Popularity: 11 (history)
Director: | Rian Johnson |
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Writer: | Rian Johnson |
Staring: |
World-famous detective Benoit Blanc heads to Greece to peel back the layers of a mystery surrounding a tech billionaire and his eclectic crew of friends. | |
Release Date: | Nov 23, 2022 |
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Director: | Rian Johnson |
Writer: | Rian Johnson |
Genres: | Comedy, Crime, Mystery |
Keywords | detective, greece, mona lisa (la gioconda), investigation, satire, sequel, murder, billionaire, whodunit, puzzle box, clue, identical twin, murder mystery, arrested development, covid-19, adoring, amused, appreciative, approving |
Production Companies | T-Street |
Box Office |
Revenue: $15,000,000
Budget: $40,000,000 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Daniel Craig | Benoit Blanc |
Edward Norton | Miles Bron |
Janelle Monáe | Andi Brand |
Kathryn Hahn | Claire Debella |
Leslie Odom Jr. | Lionel Toussaint |
Kate Hudson | Birdie Jay |
Dave Bautista | Duke Cody |
Jessica Henwick | Peg |
Madelyn Cline | Whiskey |
Noah Segan | Derol |
Jackie Hoffman | Ma |
Dallas Roberts | Devon Debella |
Ethan Hawke | Efficient Man |
Hugh Grant | Phillip |
Stephen Sondheim | Stephen Sondheim |
Natasha Lyonne | Natasha Lyonne |
Kareem Abdul-Jabbar | Kareem Abdul-Jabbar |
Serena Williams | Serena Williams |
Yo-Yo Ma | Yo-Yo Ma |
Joseph Gordon-Levitt | Hourly Dong (voice) |
Adele Franck | Claire's Assistant |
Jacek Czajka | Lab Worker |
Dan Chariton | Dr. Pierre Bonassus |
Eddie Gorodetsky | Dr. Peter Clayton |
Coco Shinomiya | Emiko Yamane |
Dilcia Barrera | Dr. Dilcia Cabrera |
Mark Newman | Dr. Mark Swifton |
Adam Davenport | Model |
Lauren Ivy | Dancer |
Momo Pićurić | Vampire in Tuxedo |
N.J. Gentry | Nikos |
Ali Goksoy | Andino |
James Payton | Lawyer |
T. Florian Karnowski | Judge |
Angela Lansbury | Angela Lansbury |
Jake Tapper | Jake Tapper (uncredited) |
Panagiotis Margetis | Hotel Server (uncredited) |
Name | Job |
---|---|
Rick Heinrichs | Production Design |
Bret Howe | Casting |
Golden Sun Shyne | Makeup Artist |
Emily Egge | Costume Supervisor |
Caitlin Hodder | Set Costumer |
Tim LeBlanc | Sound Re-Recording Mixer |
William Wright Anderson | Visual Effects Producer |
Fabricio de Vasconcellos Baessa Antonio | Visual Effects Supervisor |
Geoffrey Basquin | Visual Effects Supervisor |
Simon Deighton | VFX Artist |
Matthew Dravitzki | Visual Effects Producer |
Emanuel Fuchs | VFX Supervisor |
Giles Harding | Visual Effects Supervisor |
Tim Keene | Visual Effects Producer |
Matt Knight | Visual Effects Producer |
Philippe Lépine | Visual Effects Producer |
Sameer Malik | Visual Effects Supervisor |
David Sadler-Coppard | Visual Effects Supervisor |
Andrew Bennett | Supervising Art Director |
Anna Georgiadou | Art Direction |
Milan Damnjanović | Set Dresser |
Nevena Dilparić | Set Designer |
Milica Gruičić | Set Designer |
Mariza Liakopoulou | Set Dresser |
Masako Masuda | Set Designer |
Shari Ratliff | Set Designer |
Branimir Babić | Art Direction |
John Dexter | Art Direction |
Paul Duff | Art Direction |
Mark Harris | Art Direction |
Dragan Kaplarević | Art Direction |
Sue Whitaker | Art Direction |
Leslie D. Bennett | Hairstylist |
Jon Carter | Hairstylist |
Regina de Lemos | Makeup Artist |
Polly Earnshaw | Makeup Artist |
Heather Gerchberg | Makeup Artist |
Tracey L. Miller-Smith | Hairstylist |
Quinn Murphy | Makeup Artist |
Niki Ovagkoglou | Extras Makeup Artist |
Toni Roman-Grimm | Hairstylist |
Vernon Scott II | Hairdresser |
Lesley Smith | Makeup & Hair |
Katerina Varthalitou | Extras Makeup Artist |
Evelina Vierrou | Extras Makeup Artist |
Biljana Vrcelj | Hairstylist |
Jovana Vukosavljevic | Makeup Artist |
Ana Biskupljanin | Production Supervisor |
