Popularity: 10 (history)
Director: | Shane Black |
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Writer: | Fred Dekker, Shane Black |
Staring: |
When a young boy accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race. | |
Release Date: | Sep 05, 2018 |
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Director: | Shane Black |
Writer: | Fred Dekker, Shane Black |
Genres: | Action, Science Fiction, Thriller |
Keywords | sequel, creature, military, intense, predator, alien, alien invasion, aggressive |
Production Companies | 20th Century Fox, Davis Entertainment, TSG Entertainment, Canada Film Capital |
Box Office |
Revenue: $160,542,134
Budget: $88,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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R.J. Kizer | Supervising ADR Editor |
Corry Glass | Stunts |
Brian Smrz | Second Unit Director, Stunt Coordinator |
Brett Armstrong | Stunts |
Lauro David Chartrand-DelValle | Stunts |
Jennifer Mylrea | Stunts |
Jodi Stecyk | Stunts |
Breanna Watkins | Stunts |
Tamiko Brownlee | Stunts |
Jeff Sanca | Stunt Driver |
Garvin Cross | Stunts |
Angela Uyeda | Stunts |
Henry Jackman | Original Music Composer |
Fred Dekker | Writer |
Larry Fong | Director of Photography |
Sarah Halley Finn | Casting |
Shane Baxley | Concept Artist |
Caitlin McKenna | ADR Voice Casting |
Doane Gregory | Still Photographer |
Craig Hosking | Aerial Coordinator |
Conner Dwelly | Production Assistant |
Lance Gilbert | Stunt Coordinator |
Marny Eng | Stunt Coordinator |
Chris Webb | Stunt Coordinator |
Dave Jordan | Music Supervisor |
Zahid Jiwa | Digital Compositor |
Deb Adair | Sound Re-Recording Mixer |
David Betancourt | ADR Mixer |
Chris Webb | Stunts |
Guy Bews | Stunt Coordinator |
Marshall Virtue | Stunts |
Shane Black | Writer, Director |
Martin Whist | Production Design |
Harry B. Miller III | Editor |
Ravi Bansal | Art Direction |
Shannon Grover | Art Direction |
Andrew Li | Art Direction |
Cheryl Marion | Art Direction |
Peter Mihaichuk | Art Direction |
David E. Scott | Art Direction |
Callum Webster | Assistant Art Director, Art Direction |
Loic Zimmermann | Art Direction |
Paul Healy | Set Decoration |
Hamish Purdy | Set Decoration |
Michael Diner | Supervising Art Director |
Ainsley Barteluk | Art Department Assistant |
Natasha Stoesz | Art Department Assistant |
Sumit Sura | Art Department Assistant |
Marc Aubin | Art Department Coordinator |
Angela O'Sullivan | Assistant Art Director |
Benoit Waller | Assistant Art Director |
Kris Bergthorson | Assistant Art Director |
Scott Calderwood | Assistant Set Decoration |
Spencer Louttit | Assistant Property Master |
Ali Macrae | Assistant Property Master |
Don Anderson | Assistant Property Master |
Milena Zdravkovic | Concept Artist |
Adam Dougherty | Concept Artist |
Luca Nemolato | Concept Artist |
Mauricio Ruiz | Concept Artist |
Aaron Sims | Concept Artist |
Tully Summers | Concept Artist |
Ivan Khomenko | Concept Artist |
Leandre Lagrange | Concept Artist |
Stephane Levallois | Concept Artist |
Alexander Ovchinnikov | Concept Artist |
Emmanuel Shiu | Conceptual Design |
Stevo Bedford | Conceptual Illustrator |
Brian Cunningham | Conceptual Illustrator |
Josue Clotaire Fleurimond | Conceptual Illustrator |
Jesse Joslin | Construction Coordinator |
Ken Barthelmey | Creature Design |
Abner Marín | Creature Design |
Ben Mauro | Creature Design |
