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The Predator

The hunt has evolved.
2018 | 107m | English

(156811 votes)

TMDb IMDb

Popularity: 10 (history)

Director: Shane Black
Writer: Fred Dekker, Shane Black
Staring:
Details

When a young boy accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race.
Release Date: Sep 05, 2018
Director: Shane Black
Writer: Fred Dekker, Shane Black
Genres: Action, Science Fiction, Thriller
Keywords sequel, creature, military, intense, predator, alien, alien invasion, aggressive
Production Companies 20th Century Fox, Davis Entertainment, TSG Entertainment, Canada Film Capital
Box Office Revenue: $160,542,134
Budget: $88,000,000
Updates Updated: Aug 03, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Boyd Holbrook Quinn McKenna
Trevante Rhodes Nebraska Williams
Sterling K. Brown Traeger
Jacob Tremblay Rory McKenna
Keegan-Michael Key Coyle
Olivia Munn Casey Brackett
Thomas Jane Baxley
Alfie Allen Lynch
Augusto Aguilera Nettles
Jake Busey Keyes
Yvonne Strahovski Emily
Brian A. Prince Predator
Mike Dopud Dupree
Niall Matter Sapir
Javier Lacroix Cantina Bartender
Gabriel LaBelle EJ
Nikolas Dukic Derek
RJ Fetherstonhaugh Agent Church
James S. Salisbury Helicopter Pilot
Garry Chalk Postal Worker
Duncan Fraser VA Psych
Emy Aneke Merc Soldier
Darryl Scheelar Bus MP #1
Fraser Aitcheson Bus MP #2
Eduard Witzke Security Tech
Jan Bos Tech Hamlin
Lochlyn Munro Lt. General
Françoise Yip Tracking Supervisor
Rhys Williams F-22 Pilot #1
Malcolm Masters F-22 Pilot #2
Harrison MacDonald F-22 Pilot #3
Sage Brocklebank Transport Driver
Coulton Jackson Merc on the Road
Sean Owen Roberts Stoner
Colin Corrigan Emily's House Merc
Anousha Alamian Cryptographer
Ryan Scramstad Guard with Rory
Patrick Sabongui Barn Merc #1
J.C. Williams Barn Merc #2
Sean Kohnke Barn Merc #3
Juan Pacheco Translator (voice)
Lars Grant Merc #1
Byron Brisco Merc #2
Fraser Corbett Merc #3
Chad Bellamy Merc #4
Peter Shinkoda Dr. Yamada
Aaron Craven Scientist
Name Job
R.J. Kizer Supervising ADR Editor
Corry Glass Stunts
Brian Smrz Second Unit Director, Stunt Coordinator
Brett Armstrong Stunts
Lauro David Chartrand-DelValle Stunts
Jennifer Mylrea Stunts
Jodi Stecyk Stunts
Breanna Watkins Stunts
Tamiko Brownlee Stunts
Jeff Sanca Stunt Driver
Garvin Cross Stunts
Angela Uyeda Stunts
Henry Jackman Original Music Composer
Fred Dekker Writer
Larry Fong Director of Photography
Sarah Halley Finn Casting
Shane Baxley Concept Artist
Caitlin McKenna ADR Voice Casting
Doane Gregory Still Photographer
Craig Hosking Aerial Coordinator
Conner Dwelly Production Assistant
Lance Gilbert Stunt Coordinator
Marny Eng Stunt Coordinator
Chris Webb Stunt Coordinator
Dave Jordan Music Supervisor
Zahid Jiwa Digital Compositor
Deb Adair Sound Re-Recording Mixer
David Betancourt ADR Mixer
Chris Webb Stunts
Guy Bews Stunt Coordinator
Marshall Virtue Stunts
Shane Black Writer, Director
Martin Whist Production Design
Harry B. Miller III Editor
Ravi Bansal Art Direction
Shannon Grover Art Direction
Andrew Li Art Direction
Cheryl Marion Art Direction
Peter Mihaichuk Art Direction
David E. Scott Art Direction
Callum Webster Assistant Art Director, Art Direction
Loic Zimmermann Art Direction
Paul Healy Set Decoration
Hamish Purdy Set Decoration
Michael Diner Supervising Art Director
Ainsley Barteluk Art Department Assistant
Natasha Stoesz Art Department Assistant
Sumit Sura Art Department Assistant
Marc Aubin Art Department Coordinator
Angela O'Sullivan Assistant Art Director
Benoit Waller Assistant Art Director
Kris Bergthorson Assistant Art Director
Scott Calderwood Assistant Set Decoration
Spencer Louttit Assistant Property Master
Ali Macrae Assistant Property Master
