Popularity: 11 (history)
Director: | Ryan Coogler |
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Writer: | Joe Robert Cole, Ryan Coogler |
Staring: |
Queen Ramonda, Shuri, M’Baku, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia and Everett Ross and forge a new path for the kingdom of Wakanda. | |
Release Date: | Nov 09, 2022 |
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Director: | Ryan Coogler |
Writer: | Joe Robert Cole, Ryan Coogler |
Genres: | Adventure, Action, Science Fiction |
Keywords | hero, superhero, based on comic, royalty, political intrigue , death of brother, death of king, hidden civilization, yucatan, absurd, admiring, bold, excited, loss of loved one, royal family, sequel, underwater, death in family, duringcreditsstinger, marvel cinematic universe (mcu), reflective, wistful, mayans, antagonistic, celebratory |
Production Companies | Marvel Studios |
Box Office |
Revenue: $859,102,154
Budget: $250,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Letitia Wright | Shuri |
Tenoch Huerta Mejía | Namor |
Lupita Nyong'o | Nakia |
Danai Gurira | Okoye |
Winston Duke | M'Baku |
Angela Bassett | Ramonda |
Martin Freeman | Everett Ross |
Julia Louis-Dreyfus | Valentina Allegra de Fontaine |
Dominique Thorne | Riri |
Florence Kasumba | Ayo |
Michaela Coel | Aneka |
Alex Livinalli | Attuma |
Mabel Cadena | Namora |
Michael B. Jordan | Killmonger |
Isaach de Bankolé | River Tribe Elder |
Danny Sapani | Border Tribe Elder |
Dorothy Steel | Merchant Tribe Elder |
Zainab Jah | Mining Tribe Elder |
Sope Aluko | Sope the Shaman |
Connie Chiume | Zawavari |
Trevor Noah | Griot (voice) |
Shawn Roberts | WDG Scientist |
Zola Williams | Zola |
Janeshia Adams-Ginyard | Nomble |
Jemini Powell | Jemini |
Marija Abney | Dora Milaje |
Keisha Tucker | Dora Milaje |
Ivy Haralson | Dora Milaje |
Maya Macatumpag | Dora Milaje |
Baaba Maal | Funeral Singer |
Jabari Exum | Drummer / Naval Guard |
Massamba Diop | Drummer |
Magatte Saw | Drummer |
Gerardo Aldana | Assembly Chairperson |
Richard Schiff | U.S. Secretary of State |
Gigi Bermingham | French Secretary of State |
Rudolph Massanga | Young Mali Technician |
Robert John Burke | Smitty |
Lake Bell | Dr. Graham |
Judd Wild | Jackson |
Amber Harrington | Rita Salazar |
Michael Blake Kruse | Henderson |
Justin James Boykin | Cargo Ship Helo Pilot |
Anderson Cooper | Anderson Cooper |
Mackenro Alexander | River Barrier Naval Guard |
Kamaru Usman | Naval Officer |
T. Love | M'Bele |
Floyd Anthony Johns Jr. | Jabari Warrior |
Jermaine Brantley | Jabari Warrior |
Granger Summerset II | Jabari Warrior |
Luke Lenza | MIT Student |
Alan Wells | Federal Agent |
Bill Barrett | FBI Special Agent |
Lieiry J. Perez Escalera | Haitian School Kid |
Sevyn Hill | Haitian School Kid |
Gavin Macon | Haitian School Kid |
Skylar Ebron | Haitian School Kid |
Taylor Holmes | Haitian School Kid |
Angela Cipra | Talokanil Guard |
Faya Madrid | Talokanil Guard |
María Telón | Female Mayan Elder |
María Mercedes Coroy | Namor's Mother |
Josué Maychi | Shaman |
Sal Lopez | Yucatan Elder |
Irma Estella La Guerre | Namor's Mother (Older) |
Manuel Chavez | Young Namor |
Leonardo Castro Sitiriche | Hacienda Owner |
Juan Carlos Cantu | Friar |
Shawntae Hughes | Fisherman |
Corey Hibbert | Terrified Man |
Zaiden James | Wakandan Kid |
Aba Arthur | Naval Engineer |
Délé Ogundiran | Flower Shop Owner |
Kevin Changaris | Pete |
Valerio Dorvillen | Haitian Taxi Passenger |
Don Castor | Haitian Taxi Passenger |
Jonathan González Collins | Haitian Taxi Passenger |
Divine Love Konadu-Sun | Toussaint |
Chadwick Boseman | T'Challa / Black Panther (archive footage) (uncredited) |
Name | Job |
---|---|
Tara DiPetrillo | Makeup Artist |
Joel Harlow | Makeup Department Head |
Daniel Sudick | Special Effects Supervisor |
Coya Elliott | Foley Editor |
Jan Philip Cramer | Head of Animation |
Jalil Jay Lynch | Stunts |
David Boucher | Special Effects Technician |
Trey Gordon | Special Effects Technician |
Sarah Halley Finn | Casting |
Hannah Beachler | Production Design |
Dave Jordan | Music Supervisor |
Vicki Pui | Concept Artist |
Ruth E. Carter | Costume Design |
Steve Boeddeker | Supervising Sound Editor, Sound Re-Recording Mixer |
Brandon Proctor | Sound Re-Recording Mixer |
Stan Lee | Characters |
Jack Kirby | Characters |
Chadwick Boseman | In Memory Of |
Dorothy Steel | In Memory Of |
Kelli Jones | Additional Hairstylist |
