Popularity: 4 (history)
Director: | Scott Cooper |
---|---|
Writer: | Scott Cooper, Louis Bayard |
Staring: |
West Point, New York, 1830. When a cadet at the burgeoning military academy is found hanged with his heart cut out, the top brass summons former New York City constable Augustus Landor to investigate. While attempting to solve this grisly mystery, the reluctant detective engages the help of one of the cadets: a strange but brilliant young fellow by the name of Edgar Allan Poe. | |
Release Date: | Dec 22, 2022 |
---|---|
Director: | Scott Cooper |
Writer: | Scott Cooper, Louis Bayard |
Genres: | Horror, Crime, Mystery, Thriller |
Keywords | detective, based on novel or book, winter, investigation, historical figure, murder, gothic horror, occult, west point, book, 1830s |
Production Companies | Cross Creek Pictures, Le Grisbi Productions |
Box Office |
Revenue: $0
Budget: $72,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Christian Bale | Augustus Landor |
Harry Melling | Edgar Allan Poe |
Lucy Boynton | Lea Marquis |
Toby Jones | Dr. Daniel Marquis |
Simon McBurney | Captain Hitchcock |
Timothy Spall | Superintendent Thayer |
Robert Duvall | Jean-Pepe |
Harry Lawtey | Artemus Marquis |
Gillian Anderson | Julia Marquis |
Charlotte Gainsbourg | Patsy |
Hadley Robinson | Mattie |
Fred Hechinger | Cadet Randolph Ballinger |
Joseph Brooks | Cadet Stoddard |
Steven Maier | Cadet Fry |
Brennan Keel Cook | Cadet Huntoon |
Orlagh Cassidy | Mrs. Fry |
Scott G. Anderson | Benny |
Gideon Glick | Cadet Horatio Cochrane |
Jack Irv | Cadet Hamilton |
Matt Helm | Cadet Llewllyn Lee |
Mathias Goldstein | Lieutenant Locke |
Charlie Tahan | Cadet Loughborough |
Bill Cwikowski | Reverend Zantzinger |
Agnes Herrmann | Eugenia |
Nicholas Bellavia | Lieutenant Robert |
John Fetterman | Bearded Man |
Name | Job |
---|---|
Masanobu Takayanagi | Director of Photography |
Adam Hart | Stunt Coordinator, Stunt Double |
Lori Guidroz | Hair Department Head |
Scott Cooper | Director, Writer |
Stefania Cella | Production Design |
Kasia Walicka Maimone | Costume Design |
Melissa Yonkey | Key Hair Stylist |
Michelle Elise Shock | Stunt Double |
Doug Coleman | Stunts |
Jason Baker | Props |
Troy Sizemore | Supervising Art Director |
Tracey Landon | Unit Production Manager |
Christopher Surgent | First Assistant Director |
Jordan Weir | Second Second Assistant Director |
Daniel Stevens | Stunts |
Mark DeSimone | ADR Mixer |
Howard Shore | Original Music Composer |
Brandon England | Visual Effects |
Scott Garfield | Still Photographer |
Drew Roberts | Drone Pilot |
Cole Eckert | Stunts |
Erin Haus | Stunt Double |
Joseph Edward Myers | Stunts |
Sam Okell | Scoring Mixer |
Alex Kaufman | Dailies Operator |
Ted Williams | Special Effects |
Jeremy Hays | Special Effects Supervisor, VFX Supervisor |
James W. Apted | First Assistant "A" Camera |
Richard S. Crumrine Jr. | First Assistant "B" Camera |
Kevin Gilligan | Techno Crane Operator |
Daniel Hernandez | Digital Imaging Technician |
Jay Kemp | Gaffer |
Dana Morris | Steadycam, Camera Operator |
Dan Sotak | Second Assistant Camera |
Dylan Tichenor | Editor |
Skip Lievsay | Sound Re-Recording Mixer, Supervising Sound Editor |
Michael E. Goldman | Art Direction |
Jane Madden | Set Decoration |
Evelyn Chafin | Production Supervisor |
Corey Sklov | Production Supervisor |
Takahide Kawakami | Second Assistant Director |
Ana Drasinover | Additional Second Assistant Director |
Antonio Grassano | Special Effects Technician |
Rachel Geary | Makeup Artist |
Rachel Kick | Key Makeup Artist |
Darylin Nagy | Makeup Artist |
Ned Neidhardt | Makeup Department Head |
Jason Renner | Key Hair Stylist |
Patrick Campbell | Storyboard Artist |
John Finnell | Art Department Coordinator |
Kyle Roberts | Special Effects |