Sam Findlay | Graphic Designer |
Sally Hudson | Graphic Designer |
Vaughan V. Baker | Paint Coordinator |
Connor Coffman | Props |
John B. Keys | Scenic Artist |
Sarah Vallim | Scenic Artist |
Davtyan Hamb | Sculptor |
Etienne Gravrand | Set Designer |
Anamarija Josipovic | Set Designer |
Andrew Lee McConnell | Set Designer |
Steven M. Saylor | Set Designer |
Kyle White | Set Designer |
Robert Woodruff | Set Designer |
Kyle James-Patrick | Set Dresser |
Kevin Kasper | Set Dresser |
Bailey Ostiguy | Set Painter |
J. Todd Anderson | Storyboard Artist |
Robert Consing | Storyboard Artist |
James Doh | Storyboard Artist |
Philip Keller | Storyboard Artist |
Jim Magdaleno | Storyboard Artist |
Martin L. Mercer | Storyboard Artist |
Thomas A. Nelson | Storyboard Artist |
Vincent Proce | Storyboard Artist |
Candice Elzinga | Casting |
Djinous Rowling | Casting Assistant |
Christine Tarbox | Casting Assistant |
Martina Smyth | Casting Associate |
Hannah Cooper | Casting Associate |
Suzanne Yavuz | Casting Coordinator |
Beverly Hoy | Assistant Makeup Artist |
Darah Wyant | Assistant Makeup Artist |
Bev Wright | Key Makeup Artist |
Victoria Down | Makeup Department Head |
Summer Dietz | Assistant Costume Designer |
Jennifer Grossman | Costume Supervisor |
Phuong Chau | Costumer |
Jenn Touchie | Costumer |
Patricia Villalobos | Costumer |
Natalya Lazarich | Set Costumer |
Mariela Zapata | Set Costumer |
Amie Payne | Set Costumer |
Mark G. Alexander | Gaffer |
Robert Finnigan | Additional Photography |
Robert Falconer | Additional Still Photographer |
Tommy Douglas | Aerial Camera |
Dane Bjerno | Aerial Camera Technician |
Hans Bjerno | Aerial Director of Photography |
James Clare | Assistant Camera |
Niall Fraser | Best Boy Electric |
Richard MacDonald | Best Boy Electric |
Marco Correia | Best Boy Grip |
Kevin Fairbairn | Best Boy Grip |
Sean M. Harding | Camera Operator |
Dean Heselden | Camera Operator |
Junichi Hosoi | Camera Operator |
Ian Seabrook | Camera Operator |
Brad McGregor | Camera Operator |
Roger Vernon | Second Unit Director of Photography |
Norbert Kaluza | Steadicam Operator |
Sasha Proctor | Steadicam Operator |
Brian Scholz | Digital Imaging Technician |
Simon Jori | Digital Imaging Technician |
Mark Allan | Digital Imaging Technician |
Shane Storozuk | Dolly Grip |
Nicholas Dent | Dolly Grip |
Torstein Colyer | Dolly Grip |
Connor Welsh | Dolly Grip |
Darin Wong | Dolly Grip |
Andres Nino | Dolly Grip |
Dan Morrison | First Assistant Camera |
Richard Sinclair | First Assistant Camera |
Chris Gibbins | First Assistant "A" Camera |
Larry Portmann | Focus Puller |
Simon Hunt | Gaffer |
Matt Bonin | Grip |
Brett Darby | Grip |
Derek Evoy | Grip |
Damien Giles | Grip |
Graham Johnstone | Grip |
Lee Wilde | Grip |
Stu Carl | Grip |
Finn King | Key Grip |
Jon Jovellanos | Key Grip |
Sean Oxenbury | Key Rigging Grip |
Cary Cooper | Libra Head Technician |
Zachary Abrahamson | Lighting Technician |
Damian Azriel | Lighting Technician |
Dana Powers | Lighting Technician |
Branden Sparkes | Lighting Technician |
Clyde Harrelson | Lighting Technician |
Christopher Boulton | Rigging Grip |
Jeremy Goodrick | Rigging Grip |
Rod Haney | Rigging Grip |
Spencer Ennis | Second Assistant Camera |
Ashton Harmon | Second Assistant Camera |
Jared Krenz | Second Assistant "A" Camera |
Curtis Nicholls | Second Assistant "C" Camera |
Julian Chapdelaine | Dolly Grip |
