Popularity: 7 (history)
| Director: | Paul W. S. Anderson |
|---|---|
| Writer: | Paul W. S. Anderson |
| Staring: |
| When scientists discover something near Antarctica that appears to be a buried Pyramid, they send a research team out to investigate. Little do they know that they are about to step into a hunting ground where Aliens are grown as sport for the Predator race. | |
| Release Date: | Aug 12, 2004 |
|---|---|
| Director: | Paul W. S. Anderson |
| Writer: | Paul W. S. Anderson |
| Genres: | Adventure, Action, Science Fiction, Horror |
| Keywords | saving the world, predator, space marine, pyramid, praise, alien, creature, cosmos, absurd, familiar |
| Production Companies | 20th Century Fox, Studio Babelsberg, Brandywine Productions, Davis Entertainment, Stillking Films, Lonlink Productions, Kut Productions, Inside Track 2 |
| Box Office |
Revenue: $177,427,090
Budget: $70,000,000 |
| Updates |
Updated: Aug 06, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sanaa Lathan | Alexa Woods |
| Lance Henriksen | Charles Bishop Weyland |
| Ian Whyte | Scar |
| Raoul Bova | Sebastian de Rosa |
| Ewen Bremner | Graeme Miller |
| Colin Salmon | Maxwell Stafford |
| Tommy Flanagan | Mark Verheiden |
| Joseph Rye | Joe Connors |
| Agathe de La Boulaye | Adele Rousseau |
| Carsten Nørgaard | Rusten Quinn |
| Sam Troughton | Thomas Parks |
| Petr Jákl | Stone |
| Pavel Bezděk | Bass |
| Kieran Bew | Klaus |
| Carsten Voigt | Mikkel |
| Jan Filipenský | Boris |
| Adrian Bouchet | Sven |
| Andy Lucas | Juan Ramirez |
| Liz May Brice | Supervisor |
| Glenn Conroy | Technician |
| Eoin McCarthy | Karl |
| Karima McAdams | Sacrificial Maiden |
| Tom Woodruff Jr. | Grid |
| Joseph Balderrama | High Priest (uncredited) |
| Alec Gillis | Technician (uncredited) |
| Alex Lorre | Spaceship Crew (uncredited) |
| Jack Pierce | Co-Pilot (uncredited) |
| Name | Job |
|---|---|
| Paul W. S. Anderson | Screenstory, Writer, Director |
| Alexander Berner | Editor |
| Nancy Bishop | Casting |
| Ray Chan | Art Direction |
| Lukáš Bech | Location Manager |
| Andrew Jack | Dialect Coach |
| Ivo Strangmüller | Key Hair Stylist, Makeup Artist |
| Dawn Dininger | Makeup Effects, Special Effects Makeup Artist |
| Ben Shepherd | Effects Supervisor, Digital Effects Supervisor |
| Adam Goodman | Unit Production Manager |
| Marco Bittner Rosser | Set Designer |
| Miroslav Čáslavka | Driver, Swing |
| John Bruno | Visual Effects Supervisor |
| Bharat Nalluri | Second Unit Director |
| Jan Kotik | Graphic Designer |
| Jakub Švec | Stunts |
| Angelica Lisk-Hann | Stunt Double |
| Ferran Domenech | Animation |
| Dan O'Bannon | Screenstory, Characters |
| Ronald Shusett | Screenstory, Characters |
| Barrie Gower | Special Effects Makeup Artist |
| John Thomas | Characters |
| Jürgen Vollmer | Still Photographer |
| Jaromír Šedina | Steadicam Operator, Camera Operator |
| Petr Konrád | Gaffer |
| John Warhurst | Music Editor |
| Jiri Kotlas | Transportation Coordinator |
| Jessica Clothier | Script Supervisor |
| Gabriele Zucchelli | Animation |
| Mark Bartholomew | Assistant Art Director |
| Lesley Lamont-Fisher | Makeup Designer, Hair Designer |
| David Johnson | Director of Photography |
| Richard Bridgland | Production Design |
| Stephen Dobric | Art Direction |
| Jindřich Kočí | Art Direction |
| Milena Koubková | Art Direction |
| Justin Warburton-Brown | Art Direction |
| Peter Walpole | Set Decoration |
| Katerina van Gemundova | Art Department Coordinator |
| Stephen Bream | Set Designer |
| Stephan O. Gessler | Set Designer |
| Jan Kodera | Leadman |
| Colin Jackman | Sculptor |
| Simon Gershon | Supervising Sound Editor, Sound Re-Recording Mixer |
| Jeremy Price | Supervising Sound Editor |
| Melissa Lake | Foley |
| Jason Swanscott | Foley |
| Howard Bargroff | Sound Re-Recording Mixer |
| Andrew Stirk | Sound Re-Recording Mixer |
| Mei-Ming Casino | Visual Effects Producer |
| Ian Differ | Visual Effects Editor |
| Stefan Drury | Visual Effects Producer |
| Angie Wills | Visual Effects Producer |
| Arthur Windus | Visual Effects Producer |
| Adam Valdez | Visual Effects Supervisor |
| Vít Komrzý | Visual Effects Producer |
| Rick Forsayeth | Stunt Coordinator |
| Simon Webber | Makeup Effects |
| Richard K. Buoen | Conceptual Design |
| Steve Burg | Conceptual Design |
| Adam O'Neill | Supervising Art Director |
| Jennifer Silver | Line Producer |
| David Selvadurai | Painter |
| Ladislav Hrubý | First Assistant Camera |
| Jiří Gažda | Grip |