Meaghan Gillenwater | Second Second Assistant Director |
Darrin Prescott | Second Unit Director |
Shane Baxley | Conceptual Design |
Kim Foscato | ADR Supervisor |
Doc Kane | ADR Mixer |
Dan Cox | Visual Effects Supervisor |
Brandon Endy | Data Wrangler |
Jihyae Ham | Visual Effects Compositor |
Craig Hammack | Senior Visual Effects Supervisor |
Nancy Thurston | Stunts |
Kurt Bryant | Stunts |
Andy Gill | Stunt Coordinator |
Tad Griffith | Stunts |
Aakomon Jones | Choreographer |
Jennifer Badger | Stunts |
Leigha Hancock | Stunts |
Joe Bucaro III | Stunts |
Jeremy Fry | Stunts |
Alli Beckman | Stunts |
Brett Duffy | Extras Casting |
Emely Cartagena | Utility Stunts |
Alexya Garcia | Stunts |
Mike Deodato | Thanks |
Eddie Perez | Stunts |
Marlie Arnold | Art Direction |
Gloria Shih | Concept Artist |
Andrew H. Leung | Concept Artist |
Anthony Liberatore | Storyboard Artist |
Dan Milligan | Storyboard Artist |
Lisa K. Sessions | Set Decoration |
Jason T. Clark | Art Direction |
Jasmine Alexia Jackson | Storyboard Artist |
Kelley Dixon | Editor |
Richard Alonzo | Makeup Artist |
Lay'Na Anderson | Makeup Artist |
Natasha Arellano | Makeup Artist |
Gigi Collins | Makeup Artist |
A.J. Crimson | Makeup Artist, In Memory Of |
Chris Diamantides | Makeup Artist |
Noel Hernandez | Makeup Artist |
Leonard MacDonald | Makeup Artist |
Lia Malamo | Makeup Artist |
Para Malden | Makeup Artist |
Aida Scuffle | Makeup Artist |
Jennifer Gingery | Set Costumer |
Tomoko Goddard | Set Costumer |
Dana Kay Hart | Costume Supervisor |
Alejandro M. Hernandez | Set Costumer |
Ashley Kendrick | Set Costumer |
Honah Lee Milne | Set Costumer |
Day Ramphal | Set Costumer |
Shalcata Winkfield | Set Costumer |
Zena Zeizet | Set Costumer |
Benjamin A. Burtt | Supervising Sound Editor |
David C. Hughes | Sound Designer |
Nicole Rowley | Visual Effects Producer |
Tems | Vocals |
Michael P. Shawver | Editor |
Gilda Longoria | In Memory Of |
Cora Pantin | In Memory Of |
JC Lee | Thanks |
Simone Ledward Boseman | Thanks |
Logan Coles | Thanks |
Ime Archibong | Thanks |
Chris Arnold | Set Designer |
Vincent Bates | Set Designer |
Michael Corrigan | Set Dresser |
Tim Croshaw | Set Designer |
Molly Ebner | Set Decoration Buyer |
George Lee | Set Designer |
Max Sweeney | Assistant Art Director |
Yolande Thame | Set Designer |
Brandon Uloho | Set Designer |
Ed Bruce | Visual Effects Supervisor |
Espen Nordahl | Visual Effects Supervisor |
Hanzhi Tang | Visual Effects Supervisor |
R. Christopher White | Visual Effects Supervisor |
Cameron Beasley | Art Direction |
Laurel Bergman | Art Direction |
Kedra S. Dawkins | Assistant Art Director |
Lorin Flemming | Art Direction |
Michael Allen Glover | Art Direction |
Ron Mendell | Art Direction |
Brad Ricker | Supervising Art Director |
Jesse Rosenthal | Art Direction |
Mailara Santana | Art Direction |
Nina Adado | Additional Hairstylist |
Terence Alston | Hairstylist |
Geisha M. Barreto | Assistant Makeup Artist |
Alyson Black-Barrie | Additional Hairstylist |
Amanda Bourne | Additional Hairstylist |
Alex Breijak | Makeup Artist |
Crystal Broedel | Additional Hairstylist |
Larraya Bynum | Additional Hairstylist |
Kay Cantrell | Additional Hairstylist |
Anna Daniel | Makeup Artist |
Tayari Edwards | Additional Hairstylist |
Jillian Erickson | Makeup Artist |
Evelyn Feliciano | Key Hair Stylist |
Kimberly Felix | Key Makeup Artist |
Jessica S. Geiger | Additional Hairstylist |
Janet Gibson | Additional Hairstylist |
Debola Immanuel | Makeup Artist |
Erin Keith | Special Effects Makeup Artist |
Sakeitha King | Additional Hairstylist |
Roshieka Lanham | Additional Hairstylist |
Alex R. Lucas | Assistant Makeup Artist |
Amber Maher | Hairstylist |
Jeagraesha Marrero | Special Effects Makeup Artist, Assistant Makeup Artist |
Tonilee Marrone | Special Effects Makeup Artist |
Greg McDougall | Special Effects Makeup Artist |
D'Andre Michael | Makeup Artist |
Devin Shayla Morales | Makeup Artist |
Juliana Ononiwu-Brinson | Additional Hairstylist |
Terez Ordon | Additional Hairstylist |
Victor Paz | Hairdresser |
Jason Chandler Pettus | Additional Hairstylist |
Ashley Piccinich | Makeup Artist |
Gigi Roman | Special Effects Makeup Artist |
Jan Rooney | Makeup Artist |
Mark James Ross | Special Effects Makeup Artist |
Jason Simmons | Hairdresser |
Lanzel Smith Jr. | Additional Hairstylist |
Marva Stokes | Key Hair Stylist |
China Upshaw | Additional Hairstylist |