Don Anderson Assistant Property Master
Milena Zdravkovic Concept Artist
Adam Dougherty Concept Artist
Luca Nemolato Concept Artist
Mauricio Ruiz Concept Artist
Aaron Sims Concept Artist
Tully Summers Concept Artist
Ivan Khomenko Concept Artist
Leandre Lagrange Concept Artist
Stephane Levallois Concept Artist
Alexander Ovchinnikov Concept Artist
Emmanuel Shiu Conceptual Design
Stevo Bedford Conceptual Illustrator
Brian Cunningham Conceptual Illustrator
Josue Clotaire Fleurimond Conceptual Illustrator
Jesse Joslin Construction Coordinator
Ken Barthelmey Creature Design
Abner Marín Creature Design
Ben Mauro Creature Design
Sam Findlay Graphic Designer
Sally Hudson Graphic Designer
Vaughan V. Baker Paint Coordinator
Connor Coffman Props
John B. Keys Scenic Artist
Sarah Vallim Scenic Artist
Davtyan Hamb Sculptor
Etienne Gravrand Set Designer
Anamarija Josipovic Set Designer
Andrew Lee McConnell Set Designer
Steven M. Saylor Set Designer
Kyle White Set Designer
Robert Woodruff Set Designer
Kyle James-Patrick Set Dresser
Kevin Kasper Set Dresser
Bailey Ostiguy Set Painter
J. Todd Anderson Storyboard Artist
Robert Consing Storyboard Artist
James Doh Storyboard Artist
Philip Keller Storyboard Artist
Jim Magdaleno Storyboard Artist
Martin L. Mercer Storyboard Artist
Thomas A. Nelson Storyboard Artist
Vincent Proce Storyboard Artist
Candice Elzinga Casting
Djinous Rowling Casting Assistant
Christine Tarbox Casting Assistant
Martina Smyth Casting Associate
Hannah Cooper Casting Associate
Suzanne Yavuz Casting Coordinator
Beverly Hoy Assistant Makeup Artist
Darah Wyant Assistant Makeup Artist
Bev Wright Key Makeup Artist
Victoria Down Makeup Department Head
Summer Dietz Assistant Costume Designer
Jennifer Grossman Costume Supervisor
Phuong Chau Costumer
Jenn Touchie Costumer
Patricia Villalobos Costumer
Natalya Lazarich Set Costumer
Mariela Zapata Set Costumer
Amie Payne Set Costumer
Mark G. Alexander Gaffer
Robert Finnigan Additional Photography
Robert Falconer Additional Still Photographer
Tommy Douglas Aerial Camera
Dane Bjerno Aerial Camera Technician
Hans Bjerno Aerial Director of Photography
James Clare Assistant Camera
Niall Fraser Best Boy Electric
Richard MacDonald Best Boy Electric
Marco Correia Best Boy Grip
Kevin Fairbairn Best Boy Grip
Sean M. Harding Camera Operator
Dean Heselden Camera Operator
Junichi Hosoi Camera Operator
Ian Seabrook Camera Operator
Brad McGregor Camera Operator
Roger Vernon Second Unit Director of Photography
Norbert Kaluza Steadicam Operator
Sasha Proctor Steadicam Operator
Brian Scholz Digital Imaging Technician
Simon Jori Digital Imaging Technician
Mark Allan Digital Imaging Technician
Shane Storozuk Dolly Grip
Nicholas Dent Dolly Grip
Torstein Colyer Dolly Grip
Connor Welsh Dolly Grip
Darin Wong Dolly Grip
Andres Nino Dolly Grip
Dan Morrison First Assistant Camera
Richard Sinclair First Assistant Camera
Chris Gibbins First Assistant "A" Camera
Larry Portmann Focus Puller
Simon Hunt Gaffer
Matt Bonin Grip
Brett Darby Grip
Derek Evoy Grip
Damien Giles Grip
Graham Johnstone Grip
Lee Wilde Grip
Stu Carl Grip
Finn King Key Grip
Jon Jovellanos Key Grip
Sean Oxenbury Key Rigging Grip
Cary Cooper Libra Head Technician
Zachary Abrahamson Lighting Technician
Damian Azriel Lighting Technician
Dana Powers Lighting Technician
Branden Sparkes Lighting Technician
Clyde Harrelson Lighting Technician
Christopher Boulton Rigging Grip
Jeremy Goodrick Rigging Grip
Rod Haney Rigging Grip
Spencer Ennis Second Assistant Camera
Ashton Harmon Second Assistant Camera
Jared Krenz Second Assistant "A" Camera
Curtis Nicholls Second Assistant "C" Camera
Julian Chapdelaine Dolly Grip
