Popularity: 6 (history)
| Director: | Joe Russo, Anthony Russo |
|---|---|
| Writer: | Joe Russo, Stephen McFeely, Christopher Markus, Mark Greaney |
| Staring: |
| When a shadowy CIA agent uncovers damning agency secrets, he's hunted across the globe by a sociopathic rogue operative who's put a bounty on his head. | |
| Release Date: | Jul 13, 2022 |
|---|---|
| Director: | Joe Russo, Anthony Russo |
| Writer: | Joe Russo, Stephen McFeely, Christopher Markus, Mark Greaney |
| Genres: | Action, Thriller |
| Keywords | central intelligence agency (cia), based on novel or book, kidnapping, hitman, agent, rogue agent, hunted, ex-cia agent |
| Production Companies | Roth-Kirschenbaum Films, AGBO |
| Box Office |
Revenue: $454,023
Budget: $200,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ryan Gosling | Six |
| Chris Evans | Lloyd Hansen |
| Ana de Armas | Dani Miranda |
| Billy Bob Thornton | Fitzroy |
| Jessica Henwick | Suzanne Brewer |
| Dhanush | Avik San |
| Alfre Woodard | Margaret Cahill |
| Regé-Jean Page | Carmichael |
| Wagner Moura | Laszlo Sosa |
| Julia Butters | Claire |
| Shea Whigham | Six's Father |
| Deobia Oparei | Dulin |
| Robert Kazinsky | Perini |
| Daz Crawford | Markham |
| Callan Mulvey | Dining Car |
| Charlit Dae | The Buyer |
| Cameron Crovetti | Young Six |
| Chris Castaldi | Dawson |
| Jeremy Tichy | Officer Zelezny |
| Marián Mitaš | Ranking Officer |
| Petr Semerád | URNA Captain |
| Dana Aliya Levinson | Lead Hansen Tech |
| Nadiv Molcho | Junior Hansen Tech |
| Jimmy Jean-Louis | Alex Dumas |
| Adam Bartlett | Command Center Tech |
| Eme Ikwuakor | Lead Merc |
| Patrick Newall | C.I.A. Officer |
| Anthony J. Vorhies | C.I.A. Specialist |
| Quinn R. Somasavachai | Young Boy |
| Siri Schwartzberg | Old Woman |
| Faye Nightingale | Young Woman |
| Alexandr Minajev | Russian Orthodox Priest |
| Karen Jin Beck | DJ |
| Angela Russo-Otstot | C.I.A. Tech |
| Kate Blumberg | Wendy |
| Becky Wu | Doctor |
| Maria Darkina | Czech Orderly |
| Justin Walker White | Pilot |
| Kaipo Schwab | Co-Pilot |
| Emanuel Felix | Chopper Pilot |
| Kendall Wells | Australian Team Leader |
| Michael Anthony Rogers | Intense Man |
| Joe Daru | Gamer |
| Oleg Kim | Drunken Thai Guy |
| Irina Aylyarova | Czech Doctor |
| Martin Harris | Czech Police Officer |
| Karel Heřmánek | Czech Injured Man |
| Michelle Twarowska | Czech Injured Woman |
| Michel Carliez | Patrol Merc |
| Grace Russo | Teenage Girl #1 |
| Lia Mariella Russo | Teenage Girl #2 |
| Camille Marquez | Elena |
| Brent McGee | Erik Carver |
| Belén Cusí | Hansen Exec |
| Faouzi Brahimi | Machine Gun Merc |
| Paul Abell | C.I.A. Agent #1 |
| Andy Watts | C.I.A. Agent #2 |
| Steffen Aaron Dziczek | C.I.A. Agent #3 |
| Ian Stone | C.I.A. Agent #4 |
| R. Ben Parker | Medivac EMT #1 |
| Swen Gillberg | Medivac EMT #2 |
| William Barkley | Medic |
| Štěpán Radina | Funeral Gunner |
| Joe Russo | CIA DDO Fine |
| Isaac Stephen Montgomery | MP #1 |
| Matthew Bellows | MP #2 |
| Marc Forget | Interrogation Subject |
| Boone Platt | Masked Man |
| Gee Alexander | Goon |
| Dennis Kunkel | CIA Deputy |
| Steven Sievert | 1995 De-Age Double #1 |
| Gordon Tarpley | 2003 De-Age Double #4 |
| Steffen Oziczek | 2003 De-Age Double #1 |
| Karel Heřmánek | Czech Injured Man |
| Kat Leroy | Runner (uncredited) |
| Name | Job |
|---|---|
| Miroslav Lhotka | Stunts |
| Paolo Acri | Visual Effects Supervisor |
| Laurence Berkani | Executive Visual Effects Producer |
| Josiane Fradette | Visual Effects Producer |
| Alex Benevent | Stunt Coordinator |
| Andrew Kosum | On Set Dresser |
| Andrea Carter | Art Department Coordinator |