Ravi Dube | Unit Manager |
James K. Jensen | Post Production Supervisor |
Tom Karnowski | Unit Production Manager |
Aleksandar Tadić | Unit Production Manager |
Elena Zokas | Unit Production Manager |
Manos Gasteratos | Second Second Assistant Director |
Bruce Wayne Gillies | Second Unit First Assistant Director |
David Keadell | Second Assistant Director |
Danni Lizaitis | Second Second Assistant Director |
Dimitris Abatzis | Set Production Assistant |
Afrodite Moustroufis | Set Production Assistant |
Dimitris Papathanasis | Set Production Assistant |
Josh Robertson | First Assistant Director |
Milivoje Aksentijević | Prop Maker |
Ayush Bajoria | Matte Painter |
Steve Bohan | Construction Coordinator |
Kristina Bravo Jankov | Assistant Set Decoration |
Otto Broberg | Props |
Sanja Bulat | Art Direction |
James Carson | Concept Artist |
Daren Dochterman | Prop Designer |
Kim Frederiksen | Concept Artist |
Achilleas Gatsopoulos | Property Master |
Harry Gibson | Draughtsman |
Susan Gibson | Set Decorating Coordinator |
Brendan Gillespie | Construction Coordinator |
Laura Grant | Graphic Designer |
Mateja Hrnjacki | Prop Maker |
James Isaacson | Props |
Carol Kupisz | Graphic Designer |
Richard MacMillan | Dressing Prop |
Milan Maksimović | Assistant Location Manager, Graphic Designer |
Marija Mandić | Art Department Assistant |
Vlasto Maric | Painter |
John McHugh | Set Decoration, Art Direction |
Krstic Milan | Concept Artist |
Mirko Milošević | Concept Artist |
Mihailo Mosesku | Art Department Assistant |
Jennie Murphy | Art Department Coordinator |
Sonja Nenadić | Assistant Set Decoration |
Marko Oršolić | Scenic Artist |
Richard Payne | Greensman |
Kris Peck | Property Master |
Zoran Petrovic | Leadman |
Aleksandar Putić | Carpenter |
Viktor Salipur | Scenic Artist |
Aleksandar Sekulić | On Set Dresser, Set Dresser |
Andrew Shinavier | Props |
Dan Spaulding | Assistant Property Master |
Sonja Stojanović | Set Decorating Coordinator |
Uroš Stojanović | Graphic Designer |
Jovan Uhrin | Carpenter |
Kurt Van Der Basch | Concept Artist |
Maja Vasic | Property Master |
Irena Vildović | Graphic Designer |
Ian Whiteford | Greensman |
Qingling Zhang | Concept Artist |
Hang Dara Zhao | Concept Artist |
Ryan Baker | Utility Sound |
Ryan Cota | ADR Editor |
Christopher Flick | Foley Supervisor |
Drew Kunin | Sound Mixer |
Dane Lonsdale | Sound Mixer |
Patrick Martens | Boom Operator |
Shelley Roden | Foley Artist |
Peter Deutscher | Boom Operator |
Ádám Dobor | Special Effects Technician |
Luan 'Lee' Groenewald | Special Effects Technician |
Balazs Horvath | Special Effects Technician |
Elena Konstantinidou | Armorer |
Ruan Liebenberg | Special Effects Supervisor |
Paul Stephenson | Special Effects Supervisor |
Ádám Szücs | Special Effects Coordinator |
Jonathan Altenmüller | Compositing Artist |
Alugurirahul | Visual Effects Compositor |
Jonathan M. Anderson | Visual Effects Coordinator |
Angel Angelov | Matte Painter |
Eric W. Araujo | Effects Supervisor |
Rousselos Aravantinos | VFX Artist |
Kundoo Aurindum | Visual Effects |
D Venkatesh Babu | Digital Compositor |
Alfie Bazley | Visual Effects Production Assistant |
Georgia Benjamin | Visual Effects Coordinator |
Elliot Best | VFX Editor |
Vaughn Bien III | VFX Editor |
Magno Borgo | VFX Artist |
Adam Bradley | Roto Supervisor |
Pankaj Brijlani | Layout Supervisor |
Harun Celebi | CG Artist |
Sam Chen | Compositing Supervisor |
Xuejie Cheng | Visual Effects Technical Director |
David Clifton | VFX Artist |
Heather Costa | Digital Compositor |
Francois Cote-Paquet | Visual Effects Technical Director |
Adrianna Nielle Davies | Visual Effects Production Manager |
André de Beer | VFX Editor |
Mauricio de Oliveira | Compositing Supervisor |
Antoine Delauney | VFX Artist |
Stanley A. Dellimore | CGI Director |