Derrick Washington | Hairdresser |
Roy Wooley | Makeup Artist |
Andy Wright | Makeup Artist |
Ismael Mulero | Special Effects Makeup Artist |
Hannah Mae Smith | Makeup Artist |
Will Zuidema | Makeup Artist |
Adam Cole | Post Production Supervisor |
Susan Ehrhart | Production Manager |
Katie Hinsen | Production Executive |
Steven S. Shapiro | Production Executive |
Jason Simmonds | Production Supervisor |
Oliver Mack Calhoun | Second Second Assistant Director |
Catherine A. Cospelich | Additional Second Assistant Director |
Ryan Gentilucci | Second Second Assistant Director |
Dixon McPhillips | First Assistant Director |
Tony Scelsi | Additional Second Assistant Director |
Jeremy Silveira | Second Assistant Director |
Donald Sparks | First Assistant Director |
Stephen Turro | Additional Second Assistant Director |
Marvin Williams | Second Unit First Assistant Director |
Efrem L. Acosta | Propmaker |
Phillip Boutte Jr. | Concept Artist |
Kelsey Brennan | Graphic Designer |
Aleksi Briclot | Concept Artist |
Kelly R. Burroughs | Visual Development |
David L. Bush | Set Decorating Coordinator |
Leslie Castiblanco | Art Department Production Assistant |
Brett Chapman | Property Master |
Tiffany Cinco | Sculptor |
Derek Crimmel | Set Dresser |
Jeffrey DeBell | Greensman |
Paolo DeLeon | Set Dresser |
Tim Flattery | Concept Artist |
Matthew Lee Flory | Set Decorating Coordinator |
Daniel Frank | Concept Artist |
Bradley Good | Assistant Property Master |
Monty Granito | Storyboard Artist |
Ron Hammond | Art Department Coordinator |
Matt Hausmann | Assistant Property Master |
Nelson Hawthorne | Paint Coordinator |
Hannah M. Hinkel | Assistant Property Master |
Julie Hurwitz | Propmaker |
James Isaacson | Props |
Charlie Jaramillo | Greensman |
Kent Jones | Paint Coordinator |
Thierry Labbe | Leadman |
April LaBranche | Set Decorating Coordinator |
Fabian Lacey | Concept Artist |
Ji Young Lee | Assistant Art Director |
Sergey Mazurov | Prop Maker |
John Naehrlich | Leadman |
Ed Natividad | Conceptual Design |
F. Xavier Neuner III | Art Department Assistant |
Andrew Petrotta | Property Master |
Jose F. Garcia Pineda | Propmaker |
Manuel Plank-Jorge | Concept Artist |
Sorin Popescu | Set Designer |
Bradley Reyes | Sculptor |
Raj Rihal | Concept Artist |
Peter Mitchell Rubin | Conceptual Design |
Chris Samp | Standby Painter |
Phil Saunders | Concept Artist |
Antonio Scaletta | Construction Foreman |
Andrew Shinavier | Props |
Mary Shriner | Art Department Assistant |
Shaquana Simmons | Graphic Designer |
Nikkolas Smith | Conceptual Illustrator |
Shea Soutar | Standby Painter |
Amy Lynn Umezu | Storyboard Artist |
Shawn Upthegrove | On Set Dresser, Set Dresser |
Ely Vegh | Set Dressing Manager |
Kevin Vickery | Set Designer |
Josh Viers | Concept Artist |
Andersyn West | Set Painter, Props |
Dean Wolcott | Set Designer |
Ben Woodworth | Charge Scenic Artist |
Shanna Worsham | Set Decoration Buyer |
Armin J. Zellers | Construction Buyer |
Dan Abrams | Sound Engineer |
Tyler Blythe | Sound Mixer |
Jeremy Eisener | Utility Sound |
Jenny Elsinger | Utility Sound |
John Harton | Utility Sound |
Jason C. Lewis | Utility Sound |
Colt Logan | Boom Operator |
Brian Long | Sound Engineer |
Brandon Loulias | Utility Sound |
James Peterson | Sound Mixer |
David Raymond | Boom Operator |
Ryan Robinson | Sound Engineer |
Shelley Roden | Foley Artist |
Richard Marty Simpson | Boom Operator |
Brenton Stumpf | Boom Operator |
Daniel Tappan | Sound Engineer |
Brett Voss | ADR Recordist |
Trevor Ward | Sound Engineer |
Andy Winderbaum | Sound Engineer |
Marc Banich | Special Effects Manager |
Heidi Beers | Scenic Artist |
Marshall T. Broyles | Special Effects Technician |
Ken Cornett | Modeling |
William Cunha | Special Effects Technician |
Bailey Eller | Special Effects Technician |
Jonathan Faber | Modeling |
Allison Gainza | Special Effects Technician |
Morgan Guynes | Special Effects Manager |
Ryan Hartnett | Special Effects Technician |
Arthur T. Haynes | Special Effects Technician |
Damian Lund | Special Effects Technician |
Toi Ogunyoku Jr. | Modeling |
John Ruggieri | Special Effects Coordinator |
Lisette Santana | Special Effects |
Michael Schramm | Special Effects Technician |
Emma Siate | Special Effects |
Anthony Simonaitis | Special Effects Manager |
Bradley Smit | Special Effects |
Josh Spooner | Modeling |
Richard Stapleton | Special Effects Technician |