| Brian S. Childs | Propmaker |
| Arnaud Courteix | Standby Art Director |
| Darrin Denlinger | Storyboard Artist |
| Joe Russo | Screenplay, Director |
| Gregory F. Anderson | Assistant Art Director |
| Richard L. Johnson | Supervising Art Director |
| Lauren Rosenbloom | Art Direction |
| Dan Sucharipa | Art Direction |
| Eric Sundahl | Art Direction |
| Nancy Haigh | Set Decoration |
| Jay Wejebe | Makeup Artist |
| Leo Won | Makeup Artist |
| Lauren Thomas | Makeup Department Head |
| Tina Roesler Kerwin | Makeup Artist |
| Christine Choi | Makeup Artist |
| Mark W. Brown | Set Dresser |
| David Chow | Set Designer |
| Radim Cvancara | Set Decoration Buyer |
| Sarah Forrest | Set Designer |
| Noelle King | Set Designer |
| Tammy S. Lee | Set Designer |
| Sarah Lopez | Assistant Art Director |
| Anshuman Prasad | Set Designer |
| Shari Ratliff | Art Department Assistant, Set Designer |
| Eric Rood | Set Dresser |
| Jessica Santisteban | Set Dresser |
| Paul Sonski | Set Dresser, Set Designer |
| Fante Zamora | Set Dresser |
| Serkan Semiz | Visual Effects Supervisor |
| Tiffany Busche | Set Costumer |
| Scott R. Hankins | Set Costumer |
| Marina Marit | Set Costumer |
| Christina Matthews | Set Costumer |
| Robin McMullan | Costume Supervisor |
| Benoît Jaubert | Line Producer |
| Krista Husar | Casting |
| Chris Lowe | Production Design |
| Tim Browning | Art Direction |
| Tom Frohling | Art Direction |
| Theodora Ter-Akopowa | Standby Art Director |
| Martina Ter-Akopowá | Supervising Art Director |
| Jan Anderle | Makeup Artist |
| Jeff Groth | Editor |
| Jitka Backovska | Makeup Artist |
| Jana Barosco | Makeup & Hair |
| Lukas Barton | Makeup & Hair |
| Stanislava Bartošová | Makeup & Hair |
| Lada Bímová | Makeup Artist |
| Stacy Bisel | Hairstylist |
| Alyson Black-Barrie | Hairstylist |
| Erin Blinn | Makeup Artist |
| Pascale Bouquière | Key Makeup Artist |
| Martina Buhrová | Makeup & Hair |
| Gabriela Burešová | Makeup & Hair |
| Markéta Cervená | Makeup Artist |
| Linda Chudomelova | Makeup & Hair |
| Sheila Cyphers-Leake | Key Hair Stylist |
| Michelle Diamantides | Hair Department Head |
| Eliska Dohnalkova | Makeup Artist |
| Kristýna Drdová | Makeup Artist |
| Veronika Drobná | Makeup Artist |
| David DuMortier | Key Makeup Artist |
| Dagmar Erychlebová | Makeup Artist |
| Bibi Fabianova | Makeup Artist |
| Hana Franková | Makeup Artist |
| Klara Frantisakova | Makeup Artist |
| Rachel Galey | Makeup Artist |
| Kimberly Graczyk | Key Makeup Artist |
| Renia Green | Hairstylist |
| Erin Harding | Makeup Artist |
| Natasha Holderman | Hairstylist |
| Kateřina Housková | Makeup Artist |
| Romana Karlíková | Makeup Artist |
| Myo Lai | Hairstylist |
| Marie Larkin | Hairstylist |
| Chris LeNeo | Hairstylist |
| Felicia Linsky | Makeup Artist |
| Susan Jennifer Lipson | Hairstylist |
| Philomène Lucas | Makeup Artist |
| Marie Navrátilová | Makeup Artist |
| Magda Mazalová | Makeup Artist |
| Katy McClintock | Hairstylist |
| Mia McGuinness | Makeup Artist |
| Jaime Leigh McIntosh | Hairstylist |
| Jitka Mouchová | Makeup Artist |
| Zita Odenhalova | Makeup Artist |
| Cyril Oubahi | Hairstylist |
| Tereza Patockova | Makeup Department Head |
| Bára Potuzníková | Makeup Artist |
| Marek Pátl | Makeup Artist |
| Lucie Rabanová | Makeup Artist |
| Lenka Reihserova | Makeup Artist |
| Sian Richards | Makeup Artist, Hairstylist |
| Michaela Rosickova | Makeup Artist |
| Eliska Routova | Makeup Artist |
| Tereza Skákalová | Makeup Artist |
| Zuzana Slezakova | Makeup Artist |
| Barbora Smolová | Makeup Artist |
| Stacey Sokol | Hairstylist |