Jack Dorst | Visual Effects Producer |
Felix Flad | Matte Painter |
Hermione Francis | Visual Effects Coordinator |
Natalie Fritz | Visual Effects Supervisor |
Caraline Gao | Matte Painter |
Alex Grau | CGI Director |
Veselin Gyurov | Visual Effects Technical Director |
Keagan Harris | Visual Effects Compositor |
Daniel Hartlehnert | Compositing Artist |
Moritz Hausler | VFX Artist |
Katie Hoyt | Visual Effects Coordinator |
Huck Hur | Head of Layout |
Matt Hutchins | Digital Compositor |
Aaron Ibañez Ferris | VFX Lighting Artist |
Fergus Jack-Hinton | Visual Effects Compositor |
Bonnie Kanner | Executive Visual Effects Producer |
Adithya Kashyap | Matchmove Supervisor |
Paddy Kelly | Executive Visual Effects Producer |
Sanjay Khandelwal | Modeling |
David Krepelka | VFX Artist |
Pardeep Kumar | Layout Supervisor |
Sirangi Sampath Kumar | Visual Effects Compositor |
Marcin Kummer | Compositing Artist |
Alexandra Lanzensberger | Digital Imaging Technician |
Daniel Larrosa | VFX Artist |
Malte Lauinger | Animation |
Jake Lunt Davies | Conceptual Design |
Stephanie MacCarthy | VFX Artist |
Anand Rajesh Madishetty | 2D Supervisor |
Lutz Marquardt | Visual Effects Production Manager |
Gus Martinez | VFX Supervisor |
Florian Militello | Modeling |
Nino Oz | Visual Effects Compositor |
Krishna Chaitanya Palakollu | Visual Effects Compositor |
Ashwin Pawar | Visual Effects Coordinator |
Tobias Pfeiffer | VFX Editor |
Giorgio Pitino | 2D Supervisor |
Matthieu Presti | Visual Effects Supervisor |
Nina Pries | Compositing Artist |
Kokkera Naga Srinivasa Rao | Visual Effects Compositor |
Iggy Rau | Visual Effects Producer |
Gabriel Rose | Visual Effects Production Assistant |
Callum Ruddleston | Data Wrangler |
Pratik Sampat | VFX Artist |
K L Sateesh Varma | Visual Effects Compositor |
Graham Saxby | Rotoscoping Artist |
Cassandra Schmit | Compositing Artist |
Julia Schramm | Compositing Artist |
Colin Scott | CG Artist |
Sebastian Selg | Compositing Artist |
Kinsey Serpes | Modeling |
Boyd Shermis | Visual Effects Supervisor |
Tejas Shinde | VFX Production Coordinator |
Magda Sofia Viseu Silva | CG Artist |
Marcela A. Silva | Compositing Lead |
Igor Staritsin | Concept Artist |
Albrecht Steinmetz | Matchmove Supervisor |
Jamie Stitson | Digital Compositor |
Til Strobl | Compositing Artist |
Lee F. Sullivan | Visual Effects Supervisor |
Hirofumi Takeda | Compositing Supervisor |
Santosh Tendulkar | Modelling Supervisor |
Molly Tidd | Visual Effects Production Assistant |
Joshua Tong | Rotoscoping Artist |
Ayyappadas Vijayakumar | VFX Editor |
Subhash Chandran Vijayan | VFX Lighting Artist |
Martin Wellstein | Animation |
Adam Wesierski | Matte Painter |
Philipp Wolf | Executive Visual Effects Producer |
Pablo Franquebalme Álvarez | VFX Lighting Artist |
Dartenea Bryant | Stunts |
Slaviša Ivanović | Stunt Coordinator |
Katie McDonnell | Stunt Double |
Lynhthy Nguyen | Stunts |
Lee Sheward | Stunt Coordinator |
Spiros Angelopoulos | Electrician |
Carlos Baker | Gaffer |
Emir Bihorac | Rigging Grip |
Jeremy Braben | Aerial Director of Photography |
Henry Bridges | Drone Pilot |
Anthony Coan | First Assistant Camera |
Brian Dennis | Rigging Gaffer |
Milan Đorđević | Dolly Grip |
Mihailo Dobrić | Focus Puller |
Angus Hudson | Assistant Director of Photography |
Jovan Ivanković | Grip |
Rado Ivančević | Gaffer |
Dragan Jović | Key Grip |
Dušan Klještan | Best Boy Grip |
Marcin Koukor | Electrician |
Marko Leković | Key Rigging Grip |
Nikos Loukakis | Electrician |
Dávid Láposi | Data Wrangler |
Kostas Mamalis | Electrician |
Stelios Melis | Grip |
Radoslav Mihalek | Lighting Technician |
Mladen Tomašević | Second Assistant Camera |
Christos Moschos | Best Boy Electric |
Dale Myrand | "A" Camera Operator |
David Jaxx Nagro | Dolly Grip |
Slaviša Obrenić | Grip |
