Popularity: 6 (history)
| Director: | Tom George |
|---|---|
| Writer: | Mark Chappell |
| Staring: |
| In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril. | |
| Release Date: | Sep 09, 2022 |
|---|---|
| Director: | Tom George |
| Writer: | Mark Chappell |
| Genres: | Comedy, Crime, Mystery |
| Keywords | london, england, theater play, investigation, murder, whodunit, murder mystery, 1950s |
| Production Companies | DJ Films, TSG Entertainment, Searchlight Pictures |
| Box Office |
Revenue: $21,921,551
Budget: $40,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sam Rockwell | Inspector Stoppard |
| Saoirse Ronan | Constable Stalker |
| Adrien Brody | Leo Köpernick |
| Ruth Wilson | Petula Spencer |
| Reece Shearsmith | John Woolf |
| Harris Dickinson | Richard Attenborough |
| Charlie Cooper | Dennis Corrigan |
| David Oyelowo | Mervyn Cocker-Norris |
| Kieran Hodgson | Harley the Motorcycle Messenger |
| Pearl Chanda | Sheila Sim |
| Gregory Cox | Major Metcalf |
| Maggie McCarthy | Mrs. Boyle |
| Oliver Jackson | Trumpet |
| Tomi Ogbaro | Double Bass |
| Sian Clifford | Edana Romney |
| Jacob Fortune-Lloyd | Gio |
| Ania Marson | Mother |
| Tim Key | Commissioner Harrold Scott |
| Philip Desmeules | Pierre |
| Laura Morgan | Joyce |
| Pippa Bennett-Warner | Ann Saville |
| Angus Wright | Sgt Bakewell |
| Shirley Henderson | Agatha Christie |
| Paul Chahidi | Fellowes |
| Lucian Msamati | Max Mallowan |
| Tolu Ogunmefun | Mr. Lyon |
| Name | Job |
|---|---|
| Nadia Stacey | Hair Designer, Makeup Designer |
| Daniel Pemberton | Original Music Composer |
| Jamie D. Ramsay | Director of Photography |
| Odile Dicks-Mireaux | Costume Design |
| Mark DeSimone | ADR Mixer |
| Chris Navarro | ADR Mixer |
| Sarah Lochlan | Stunt Double |
| Tom George | Director |
| Martin Beresford | Production Sound Mixer |
| Mark Chappell | Writer |
| Sarah Bridge | Music Supervisor |
| Amanda McArthur | Production Design |
| Yesi Ramirez | Casting |
| Abbie Bellwood | Art Direction |
| John Reid | Supervising Art Director |
| Sophia Millar | Assistant Set Decoration |
| Peter Lambert | Editor |
| Thomas Darby-Evans | Line Producer |
| Robert Haynes | Standby Art Director |
| Daniel Kearns | Art Direction |
| Celia De La Hey | Set Decoration |
| Zainab Jaye | Makeup Artist |
| Liza Carmel | Unit Production Manager |
| John Palfery Smith | Production Manager |
| Julian Bale | Second Assistant Sound |
| Paul Carter | Sound Designer, Sound Re-Recording Mixer |
| Patrick Christensen | ADR Mixer |
| Keith Partridge | Foley Mixer |
| Jennie Shea | ADR Recordist |
| Barnaby Smyth | Foley Supervisor |
| Mike Tehrani | ADR Mixer |
| Jonathan Atkins-Pott | Digital Compositor |
| Tim Barter | Visual Effects Supervisor |
| James Devlin | Visual Effects Editor, VFX Editor |
| Zafar Janjua | Visual Effects Producer |
| Nino Oz | Compositor |
| Jonathan Jean-Marie Wannyn | VFX Artist |
| Antonio Pavlov | VFX Artist |
| Amy Lockwood | Assistant Set Decoration |
| Tabitha Boyd | Art Department Coordinator |
| Marianna Bourmpoula | Set Costumer |
| Kashca Garwood-Walker | Costume Assistant |
| Tom O’Dell | Costumer |
| Amy Pollitt | Costumer |
| Carolyn Cousins | Makeup Supervisor |
| Kerieann London | Makeup Artist |
| Louise Seymour | Post Production Supervisor |
| Neil Wallace | First Assistant Director |
| Paul Cotterell | Sound Re-Recording Mixer |
| Kasper Pedersen | Dialogue Editor |
| Danny Sheehan | Supervising Sound Editor |
| Alex Stylianou | ADR Recordist |
| Thomas Ashby | Pipeline Technical Director |
| Elliot Barrett | Visual Effects Editor |
| Blanca Del Pozo Cavallé De Moya | Rotoscoping Artist |
| James D. Etherington | Visual Effects Supervisor |
| Callum Mcnulty | Digital Compositor |
| Dan Victoire | Compositing Lead |
| Siân Venables | VFX Artist |
| Piotr Micyk | Set Dresser |
| Amy Diamond | Assistant Set Decoration |
| Charlotte Ashworth | Costume Standby |
| Emma Burnand | Assistant Costume Designer |
| Holly McLean | Costumer |
| Luan Placks | Assistant Costume Designer |
| Hannah Warren | Costumer |
| Suhaila Mahmoud | Digital Intermediate Producer |
| Mark Baechle | Orchestrator |
| Richard Bronskill | Orchestrator |