| Steven R. Soussanna | Hairstylist |
| Tatiana Thorpe | Makeup Artist |
| Laine Trzinski | Hairstylist |
| Kekepania Vasquez-Tamali'i | Hairdresser |
| Leah Vautrot | Key Makeup Artist |
| Johnny Villanueva | Hair Department Head |
| Petra Vlková | Makeup Artist |
| Eva Vrtišková | Makeup Artist |
| Johana Vrtíšková | Makeup Artist |
| Kristin Wahl | Hairstylist |
| Josef Weiss | Makeup Artist |
| Pavlína Žďánská | Makeup Department Head |
| Fabrice Aurigny | Assistant Unit Manager |
| Selena Carrillo | Production Supervisor |
| Valeria Costa | Visual Effects Production Manager |
| Sébastien Didelot | Unit Manager |
| Nathan Hayashigawa | Executive In Charge Of Production |
| Charlie Hayes | Visual Effects Production Manager |
| Kamila Fric Hlochova | Production Assistant |
| Piyaporn Indageha | Production Manager |
| Dan Kuska | Unit Manager |
| Sonny P. Louis | Production Assistant |
| Michael Morgan | Executive In Charge Of Post Production |
| Mustafa Kemal Olcer | Production Manager |
| Tim Pedegana | Post Production Supervisor |
| Christine Raspillère | Production Manager |
| Kerri Smeltzer | Production Supervisor |
| Anthony J. Vorhies | Unit Production Manager |
| Kristýna Zasadilová | Production Assistant |
| Leona D'Huy | Third Assistant Director |
| Conor Feltham | Third Assistant Director |
| Jonathan Goetzman | Production Assistant |
| Jeff Goodell | Second Unit |
| Andrea Hachuel | Second Assistant Director |
| James Young | Second Unit Director, Stunt Coordinator |
| Matt Haggerty | Second Unit First Assistant Director |
| Stewart Hamilton | Second Unit First Assistant Director |
| Martin Hladík | First Assistant Director |
| Matus Kukuca | Second Assistant Director |
| Kryštof Liška | Third Assistant Director |
| Louise Mejstelman | Third Assistant Director |
| Ryan Newberry | Second Second Assistant Director |
| Daniela Paulova | Second Second Assistant Director |
| Kristýna Rousková | Third Assistant Director |
| Gregory Santoro | Second Second Assistant Director |
| Neema Sharma | Set Production Assistant |
| Trevor Tavares | Second Assistant Director |
| Lindsey Thaxton | Production Assistant |
| Angela Vitas | Third Assistant Director |
| Abigail L.S. Yardley | Second Assistant Director |
| Jan Zalar | Second Second Assistant Director |
| Ernie Avila | Set Designer |
| Manuel Baca | Assistant Property Master |
| Matt Boucard | Set Dresser |
| Damon Bowden | Sign Painter |
| Michael Adam Brown | Standby Painter |
| Thomas E. Brown | Paint Coordinator |
| Jameson Buston | Set Decorating Coordinator |
| Val Drake | Sculptor |
| Daniel Dvořák | Property Master |
| Richard Ewan | Paint Coordinator |
| Kim Frederiksen | Concept Artist |
| Jeff Frost | Conceptual Design |
| David X. Gomez | Propmaker |
| Hector M. Gonzalez | Assistant Property Master |
| Doug Harlocker | Property Master |
| Finley Harlocker | Props |
| Zbynek Havlin | Painter |
| Katerina Hlahulkova | Graphic Designer |
| Jonas Kirk | Construction Coordinator |
| Katerina Koutská | Set Decoration |
| Chris Lamendola | Carpenter |
| Thomas Laporte | Property Master |
| Tomás Lehovec | Construction Foreman |
| Anthony Liberatore | Storyboard Artist |
| Ron Licari | Property Master |
| Richard F. Mays | Set Designer |
| Jon Nicholson | On Set Dresser |
| Fred M. Ortiz | Set Dresser, On Set Dresser |
| Sara Philpott | Assistant Set Decoration |
| Frank Piercy | Paint Coordinator |
| Václav Pinkas | Assistant Property Master |
| Jessica Ripka | Set Decorating Coordinator |
| Josue Rodriguez | Assistant Property Master |
| Mauricio Ruiz | Concept Artist |
| Nicholas Sabio | Set Painter |
