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See How They Run

The greatest murder ever staged
2022 | 99m | English

(71778 votes)

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Popularity: 6 (history)

Director: Tom George
Writer: Mark Chappell
Staring:
Details

In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.
Release Date: Sep 09, 2022
Director: Tom George
Writer: Mark Chappell
Genres: Comedy, Crime, Mystery
Keywords london, england, theater play, investigation, murder, whodunit, murder mystery, 1950s
Production Companies DJ Films, TSG Entertainment, Searchlight Pictures
Box Office Revenue: $21,921,551
Budget: $40,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Sam Rockwell Inspector Stoppard
Saoirse Ronan Constable Stalker
Adrien Brody Leo Köpernick
Ruth Wilson Petula Spencer
Reece Shearsmith John Woolf
Harris Dickinson Richard Attenborough
Charlie Cooper Dennis Corrigan
David Oyelowo Mervyn Cocker-Norris
Kieran Hodgson Harley the Motorcycle Messenger
Pearl Chanda Sheila Sim
Gregory Cox Major Metcalf
Maggie McCarthy Mrs. Boyle
Oliver Jackson Trumpet
Tomi Ogbaro Double Bass
Sian Clifford Edana Romney
Jacob Fortune-Lloyd Gio
Ania Marson Mother
Tim Key Commissioner Harrold Scott
Philip Desmeules Pierre
Laura Morgan Joyce
Pippa Bennett-Warner Ann Saville
Angus Wright Sgt Bakewell
Shirley Henderson Agatha Christie
Paul Chahidi Fellowes
Lucian Msamati Max Mallowan
Tolu Ogunmefun Mr. Lyon
Name Job
Nadia Stacey Hair Designer, Makeup Designer
Daniel Pemberton Original Music Composer
Jamie D. Ramsay Director of Photography
Odile Dicks-Mireaux Costume Design
Mark DeSimone ADR Mixer
Chris Navarro ADR Mixer
Sarah Lochlan Stunt Double
Tom George Director
Martin Beresford Production Sound Mixer
Mark Chappell Writer
Sarah Bridge Music Supervisor
Amanda McArthur Production Design
Yesi Ramirez Casting
Abbie Bellwood Art Direction
John Reid Supervising Art Director
Sophia Millar Assistant Set Decoration
Peter Lambert Editor
Thomas Darby-Evans Line Producer
Robert Haynes Standby Art Director
Daniel Kearns Art Direction
Celia De La Hey Set Decoration
Zainab Jaye Makeup Artist
Liza Carmel Unit Production Manager
John Palfery Smith Production Manager
Julian Bale Second Assistant Sound
Paul Carter Sound Designer, Sound Re-Recording Mixer
Patrick Christensen ADR Mixer
Keith Partridge Foley Mixer
Jennie Shea ADR Recordist
Barnaby Smyth Foley Supervisor
Mike Tehrani ADR Mixer
Jonathan Atkins-Pott Digital Compositor
Tim Barter Visual Effects Supervisor
James Devlin Visual Effects Editor, VFX Editor
Zafar Janjua Visual Effects Producer
Nino Oz Compositor
Jonathan Jean-Marie Wannyn VFX Artist
Antonio Pavlov VFX Artist
Amy Lockwood Assistant Set Decoration
Tabitha Boyd Art Department Coordinator
Marianna Bourmpoula Set Costumer
Kashca Garwood-Walker Costume Assistant
Tom O’Dell Costumer
Amy Pollitt Costumer
Carolyn Cousins Makeup Supervisor
Kerieann London Makeup Artist
Louise Seymour Post Production Supervisor
Neil Wallace First Assistant Director
Paul Cotterell Sound Re-Recording Mixer
Kasper Pedersen Dialogue Editor
Danny Sheehan Supervising Sound Editor
Alex Stylianou ADR Recordist
Thomas Ashby Pipeline Technical Director
Elliot Barrett Visual Effects Editor
Blanca Del Pozo Cavallé De Moya Rotoscoping Artist
James D. Etherington Visual Effects Supervisor
Callum Mcnulty Digital Compositor
Dan Victoire Compositing Lead
Siân Venables VFX Artist
Piotr Micyk Set Dresser
Amy Diamond Assistant Set Decoration
Charlotte Ashworth Costume Standby
Emma Burnand Assistant Costume Designer
Holly McLean Costumer
Luan Placks Assistant Costume Designer
Hannah Warren Costumer
Suhaila Mahmoud Digital Intermediate Producer
Mark Baechle Orchestrator
Richard Bronskill Orchestrator
Natalie Scicluna Script Supervisor
Grace Franzl Stunts
Andrew Burford Stunt Double
David Newton Stunt Double
Adam Smith Stunts
Helen Fraser Second Assistant Director
Alex Watherston Costume Supervisor
Monika Radwańska First Assistant Editor
Robert Platt-Higgins Post Production Coordinator
Robin Baynton Music Editor
Andy Patterson Music Editor
Matt Da Silva Stunts
Sarah Franzl Stunt Coordinator
Charlie Pawlett Stunt Double
Justin Pearson Stunts
Anthony Skrimshire Stunt Double
Carolina Schmidtholstein Gaffer
Gary Dollner Editor
John Chelepis Visual Effects
Name Title
Damian Jones Producer
Gina Carter Producer
Sarada McDermott Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 22 33 14
2024 5 24 35 14
2024 6 18 27 12
2024 7 29 68 14
2024 8 19 32 13
2024 9 15 25 11
2024 10 21 43 9
2024 11 18 43 10
2024 12 14 18 10
2025 1 17 32 12
2025 2 13 19 4
2025 3 6 19 1
2025 4 3 8 1
2025 5 3 8 2
2025 6 3 5 2
2025 7 2 3 1
2025 8 2 3 1
2025 9 4 5 3
2025 10 4 6 3