Chris Stockton | Special Effects Technician |
Joshua von Badinski | Special Effects Technician |
Marco Wuest | Modelling Supervisor |
David Adan | Visual Effects Technical Director |
Atyeb Ahmed | Visual Effects Compositor |
Alireza Akhbariarabani | VFX Artist |
Lissa Katharina Albrecht | CG Artist |
Oleg Alekseev | Visual Effects Technical Director |
Kimberly Aller | Visual Effects Production Manager |
Bimpe Alliu | Concept Artist |
Victor Almela | Visual Effects Compositor |
Juan Alonso | Visual Effects Compositor |
Terence Alvares | Visual Effects Compositor |
Brian J. Alvarez | VFX Artist |
Daniel Amor | Animation |
Katarzyna Ancuta | Visual Effects Compositor |
Tor Andreassen | Visual Effects Compositor |
Matteo C. Angeles | VFX Production Coordinator |
Matt Armstrong | CG Artist |
Nenad Arsic | Modeling |
Myles Asseter | Modelling Supervisor |
Mikael Aune | Visual Effects Compositor |
Tony Bacigalupi | VFX Editor |
Kader Bagli | Visual Effects Compositor |
Alice Baglietto | Visual Effects Technical Director |
Kenneth Bailey | VFX Artist |
Jonathan Baker | Animation |
Valdimar Baldvinsson | CG Artist |
Dorothy Ballarini | Senior Modeller |
Ashwin Bangalore | Visual Effects Technical Director |
Tiago Barbosa | Visual Effects Compositor |
Joshua Barua-Fowle | Pipeline Technical Director |
Anton Baumann | Pipeline Technical Director |
Jo Ann Cordero Belen | Visual Effects Compositor |
Gabriel Belluco | VFX Artist |
Adam Bennink | Visual Effects Production Manager |
Jason Bidwell | Digital Compositor |
Cedric Blondelle | Visual Effects Compositor |
Antony Buff | Executive Visual Effects Producer |
Casi Blume | CG Supervisor |
Federico Bonato | Visual Effects Compositor |
Aaron Bookout | CG Artist |
Jacquelyn Booth | Digital Compositor |
Gaëtan Borneuf | Matte Painter |
Sudeepto Bose | Visual Effects Compositor |
Gregory Bossert | Layout Supervisor |
Sebastian Braende | CG Artist |
Martin Brattensborg | VFX Artist |
Patrick Brennan | Visual Effects Compositor |
Bertrand Breuze | Visual Effects Compositor |
Tiffany Nichole Bromley | Digital Compositor |
Markus Bruland | VFX Artist |
Ragnar Brynjúlfsson | CG Artist |
Chad Buehler | Digital Compositor |
Kaitlen Burns | VFX Production Coordinator |
Daniela Garcia Bustos | Visual Effects Coordinator |
Tiago Cabrita | Visual Effects Compositor |
Marlen Caemmerer | Systems Administrators & Support |
Alvaro Cajal | Visual Effects Compositor |
Louise Calloni | Visual Effects Production Manager |
David Cam | Visual Effects Compositor |
Tony Camehl | CG Artist |
Anna-Lena Carl | Visual Effects Coordinator |
Michael Andrew Carpenter | Generalist |
Sascha Caspar | VFX Artist |
Jorge Catala | Visual Effects Technical Director |
Juan Francisco Cevallos | Digital Compositor |
Karla Vazquez Ch | Digital Compositor |
Christopher Chaber | Visual Effects Coordinator |
Chih-Che Chai | VFX Artist |
Viki Chan | Visual Effects Supervisor |
Star Chaplin | Digital Compositor |
Humphrey Cheng | VFX Production Coordinator |
Joe Chiang | VFX Lighting Artist |
Tagui Chilyan | Stereoscopic Supervisor |
Eva Chiochetti | VFX Artist |
Sourabh Chougule | VFX Artist |
Craig Christian | Animation |
Thomas Clary | Executive Visual Effects Producer |
Nicolae-Gheorghe Cojocaru | VFX Artist |
Stefano Colaprete | Visual Effects Compositor |
Lilia Collar | Digital Compositor |
Miodrag Colombo | Visual Effects Compositor |
Michael Conte | CG Artist |
Florian Coquaz | VFX Artist |
Maurizio Corda | VFX Production Coordinator |
Danny Corona | VFX Artist |
William Cote | Digital Compositor |
Mathew Cowie | Animation Supervisor |
Razvan Teodor Cristea | VFX Artist |
Christian Cunningham | VFX Lighting Artist |
Grahame Curtis | Modeling |
Paul Daiko | Visual Effects Compositor |
Eric Daly | Visual Effects Production Manager |
Dang-Vy Nguyen | VFX Artist |
Varuna Darensbourg | Compositing Supervisor |
Rakesh Das | VFX Artist |
Alejandro Davalos | Digital Compositor |
Daphne De Jesus | Digital Compositor |
Christophe Dehaene | Visual Effects Compositor |
Christian Camacho | Rotoscoping Artist |
Guliz Demiray | Senior Animator |
Gianluca Dentici | Compositing Lead |
Julie Elisabeth Derlick | Visual Effects Compositor |
Veronica Diaz | Visual Effects Coordinator |
Stoimen Dimitrov | Matte Painter |
Jeremy Dineen | Digital Effects Supervisor |
Michael Dohne | Visual Effects Compositor |
Jason Donnelly | Pre-Visualization Supervisor |
Graham Dorey | Visual Effects Compositor |