Stelios Panagiotakis | Electrician |
Stavros Papadopoulos | Electrician |
Nikos Papaevangeliou | Electrician |
Vlasis Papapetropoulos | Electrician |
Bojan Pavlović | Grip |
Predrag Perovic | Key Rigging Grip |
Jaron Presant | Second Unit Director of Photography |
Bence Pribojszki | Data Wrangler |
Dan Schroer | First Assistant "A" Camera |
Andy Simmons | Best Boy Grip |
Aljoša Šipetić | Second Assistant "B" Camera |
David Stern | Key Grip |
Miltiadis Stolis | Electrician |
Sam Thurston | Aerial Camera |
Nikola Uzelac | Lighting Technician |
Petar Vidojevic | Electrician |
Thanassis Vrotsos | Grip |
John L. Wilson | Still Photographer |
Benjamin Bermudez | Casting Associate |
Anastasia Flokatoula | Extras Casting Assistant |
Yorgos Korakianitis | Extras Casting Assistant |
Nenad Pavlović | Casting Director |
Emmanouela Zacharopoulou | Extras Casting |
Skyler Zurn | Casting Assistant |
Jessica Albertson | Assistant Costume Designer |
Mildred Brignoni | Costumer |
Maria Gerakopoulou | Wardrobe Assistant |
Rena Kontogiorgou | Costumer |
Kelsey T. Morgan | Costume Assistant |
Sonja Mrkobrada | Assistant Costume Designer |
Duška Nešić Dražić | Key Costumer |
Rosvely Roxy Perez | Costume Assistant |
Salvatore Salamone | Costumer |
Claire Sandrin | Set Costumer, Key Set Costumer |
Anna Seltzer | Costumer |
Sandra Sotiriou | Wardrobe Supervisor |
Eleni Sygouni | Wardrobe Assistant |
Ashlynn Thompson | Costume Assistant |
Velimir Timotić | Costumer |
Haley Vigil | Costumer |
Philip Beckner | Colorist |
Sam Bollinger | First Assistant Editor |
Paige Brunsen | Post Production Assistant |
Alberto Gutierrez | Dailies Operator |
Elena Nuñez | Post Production Coordinator |
Jon Rocke | Colorist |
Pamela Scott-Farr | Finishing Producer |
Morgan Walker | Digital Intermediate |
Teta Apostolaki | Assistant Location Manager |
Aggelos Kemavor | Location Assistant |
Stefanos Koutsardakis | Location Manager |
Nikodimos Margonis | Location Assistant |
Vangelis Sapatis | Location Assistant |
Yiannis Savidis | Location Assistant |
Nikos Sfakianakis | Location Coordinator |
Joseph Bonn | Music Editor |
Peter Cobbin | Scoring Mixer |
Jeff Kryka | Orchestrator |
Kirsty Whalley | Scoring Mixer |
Edward Dorman | Script Supervisor |
Sue Field | Script Supervisor |
Alihan Dobada | Transportation Captain |
Nikola Kopilanović | Transportation Captain |
Christos Koutlas | Production Driver |
Stefan Matić | Transportation Coordinator |
Vassilis Siliogas | Production Driver |
Ian Creed | Marine Coordinator |
Linda Gamble | Unit Publicist |
Dasa Kodemo | Production Coordinator |
Lilena Marinou | Assistant Production Coordinator |
Andrew Nadkarni | Production Supervisor |
Mika Tourkaki | Assistant Production Coordinator |
Johanna L. Williams | Production Supervisor |
Srđan Nedeljković | Assistant Art Director |
Michael Miller | ADR Mixer |
Rian Johnson | Director, Writer |
Elli Griff | Set Decoration |
Nathan Johnson | Original Music Composer |
Bob Ducsay | Editor |
Matthew Wood | Supervising Sound Editor |
Josh Gold | Supervising Sound Editor, Sound Designer |
Dimitris Birbilis | Production Manager |
Chris Navarro | ADR Mixer |
Timo Hanczuk | Compositing Artist |
Rob de Groot | Stunt Double |
Adrian Derrick-Palmer | Stunts |
Clayton Grover | Stunt Driver |
Sona Havranova | Stunts |
Yolanda Lynes | Stunt Double |
Phoebe Robinson-Galvin | Stunts |
Nick Roeten | Stunt Double |
Radan Popović | "B" Camera Operator |
Terri Douglas | ADR Voice Casting |
DJ Campbell | Location Manager |
Julie Glaze Houlihan | Music Supervisor |
Steve Yedlin | Director of Photography |
Jenny Eagan | Costume Design |
Mary Vernieu | Casting |
Jeremy Woodhead | Makeup Designer, Hair Designer |
Ram Bergman | Unit Production Manager |
Rachael Evelyn | Stunts |
Angela Lansbury | In Memory Of |
Juan Peralta | Sound Re-Recording Mixer |