Kimberly French | Still Photographer |
Kelsey Wheeler | Aerial Coordinator |
Ian Doig | Animal Coordinator |
Ric Walkington | Armorer |
Sarah Jarvis | Assistant Accountant |
Garth Yakymyk | Assistant Accountant |
Kathleen Higgins | Assistant Accountant |
Laurie Cross | Assistant Production Coordinator |
Amine El Fadl | Assistant Production Coordinator |
Simon Guérette-Langlais | Assistant Production Coordinator |
Caitlin Morrison | Assistant Production Coordinator |
Jesse Watts | Assistant Production Coordinator |
Morgan Brady | Assistant Production Coordinator |
Angel Foisy | Key Production Assistant |
Cameron Mason | Key Production Assistant |
Rob Fournier | Armorer |
Tina Dawson | Production Accountant |
Ricky Cuevas | Production Accountant |
Ishtiak Ahmed | Production Assistant |
Alexander Andy | Production Assistant |
Karen Ballesteros | Production Assistant |
Patrick Cahoon | Production Assistant |
Sam Curtis | Production Assistant |
Ema Mac Duff | Production Assistant |
Kate Ferguson | Production Assistant |
Jade Hamdan | Production Assistant |
Adam Kleaman | Production Assistant |
Conor Sawyer | Production Assistant |
Hannah Shrader | Production Assistant |
Ilona Tigere | Production Assistant |
Lauren Witt | Production Assistant |
Daniele Simone | Production Assistant |
Kimberly Buckham | Production Coordinator |
Joecy Shepherd | Script Supervisor |
Ingrid Kenning | Script Supervisor |
Amandine Dufraise | Script Supervisor |
Carole Fleming | Studio Teacher |
Lorraine Jamison | Unit Publicist |
Michael Rostker | 3D Editor |
Matthew Feinman | Assistant Editor |
Fred Brown II | Assistant Editor |
Noel Albornoz | Digital Intermediate Editor |
Cole Doran | Editorial Production Assistant |
Tyler Ruocco | First Assistant Editor |
Michael Nouryeh | First Assistant Editor |
Alex Cerda | Post Production Assistant |
Wyatt Lennertz | Post Production Assistant |
Hannah Haidar | Post Production Coordinator |
Michael T. Marlett | VFX Editor |
Edward Trybek | Conductor |
Toko Nagata | Music Coordinator |
Will Kaplan | Music Editor |
Peter Oso Snell | Music Editor |
Trygge Toven | Music Supervisor |
Helen Z. Altenbach | Musician |
Jonathan Beard | Orchestrator |
Andrew Kinney | Orchestrator |
Henri Wilkinson | Orchestrator |
Holly Sedillos | Vocals |
Gregory Watkins | 2D Supervisor |
Anthony Smith | 2D Supervisor |
Robin Lamontagne | 3D Generalist |
Eliott Beaudon | CG Artist |
Ghislain Bruneau | CG Artist |
Etienne Laroche | CG Artist |
Stéphanie Morin | CG Artist |
Cyril Plusse | CG Artist |
Philippe Sylvain | CG Artist |
Yanick Dusseault | CG Artist |
Kunal Ghosh Dastider | CG Supervisor |
Pierre Masseron | CG Supervisor |
Laurent Taillefer | CG Supervisor |
Jérome Escobar | CG Supervisor |
Manolo Mantero | CG Supervisor |
Sylvain Theroux | CG Supervisor |
Julian Hutchens | CG Supervisor |
Alex Guri | Compositing Supervisor |
Leo Luxford | Compositor |
Lachlan Tolley | Compositor |
Peter Herlein | Compositor |
Alexis Bechet | Compositor |
Francesc Donaire | Compositor |
Jono Coy | Concept Artist |
Decharne Brian | Digital Compositor |
Lilia Collar | Digital Compositor |
Beauman Coty | Digital Compositor |
Kaushalya Dattwani | Digital Compositor |
Brian Ducharme | Digital Compositor |
Andrea Dutti | Digital Compositor |
Hugo Daniel Gamboa | Digital Compositor |
Chris Ingersoll | Digital Compositor |
Lionel Jacobs | Digital Compositor |