Kimberly French Still Photographer
Kelsey Wheeler Aerial Coordinator
Ian Doig Animal Coordinator
Ric Walkington Armorer
Sarah Jarvis Assistant Accountant
Garth Yakymyk Assistant Accountant
Kathleen Higgins Assistant Accountant
Laurie Cross Assistant Production Coordinator
Amine El Fadl Assistant Production Coordinator
Simon Guérette-Langlais Assistant Production Coordinator
Caitlin Morrison Assistant Production Coordinator
Jesse Watts Assistant Production Coordinator
Morgan Brady Assistant Production Coordinator
Angel Foisy Key Production Assistant
Cameron Mason Key Production Assistant
Rob Fournier Armorer
Tina Dawson Production Accountant
Ricky Cuevas Production Accountant
Ishtiak Ahmed Production Assistant
Alexander Andy Production Assistant
Karen Ballesteros Production Assistant
Patrick Cahoon Production Assistant
Sam Curtis Production Assistant
Ema Mac Duff Production Assistant
Kate Ferguson Production Assistant
Jade Hamdan Production Assistant
Adam Kleaman Production Assistant
Conor Sawyer Production Assistant
Hannah Shrader Production Assistant
Ilona Tigere Production Assistant
Lauren Witt Production Assistant
Daniele Simone Production Assistant
Kimberly Buckham Production Coordinator
Joecy Shepherd Script Supervisor
Ingrid Kenning Script Supervisor
Amandine Dufraise Script Supervisor
Carole Fleming Studio Teacher
Lorraine Jamison Unit Publicist
Michael Rostker 3D Editor
Matthew Feinman Assistant Editor
Fred Brown II Assistant Editor
Noel Albornoz Digital Intermediate Editor
Cole Doran Editorial Production Assistant
Tyler Ruocco First Assistant Editor
Michael Nouryeh First Assistant Editor
Alex Cerda Post Production Assistant
Wyatt Lennertz Post Production Assistant
Hannah Haidar Post Production Coordinator
Michael T. Marlett VFX Editor
Edward Trybek Conductor
Toko Nagata Music Coordinator
Will Kaplan Music Editor
Peter Oso Snell Music Editor
Trygge Toven Music Supervisor
Helen Z. Altenbach Musician
Jonathan Beard Orchestrator
Andrew Kinney Orchestrator
Henri Wilkinson Orchestrator
Holly Sedillos Vocals
Gregory Watkins 2D Supervisor
Anthony Smith 2D Supervisor
Robin Lamontagne 3D Generalist
Eliott Beaudon CG Artist
Ghislain Bruneau CG Artist
Etienne Laroche CG Artist
Stéphanie Morin CG Artist
Cyril Plusse CG Artist
Philippe Sylvain CG Artist
Yanick Dusseault CG Artist
Kunal Ghosh Dastider CG Supervisor
Pierre Masseron CG Supervisor
Laurent Taillefer CG Supervisor
Jérome Escobar CG Supervisor
Manolo Mantero CG Supervisor
Sylvain Theroux CG Supervisor
Julian Hutchens CG Supervisor
Alex Guri Compositing Supervisor
Leo Luxford Compositor
Lachlan Tolley Compositor
Peter Herlein Compositor
Alexis Bechet Compositor
Francesc Donaire Compositor
Jono Coy Concept Artist
Decharne Brian Digital Compositor
Lilia Collar Digital Compositor
Beauman Coty Digital Compositor
Kaushalya Dattwani Digital Compositor
Brian Ducharme Digital Compositor
Andrea Dutti Digital Compositor
Hugo Daniel Gamboa Digital Compositor
Chris Ingersoll Digital Compositor
Lionel Jacobs Digital Compositor
Steve Ouellette Digital Compositor
Hanuman Patel Digital Compositor
Tristan Dunse Digital Compositor
Stephanie Gadsden Digital Compositor
George Ferris Digital Compositor
Xavier Bourque Digital Compositor
Mathieu Girard Digital Compositor
Amélie Rey Digital Compositor
Cedric Tremblay Digital Compositor
Marie-Ève Gélinas Digital Compositor
John Toth Digital Compositor
Puneethpb Lead Animator
Carlos Santiago Velazco Lighting Artist
Dafne Sartori Lighting Artist
Syria Toliver Lighting Artist
Karim Abdelhamid Lighting Artist
Dennis Gronau Lighting Artist
Christopher Ahrens Lighting Supervisor
Josh Ellem Matte Painter
Sarah Neveu Matte Painter
Nadim Zaidi Matte Painter