| Darlene Salinas | Set Decorating Coordinator |
| Chris Samp | Standby Painter |
| Katie Sanner | Props |
| Clint Schultz | Graphic Designer |
| Alex Sessing | Greensman |
| David Sheldon-Hicks | Graphic Designer |
| Andrew Shinavier | Props |
| Craig T. Shordon | Painter |
| Drew Simmons | Construction Foreman |
| Benjamin Kimball Smith | Set Dresser |
| Chris Snyder | Construction Coordinator |
| Jaak Sova | Set Decoration Buyer |
| Jimmy Stannard | Propmaker |
| Viktorie Isabella Ter-Akopow | Art Department Coordinator |
| Michael Thurman | Set Dresser |
| Mark Weber | Construction Foreman |
| Mark Weissenfluh | Leadman |
| Trey Wright | Art Department Assistant |
| Qingling Zhang | Concept Artist |
| Cesar E. Lemus | Storyboard Artist |
| Thibault Arnold | ADR Mixer |
| Mark Binder | Sound Designer, Sound Re-Recording Mixer |
| Jan Blazek | Boom Operator |
| Michal Cech | Boom Operator |
| Patrick Christensen | ADR Mixer |
| Andrew Cier | Utility Sound |
| Trevor Cress | Sound Re-Recording Mixer |
| Thomas Curley | Sound Mixer |
| Rene Defrancesch | Utility Sound |
| Donald Flick | Sound Effects Editor |
| Chris Goodes | Sound Re-Recording Mixer, Sound Editor |
| Nicolas Gospic | Sound Assistant |
| Elliot Hartley | Sound Supervisor |
| Mike Horton | Foley Artist |
| Jeffrey A. Humphreys | Boom Operator |
| Campbell Irwin | ADR Coordinator |
| Cecile Janet | ADR Recordist |
| Vu Le | Foley Mixer |
| Walter Ledesma | Dialogue Editor |
| Xiang Li | Sound Editor |
| Darrin Mann | Foley Mixer |
| Matěj Matuška | Sound Mixer |
| Adam Mohundro | Boom Operator |
| Bryan Pennington | Dolby Consultant |
| Igor Pokorný | Sound Mixer |
| Fitzrovia Post | ADR Engineer |
| Rocky Reilly | Utility Sound |
| Monique Reymond | Foley Artist |
| Roman Rigo | Boom Operator |
| Nikola Simikić | Sound Editor |
| Stanomir Dragoş | Sound Mixer |
| Knox White | Boom Operator |
| Maïté Blanco | Stunt Double |
| Alec Back | Stunt Double |
| Rockey Dickey Jr. | Stunt Coordinator |
| Daniel Hernandez | Fight Choreographer |
| Cheryl Lewis | Stunt Double |
| David Lištván | Stunt Coordinator |
| Angel Manuel | Stunt Double |
| Katie O'Donovan | Stunt Double |
| Mike Ryan | Stunts |
| Anastajah Stearns | Stunts |
| Jason Tubbs | Stunt Driver |
| Ivo Zubaty | Stunts |
| Michael Miller | ADR Mixer |
| Allan Padelford | Stunt Driver |
| Michael Meinardus | Special Effects Supervisor |
| Martin Macik | Armorer |
| Michal Straka | Utility Sound |
| Anthony Russo | Director |
| Stephen McFeely | Screenplay |
| Christopher Markus | Screenplay |
| Swen Gillberg | Visual Effects Supervisor |
| Vanessa Cater | Utility Stunts, Stunts |
| Henry Jackman | Original Music Composer |
| Neal Callow | Art Direction |
| Laurens Ehrmann | Visual Effects Supervisor |
| Stephen F. Windon | Director of Photography |
| Pavel Krejci | Art Direction |
| Mark Greaney | Novel |
| Pietro Scalia | Editor |
| Joseph J. Micucci | Line Producer |
| Sarah Halley Finn | Casting |
| Dennis Gassner | Production Design |
| Taylor Bennett | Hairstylist |
| Margarita Pidgeon | Key Hair Stylist |
| Ali James | Visual Effects Production Manager |
| Patrick Newall | Unit Production Manager |
| Stéphane Gluck | Second Unit First Assistant Director |
| Spiro Razatos | Second Unit Director |
| Leonard Hädler Stirský | Props |
| Debbie Evans | Stunts |
| Heidi Moneymaker | Stunts |
| Henry Kingi | Stunts |
| Eliza Coleman | Stunts |
| Jack Gill | Stunt Coordinator |
| Felix Betancourt | Fight Choreographer |
| Nicolas Bosc | Stunt Double |
| Hannah Betts | Stunt Driver |
| Rachel Gelfeld | Stunt Double |