Steve Ouellette | Digital Compositor |
Hanuman Patel | Digital Compositor |
Tristan Dunse | Digital Compositor |
Stephanie Gadsden | Digital Compositor |
George Ferris | Digital Compositor |
Xavier Bourque | Digital Compositor |
Mathieu Girard | Digital Compositor |
Amélie Rey | Digital Compositor |
Cedric Tremblay | Digital Compositor |
Marie-Ève Gélinas | Digital Compositor |
John Toth | Digital Compositor |
Puneethpb | Lead Animator |
Carlos Santiago Velazco | Lighting Artist |
Dafne Sartori | Lighting Artist |
Syria Toliver | Lighting Artist |
Karim Abdelhamid | Lighting Artist |
Dennis Gronau | Lighting Artist |
Christopher Ahrens | Lighting Supervisor |
Josh Ellem | Matte Painter |
Sarah Neveu | Matte Painter |
Nadim Zaidi | Matte Painter |
Mathieu Raynault | Matte Painter |
Stefan Schneider | Modelling Supervisor |
Qazi Hamza Javed | Modeling |
Dylan Binns | Modeling |
Manuel Martin Baena | Modeling |
Eric Benedict | Pre-Visualization Supervisor |
Ashwin Kumar | Roto Supervisor |
Bob Wilson | Senior Animator |
Marc Joubert-Nederveen | Senior Modeller |
Robert Rioux | Senior Modeller |
John Saleem | Senior Modeller |
Bryce Gardiner | VFX Editor |
Michael Asiman | Visual Effects Coordinator |
Michael Baloun | Visual Effects Coordinator |
Kim Doyle | Visual Effects Coordinator |
Chelsea Mirus | Visual Effects Coordinator |
Monish Nair | Visual Effects Coordinator |
Bonita Nichols | Visual Effects Coordinator |
Alexander Naud | Visual Effects Coordinator |
Kareem Babeel | Visual Effects Coordinator |
Amelie Thomas | Visual Effects Coordinator |
Craig W. Smith | Visual Effects Editor |
Andrew Howarth | Visual Effects Editor |
Christopher Kowal | Visual Effects Editor |
Blondel Aidoo | Visual Effects Producer |
Philipp Wolf | Visual Effects Producer |
Jacinthe Côté | Visual Effects Producer |
Abhijitsinh Gohil | Visual Effects Production Assistant |
Romane Wingerter | Visual Effects Production Assistant |
Christina-Cassandra Barazin | Visual Effects Production Manager |
Asregadoo Arundi | Visual Effects Supervisor |
Jonathan Rothbart | Visual Effects Supervisor |
Vincent Poitras | Visual Effects Supervisor |
Nick Kray | ADR Mixer |
Michael Miller | ADR Mixer |
Nick Roberts | ADR Mixer |
Noah Dunbar | ADR Recordist |
Tysen Schieber | Boom Operator |
Michael Leder | Boom Operator |
Paul Biason | Boom Operator |
Sean Massey | Dialogue Editor |
John T. Cucci | Foley Artist |
Dan O'Connell | Foley Artist |
James Ashwill | Foley Mixer |
Jack Cucci | Foley Mixer |
David Husby | Production Sound Mixer |
Jordan Sy | Sound Assistant |
Juniper Watters | Sound Assistant |
Dale Bartlett | Sound Effects Editor |
Cary Clark | Sound Engineer |
Luke Schwarzweller | Sound Recordist |
David Giammarco | Sound Re-Recording Mixer |
Kelly Zombor | Sound Mixer |
John A. Larsen | Supervising Sound Editor |
Skip Longfellow | Supervising Sound Editor |
Christopher Brennan | Special Effects Assistant |
Dylan Broughton Cole | Special Effects Assistant |
Kevin Dykstra | Special Effects Assistant |
Seth Longworth | Special Effects Assistant |
Alex Burdett | Special Effects Supervisor |
Douglas W. Beard | Special Effects Technician |
Josiah Buhler | Special Effects Technician |
Willard Cochrane | Special Effects Technician |
Charles Desrosiers | Special Effects Technician |
Ben Eadie | Special Effects Technician |
Rachel Gervig | Special Effects Technician |