Mathieu Raynault Matte Painter
Stefan Schneider Modelling Supervisor
Qazi Hamza Javed Modeling
Dylan Binns Modeling
Manuel Martin Baena Modeling
Eric Benedict Pre-Visualization Supervisor
Ashwin Kumar Roto Supervisor
Bob Wilson Senior Animator
Marc Joubert-Nederveen Senior Modeller
Robert Rioux Senior Modeller
John Saleem Senior Modeller
Bryce Gardiner VFX Editor
Michael Asiman Visual Effects Coordinator
Michael Baloun Visual Effects Coordinator
Kim Doyle Visual Effects Coordinator
Chelsea Mirus Visual Effects Coordinator
Monish Nair Visual Effects Coordinator
Bonita Nichols Visual Effects Coordinator
Alexander Naud Visual Effects Coordinator
Kareem Babeel Visual Effects Coordinator
Amelie Thomas Visual Effects Coordinator
Craig W. Smith Visual Effects Editor
Andrew Howarth Visual Effects Editor
Christopher Kowal Visual Effects Editor
Blondel Aidoo Visual Effects Producer
Philipp Wolf Visual Effects Producer
Jacinthe Côté Visual Effects Producer
Abhijitsinh Gohil Visual Effects Production Assistant
Romane Wingerter Visual Effects Production Assistant
Christina-Cassandra Barazin Visual Effects Production Manager
Asregadoo Arundi Visual Effects Supervisor
Jonathan Rothbart Visual Effects Supervisor
Vincent Poitras Visual Effects Supervisor
Nick Kray ADR Mixer
Michael Miller ADR Mixer
Nick Roberts ADR Mixer
Noah Dunbar ADR Recordist
Tysen Schieber Boom Operator
Michael Leder Boom Operator
Paul Biason Boom Operator
Sean Massey Dialogue Editor
John T. Cucci Foley Artist
Dan O'Connell Foley Artist
James Ashwill Foley Mixer
Jack Cucci Foley Mixer
David Husby Production Sound Mixer
Jordan Sy Sound Assistant
Juniper Watters Sound Assistant
Dale Bartlett Sound Effects Editor
Cary Clark Sound Engineer
Luke Schwarzweller Sound Recordist
David Giammarco Sound Re-Recording Mixer
Kelly Zombor Sound Mixer
John A. Larsen Supervising Sound Editor
Skip Longfellow Supervising Sound Editor
Christopher Brennan Special Effects Assistant
Dylan Broughton Cole Special Effects Assistant
Kevin Dykstra Special Effects Assistant
Seth Longworth Special Effects Assistant
Alex Burdett Special Effects Supervisor
Douglas W. Beard Special Effects Technician
Josiah Buhler Special Effects Technician
Willard Cochrane Special Effects Technician
Charles Desrosiers Special Effects Technician
Ben Eadie Special Effects Technician
Rachel Gervig Special Effects Technician
Spencer Graham Special Effects Technician
Eric Lemay Special Effects Technician
Tevin Maker Special Effects Technician
Jon K. Miller Special Effects Technician
Heidi Mistic Special Effects Technician
Kerry Phillips Special Effects Technician
Sara Villarreal Special Effects Technician
Adam Tayler Special Effects Coordinator
Justin Muller First Assistant Director
Richard Cowan First Assistant Director
Brandon Lambdin First Assistant Director
Shamess Shute First Assistant Director
Adrienne Sol Production Manager
Natalie Simon Costume Set Supervisor
Clay Virtue Stunts
Michael Furniss Visual Effects
Matt Sloan Visual Effects Supervisor
Tish Monaghan Costume Design
Billy Weber Editor
Satoshi Takazawa VFX Artist
Thomas Ma Second Unit First Assistant Director
Alex Kyshkovych Stunts
Jim Passon Color Timer
Jim Thomas Characters
John Thomas Characters
Name Title
John Davis Producer
Ira Napoliello Executive Producer
Blondel Aidoo Co-Producer
Zachary Wanerman Associate Producer
Bill Bannerman Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 69 140 48
2024 5 164 207 139
2024 6 127 193 72
2024 7 69 98 46
2024 8 69 132 47
2024 9 61 81 43
2024 10 87 151 39
2024 11 65 130 40
2024 12 51 87 34
2025 1 54 81 36
2025 2 42 66 8
2025 3 12 47 3
2025 4 9 13 6
2025 5 8 15 6
2025 6 11 15 7
2025 7 8 12 7
2025 8 8 11 7