| Bára Barová | Set Dressing Supervisor |
| Mattias Lindahl | CG Supervisor |
| Craig Lyn | CGI Supervisor, CG Supervisor |
| Andreas Pense | Legal Services |
| Jason Keever | Post Production Assistant |
| Patrick Esposito | Post-Production Manager |
| Emma Zee | Post Production Supervisor |
| Graham Riddell | Propmaker |
| Robert Milicevic | Security |
| Eva Dvorakova | Set Medic |
| Petra Ratner | Set Production Assistant |
| Michal Holubec | Sound Recordist |
| Jaroslav Peterka | Stunts |
| Geoff Freeman | Unit Publicist |
| Michal Chadima | Video Assist Operator |
| Charles Ladmiral | First Assistant Editor |
| Martin Tichy | Electrician |
| Rafael Morant | Lighting Artist |
| Dean Brkic | Rigging Gaffer |
| Michal Houzvicka | Rigging Grip |
| Minna Pyyhkala | Casting Associate |
| Mark Birmingham | Production Accountant |
| Claudia Dehmel | Production Coordinator |
| Martina Burgetová | Production Manager |
| Brian Donovan | Production Supervisor |
| Tomáš Červenka | Boom Operator |
| Petr Forejt | Production Sound Mixer |
| Blair Jollands | Sound Editor |
| Mike Grimes | Sound Effects Editor |
| Laurent Cordier | 3D Supervisor |
| Henry Badgett | Digital Compositors |
| Oliver Faldo | I/O Supervisor |
| Karl-Heinz Bochnig | Special Effects Supervisor |
| Charles Howell | Visual Effects Coordinator |
| Lenka Rock | Translator |
| Les Healey | Additional Editing |
| Mark Kenna | Dolby Consultant |
| Stephane Paris | Modeling |
| Jiří Husák | Unit Manager |
| James Seymour Brett | Orchestrator |
| Christopher Learmonth | VFX Editor |
| Jitka Švecová | Costumer |
| Radek Petr | Hair Assistant |
| Sherman Hawthorne | Hairdresser |
| Jakub Dvorak | Second Assistant Director |
| Lucy Egerton | Third Assistant Director |
| Joseph C. Pepe | Concept Artist |
| Aleksandar Sasha Matic | Draughtsman |
| Craig Cheeseman | Dressing Prop |
| Richard Bennett | Storyboard Artist |
| Nic Benns | Title Designer |
| Gianluca Buttari | ADR Coordinator |
| Marco di Vittorio | ADR Engineer |
| Michael Miller | ADR Mixer |
| Courtney Bishop | ADR Recordist |
| Dan Johnson | Additional Sound Re-Recording Mixer |
| Andrea King | Foley Artist |
| Nigel Bennett | Sound Mix Technician |
| Ian Morgan | Supervising ADR Editor |
| Miriam Ludbrook | Supervising Dialogue Editor |
| Michael Beck | Special Effects Assistant |
| Sam Conway | Special Effects Technician |
| Steven Hall | Visual Effects Camera |
| Rene Hajek | Stunt Double |
| Zdeněk Mrkvička | Assistant Camera |
| Pavel Proisl | Best Boy Grip |
| Václav Kareš | Camera Loader |
| Andrew Baggarley | Data Wrangler |
| Ian Smith | Dolly Grip |
| Karl Morgan | Focus Puller |
| Dan Balzer | Second Assistant Camera |
| Jeremy Lazare | Lead Animator |
| Greg Fisher | Senior Animator |
| Vanessa Baker | ADR Voice Casting |
| Julie Harkin | Casting Assistant |
| Věra Mírová | Wardrobe Master |
| Martin Hubáček | Assistant Editor |
| Brano Danis | Colorist |
| Paul Elman | Digital Intermediate Editor |
| Michael Charles | Negative Cutter |
| Rolf Hanke | Project Manager |
| Karen Elliott | Music Coordinator |
| Andrew Glen | Supervising Music Editor |
| David Trojan | Art Department Production Assistant |
| Karolina Cerna | Assistant Accountant |
| Goran Uljanic | Assistant Production Coordinator |
| Aleksandar Pejic | CG Artist |
| Jirí Hrstka | Extras Casting |
| Renee D. Czarapata | First Assistant Accountant |
| Xavier Roig | Generalist |
| Martin Hobbs | Head of Production |
| Julian Mann | Head of Research |
| Dave Early | Matte Painter |
| Luke Gale | Production Assistant |
| Jan Hogevold | Production Executive |
| Veronika Lencová | Production Secretary |
| Steven Bray | Rotoscoping Artist |
| Marc Marcum | Story Editor |
| James Clarke | Visual Effects |
| Andy Howard | Additional Second Assistant Director |
| Ben Meechan | Sound Effects Editor |
| Mark Egerton | First Assistant Director |
| Edward Brett | First Assistant Director |
| Jiri Simberský | Stunts |
| Jan Petřina | Stunts |
| David Motl | Stunts |
| David Lištván | Stunts |
| Miroslav Lhotka | Stunts |
| Heiko Kiesow | Stunts |
| Petr Hnětkovský | Stunts |
| Michal Grün | Stunts |
| Simon Price | Dialogue Editor |
| John T. Sweeney | Production Coordinator |
| Noel Cowell | Property Master |
| Dino Herrmann | Technical Advisor |
| Jim Thomas | Characters |
| Adam Inglis | Digital Colorist |
| Harald Kloser | Original Music Composer |
| Magali Guidasci | Costume Design |
| Suzanne M. Smith | Casting |