Spencer Graham | Special Effects Technician |
Eric Lemay | Special Effects Technician |
Tevin Maker | Special Effects Technician |
Jon K. Miller | Special Effects Technician |
Heidi Mistic | Special Effects Technician |
Kerry Phillips | Special Effects Technician |
Sara Villarreal | Special Effects Technician |
Adam Tayler | Special Effects Coordinator |
Justin Muller | First Assistant Director |
Richard Cowan | First Assistant Director |
Brandon Lambdin | First Assistant Director |
Shamess Shute | First Assistant Director |
Adrienne Sol | Production Manager |
Natalie Simon | Costume Set Supervisor |
Clay Virtue | Stunts |
Michael Furniss | Visual Effects |
Matt Sloan | Visual Effects Supervisor |
Tish Monaghan | Costume Design |
Billy Weber | Editor |
Satoshi Takazawa | VFX Artist |
Thomas Ma | Second Unit First Assistant Director |
Alex Kyshkovych | Stunts |
Jim Passon | Color Timer |
Jim Thomas | Characters |
John Thomas | Characters |
Name | Title |
---|---|
John Davis | Producer |
Ira Napoliello | Executive Producer |
Blondel Aidoo | Co-Producer |
Zachary Wanerman | Associate Producer |
Bill Bannerman | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 69 | 140 | 48 |
2024 | 5 | 164 | 207 | 139 |
2024 | 6 | 127 | 193 | 72 |
2024 | 7 | 69 | 98 | 46 |
2024 | 8 | 69 | 132 | 47 |
2024 | 9 | 61 | 81 | 43 |
2024 | 10 | 87 | 151 | 39 |
2024 | 11 | 65 | 130 | 40 |
2024 | 12 | 51 | 87 | 34 |
2025 | 1 | 54 | 81 | 36 |
2025 | 2 | 42 | 66 | 8 |
2025 | 3 | 12 | 47 | 3 |
2025 | 4 | 9 | 13 | 6 |
2025 | 5 | 8 | 15 | 6 |
2025 | 6 | 11 | 15 | 7 |
2025 | 7 | 8 | 12 | 7 |
2025 | 8 | 8 | 11 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 236 | 682 |
Year | Month | High | Avg |
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2025 | 7 | 109 | 576 |
Year | Month | High | Avg |
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2025 | 6 | 134 | 547 |
Year | Month | High | Avg |
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2025 | 5 | 173 | 636 |
Year | Month | High | Avg |
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2025 | 4 | 197 | 607 |
Year | Month | High | Avg |
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2025 | 3 | 354 | 731 |
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2025 | 2 | 506 | 792 |
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2025 | 1 | 344 | 733 |
Year | Month | High | Avg |
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2024 | 12 | 429 | 782 |
Year | Month | High | Avg |
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2024 | 11 | 59 | 625 |
Year | Month | High | Avg |
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2024 | 10 | 170 | 388 |
Year | Month | High | Avg |
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2024 | 9 | 325 | 688 |
Year | Month | High | Avg |
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2024 | 8 | 202 | 485 |
A complete waste of opportunity. The film smacks of studio interference and bad decisions. It starts off decent enough but at the halfway point it turns into a shambles and it does feel as if a lot of it ended up on the cutting room floor. The music was very intrusive and some scenes were so badl ... y lit you had no idea who was just killed or even what killed them. Some knowing nods to the earlier Predator films was a nice touch and it was good they didn't skimp on the gore and violence but all in all it's a bad movie. Stick to Predator and Predators.