Trending Position


Year Month High Avg
2025 3 408 467
Year Month High Avg
2024 10 986 986

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Reviews

Geronimo1967
7.0

Sam Rockwell and Saoirse Ronan gel really well together in this rather entertaining spoof of all thing Agatha Christie. The latter is the newbie constable "Stalker" - an enthusiastic young woman who is saddled on the experienced, gin-loving, inspector "Stoppard" when the pretty unlikeable film direc ... tor "Köpernick" (Adrien Brody) is beaten to death with a sewing machine! It turns out that he had just been engaged to direct a big screen version of the legendary "Mousetrap" play that had just celebrated it's hundredth performance at London's Ambassador's Theatre. What now ensues is a really engaging whodunit with flashbacks galore as the two police officers have to learn to trust each other as well as to handle the high drama amongst a cast of thespians, an avaricious producer and, of course, a publicity seeking police Commissioner. Rockwell delivers strongly as the rather laconic and disillusioned officer (he reminded me a little of Johnny Depp's "Abberline" in "From Hell" from back in 2001) and Ronan brings plenty of amusement (and courage) to her role as his aspirational sidekick who is always jumping to conclusions. As ever with Christie stories, you just know that the perpetrator of the crime is going to be the least important character so there's not oodles of jeopardy here, but it ends well with all assembled in a creaking stately home where it all ultimately falls to the author - "Moaning Myrtle" herself - to solve her own mystery. Tom George has assembled a decent supporting cast with both Harris Dickinson quite effective as a rather effete Richard Attenborough and Ruth Wilson as the shrewd theatre producer "Petula" and they help to deliver a pace and humour that is enjoyably amiable for just over ninety minutes. I've sat in the Ivy restaurant opposite this theatre for many a year but have never actually seen the play. A bit like with this film, you mustn't disclose the ending or maybe you'll be next... Good fun!

Sep 11, 2022
mooney240
6.0

See How They Run meddles through its runtime in mediocrity until the final 20 minutes (which are fantastic!). Not horrible overall, but not worth a repeat. See How They Run lagged along for about the first hour of the movie but really picked up and entertained in the final act. Saoirse Ronan's pe ... rformance brought some charm to a fairly bland film. There were hidden jokes and puns throughout that, if caught, would give you a chuckle, but overall this campy whodunit failed to amuse. While the majority of the film was disappointing, the film's climax and resolution delighted with funny drama, meta plot twists, and even a breaking of the fourth wall. I would have loved it if the rest of the movie had been as good as the ending. But it made me endure the slow first hour and fifteen minutes before I was rewarded with its clever wrap-up. I can't recommend it, but I can't say it's terrible.

Jan 02, 2023