Kristen Drewski | Visual Effects Coordinator |
Philip Drobar | VFX Editor |
Kristen Drosinos | Pipeline Technical Director |
Ryan Duhaime | Digital Effects Supervisor |
Tristan Dunse | Visual Effects Compositor |
Daniel Duwe | Compositing Lead |
Karianne Dybedahl | Visual Effects Compositor |
Jennifer Dzielo | Animation |
Matthew Eberle | Visual Effects Production Manager |
Kade Eckstein | Digital Compositor |
Mattias Edström | CG Artist |
Anedra Edwards | VFX Editor |
Markus Eiken | Visual Effects Compositor |
Andie Eikenberg | Visual Effects Producer |
Elmar Bragi Einarsson | VFX Artist |
Sebastian Elsner | Pipeline Technical Director |
Maike Engelmann | Animation |
Damien England | Digital Compositor |
Kilian Eschenbach | Modeling |
Bernhard Esperester | VFX Lighting Artist |
David Espinoza | VFX Artist |
Arkin Esref | Matte Painter |
Michele Fabbro | Visual Effects Technical Director |
Carl Fairweather | Effects Supervisor |
Selena Farkas | Visual Effects Compositor |
Gerald Feather | VFX Artist |
Lauren Fee | VFX Production Coordinator |
Andrew Fensom | Compositing Lead |
Bruno Fernandes | Visual Effects Compositor |
Matt Fezza | Animation |
Simone Fichera | Digital Compositor |
Kelly Fischer | Visual Effects Compositor |
Chrisjan Fitzpatrick | Visual Effects Production Manager |
Jane Fletcher | Visual Effects Production Manager |
Jonathan Flores | Generalist |
Larkin Flynn | Digital Compositor |
Tim Forsgren | Visual Effects Compositor |
Christian Foucher | CG Artist |
Aidan Fraser | Visual Effects Supervisor |
Pierre Fred Isaac | 3D Artist |
Roderick Freidrich | CG Artist |
Theo Frobert | Modeling |
Holly Fung | Visual Effects Production Manager |
Borja Fuste | Visual Effects Compositor |
Veronica Gail | VFX Production Coordinator |
Stephen A. Gall | Digital Compositor |
Sebastian Gaspar | VFX Artist |
Alexandre Gaudiano | Visual Effects Compositor |
Sinje Gebauer | Executive Visual Effects Producer |
Florian Gellinger | Executive Visual Effects Producer |
Chady Ghorayeb | Layout Supervisor |
Mohamed Ghouse | Visual Effects Compositor |
Ross Gilbert | CG Supervisor |
Rebecca Gill | Visual Effects Production Manager |
Pedro Giménez | Visual Effects Technical Director |
Martina Gismondo | Visual Effects Compositor |
Francesco Giugliano | Visual Effects Technical Director |
Madeline Gonzales | Stereoscopic Coordinator |
Jose Luis Gonzalez | Visual Effects Technical Director |
Jenny Goodwin | VFX Production Coordinator |
Vladislava Govednik | Visual Effects Production Manager |
Jorge Grandes | Visual Effects Compositor |
Callum Grant | Visual Effects Coordinator |
Kalee Griffin | Visual Effects Camera |
Sindre Grimsrud | Visual Effects Compositor |
Andre Phillipp Grosser | VFX Artist |
Jan Grundmann | Pipeline Technical Director |
Alan Guimont | Visual Effects Technical Director |
Anisha Gupta | VFX Lighting Artist |
Alexandra Gutierrez | VFX Production Coordinator |
Carlota Gutiérrez Pou | Digital Compositor |
Jesper Gyllstad | Visual Effects Compositor |
Dimos Hadjisavvas | CG Supervisor |
Venetia Hadley | Visual Effects Compositor |
Philipp Hafellner | Layout Supervisor |
Rami Hage | Pipeline Technical Director |
David Hall | Animation |
Ludvig Hallenius | Visual Effects Compositor |
Matthew Hanger | Effects Supervisor |
Jonathan Harb | Executive Visual Effects Producer |
Dante Harbridge Robinson | Matte Painter |
Emile Hardy | Matte Painter |
Heidi Kathrin Harnisch | Visual Effects Compositor |
Jason Harris | Visual Effects Technical Director |
Tom Harrison | Matchmove Supervisor |
Dan Harrod | Visual Effects Compositor |
Ryan Harvey | 3D Coordinator |
Christoph Hasche | Visual Effects Compositor |
Daniel Hazeltine | 3D Artist |
Daniel Flehner Heen | Pipeline Technical Director |
Natasja Helledie | CG Artist |
Ethan Helms | Visual Effects Compositor |
Greg Herman | Title Designer |
Victoria Hetherington | Visual Effects Production Manager |
Kahurangi Hingston-Mill | Visual Effects Production Assistant |
Dennis Ho | Visual Effects Compositor |
Morten Jacobsen | Visual Effects Compositor |
Jen Hoang | Pipeline Technical Director |
Joe Holt | Visual Effects Compositor |
Neha Hooda | Executive Visual Effects Producer |
Korbinian Hopfner | Effects Supervisor |
Eric Horton | VFX Artist |
Leon Hsieh | Visual Effects Compositor |
Michael Huber | VFX Artist |
Kolja Huebschmann | Pipeline Technical Director |
Jan Humpal | Visual Effects Compositor |