My mind was racing as I watched _The Predator_ in the cinema tonight. I'd heard virtually nothing good about it so my anxious brain kicked into overdrive the whole time the film was going on. As a result of that, I almost feel like I experienced three movies in that theatre. First, obviously the mov ... ie on the screen. Secondly, the awesome movie I was theorising could unfurl at the result of each new sequence and plot point, but that sadly never did. And thirdly, the inexcusably awful and franchise-ruining movie that I feared it was about to take a hard left turn into at any minute, and thankfully never did. And that's really my experience on _The Predator_ overall, and the reason for a stalemate "2.5 outta 5" review: It wasn't as good as it should have been, it wasn't as bad as it could have been. Unfortunately, when the movie I'm writing in my head alongside watching it is better than what's actually on screen, when you take into account that I'm an unimaginative, talentless hack, really doesn't cut it for a sequel to _Predator_, one of of only five movies I've ever given a perfect rating to. The best parts of _The Predator_ are when there is an eponymous Predator on screen. So you might think, "Oh it's not a good movie, but it's a good _Predator_ movie", and fair enough a conclusion to draw, but no. Part of the problem is, this movie really could have been pulled off with any aliens at all. Take out the Yautja and replace them with... I dunno, the blue skinned pogo-stick people of Planet Hurfadump, and it can still play out functionally the same. See, although I enjoyed watching the Predators do their thing, there was really nothing beyond cosmetic similarities that made them the Predators we've seen in every movie preceding this one. I think possibly part of the reason for that is that every other movie with a Predator in it has been an Action Horror movie (albeit Action Horror with ever-increasing Sci-Fi elements from film to film) whereas _The Predator_ is an Action Comedy, just one with some gore. Now I don't think that taking it that route was necessarily and... abysmal failure, let's say, but was Action Comedy the **best** way to take the _Predator_ franchise? I think it's pretty clear that the answer is no. Ironic that that direction is being taken by Shane Black, the man who has a history with _Predator_ purely because the crew of the first film were determined to have him to work on the script, which he refused. Now here we are more 30 years later and Shane Black finally **has** put his name on a Predator movie, and it's not even good. Fuck. At least it's better than _AvP: Requiem_!
I couldn't believe what I was seeing. I was inclined to step out of the theater to check if I was sitting in the right room. But there it was, definitely a Predator, but obviously totally misplaced in a ridiculous movie - ridiculous story, ridiculous characters, ridiculous acting, ridiculous everyth ... ing. I was so upset. One of the diamonds of a movie genre thrown in the dirt and made fun of. If you want to see how that's done, watch this one. A total waste of money - on production side and on cinema visitor's side.
Its just not good. The first predator created atmosphere; you were being hunted. The only "Predator" film to deliver another dose of this was Predators. This film falls completely short of its predecessors (yes, all of them), but does leave you with a strong impression that this was a cash grab ... to squeeze any life out of a franchise that surpassed its EOL a long time ago.
OK, I have to disagree with the other reviewers, to date, of this movie. I totally enjoyed this movie and gave it an 8. Once you figured it out, I thought the story line made complete sense. I loved all the new characters, and thought the camaraderie of the main military characters was great and ... rather realistic. I don't know about the other reviewers, but I did serve in the U. S. Army and found the character interplay highly realistic. I am disappointed with the interplay between the "good guys" and our government; however, these days you come to expect that. I don't believe that part would be realistic, but I don't think it distracted that much from the movie, and everyone came together in the end...to, of course, save humanity! Which, of course, it did otherwise we all wouldn't be here anymore...right? Good movie! Go see it and then decide for yourself, but I thought it was definitely worth seeing, so much so I even bought the blu-ray!