| David Váňa | Visual Effects Supervisor |
| Steven Woodcock | Set Decoration |
| Name | Title |
|---|---|
| John Davis | Producer |
| David Giler | Producer |
| Wyck Godfrey | Executive Producer |
| Henning Molfenter | Associate Producer |
| Mike Richardson | Executive Producer |
| Grace Gilroy | Associate Producer |
| Thomas M. Hammel | Executive Producer |
| Chris Symes | Co-Producer |
| Walter Hill | Producer |
| Thierry Potok | Associate Producer |
| Matthew Stillman | Co-Producer |
| Gordon Carroll | Producer |
| David Minkowski | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
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| 2024 | 4 | 36 | 43 | 24 |
| 2024 | 5 | 42 | 51 | 34 |
| 2024 | 6 | 38 | 51 | 25 |
| 2024 | 7 | 44 | 77 | 24 |
| 2024 | 8 | 58 | 119 | 28 |
| 2024 | 9 | 52 | 87 | 41 |
| 2024 | 10 | 47 | 78 | 29 |
| 2024 | 11 | 34 | 59 | 25 |
| 2024 | 12 | 32 | 43 | 24 |
| 2025 | 1 | 35 | 44 | 26 |
| 2025 | 2 | 27 | 37 | 4 |
| 2025 | 3 | 9 | 25 | 2 |
| 2025 | 4 | 6 | 11 | 4 |
| 2025 | 5 | 7 | 11 | 5 |
| 2025 | 6 | 6 | 7 | 4 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 5 | 6 | 4 |
| 2025 | 9 | 6 | 8 | 4 |
| 2025 | 10 | 6 | 7 | 5 |
Trending Position
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| 2025 | 10 | 101 | 671 |
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| 2025 | 9 | 161 | 663 |
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| 2025 | 8 | 97 | 557 |
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| 2025 | 7 | 167 | 632 |
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| 2025 | 6 | 167 | 559 |
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| 2025 | 5 | 150 | 619 |
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| 2025 | 3 | 211 | 669 |
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| 2025 | 2 | 256 | 635 |
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| 2025 | 1 | 207 | 588 |
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| 2024 | 12 | 114 | 615 |
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| 2024 | 11 | 195 | 539 |
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| 2024 | 10 | 201 | 553 |
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| 2024 | 9 | 222 | 368 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 44 | 325 |
Monstrous - but not a total monstrosity. Antartica, and an expedition is about to uncover a battleground for Aliens and Predators. Whoever wins, we lose! So ran the tag line for Paul W. S. Anderson's prequel (?) to two fanatically worshipped franchises. Little was Anderson to know that it was ... the majority of cinema goers who would feel that they had "lost" their cash on coming out after watching this miss-matched effort. Though in truth nobody could seriously have expected a film to rival the best of both serials (Alien, Aliens & Predator), it's still right that us fans should expect the formula to be respectfully adhered too. We want character build up, we expect a group dynamic to function, and we definitely want the baddies to stay just that, as baddies. It's not a total loss, though, even as Anderson all too quickly hurtles towards his "humans caught in a cube like puzzle box" blood bath, there is just enough back story and anticipation to tickle the tongue. In fact, when it all goes pear shaped and Xenomorphs, Pred-Rastas and humans are all lined up for slotting, it's damn near exciting stuff. While the pyramid/cube/maze design is pretty awesome. However, then the plus points are vanquished as the film quickly becomes kiddie friendly as gloop gives way to strawberry jelly, featuring a turn of events with our "heroine" that's so clumsy I'd be surprised if Anderson sleeps at night. Still, it's obvious that Anderson loves both franchises and he in no way would have wanted to make a stinker. But he has made a very average movie, one that's got two things in its favour. One being that is the neat middle section, the other that it's not half as bad as the messy hack job that was AVPR: Aliens vs Predator - Requiem in 2007. 5/10