Adnan Hussain | Pipeline Technical Director |
Seona Hwang | VFX Artist |
Rachel Hynds | Visual Effects Compositor |
Vlad Iliescu | Visual Effects Compositor |
Sarah Indolfo | Pipeline Technical Director |
John Iskandar | VFX Lighting Artist |
Santiago E. Iturmendi | Visual Effects Compositor |
Zave Jackson | Compositing Lead |
Joni Jacobson | Executive Visual Effects Producer |
Espen Netland Jakobsen | CG Artist |
Bartosz Jerczyński | Senior Animator |
Na Jian | Visual Effects Supervisor |
Regina Calix Jo | Visual Effects Coordinator |
Kevin J. Jolly | VFX Editor |
Gios Johnston | Creature Technical Director |
Lewis Jones | Visual Effects Technical Director |
Chery Julien | Senior Animator |
Andy Jurka | Visual Effects Production Assistant |
RJ Juson | VFX Production Coordinator |
Stefan Jähner | Pipeline Technical Director |
Todd Harris | Storyboard Artist |
Ilyana Eberhardt | Stunts |
Mare Advertencia Lirika | Songs |
Ana Rivera Garcia | VFX Artist |
Dragan Ilikj | Compositing Artist |
Jay Joshi | Compositing Artist |
Jordan Jakimovski | Compositing Artist |
Kajsa Christiansson | Compositing Artist |
Miki Blazevski | Compositing Artist |
Vasko Gjorgjiovski | Compositing Artist |
Kevin R. Wright | Other |
Ludwig Göransson | Songs, Original Music Composer |
Joe Robert Cole | Screenplay |
Jennifer Lame | Editor |
Geoffrey Baumann | Visual Effects Supervisor, Second Unit Director |
Zinzi Coogler | Thanks |
Camille Friend | Hair Department Head |
Barry H. Waldman | Unit Production Manager |
Angela Kwan Ang | ADR Editor, Dialogue Editor |
Peter J. Devlin | Sound Mixer |
Bruce E. Merlin | Pyrotechnic Supervisor |
Sean Andrew Faden | Additional Visual Effects |
Molly Doyle | Casting Associate |
Ryan Coogler | Songs, Director, Lyricist, Story, Screenplay |
Till Nowak | Concept Artist |
Autumn Durald Arkapaw | Director of Photography |
Holly Dowell | Stunts |
David Seager | Visual Effects Supervisor |
Chris McClure | Stunts |
Drew Jones | Visual Effects Production Manager |
Gregory D. Liegey | Visual Effects Supervisor |
Jane Oshita | Stunts |
Alexandra Greene | Visual Effects Producer |
Rihanna | Songs |
Sebastian Lauer | Visual Effects Supervisor |
Adrienne Ballenger | Stunts |
Nadia Lorencz | Stunt Double |
Sidney Kombo | Animation Supervisor |
Mónica López Aleman | Stunts |
Name | Title |
---|---|
Louis D'Esposito | Executive Producer |
Nate Moore | Producer |
David J. Grant | Co-Producer |
Kevin Feige | Producer |
Barry H. Waldman | Executive Producer |
Victoria Alonso | Executive Producer |
Kyana F. Davidson | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Actor | Hugh Grant | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 142 | 213 | 116 |
2024 | 5 | 239 | 263 | 209 |
2024 | 6 | 180 | 253 | 106 |
2024 | 7 | 138 | 175 | 107 |
2024 | 8 | 106 | 140 | 83 |
2024 | 9 | 98 | 164 | 83 |
2024 | 10 | 114 | 205 | 78 |
2024 | 11 | 103 | 189 | 78 |
2024 | 12 | 96 | 142 | 80 |
2025 | 1 | 95 | 121 | 73 |
2025 | 2 | 82 | 115 | 21 |
2025 | 3 | 34 | 108 | 3 |
2025 | 4 | 23 | 30 | 16 |
2025 | 5 | 19 | 31 | 14 |
2025 | 6 | 16 | 24 | 13 |
2025 | 7 | 13 | 16 | 11 |
2025 | 8 | 12 | 15 | 10 |
2025 | 9 | 13 | 17 | 11 |
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**Wakanda Forever was an earnest film that tackled some tough themes and honored its hero well but got bogged down introducing vast new worlds and complicated characters.** Wakanda Forever left me with mixed emotions. The respect and love paid to the legacy of Chadwick Boseman were heartfelt, mea ... ningful, and sincere. The movie wisely grappled with the aftermath of T’Challa’s passing on his family and nation. This subject matter created excellent opportunities to dive deeper into characters like Shuri, Nakia, and even M’Baku. Instead, Wakanda Forever primarily served as a vehicle to introduce Namor and Talokan. The film rightfully embraced a more somber tone as it dealt with themes of loss and legacy, but the mournful spirit caused the plot to sag and drag along throughout most of the runtime. Winston Duke offers the little levity the movie had. The cast delivered exceptionally, with Angela Bassett’s performance as the true standout. I liked the movie, but the melancholy approach made it more difficult to really enjoy, and the introduction of Namor and his threat to Wakanda chewed up so much of the story that it was difficult to bring closure to characters struggling with loss and heartbreak satisfyingly.