| Adam Hart | Stunt Double |
| Steve Kelso | Stunts |
| Malosi Leonard | Stunts |
| Jalil Jay Lynch | Stunts |
| Anthony N. | Stunts |
| Mark Miscione | Stunt Double |
| Kara Petersen | Stunt Double |
| Denney Pierce | Stunt Driver |
| Chris Palermo | Stunt Driver |
| Don Thai Theerathada | Stunt Coordinator |
| Nicholas Verdi | Stunts |
| Jan Blahák | Stunts |
| Martin Mares | Production Consultant |
| Kerry Lyn McKissick | Script Supervisor |
| Paul Lacovara | Stunts |
| Katie Anna Brady | VFX Artist |
| Brandon D. Smith | Set Dresser |
| Leroy McLeod | Production Assistant |
| Judianna Makovsky | Costume Design |
| Silvia Jančulová | Line Producer |
| Frédérique Arguello | Key Hair Stylist |
| Chris Castaldi | Unit Production Manager, First Assistant Director |
| Lee Orloff | Production Sound Mixer |
| Mackensi Emory | Stunt Double |
| Aren Farrington | Stunt Double |
| Jimmy N. Roberts | Stunt Driver |
| Molly Doyle | Casting Associate |
| Michael Anderson | Key Grip |
| Geoffrey Haley | Steadicam Operator, "A" Camera Operator |
| Matthew Sharp | Second Assistant Director |
| Mónica López Aleman | Stunts |
| Michael Crow | Co-Costume Designer |
| Name | Title |
|---|---|
| Joe Russo | Producer |
| Zack Roth | Executive Producer |
| Palak Patel | Executive Producer |
| Geoffrey Haley | Executive Producer |
| Murtaza Kathawala | Associate Producer |
| Viet Luu | Associate Producer |
| Page Rosenberg-Marvin | Associate Producer |
| Anthony J. Vorhies | Co-Producer |
| Angela Russo-Otstot | Executive Producer |
| Anthony Russo | Producer |
| Joe Roth | Producer |
| Patrick Newall | Executive Producer |
| Christopher Markus | Executive Producer |
| Stephen McFeely | Executive Producer |
| Jeff Kirschenbaum | Producer |
| Joseph J. Micucci | Co-Producer |
| Matthew Stillman | Co-Producer |
| David Minkowski | Co-Producer |
| Mike Larocca | Producer |
| Chris Castaldi | Producer |
| Jake Aust | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 54 | 81 | 37 |
| 2024 | 5 | 66 | 81 | 47 |
| 2024 | 6 | 55 | 78 | 37 |
| 2024 | 7 | 62 | 113 | 37 |
| 2024 | 8 | 51 | 78 | 36 |
| 2024 | 9 | 37 | 49 | 27 |
| 2024 | 10 | 59 | 106 | 33 |
| 2024 | 11 | 53 | 81 | 36 |
| 2024 | 12 | 47 | 55 | 38 |
| 2025 | 1 | 46 | 57 | 37 |
| 2025 | 2 | 39 | 54 | 8 |
| 2025 | 3 | 13 | 59 | 3 |
| 2025 | 4 | 10 | 14 | 6 |
| 2025 | 5 | 9 | 15 | 7 |
| 2025 | 6 | 7 | 12 | 6 |
| 2025 | 7 | 6 | 8 | 4 |
| 2025 | 8 | 6 | 8 | 4 |
| 2025 | 9 | 7 | 9 | 6 |
| 2025 | 10 | 8 | 11 | 6 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 611 | 810 |
| Year | Month | High | Avg |
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| 2025 | 9 | 469 | 742 |
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| 2025 | 8 | 443 | 749 |
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| 2025 | 7 | 503 | 816 |
| Year | Month | High | Avg |
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| 2025 | 6 | 551 | 699 |
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| 2025 | 5 | 552 | 815 |
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| 2025 | 4 | 293 | 741 |
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| 2025 | 3 | 116 | 662 |
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| 2025 | 2 | 629 | 838 |
| Year | Month | High | Avg |
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| 2025 | 1 | 625 | 805 |
| Year | Month | High | Avg |
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| 2024 | 12 | 423 | 742 |
| Year | Month | High | Avg |
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| 2024 | 11 | 553 | 840 |
| Year | Month | High | Avg |
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| 2024 | 10 | 844 | 941 |