I can honestly say, that this is one of the most under-rated films of 2004. Not because it was good, just because it was panned so fucking hard by critics! I think this is mostly due to the fact that it was being compared to both the Alien and Predator series, which is fair enough, but it was nev ... er going to be what either of those films was. Ultimately it's downfall came from some poor dialogue, and trying to reach a larger audience. Where Predators was a film that you didn't need to have watched all the others in order to follow, it was still fundamentally a Predator film, aimed at the Predator-loving market. AVP on the other hand used references to the older films, but then completely threw the canon out the window and went for a larger fanbase. And whilst it worked to some degree (my grandma liked it) it wasn't enough of a step in either direction. AVP was complicated as a stand alone, and disastrous when compared to anything else in the franchise except perhaps its sequel Requiem (and maybe Predator 2 or Alien3). Honestly I think the film works as an archetypal film in the realm of both Alien and Predator, just not a sequel or prequel to either. The lead protagonist is a woman by the name of Alexa Woods, portayed by Sanaa Lathan (Blade, Contagion) who was clearly meant to be a modern day Ripley, and catastrophically failed at doing so. The Predators were as cool as ever, and people complained that in the latter half of the film they weren't as ghostly as in Predator/Predator 2, but we've already had two whole films of that, and these were juvenile Predators, so it sort of made sense that they were a tad more restless. Bringing Lance Henriksen (Damien: Omen II, Piranha II: The Spawning, The Terminator, Aliens, Alien 3, Pumpkinhead, The Quick and the Dead, Mind Ripper, Scream 3, The Lost Tribe) back was an awesome decision, one that was probably lost on the audience who had not seen the Alien series. Tommy Flanagan (Smokin' Aces 1 and 2, Sin City, When a Stranger Calls [2006], Gladiator, Braveheart) is another an actor I love, it was a shame his character (Mark Verheiden) was so underused. Ultimately, the film is a good one to pick up and put down, don't think about it too much, don't compare it to the others, go in with your only expectation being that it's a monster-movie, then you won't come out too disappointed. 59% -Gimly
If Paul WS Anderson had just taken a moment longer to look at the casting here, he might have had a decent property. A solid conflict between the ultimate ninja "Predator" and the ultimate killing machine from "Alien". Why didn't he? Instead, we find a truly C-list bunch of acting fodder exploring a ... temple wherein, aeons ago, these two titans of terror battled it out. On arrival in the sacrifice room, they inadvertently release some eggs, and some "Predator" creatures, and soon some of them are on the menu for both as a battle royal looms. The special effects are good, and the action elements work fine too. I even found myself taking sides - just not with the humans, who deserved every tortuous chewing, stabbing and nasty involuntary caesarians that they got. It's paced well, it looks eerie and sinister, and the ending is quite exciting - it's just a real shame the writing and the acting are really mediocre. Teed up for a sequel too - I can only hope it ups it's game for that!
Did they actually make this!? Wait, did I actually buy this!? ...
Finally got around to watching this crossover between the two titular characters. It's pretty good! I'm not someone who has a keen interest in either franchise, though. I'm kinda surprised both have as many flicks made as they do and as many still on the way. I admittedly I do like all of the <em ... >'Alien'</em> films, whereas I found <em>'Predator'</em> to be rather uninteresting - until <em>'Prey'</em> anyway, that's the only one from that series that I'd say I like. With all that, I wasn't too sure what to expect from <em>'AVP: Alien vs. Predator'</em> - a movie that I've actually heard of since I was a kid, I remember people at my school referring to it quite often; I probably knew of this before I knew that they were a crossover from separate releases. Pleasingly, i did find the required enjoyment from this 2004 movie. None of the cast are particularly outstanding, though all work really nicely as a whole. Sanaa Lathan gives a good showing as the main human character, in what is my first real experience of seeing her onscreen. Same can be said for most of the acting talent, with only Ewen Bremner being someone I could say I recognised; and Lance Henriksen, only after thoroughly racking my brain from the original <em>'Alien'</em> films though. That final scene leaves good intrigue ahead of the sequel. After viewing that, I can finally say I've seen all of this most abundant franchise. No mean feat, eh? At least there aren't any more coming any time soo... <em>*Alien: Romulus releases in two days*</em> <b>ffs.</b>