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The Most Precious of Cargoes Poster

The Most Precious of Cargoes

2024 | 80m | French

(1851 votes)

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Popularity: 2 (history)

Details

Once upon a time, a poor woodcutter and his wife lived in a great forest. Cold, hunger, poverty, and a war raging all around them meant their lives were very hard. One day, the woodcutter's wife rescues a baby. A baby girl thrown from one of the many trains that constantly pass through the forest. This baby, this "most precious of cargoes", will transform the lives of the poor woodcutter's wife and her husband, as well as those whose paths the child will cross—including the man who threw her from the train. And some will try to protect her, whatever the cost. Their story will reveal the worst and the best in the hearts of men.
Release Date: Nov 20, 2024
Director: Michel Hazanavicius
Writer: Michel Hazanavicius, Jean-Claude Grumberg
Genres: Animation, Drama, History
Keywords based on novel or book, holocaust (shoah), family relationships, adult animation, historical drama, 1940s, abandoned baby, loss and grief
Production Companies Agat Films & Cie / Ex Nihilo, France 3 Cinéma, StudioCanal, RTBF, Les Films du Fleuve, Prima Linéa Productions, VOO, BeTV, Les Compagnons du Cinéma
Box Office Revenue: $4,331,717
Budget: $0
Updates Updated: Jun 24, 2025
Entered: Mar 13, 2025
Trailers and Extras

International Posters

Full Credits

Name Character
Dominique Blanc Wife (voice)
Grégory Gadebois Woodcutter (voice)
Denis Podalydès Man with the Broken Face (voice)
Jean-Louis Trintignant Narrateur (voice)
Serge Hazanavicius Man in the mole hat (voice)
Antonin Maurel The father (voice)
Matej Hofmann Interpreter (voice)
Laurent Bateau A fellow woodcutter (voice)
Simon Volodine A fellow woodcutter (voice)
Oleg Imbert A fellow woodcutter (voice)
Adam Carage Red Army colonel (voice)
Name Job
Michel Hazanavicius Screenplay, Director
Julien Grande Art Direction
Bernard Devillers Production Director
Théo Gourp Animation
Alexis Saint-Augustin Animation
Jean-Christophe Lie Animation
Lukas Nesprias Animation
Elie Klimis Animation
Alexandre Desplat Music, Original Music Composer
Pierre-Guy Taillan Production Supervisor
Clément Hamtat Animation
Sven Laschzok Animation
Antonio Mengual Llobet Animation
Claire Sadeg Animation
Vassiliy Krasnikov Layout
Thomas Tulasne-Moeneclaey Animation
Vassili Turostowski Intern
Alix Penon Animation
Emma Laurent Assistant Production Coordinator
Manon Dumas Animation
Arnau Segarra Braunstein Assistant Editor
Selim Azzazi Sound Designer
Natalène Darfeuille Production Coordinator
Peter Bernaers Colorist
Aymeric Gendre Storyboard Artist, Animation Director
𝗬𝗼𝗹𝗮𝗶𝗻𝗲 𝗣𝗮𝘃𝗼𝗹𝗶𝗻𝗶 Intern
Volodia Breitman-Ferri Intern
Marie Picot Production Supervisor
Eythan Yvin Intern
Laurent Pelé-Piovani Editor
Laure Escadafals Layout
Chloé Roux Animation
Eloïse Rauzier Animation
Pascal Herbreteau Animation
Jean-Claude Grumberg Screenplay, Story
Name Title
Luc Dardenne Co-Producer
Riad Sattouf Producer
Florence Gastaud Producer
Michel Hazanavicius Producer
Jean-Pierre Dardenne Co-Producer
Valérie Schermann Producer
Patrick Sobelman Producer
Christophe Jankovic Executive Producer
Robert Guédiguian Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 2 5 1
2024 5 5 11 2
2024 6 5 11 2
2024 7 7 18 3
2024 8 5 9 3
2024 9 5 10 2
2024 10 5 8 3
2024 11 13 37 3
2024 12 9 15 5
2025 1 9 13 5
2025 2 7 10 2
2025 3 3 11 1
2025 4 2 4 1
2025 5 3 5 1
2025 6 2 4 1
2025 7 1 2 1
2025 8 1 1 0
2025 9 1 2 0
2025 10 3 4 2

Trending Position


Year Month High Avg
2025 8 856 889
Year Month High Avg
2025 7 422 606
Year Month High Avg
2025 6 69 323
Year Month High Avg
2025 5 67 485
Year Month High Avg
2025 4 248 638
Year Month High Avg
2025 3 66 294

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Reviews

Geronimo1967
7.0

Initially, I thought we were in for a reversion of “Tom Thumb” as a surly woodcutter and his wife live a subsistence existence in the snowy forest where she longs for a child, but we are swiftly disabused of that theory! Their lives are only ever broken up by the disturbance of the train as it passe ... s through, and it’s when praying to that one day that she thinks she hears a baby crying. Searching the snow, she quickly discovers an infant wrapped in a distinctive blanket and quickly takes it to their home. Her husband, though, feels the child to be an ill omen and wants nothing to do with it, so with her and the bairn confined to the cold of the woodshed, she has to try to find it some milk! That’s just the start of her travails, though, as we are gradually clued in to where this baby came from, and of the fate that awaited it’s parents that led to such a desperate act of love. What now ensues follows her struggle to keep herself and the child from an increasingly approaching war that had hitherto largely left them be, and that might ultimately dot the i’s and cross the t’s of a story that is touching, courageous and heartening. The almost constant wintery scenario adds an additional chill to a stylishly presented animation that features a sparing degree of dialogue, but some fairly effective audio effects to help create a variety of emotions as the child begins to grow and this simple, decent, family find they no longer have their problems to seek. It’s perhaps the last half hour that resonates most, as threads of the tale start to bind together revealing a degree of bleakness and inhumanity on one hand and yet the diametric opposite on the other. What wouldn’t a parent do for a child?

Apr 20, 2025