| Year | Month | High | Avg |
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| 2024 | 9 | 835 | 867 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 723 | 882 |
_The Gray Man_ has some impressive action sequences, but is such a lackluster film experience overall. Most of the action is bogged down by sloppy editing where a complete absence of proper lighting ruins whatever positives the film had going for it. The talented cast does what they can with their r ... oles, but it’s not enough to make the film entertaining. Ana de Armas is mostly forgettable apart from shooting tranquilizer darts in guy’s butts and firing a rocket launcher a few times. Tedious and sluggish with punches and kicks and kills that barely satisfy, _The Gray Man_ is a dead on arrival action thriller that squanders potential almost as often as Ryan Gosling chews gum. **Full Review:** https://hubpages.com/entertainment/The-Gray-Man-2022-The-Yawn-Ultimatum
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "The Gray Man holds the energetic, over-the-top, explosive action from the Russo Brothers, which should be enough to entertain the vast majority of the audience throughout the admittedly generic, predictable screenplay. Excessive camera move ... ment occasionally sabotages the fantastic fight choreography, but nothing that lasts too long. Regardless of the valuable technical aspects, the success of this movie is inherently connected to the superb performances from a cast packed with chemistry. Ryan Gosling demonstrates that he knows how to play an action protagonist, Chris Evans clearly has tons of fun playing a "bad guy" full of personality, Ana de Armas captivates as the sidekick badass, while Jessica Henwick is underused - the actress has done more than enough in her career to portray bigger roles. See it in the theater, if possible." Rating: B
Well at least this latest Netflix effort gives us some eye candy in the form of the annoyingly ageless Ryan Gosling and a slightly hammy Chris Evans, but the rest of it is derivative even by their standards. We start with a young man being released from prison by "Fitzroy" (Tommy Lee Jones) so he ca ... n join an elite CIA hit squad. Named "Six" (Gosling), his first mission is straight out of the "Mechanic" (2011) only it's an erstwhile colleague that he is sent to eradicate. A task that proves remarkably simple but is accomplished not before, luckily for us, he is given a micro chip that illustrates his new boss "Carmichael" (an underwhelming Regé-Jean Page) is about as crooked as the day is long. There now ensues a series of long "John Wick" style combat scenes as try as this hugely well equipped CIA operation does, it simply cannot capture "Six". Desperate times call for desperate measures so "Hansen" (Evans) is drafted in to finally do the business by kidnapping the easily accessible niece of the now retired TLJ, and using her as leverage he tries a different tack. Wholesale slaughter follows and along the way some lovely buildings in Prague and Croatia become neat piles of rubble; the local citizens are dropping like flies sending those in the CIA PR department into spasms... Well you get the gist. The always over-rated Ana de Armas sports quite a colourful suit at the start, but as usual her contributions are pretty unimpressive; TLJ is nowhere near his best and the thing lurches on towards a really inevitable conclusion that stretched out the thinnest of plots and showed a really disconcerting image of a CIA completely out of control, running rampage - and that scenario isn't remotely plausible. There is plenty of car-chasing, gunfights and pyrotechnic displays but that's nowhere near enough to compensate for a pretty unremarkable script and an amalgam of stories we have seen done better elsewhere, many times before. That said, if you get a chance to see it during it's limited cinema run then I'd give it a go. On television this is just subscription fodder with A-list cows that you will instantly forget.