Erik Winquist | Visual Effects Supervisor |
Vasiliki Yiolanda Kita | Extras Makeup Artist |
Stephen Sondheim | In Memory Of |
Name | Title |
---|---|
Tom Karnowski | Executive Producer |
Rian Johnson | Producer |
Leopold Hughes | Co-Producer |
Nikos Karamigios | Co-Producer |
Ram Bergman | Producer |
Organization | Category | Person | |
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Golden Globes | Best Picture | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 95 | 107 | 71 |
2024 | 5 | 96 | 135 | 77 |
2024 | 6 | 77 | 134 | 42 |
2024 | 7 | 67 | 134 | 37 |
2024 | 8 | 56 | 92 | 39 |
2024 | 9 | 38 | 54 | 28 |
2024 | 10 | 48 | 83 | 30 |
2024 | 11 | 46 | 67 | 34 |
2024 | 12 | 56 | 94 | 37 |
2025 | 1 | 49 | 70 | 33 |
2025 | 2 | 30 | 50 | 8 |
2025 | 3 | 13 | 44 | 3 |
2025 | 4 | 8 | 16 | 5 |
2025 | 5 | 7 | 17 | 5 |
2025 | 6 | 7 | 11 | 5 |
2025 | 7 | 7 | 11 | 5 |
2025 | 8 | 6 | 8 | 5 |
2025 | 9 | 9 | 12 | 6 |
2025 | 10 | 7 | 11 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 93 | 532 |
Year | Month | High | Avg |
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2025 | 8 | 306 | 707 |
Year | Month | High | Avg |
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2025 | 7 | 431 | 782 |
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2025 | 6 | 133 | 559 |
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2025 | 5 | 369 | 729 |
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2025 | 4 | 259 | 709 |
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2025 | 3 | 156 | 735 |
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2025 | 2 | 263 | 691 |
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2025 | 1 | 451 | 763 |
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2024 | 12 | 504 | 810 |
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2024 | 11 | 287 | 708 |
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2024 | 10 | 466 | 788 |
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2024 | 9 | 699 | 883 |
Year | Month | High | Avg |
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2024 | 8 | 379 | 712 |
While the first **Knives Out** is undoubtedly more eerie and traditional when viewed alongside other murder mysteries, the modernity (both politically, and just through the characters and humour) is what makes this so dynamic, and so, so, great. Despite the already immense cast in the first produ ... ction, this time around it still manages to feel so much grander. When actors like Ethan Hawke, Natasha Lyonne and Hugh Grant make mere cameos throughout, it just puts even more excitement into an already electrifying crowd. And each member of that crowd is amazing. The highlighting performances unsurprisingly include Daniel Craig, but Janelle Monet very well might take the cake. She completely surprised me and ended up bringing more to the film than anyone else, way more exuberant than I have ever seen her. Additionally, Kate Hudson and Dave Bautista were both so much fun, Norton was hilarious, and despite not having the largest role Madelyn Cline was really excellent too. The only two that I can't say I was the biggest fan of were Leslie Odom Jr. and Kathryn Hahn. Neither were exceptionally bad or anything, rather just a bit boring with the fact that they were two pretty large roles and not a lot of energy came from either of them. Even though the cast is the main attraction, the editing is also fantastic. Great use of split screens, timeline jumps, and just overall creativity too. All in all, it's one of the most entertaining mysteries in a while, and a new highlight of the year for sure. I am not usually fond of franchises but when Johnson announced during the Q&A that he had the intention on making countless more of these I became quite excited. See this as soon as you can because it is actually brilliant.