Trending Position


Year Month High Avg
2025 8 236 682
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2025 7 109 576
Year Month High Avg
2025 6 134 547
Year Month High Avg
2025 5 173 636
Year Month High Avg
2025 4 197 607
Year Month High Avg
2025 3 354 731
Year Month High Avg
2025 2 506 792
Year Month High Avg
2025 1 344 733
Year Month High Avg
2024 12 429 782
Year Month High Avg
2024 11 59 625
Year Month High Avg
2024 10 170 388
Year Month High Avg
2024 9 325 688
Year Month High Avg
2024 8 202 485

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Reviews

strontium1968
4.0

A complete waste of opportunity. The film smacks of studio interference and bad decisions. It starts off decent enough but at the halfway point it turns into a shambles and it does feel as if a lot of it ended up on the cutting room floor. The music was very intrusive and some scenes were so badl ... y lit you had no idea who was just killed or even what killed them. Some knowing nods to the earlier Predator films was a nice touch and it was good they didn't skimp on the gore and violence but all in all it's a bad movie. Stick to Predator and Predators.

Jun 23, 2021
Ruuz
5.0

My mind was racing as I watched _The Predator_ in the cinema tonight. I'd heard virtually nothing good about it so my anxious brain kicked into overdrive the whole time the film was going on. As a result of that, I almost feel like I experienced three movies in that theatre. First, obviously the mov ... ie on the screen. Secondly, the awesome movie I was theorising could unfurl at the result of each new sequence and plot point, but that sadly never did. And thirdly, the inexcusably awful and franchise-ruining movie that I feared it was about to take a hard left turn into at any minute, and thankfully never did. And that's really my experience on _The Predator_ overall, and the reason for a stalemate "2.5 outta 5" review: It wasn't as good as it should have been, it wasn't as bad as it could have been. Unfortunately, when the movie I'm writing in my head alongside watching it is better than what's actually on screen, when you take into account that I'm an unimaginative, talentless hack, really doesn't cut it for a sequel to _Predator_, one of of only five movies I've ever given a perfect rating to. The best parts of _The Predator_ are when there is an eponymous Predator on screen. So you might think, "Oh it's not a good movie, but it's a good _Predator_ movie", and fair enough a conclusion to draw, but no. Part of the problem is, this movie really could have been pulled off with any aliens at all. Take out the Yautja and replace them with... I dunno, the blue skinned pogo-stick people of Planet Hurfadump, and it can still play out functionally the same. See, although I enjoyed watching the Predators do their thing, there was really nothing beyond cosmetic similarities that made them the Predators we've seen in every movie preceding this one. I think possibly part of the reason for that is that every other movie with a Predator in it has been an Action Horror movie (albeit Action Horror with ever-increasing Sci-Fi elements from film to film) whereas _The Predator_ is an Action Comedy, just one with some gore. Now I don't think that taking it that route was necessarily and... abysmal failure, let's say, but was Action Comedy the **best** way to take the _Predator_ franchise? I think it's pretty clear that the answer is no. Ironic that that direction is being taken by Shane Black, the man who has a history with _Predator_ purely because the crew of the first film were determined to have him to work on the script, which he refused. Now here we are more 30 years later and Shane Black finally **has** put his name on a Predator movie, and it's not even good. Fuck. At least it's better than _AvP: Requiem_!