Seing this as another run to the mill Netflix release should not keep your hopes up. Netflix is where mediocre goes to congreate to the masses. We have another spy action movie amongst us. Last one before this was Kate, that was another bland action-spy movie. This offers absolutely NOTHING new to ... the table. We seen every trick this movie offer before. Over-skilled agents. Clever coreographed fight scenes, Trick tactics, agents with no names, An agency who elimintaes their own agents, expendable kill teams, plenty conspiracies and tons of action. But i have to say i enjoy Gosling alone in this one. He plays it cool. Its just shame that he is backed up with a script littered with clichés from start to end. We also have Ana De Armas who is fast becoming the new Tom Holland that appears everywhere. An actress that is milked trought the Hollywood system and spewed out to never be heard of again some day. But the movie is for sure a worthy popcorn flick with no expetations to give. On a entertainment standpoint it delivers.
Anyone thinking the CIA is anything other than awful, should in my humble opinion, take a long look at their actual history. Anyway, putting aside the predictable effort to set up this nasty little three letter acronym as virtuous, there's not a lot going on here. Its your usual rather heavy h ... anded, cruel, cynical, US action flick. Exposition is polished but then it needs to be, because there's not a lot else on offer that I can see. Suffice to say, instantly watchable and just as forgettable. So if you want simple action and can look past the not so subtle messaging, this is a marginally alright watch.
**Overall : The big-budget, big stars, and big action felt more like a knockoff of other action franchises than a success in itself.** The Gray Man is the result of putting a Fast and Furious movie in a blender with Taken or John Wick and Michael Bay. The outrageous action and super cheesy dialog ... ue try to take itself as a serious spy movie. Don’t get me wrong-it’s not a bad movie. The fight choreography is pretty good, and the Gray Man boasts an impressive A-list cast. It is a decent generic action flick. But the goofiness of Chris Evans’ villain was almost at Batman & Robin levels. I really wanted to rate this movie a little higher (like a 3.5 of 5 or 7 of 10), but it just falls short.
It's good stuff, but ought to have been so much more. <em>'The Gray Man'</em> features all the ingredients to have become a quality movie. Unfortunately, it is simply 'just' a watchable popcorn action flick. That's not necessarily a criticism in itself, it's just that I had hoped for far greater. ... Ryan Gosling puts in an entertaining performance, his dynamic with youngster Julia Butters is reminiscent of his similar showing with Angourie Rice in 2016's <em>'<a href="https://letterboxd.com/film/the-nice-guys/">The Nice Guys</a>'</em>. Chris Evans and Ana de Armas are noteworthy positives alongside Gosling. The worldwide vibe of the story is cool, while the action sequences - aside from one 'skydiving' scene - are satisfactory enough. I enjoyed the film thus have no real complaints, it just could've/should've been something more memorable.