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/black-panther-wakanda-forever-spoiler-free-review "Black Panther: Wakanda Forever may not quite measure up to its predecessor, but it leaves a proud, beautiful, silent tribute to the legacy of Chadwick Boseman, telling an emotion ... ally powerful, resonant story about how grief can truly be love persevering. The screenplay runs into problems when it deviates from the central theme and tries to mix in other MCU stories/characters, with Namor and Riri suffering collateral damage. Technically, the action set pieces are mostly riveting, despite some inconsistent VFX and lighting. Score and sound production stand out in a remarkably memorable manner. Brutally passionate, moving performances, especially from Letitia Wright, Angela Bassett, and Danai Gurira. Exquisite pacing reduces the weight of the long runtime. Totally worth the emotional investment." Rating: B+
Mourning the unexplained death of King "T'Challa", the tech-rich African nation of "Wakanda" returns Queen "Ramonda" (Angela Bassett) to the throne and she must stabilise the kingdom and try to help her daughter "Shuri" (Letitia Wright) deal with the loss of her much-loved brother. A fireside chat l ... ate one night doesn't quite go to plan though, when they are introduced to an interloper. "Namor" (Tenoch Huerta) arrives to ask their help to thwart the Americans who nave managed to design a machine that can trace vibranium, and this has put his hitherto unknown population of underwater, Mesoamerican, people at risk. Either they help him to track down the scientist who created this or there could be war. The Princess and her general head to Massachusetts where they track down a college student who is almost as much of a whizz-kid as "Shuri". The FBI are on soon their trail and skedaddle they must, straight into the arms of the waiting "Talokan" who take them to their beautiful watery homeland where we learn just how they evolved. Somewhat narked, the Queen wants her daughter back and that action sows the seeds for a conflict between the two nations that, well, you can guess the rest. Sadly, that's the problem here. Despite a really strong and vibrant performance from Wright and some very fine production values, there is precious little story here. It is far, far, too long to sustain the thin plot and the conflict engineered between the two races is flawed in more ways than an US Congressional election. The pace is really slow, the combat scenes could have been choreographed by Sir Matthew Bourne - or by a Wakandan cheerleader at their equivalent of the "Superbowl" - and the supporting characters aren't on screen long enough to give Miss Wright enough help to wade through the frequent tedium. I wasn't helped by Huerta's very thick accent which made his dialogue nigh-on impossible to comprehend at times and the denouement screamed sequel so loudly that I forgot that I'd long given up on any jeopardy at the end two hours ago. There is a bit of character tragedy, character loyalty and thankfully Martin Freeman's ("Ross" - why does he need an American accent?) appears but sparingly as we go along but Marvel must stop taking the audience for granted. They have to realise that their gorgeous Avatar-esque visual effects and technical wizardry are not going to entertain us indefinitely if the stories continue to deliver so weakly. Great to look at, a few power-ballads from the soundtrack and Wright is certainly a stylish and classy star - otherwise, this is a film nobody will remember in two years time, I'll bet!
_Black Panther: Wakanda Forever_ had an impossible task in the wake of the tragic passing of lead Chadwick Boseman, and for the most part Ryan Coggler does a great job at picking up the pieces and creating a heartfelt story. I feel as though this movie is attempting to do too much though. There a ... re so many side plots and new characters being introduced that the film has a hard time finding its footing. For as much as I enjoyed Riri Williams and here banter with Wakadans, her arch was not necessary. By omitting this character, the story could have been more focused and streamlined creating an easier viewing experience and deflating the runtime. The writing was decent, but it was pretty exposition heavy. There were countless number of lines that were strictly feeding information to the audience, and they felt inorganic and awkward in the moment. These writing mishaps really hurt my enjoyment and constantly pulled me out of the film. After those main criticisms, I think this movie overall does a great job in all other departments. The action is surprisingly light, but when it does come it is intense and well-choreographed. There are some really unique fight sequences and weapons introduced with the "Atlanteans" that allowed for some really cool scenes and visuals that were done with some stellar CGI. I specifically like how the final battle had some letterboxing that was not present in the rest of the film. It gave it a grand scale that I thought was excellent touch. The performances were fantastic all around. Angela Bassett was mesmerizing and really captivated me with her emotion and distress with the passing of her son. There is a scene in here that gave me literal goosebumps. Dominique Thorne was a great addition as Iron-Heart and Lupita Nyong'o was amazing in her limited screen time. I loved Winston Duke and desperately wanted more screentime from him. He was sidelined for the majority of the film, and I think that was the wrong decision. Letitia Wright is the real highlight here. She stepped into a very difficult situation and acted her ass off. I never envisioned her as a lead actress, but she proved me wrong. Something I want to note that I do not normally include in my reviews in the music choice. The score to this movie was crafted brilliantly and really elevate so many scenes. I enjoyed every song and feel as though it blended with the movie brilliantly. Overall, this movie has its drawbacks but is still an enjoyable watch and one of the better movies in Marvel Phase IV. **Score:** _75%_ | **Verdict:** _Good_
This was such a fun movie to watch. It was long but didn't feel longer than a regular movie. There was a lot of action, but also excellent character exposition. I don't want to give anything away, but I loved the novel perspective on leadership this one evolved to. Also the contrast between how diff ... erent Black Panthers inhabit that role and the implications of that. I loved the new world discovered, with its own mythology, and the way those two worlds can come together, for good or ill. I can't wait to see where the story goes next. Beautiful scenes and a fun story with great characters. And the tribute to Chadwick Boseman, his character, and the actor, were deeply moving and tastefully done. Great soundtrack too. strong text
Chadwick Boseman is undeniably missed, but <em>'Black Panther: Wakanda Forever'</em> still manages to produce an entertaining and even touching final chapter of the MCU's Phase Four. I had a positive time with this, one good thing about watching it almost two months after release is that I got to ... watch this in an empty cinema - absolute bliss. Thankfully I managed to avoid all spoilers, though had heard the name Namor bandied about online so that's all I knew coming into it. Speaking of Namor, I'm a fan. He makes for a cool new character to the universe, as does Talokan as a whole, with Tenoch Huerta a welcomed addition to the cast - first time I recall seeing him in something, and I'm impressed. The star of this 2022 flick, however, is Letitia Wright. I don't really remember her standing out in the original much, at least to me, but here Wright is excellent. Angela Bassett is very good also, there's one emotion-filled speech scene in particular that stands out in my memory. Danai Gurira is always a joy to watch, while Winston Duke and Lupita Nyong'o are the best of the rest - though, the whole cast are good; even Martin Freeman, who I'm not always convinced by. The film handles Boseman's absence nicely, there are some very touching moments in there. I'd say they went the correct way with the character of T'Challa, no-one would've been able to even closely replicate Boseman. The music, meanwhile, is pleasant. I do think this has some relatively minor pacing issues, mainly around the midway point, but other than that I felt more than satisified with what I had just watched when leaving the cinema. Phase Five, see you soon!