Jun 23, 2021
Sundance
2.0

I couldn't believe what I was seeing. I was inclined to step out of the theater to check if I was sitting in the right room. But there it was, definitely a Predator, but obviously totally misplaced in a ridiculous movie - ridiculous story, ridiculous characters, ridiculous acting, ridiculous everyth ... ing. I was so upset. One of the diamonds of a movie genre thrown in the dirt and made fun of. If you want to see how that's done, watch this one. A total waste of money - on production side and on cinema visitor's side.

Jun 23, 2021
SaltyCatFish
4.0

Its just not good. The first predator created atmosphere; you were being hunted. The only "Predator" film to deliver another dose of this was Predators. This film falls completely short of its predecessors (yes, all of them), but does leave you with a strong impression that this was a cash grab ... to squeeze any life out of a franchise that surpassed its EOL a long time ago.

Jun 23, 2021
skipreader
8.0

OK, I have to disagree with the other reviewers, to date, of this movie. I totally enjoyed this movie and gave it an 8. Once you figured it out, I thought the story line made complete sense. I loved all the new characters, and thought the camaraderie of the main military characters was great and ... rather realistic. I don't know about the other reviewers, but I did serve in the U. S. Army and found the character interplay highly realistic. I am disappointed with the interplay between the "good guys" and our government; however, these days you come to expect that. I don't believe that part would be realistic, but I don't think it distracted that much from the movie, and everyone came together in the end...to, of course, save humanity! Which, of course, it did otherwise we all wouldn't be here anymore...right? Good movie! Go see it and then decide for yourself, but I thought it was definitely worth seeing, so much so I even bought the blu-ray!

Jun 23, 2021
John Chard
4.0

A crushing disappointment. The hopes were high for this latest Predator rebirth, not because Shane Black starred in the great first Predator film, so therefore he surely must care about the project? But because he's an excellent writer and director. Shane Black can count Lethal Weapon(S), The Las ... t Boy Scout and The Long Kiss Goodnight on his CV, he was the man who put Iron Man back on track after the sag of part 2. Plus he is the creator of two of the best buddy buddy neo-noirs this millennium (Kiss Kiss Bang Bang/The Nice Guys), So how come The Predator stinks of lazy cash cow manure? Plot in a nutshell sees the universe's most lethal hunters unleashed on Earth due to the meddling of a soldiers kid and some nosey scientist types. The fate of mankind rests with a group of damaged ex-soldiers and a rather cheesed off female scientist. We have a rehash mishmash of what we have seen before in Predator 87 and Predators 2010. A group dynamic fighting a seemingly invincible foe. The subsequent science aspects such as human DNA inference/reasoning etc never really add up to much, serving only for a bunch of standard actors shouting, swearing and spouting hopelessly weak jokes and series re-treads. When you think the pic is about to up a gear, get rivetingly dramatic, a poor slice of humour comes our way either by vocal spillage or visual drivel (puppy pet Predator dog, really?). There's a bunch of plot threads that just dangle never to be pulled (PTSD/our hero's family strife et al), and the Predators loose on Earth - with different agendas - are confusingly shifted about by a screenplay not sure where it wants to land. Plus points? Well the cinematography is superb (Larry Fong), and you can't fault this for action quotas, there's plenty of it and it's bloody (both red and green type). The score is the traditional one we had from Alan Silvestri back in the 87 film, in fact it hardly deviates from it and yet Henry Jackman gets the credit. Of course some of the jokes will work for some folk (I would be lying if I said a Whoopi Goldberg gag didn't make me laugh), but the terror has gone, these Predators are no longer scary creatures. This reeks of a troubled production going hand in hand with a cash cow that not only narratively adds up to nothing really, but of a franchise death knell. Shame. 3.5/10