_Glass Onion: A Knives Out Mystery_ is a lighthearted murder mystery filled with effective comedy, fantastic performances, and a somewhat predictable plot. Overall, I had a great time with this film and the theater experience was one of my favorites of the year. The plot is somewhat similar to th ... e first, a murder happens and Benolt Blanc is there to solve it. It hits all the familiar beats but does not work quite as well as its predecessor, this is mainly due to the characters. The performances were great and they work well in isolation from the overarching story, but all of them are such over-the-top caricatures that are hard to believe their connections or motivations to kill. Their banter with each other is charming and funny and helps carry this movie forward. The first quarter of this movie was pretty poorly done. A lot of the setup had pandemic references and humor that felt really out of place in 2022. So many movies before this have touched on those topics that it felt overdone and boring. Really interesting choice for this type of film, but once the characters get to the island all of that awkward setup is left on the mainland and the movie starts to find its footing. From this point forward, I had a great time. Daniel Craig was fantastic as Benolt Blanc and it was quite funny to see him as a fish out of water surrounded by corporate elites. The majority of the lines I laughed at were delivered by him with a dry pan sense of delivery. It was organic and played well on screen. Edward Norton was a fantastic addition and the majority of the cast did excellently. They were really funny and delivered the stereotyped character performances well. Much like the beginning of the movie, the last ten minutes did not work tremendously well for me. It was quite corny, over the top, and unrealistic. It diminishes the greatness of the middle of the film. Even though this movie fails to reach the heights of the original, it does enough to deliver a very entertaining mystery that I thoroughly enjoyed. It is a shame that Netflix is only having a limited release for this film because it is best in a crowded theater on the silver screen. **Score:** _77%_ | **Verdict:** _Great_
Daniel Craig rather engagingly reprises his role as the "Poirot"-esque "Benoit Blanc" in this fairly unashamed rip-off of all things Agatha Christie. He finds himself an unexpected guest of billionaire "Bron" (Edward Norton) on his beautiful Greek island, amongst a slew of other notables who - of co ... urse - each have an axe to grind with this outwardly affable host. The purpose of the get-together is a traditional murder mystery, and after an hearty dinner, it will fall on the other guests to discover who has murdered "Bron". Well, that's the plan anyway - but of course it doesn't take long for all of that to be derailed and for us to become embroiled in lots of concentric plots and tales of betrayal and duplicity that will truly test the mettle of our sleuth and the audience. The assembled cast provide for a myriad of characterisations and as we discover, an equally fertile source for suspicion and comedy. Kate Hudson is good fun as the nice-but-dim "Birdie"; Dave Bautista keeps more than you'd think is his budgie-smugglers and Jackie Hoffman steals the show in the very few scenes she graces as his non-nonsense mother. The writing delivers a multi-layered feast - some of it basic and bawdy, some more sophisticated as the story gradually progresses towards a conclusion that navigates the red herrings before a denouement that wasn't quite what I was expecting. It looks really good, and it takes a swing at just about everything from corporate greed, vanity, vacuousness and stupidity - but it does it in a satisfyingly subtle fashion. Though rather slow to get off the ground, once it gets up and running it's a good watch.