| Natalie Scicluna | Script Supervisor |
| Grace Franzl | Stunts |
| Andrew Burford | Stunt Double |
| David Newton | Stunt Double |
| Adam Smith | Stunts |
| Helen Fraser | Second Assistant Director |
| Alex Watherston | Costume Supervisor |
| Monika Radwańska | First Assistant Editor |
| Robert Platt-Higgins | Post Production Coordinator |
| Robin Baynton | Music Editor |
| Andy Patterson | Music Editor |
| Matt Da Silva | Stunts |
| Sarah Franzl | Stunt Coordinator |
| Charlie Pawlett | Stunt Double |
| Justin Pearson | Stunts |
| Anthony Skrimshire | Stunt Double |
| Carolina Schmidtholstein | Gaffer |
| Gary Dollner | Editor |
| John Chelepis | Visual Effects |
| Name | Title |
|---|---|
| Damian Jones | Producer |
| Gina Carter | Producer |
| Sarada McDermott | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 33 | 14 |
| 2024 | 5 | 24 | 35 | 14 |
| 2024 | 6 | 18 | 27 | 12 |
| 2024 | 7 | 29 | 68 | 14 |
| 2024 | 8 | 19 | 32 | 13 |
| 2024 | 9 | 15 | 25 | 11 |
| 2024 | 10 | 21 | 43 | 9 |
| 2024 | 11 | 18 | 43 | 10 |
| 2024 | 12 | 14 | 18 | 10 |
| 2025 | 1 | 17 | 32 | 12 |
| 2025 | 2 | 13 | 19 | 4 |
| 2025 | 3 | 6 | 19 | 1 |
| 2025 | 4 | 3 | 8 | 1 |
| 2025 | 5 | 3 | 8 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 408 | 467 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 986 | 986 |
Sam Rockwell and Saoirse Ronan gel really well together in this rather entertaining spoof of all thing Agatha Christie. The latter is the newbie constable "Stalker" - an enthusiastic young woman who is saddled on the experienced, gin-loving, inspector "Stoppard" when the pretty unlikeable film direc ... tor "Köpernick" (Adrien Brody) is beaten to death with a sewing machine! It turns out that he had just been engaged to direct a big screen version of the legendary "Mousetrap" play that had just celebrated it's hundredth performance at London's Ambassador's Theatre. What now ensues is a really engaging whodunit with flashbacks galore as the two police officers have to learn to trust each other as well as to handle the high drama amongst a cast of thespians, an avaricious producer and, of course, a publicity seeking police Commissioner. Rockwell delivers strongly as the rather laconic and disillusioned officer (he reminded me a little of Johnny Depp's "Abberline" in "From Hell" from back in 2001) and Ronan brings plenty of amusement (and courage) to her role as his aspirational sidekick who is always jumping to conclusions. As ever with Christie stories, you just know that the perpetrator of the crime is going to be the least important character so there's not oodles of jeopardy here, but it ends well with all assembled in a creaking stately home where it all ultimately falls to the author - "Moaning Myrtle" herself - to solve her own mystery. Tom George has assembled a decent supporting cast with both Harris Dickinson quite effective as a rather effete Richard Attenborough and Ruth Wilson as the shrewd theatre producer "Petula" and they help to deliver a pace and humour that is enjoyably amiable for just over ninety minutes. I've sat in the Ivy restaurant opposite this theatre for many a year but have never actually seen the play. A bit like with this film, you mustn't disclose the ending or maybe you'll be next... Good fun!
See How They Run meddles through its runtime in mediocrity until the final 20 minutes (which are fantastic!). Not horrible overall, but not worth a repeat. See How They Run lagged along for about the first hour of the movie but really picked up and entertained in the final act. Saoirse Ronan's pe ... rformance brought some charm to a fairly bland film. There were hidden jokes and puns throughout that, if caught, would give you a chuckle, but overall this campy whodunit failed to amuse. While the majority of the film was disappointing, the film's climax and resolution delighted with funny drama, meta plot twists, and even a breaking of the fourth wall. I would have loved it if the rest of the movie had been as good as the ending. But it made me endure the slow first hour and fifteen minutes before I was rewarded with its clever wrap-up. I can't recommend it, but I can't say it's terrible.