May 16, 2024
5rJoud
8.0

**"Long story short"** Unlike the clueless reviewer (on a different website) who I quoted in the headline, I will not proceed to write 5 paragraphs of meaningless drivel about a movie I hate. Usually all of the AvP movies, Alien, Predator and the cross overs are at least a solid 3.5 stars. Of ... course the original Alien trilogy as well as Predator 1, 2 and even Predators stand out as being very original. The difference between the originals and the spin-offs is clearly the tone they set. In this movie we get a comic book style presented, with by no means bad CGI (dogs looked more real than in Predators for example), a secret research conspiracy, and charismatic heroes getting slaughtered (or not, no spoilers). Just like in the graphic novels, the pace is neck breaking. The ending felt almost rushed, to introduce the new Predator Killer Weapon. It is understandable how regular movie goers are put off by the constant over-stimulation, but I would not want it any other way. The action is over the top, definitely. But there was great attention to detail how the action scenes played out exactly, as opposed to lesser action films in which a flurry of cuts leaves a thinking audience just confused about what just happened. Sure, I would have loved a darker vibe throughout the film too, especially in the beginning the score reminded a little of a Disney orchestra playing. But "The Predator" was a hell of a ride and deserves a special place among the spin-offs. 28 November 2018 I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.

Jul 02, 2021
GenerationofSwine
1.0

Full disclosure, I've only really seen the first two movies, and after that I ignored the franchise. When the 2010 film dropped, it didn't even hit my radar and none of the crossovers with aliens I even bothered with... ...but by 2010 I was 30 and, honestly, these are rated "R" movies that I love ... d in my childhood. But that was the 80s when parents could take their children to bloody rated R movies and not be arrested for abuse. So, when they started making more, as much as I loved the first one, I really didn't care too much about the series. They lost me at the sequel. But 2018 rolled around and I was feeling nostalgic. I wanted a throw back to a simpler time when people weren't so high strung about everything including the movies. Why not give it a try. And, I loved Predator as a kid even though it was clearly an adult movie. But you get the feeling that this one was a rated R movie clearly made for children. I remember moments of levity in the first few...but I don't recall them being light and, almost whimsical at all. They were serious sci-fi horror films. This comes across as a Marvel movie, and though I love Marvel movies I don't want a Predator movie to feel like The Avengers. It's the Predator, it is supposed to have a different tone. It left me with a bad taste in my mouth. It was too light to be a Predator movie. It wasn't dark. It wasn't scary, and it had too much of an attempt at humor to enjoy. In other words, the movie stank. It couldn't even remember what it was supposed to be.

Jan 13, 2023
Geronimo1967
5.0

Boyd Holbrook - a sort of love child of Mel Gibson and Michael Biehn - is the army sniper hero ("McKenna") who finds himself on the wrong end of the law after he and his team encounter the eponymous killing machine in the forest. Lucky to escape with his life, and a few souvenirs from the wreckage, ... he makes his way to a cantina where he posts his trophies to his wife and son before being taken into custody. Out in space, another of these would be visitors decides it needs to get that stuff back and so arrives duly determined to annihilate all who get in it's way. It turns out that the young "Rory McKenna" (Jacob Tremblay) is little short of a genius with AI - and pretty soon he, dad and feisty biologist "Brackett" (Olivia Munn) - along with a ragtag band of gung-ho prisoner/soldiers are facing up to their looming terror. Can they survive? Should they survive is probably the better question. Aside from a few scenes at the start and an admittedly lively fifteen minutes at the end, this is almost entirely devoid of the beastie we switched on to see. The dialogue is poorly written, expletive-ridden and banal; the characterisations are really shallow and there are far too many irrelevant sub-plots to distract from the (limited) focus of this 110 minute ramble of a film. The old adage - "if it ain't broke..." comes to mind. This is as far removed from the excellent 1987 introduction to this monstrous creature as it's possible to get and is, quite simply, a waste of video tape. There are plenty of adequate visual effects and pyrotechnics, but this film definitely had me rooting for the creature in the mask pretty much from the start!

Apr 20, 2023
Agustttt
N/A

This movie is **definitely** not in touch with the other entries in the Predator series. The pacing is very fast. There is a lot of comedy and corny acting. The CGI is good at least. Honestly painful to watch. I think the target radiance was kids? If not for the gore and the 3 swear words. ...

Nov 09, 2024