**Glass Onion lives up to the expectations and spirit established by Knives Out but doesn't bring anything new to a growing franchise.** Glass Onion is a fun follow-up to Knives Out that captures all the character and energy of its predecessor. While I enjoyed the original more, Glass Onion was s ... till very entertaining. The powerhouse cast ensured that every character exploded to life through the excellent portrayals of Glass Onion's brilliantly chosen stars. Each role felt tailor-made to the actor cast for it. The group of entitled celebrities felt more wild and uncontrollable than the frustrated family of Knives Out, which raised Glass Onion's peril and unpredictability. Glass Onion brilliantly hid clues throughout the film that reveal the murderer if the audience is paying attention. It's a great whodunit, but I would like more development of Daniel Craig's Benoit Blanc. His character didn't get much more backstory or growth over the last film and even felt sidelined for the movie's second half. I wanted just a little more for Blanc, but I look forward to the next installment of this fantasy franchise.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition/ "Glass Onion: A Knives Out Mystery would never disappoint. Rian Johnson succeeds, once again, with his clever, witty humor and continuous entertainment throughout just over two hours of yet anothe ... r whodunnit classic with tremendous replay value. The central mystery holds countless twists and turns, almost always captivating and amusing. Exceptional performances from a shockingly talented cast - Daniel Craig and Janelle Monáe are the standouts - elevate a screenplay slightly lacking in character depth as well as better control over its clear yet repetitive message concerning opportunism, vanity, and hypocrisy. Original remains supreme, but this sequel deserved a worldwide premiere on the big screen." Rating: B+
Brilliant! My first film of 2023, which has started with a bang! I adore the original film from 2019 so was expecting big things from this sequel and I'm glad to note that it didn't disappoint - it's a cracker. I did, admittedly, predict the general gist of what was going to happen, though (in th ... is case, minor) predictability doesn't always equel badness - like here, I was thoroughly entertained no matter what. The cast from the first film are better, though those that star in this 2022 release are excellent. Daniel Craig is, of course, superb as Benoit Blanc once again, every single moment with him is terrific. Janelle Monáe also gives a fantastic performance, I predominantly know of her from music but with this, and <em>'<a href="https://letterboxd.com/film/hidden-figures/">Hidden Figures</a>'</em>, she can certainly act too. Kate Hudson, Dave Bautista and Edward Norton are the best of the others, though even the likes of Kathryn Hahn, Leslie Odom Jr. and Madelyn Cline are good value as well. Like its predecessor, it's very astutely cast. The film is put together in high quality fashion, Rian Johnson & Co. did a great job - particularly with the framing of certain shots, as well as the music which is real neat. As you'd expect for a film of this sort, there are some nice little details spread across the well utilised run time. Like <em>'Knives Out'</em>, I know I'll be revisiting <em>'Glass Onion: A Knives Out Mystery'</em> when possible. It sounds like Johnson and Craig are up for making more of these, and to that I say bring it on!
As with the first Knives Out movie, I found the plot to be clever and intricate and the story very well told. There were a few interesting plot twists and, even though the dialogue could have been more witty, it was intelligent and realistic. I did find that the Renoir character reminded me of an ... Agatha Christie character, in that he reeled off suppositions he’d made based on information we hadn’t been given full access to. Also, he owed some of his success to a character who he asked to take a snoop around, and she proceeded to be in several spots just in time to hear critical details. Pretty lucky. Then again. I write novels in my spare time and the subtitle of one of them is “The Consequences of Coincidences.” And it features a few of them, so I guess I shouldn’t begrudge a few juicy coincidences in someone else’s work. Ultimately the movie was enjoyable and smart, and that is the most important thing.
What's great about this is that within the first minute or so of meeting every cast member you are told who they are and what their motivation is... ... so it leaves out the tedious who done it guess work of murder mysteries. And you are told almost from the start who the killer is and what hi ... s motivation is.. ... so you don't have the tedious guess work there either. But to keep you on your toes scenes are conveniently rewritten several ways to make it seem like a mystery even though the mystery aspect has been conveniently taken out for today's low IQ audiences. The viewer conveniently doesn't have to uncover anything, nor try to determine any motivation, and all the clues are obvious and handed to you by virtue of Bond stumbling onto them in a way that leaves the viewer in no doubt despite already knowing who the killer is and what his motivation was. But it's Johnson so people can pretend to be intelligent by claiming that he diverted expectations of a murder mystery by taking all the thought and mystery out of it and leaving you with the obvious that has been obviously stated for today's modern audience. But, it does hit all the political check boxes... the ones that literally every other title hits per mandate of cancel culture... So the faux intellectuals can further proclaim how smart and original it is while having it nicely fit into the same box as everything else.