I just saw this great Marvelesque fresco. Very great show, special effects to cut the breath. But where are the bits of humor that make the Marvels sympathetic, and especially, where is the peaceful spirit of Wakanda? The writers and directors have really lost their way. We feel so strongly the Am ... erican messages behind this long adventure: the importance of technology, to be a good ally you must submit. It's such a narrow view that it diminishes the pleasure of watching it! Come on, guys from Marvel: you got us used to better than this. Special effects and big budgets are not enough! -------------
I want to first state that I am absolutely thrilled about how Wokely pro-racism this, I mean it's 2022, the worst year in cinematic history, but I didn't think the Woke corporate overlords would go to this racist extreme. This is some repugnant crap and if I didn't know better, I would think that t ... hey were trying to go full Blazing Saddles and spoof racism.... but alas, it is Disney, and Disney is woke, the racism here isn't satirizing the subject, it's embracing it in all it's evil glory. Let's start with how they castrated Namor and then move on to utterly and completely they stereotyped Latinos, right down to focusing on how wet his back is and beating him by drying off his wet back. As if that wasn't racist enough it goes on to make it's prideful support of Black Nationalism clearly stated, the opposite of which we call White Nationalism, which is very much the purview of groups like the Neo-Nazis, KKK, and other hate groups. Wakanda Forever has done an excellent job of embracing that same ideology for the Black people of the world... and claiming it as a sort of pride. And that, of course, is exemplified by their virtuous victory over the forces of... Latino, who are so overtly masculine, right down to their shameful gendered language (like about 90% of the other languages on the globe) that they had to edit out Namor's bulge in order to... what... show more African Racial Superiority over the Latino population, or maybe just to add corporate feminism to the Black Nationalist message. Either way, the statement they made here was clear, Latinos bad, Black Nationalism good... ... God I can't wait until racism is something that is shunned across the board again, because the people who like this crap deserve all the respect we give to the people that loved the original Birth of a Nation and rode around the south wearing sheets on their heads. I expected a healthy dose of Black Nationalism when I walked in, I even expected the in your face male-hating... but I thought the racism was going to be directed at people like me, you know, white people. Instead the racism was directed at Latinos and, for some reason, that seems even more repugnant given the hypocrisy that comes with it.
I have to admit that I was quite a bit hesitant about this movie. I feared this was one movie where the woke intellectual midgets of Hollywood would go overboard with their nonsense. Luckily, the movie was more or less free of such rubbish except for maybe the lame “joke” at the end of the movie. ... If you are one of the woke intellectual midgets watching the movie I am sure you could find some contrived way of construing some message out of it but normal people will probably find it rather woke free. Overall it was a pretty decent movie actually. Lot and lots of special effects and action of course and, as with Black Adams that I just reviewed, that is the main reason to watch this movie. Unlike Black Adams, the story as a hole has more Hollywood nonsense in it though. It is good enough to propel the movie from start to finish but that is all. The main plot of the movie is unfortunately one of those nonsensical bits. Not even a kid (actually she is not really a kid but an adult) having the misfortune of attending one of those depraved grooming and indoctrination institutes they call schools today would be stupid enough to hand over a detector that would put their African home nation in such grave danger. Then there was that illogical rant from the Queen where she, in a emotional fit, fired her best (only) General. The cognitively impaired sock puppet might do a thing like that but not a real regent. The part with the French in the UN was also utter rubbish. That was to please the Chinese, who are the ones that would actually do what the movie claimed the French were doing, and nothing else. Anyway, it is still a decent movie. Certainly a lot better than quite a few Marvel/DC movies that Hollywood has produced over the last couple of years. The special effects are very nice and most of the action is quite cool. I am somewhat concerned that they picked that rather non-charismatic and overly emotional woman to become the next Black Panther though. After all, she could have re-created the magic flower a lot earlier but instead she let her stubbornness and emotions stand in the way. Not exactly qualities you would want in the Black Panther.
So many things wrong with this movie. Wanna be iron man chick. The movie was better without the black panther. Could have took the black panther out the name. Just made it about them as a nation instead. She makes a horrible black panther. She looks like captain america before he became him when he ... was skinny. Lol! They should have just made Michael B. Jordan be Black Panther.
So many things wrong with this movie. Wanna be iron man chick. The movie was better without the black panther. Could have took the black panther out the name. Just made it about them as a nation instead. She makes a horrible black panther. She looks like captain america before he became him when he ... was skinny. Lol! They should have just made Michael B. Jordan be Black Panther.
It's getting harder and harder to support these movies with the constant racist tones. How many digs/jokes against white people do you need? Even that wasn't enough for this movie they also had to get digs in against latinos as well. How does anyone think that this is the way to equality? "If I ... berate you enough you'll see my point of view!" Race relations were SO much better 20 years ago...
Black Panther: Wakanda Forever was a good Marvel movie. I liked the movie so much more than the others. For me, Wakanda Forever is an enjoyable movie that I would watch again. Angela Bassett’s performance as Queen Ramonda was amazing. Letitia Wright, Winston Duke, Lupita Nyong'o, and Danai Gurira we ... re also good as their respective characters. Namor was amazing as the antagonist of the film. Tenoch Huerta plays the character amazingly. The cinematography of this movie was amazing. I liked the underwater world of Talokan and the back story of Namor and Talokan. Dominique Thorne did an amazing performance bringing Riri Williams to on screen. I liked her first suit in the film. The second suit was good in action sequences but when the suit is still, the face of the suit looks animated. First Black Panther is my second favourite MCU film. I did not like this movie as much as the first one but overall as a film, this is a good film.