Tom Williams | Sound Mixer |
David C. Sales | Visual Effects Coordinator |
Autumn Butler | Makeup Department Head |
Bunny Giuliani | Hairstylist |
Nancy Keslar | Hairstylist |
Krista Montgomery | Hairstylist |
Eve Negley | Makeup Artist |
Christopher Patrick | Makeup Artist |
Kate Dougherty | Set Designer |
Mike Garvey | Special Effects |
Alexander Ha | Visual Effects |
Sean Flaherty | Key Grip |
Scott Peterson | Script Supervisor |
Dawson Towery | Stunt Double |
Tom Russbueldt | Score Engineer |
Andrew Dearnley | Dailies Operator |
Cheryl L. Sorice | Special Effects |
Brian Abate | Lighting Technician |
Matt Beran | Camera Loader |
Chad Cunningham | Grip |
Dakota Hadix | Rigging Grip |
John Janusek | Key Grip |
David Jaxx Nagro | Dolly Grip |
Doug Stanczak | Video Assist Operator |
Mark Yancey | Electrician |
Benjamin Darier | ADR Mixer |
Jennie Shea | ADR Recordist |
Kate Bechak | Set Designer |
Chip Eccles | Construction Foreman |
Allison Klein | Assistant Art Director |
Mandy Simpson | Props |
Louis Bayard | Novel |
Chris Chae | Sound Re-Recording Mixer, Sound Designer |
Melissa Yancey | Set Costumer |
Mitchell Poljak | Set Dresser |
John E. Tremba | Grip |
Alistair Bolt | ADR Mixer |
James Trusson | ADR Mixer |
Jennifer Bechak | On Set Dresser |
Raquel Bouvy | Graphic Designer |
Thomas J. Garrigan | Assistant Property Master |
Kris Peck | Property Master |
Wyatt Sprague | Sound Effects Editor |
Darcie Buterbaugh | Costume Supervisor |
Randall Balsmeyer | Title Designer |
Name | Title |
---|---|
Chris Sharp | Executive Producer |
John Lesher | Producer |
Christian Bale | Producer |
Scott Cooper | Producer |
Tyler Thompson | Producer |
Buddy Patrick | Executive Producer |
Dylan Weathered | Executive Producer |
Vincent Grashaw | Co-Executive Producer |
Tracey Landon | Executive Producer |
Ryan Donnell Smith | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 29 | 37 | 20 |
2024 | 5 | 29 | 49 | 16 |
2024 | 6 | 27 | 49 | 17 |
2024 | 7 | 31 | 51 | 21 |
2024 | 8 | 24 | 40 | 14 |
2024 | 9 | 20 | 25 | 16 |
2024 | 10 | 21 | 47 | 14 |
2024 | 11 | 22 | 46 | 14 |
2024 | 12 | 22 | 33 | 13 |
2025 | 1 | 22 | 29 | 18 |
2025 | 2 | 17 | 25 | 3 |
2025 | 3 | 7 | 23 | 1 |
2025 | 4 | 4 | 7 | 2 |
2025 | 5 | 4 | 8 | 2 |
2025 | 6 | 3 | 6 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 6 | 2 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 915 | 915 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 860 | 860 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 948 | 948 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 839 | 902 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 834 | 896 |
The Pale Blue Eye had great performances, fantastic cinematography, and a decent story but fails in terms of pacing and a bloated runtime that did not feel warranted. Christian Bale is fantastic in this role. He is incredibly intense, being able to capture the seriousness of his detective work ba ... lanced with the emotions of his unfortunate tragedies in life. A performance of this caliber is expected of Bale, but what was a surprise is the standout performance of Harry Melling. Melling was whimsical and tad odd with his portrayal of the famous Edgar Allen Poe. He legitimately stole every scene he was, including the ones with Bale. The film was quite long and drawn out. The beginning act did fine as the audience is still learning the world and the crimes committed. But after that wears off it begins to drag going into a climatic third act. A lot of this bloat could have been cut down to create a better viewing experience. That being said, I did enjoy the story of this film. It was engaging and had some twists that I think worked pretty well, although the ending did leave me with a few questions. Score: 61% Verdict: Decent