey King) - outwardly a charming, butter-wouldn't-melt, schoolgirl type, but really a gal who is also up to something with the rather hapless "Kimura" (Andrew Kohi) whose son she had recently pushed from a roof and, well... Yes, the plot is pretty convoluted at the start but with a monologue style narrative well delivered by an on-form Pitt, and an engaging repartee between the 'Thomas the Tank Engine" obsessed "Lemon" and his spiritual brother, this actually makes for quite a decent action adventure. It is way too long - it could comfortably shave twenty minutes from the character establishment phase, but the script is quickly paced and sometimes quite clever and there are plenty of action scenes that are fun to watch and don't take too long. It has shades of "Pulp Fiction" (1994) I thought - multiple characters with entertaining storylines that gradually involve and synergise all the characters. The ending isn't the best, and perhaps one might wonder about the complete lack of security not just on the train but at just about every station between the two cities. Carnage ensues pretty readily but no sign of a blue light. It's fun, throwaway, entertainment that follows on from "The Lost City" in which Sandra Bullock and Channing Tatum allow Pitt the supporting role that he allows to both of them - and a tiny but of Ryan Reynolds too, if you are eagle-eyed, here. It's factory fodder, and you won't remember it by Christmas - but it's still nice to see some folks having fun on a big screen with no pretence whatsoever.

Oct 01, 2022
mooney240
7.0

**Bullet Train combines all the action, expertise, and stunt work of John Wick with the pacing, goofiness, and fun of Hot Fuzz.** High energy, vibrant colors, funny characters, and excellent action fuel Bullet Train to take its audience on a wild and entertaining ride. Each character is larger th ... an life and outrageous, but all fit perfectly in this vivid and comical world. Bullet Train feels like Edgar Wright’s version of John Wick - all the action is there, but so are all the comedy and quirky characters. Brad Pitt’s prowess as an actor shines as his ridiculous peace-loving assassin blunders through the film but never crosses the line into cliche or too much. Brian Tyree Henry’s Lemon is the most entertaining out of a cast of enthusiastic over-the-top characters that will have you laughing from the first second til the credits roll. Funny cameos and great action punctuate this already fun and colorful film. Bullet Train is a fun watch, but some poor visual effects distract from the ending and keep the rating from being higher. Even with its few faults, Bullet Train is a goofy, dynamic, and bright action flick that invents a fun world I wouldn’t mind exploring in future films.

Sep 28, 2022
bcorrel2
9.0

A well-timed, funny, action packed train ride, I was not bored for a single second of this film. ...

Oct 17, 2022
Dark Jedi
9.0

This was a fund movie indeed, and quite woke-free at that. The fact that the woke crap site Rotten Tomatoes has marked it as rotten (despite it having more than 50% positive critics reviews) was a good sign of course. It is an action/comedy about an unbelievably unlucky (and a bit stupid) assassi ... n played by Brad Pitt. The movie mixes action, comedy, a bit of suspense and a fair amount of gore in a quite enjoyable package. The movie balances the comedy bits right on the line where it would turn silly and cringe-worthy but there was really only one place where I went “Oh no, what the f…?”. The action bits are overall quite good but this is Hollywood with their armada of clueless script writers so sometimes they get a bit ridiculous. Like being able to hang on to the outside of a bullet train while it speeds away. Although fairly unbelievable and over the top, the core story actually makes some sense but then, it was not written by some Hollywood hack but instead based on a novel. Overall it was a fun movie with a lot of laughs. The end twist with the tangerine truck was absolutely hilarious.

May 16, 2024
narrator56
7.0

I see there are a LOT of reviews of Bullet Train here, so I will be brief. I usually only watch action movies if they contain a large element of humor and, if possible, an actor I like. So I gave Bullet Train a try. I figured Brad Pitt wouldn’t get involved with a totally awful film. So yes, it w ... as humorous and often entertaining, with the comic book violence action films often seem to include, I guess because the audience demands it. I almost gave up on it halfway through, not because it was boring but just because the story seemed so shallow and the subplots didn’t grab me. But the film’s action moved along fast enough for me to stick with it. Like I said, it is entertaining in places and witty overall, though I can’t imagine ever watching it a second time.

Jan 01, 2023
screenzealots
9.0

**By: Louisa Moore / www.ScreenZealots.com** It takes a lot for a film to surprise me, and I love it when one does. “Bullet Train” is chocked full of so much stylish, bloody, violent fun that it reminds me why I love movies in the first place. Director David Leitch brings a confident, creative vi ... sion to his Guy Ritchie-meets-Gareth Evans-meets Matthew Vaughn-meets Quentin Tarantino style that’s rambunctious, frenzied, and in your face. While some will detest this sort of mayhem, many fans of the genre will join me in enthusiastically screaming, “shoot this into my veins!“ Unlucky assassin Ladybug (Brad Pitt) is tired of the brutality. He’s back for another job, but has pledged to work peacefully and without a weapon. Ladybug has been tasked with retrieving a silver briefcase from a high-speed train in Japan, which seems simple enough. Fate steps in, naturally, putting a damper on his well-intentioned plans. The train is filled with the most lethal adversaries (and one deadly snake) from around the globe, and they all want the same thing. Chaos ensues in what may be a literal last man standing scenario. Based on the book by Kôtarô Isaka, the film takes place almost solely onboard a train, but it never feels claustrophobic. Despite tight close-ups and many dialogue-heavy scenes with questionable writing, the cast (including Joey King, Andrew Koji, Michael Shannon, and Hiroyuki Sanada) keeps things engaging. Brian Tyree Henry and Aaron Taylor-Johnson as a pair of professional criminals are particularly entertaining, and Pitt exercises his movie star chops with great aplomb. The storytelling is terrific (one of my favorite bits is the tale of Wolf, which is wonderfully executed), even if everything doesn’t quite come together as well as it could. This is also a gorgeous looking film. Jonathan Sela‘s colorful cinematography is alluring, with a richness that elevates every scene. Leitch is skilled at directing action scenes that are thrilling, and fights that are well choreographed. Even the CGI is exciting. The film reaches just the right balance between action, violence, and humor, and it’s one that I cannot wait to revisit. From the killer soundtrack to the rapid-fire visual storytelling, there’s a lot going on at all times. If you’re not paying attention, you’re guaranteed to miss something. I feel this one could benefit from subsequent viewings. Plus, it’s been a long time since I’ve wanted to rush back to re-watch a movie the second it ended. “Bullet Train” is a film that will prove to be an acquired taste. It’s the type of movie that you’ll either love or loathe, with very few landing somewhere in between. It’s illogical, confrontational, and it’s sometimes evident that the film trying too hard, but I found it easy to overlook the flaws because it’s just so damn entertaining. Talk about a nonstop thrill ride.

Apr 22, 2023