Almost everything is already told and you know who the killer is. Moreover: I hate when they put Covid into movies. We already lived two years full of stupid restrictions, and this film is like if it's trying to say:"ehy, be a good ship and do as it's told you to do", all this topped off with Goog ... le and Apple advertising.
“Glass Onion: A Knives out Mystery” is a thoroughly entertaining, well crafted, thrilling step up from its predecessor “ Knives Out” Benoit Blanc ( Daniel Craig ) returns as the World Famous detective who unintentionally has been invited to a private island by the host of a murder mystery party, ... Myles Bronn ( Edward Norton) There is palpable tension within the select group of party guests well before proceedings begin, but after a real murder Benoit Blanc is called upon to solve the case. Without giving anything away, “Glass Onion” twists and turns as it builds to both a fascinating and hilarious whodunnit while exploring themes of class and privilege. Daniel Craig gives an hilarious performance as The detective with Edward Norton giving an equally strong performance as the manipulative Elon Musk esc character. “Glass Onion” provides surprises, suspense and laughs in equal measure, delivering a fast paced comic mystery. With a well known cast and a few notable cameos, including the late Angela Lansbury as one of Benoit Blanc’s zoom quiz friends group , “Glass Onion” delivers everything anyone could desire from a film like this.
There's nothing spectacularly brilliant about the film, except that the mystery is a pure pleasure to watch. The cast and technical aspects are great. And while the film is dedicated, for one, to Angela Lansbury (author of long-running Murder She Wrote) the detective here is clearly Dame Agatha Chri ... stie's. The closing credits also say that it's dedicated to Stephen Sondheim whose connection escapes me, other than he died just before the film was made, and perhaps too, that his music is typically complicated layers - like onions.
**A childish scenario that prevented me from participating in determining who the killer was?** The first part was dazzling and surprising for those who watched the movie and the fans of movie type of: Who is the killer? The first part presented a group of well-known stars in a different format t ... han the roles they played in previous acting works. In the second part, I face many challenges: Will the second part be better than the first part, or at least equal to it? Secondly, yes it presents us with a group of stars with beautiful charisma on the screen. This time, the events of the film take place during the pandemic. This time, the main investigator, the hero of the story, is facing deadly boredom due to him staying at home all the time due to the pandemic and the lockdown. This is what drives him, without hesitation, to participate in one of the games organized by a rich person. This game is to solve a crime, hypothetically a crime that didn't happen in reality. This invitation reaches the investigator and some close friends of this rich person, but during their arrival to the place of the invitation, we begin to discover many mysterious things. The first is how the friends get to know each other. Each character is completely different from the other character, a rich person, a YouTuber model, a scientist, in addition to a political figure and an investigator. We begin to discover, by starting the conversation from the beginning, that there is a suspicious or unhealthy past for each character, but the most important thing is that it is far from the game and the hypothetical investigation. We begin to discover real crimes in the place of Al-Daghwa, and now everyone is a suspect, and through the story we will learn who the culprit is. Yes, I am almost certain that the characters of the second part will continue on the same path as the movie of the first part. What I did not like about this movie. Yes, they showed us the motives and reasons, but I could not get behind any motive in them, and in these types of stories, the most beautiful thing is that it shows that you made a mistake about who the murderer is, not Only in deceiving you, but showing you that your deductions were wrong, makes you doubt one or two or three people, and in the end you discover that all your doubts were wrong. In this part, I was not able to doubt anyone. Yes, it is true, there are many good plots in the scenario, and there is good manipulation, but I cannot be certain that I doubt any character, as if I was waiting and seeing the events for the vision to appear. I could not participate in the game, which is very important in this type of movie. In addition to clarifying things, there were many coincidences to the point of being so ridiculous. The only reason some mysteries and some indicators were discovered is that the character, for some reason, was present at the right time and the right place without any actual intelligence to find the information. I don't know. I feel that my feelings were confused towards the end of the movie. I would almost describe it as childish ending. the actions of some characters led to the flattening of this movie. The first part was so amazing that it cannot be described.