A crushing disappointment. The hopes were high for this latest Predator rebirth, not because Shane Black starred in the great first Predator film, so therefore he surely must care about the project? But because he's an excellent writer and director. Shane Black can count Lethal Weapon(S), The Las ... t Boy Scout and The Long Kiss Goodnight on his CV, he was the man who put Iron Man back on track after the sag of part 2. Plus he is the creator of two of the best buddy buddy neo-noirs this millennium (Kiss Kiss Bang Bang/The Nice Guys), So how come The Predator stinks of lazy cash cow manure? Plot in a nutshell sees the universe's most lethal hunters unleashed on Earth due to the meddling of a soldiers kid and some nosey scientist types. The fate of mankind rests with a group of damaged ex-soldiers and a rather cheesed off female scientist. We have a rehash mishmash of what we have seen before in Predator 87 and Predators 2010. A group dynamic fighting a seemingly invincible foe. The subsequent science aspects such as human DNA inference/reasoning etc never really add up to much, serving only for a bunch of standard actors shouting, swearing and spouting hopelessly weak jokes and series re-treads. When you think the pic is about to up a gear, get rivetingly dramatic, a poor slice of humour comes our way either by vocal spillage or visual drivel (puppy pet Predator dog, really?). There's a bunch of plot threads that just dangle never to be pulled (PTSD/our hero's family strife et al), and the Predators loose on Earth - with different agendas - are confusingly shifted about by a screenplay not sure where it wants to land. Plus points? Well the cinematography is superb (Larry Fong), and you can't fault this for action quotas, there's plenty of it and it's bloody (both red and green type). The score is the traditional one we had from Alan Silvestri back in the 87 film, in fact it hardly deviates from it and yet Henry Jackman gets the credit. Of course some of the jokes will work for some folk (I would be lying if I said a Whoopi Goldberg gag didn't make me laugh), but the terror has gone, these Predators are no longer scary creatures. This reeks of a troubled production going hand in hand with a cash cow that not only narratively adds up to nothing really, but of a franchise death knell. Shame. 3.5/10
**"Long story short"** Unlike the clueless reviewer (on a different website) who I quoted in the headline, I will not proceed to write 5 paragraphs of meaningless drivel about a movie I hate. Usually all of the AvP movies, Alien, Predator and the cross overs are at least a solid 3.5 stars. Of ... course the original Alien trilogy as well as Predator 1, 2 and even Predators stand out as being very original. The difference between the originals and the spin-offs is clearly the tone they set. In this movie we get a comic book style presented, with by no means bad CGI (dogs looked more real than in Predators for example), a secret research conspiracy, and charismatic heroes getting slaughtered (or not, no spoilers). Just like in the graphic novels, the pace is neck breaking. The ending felt almost rushed, to introduce the new Predator Killer Weapon. It is understandable how regular movie goers are put off by the constant over-stimulation, but I would not want it any other way. The action is over the top, definitely. But there was great attention to detail how the action scenes played out exactly, as opposed to lesser action films in which a flurry of cuts leaves a thinking audience just confused about what just happened. Sure, I would have loved a darker vibe throughout the film too, especially in the beginning the score reminded a little of a Disney orchestra playing. But "The Predator" was a hell of a ride and deserves a special place among the spin-offs. 28 November 2018 I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.
Full disclosure, I've only really seen the first two movies, and after that I ignored the franchise. When the 2010 film dropped, it didn't even hit my radar and none of the crossovers with aliens I even bothered with... ...but by 2010 I was 30 and, honestly, these are rated "R" movies that I love ... d in my childhood. But that was the 80s when parents could take their children to bloody rated R movies and not be arrested for abuse. So, when they started making more, as much as I loved the first one, I really didn't care too much about the series. They lost me at the sequel. But 2018 rolled around and I was feeling nostalgic. I wanted a throw back to a simpler time when people weren't so high strung about everything including the movies. Why not give it a try. And, I loved Predator as a kid even though it was clearly an adult movie. But you get the feeling that this one was a rated R movie clearly made for children. I remember moments of levity in the first few...but I don't recall them being light and, almost whimsical at all. They were serious sci-fi horror films. This comes across as a Marvel movie, and though I love Marvel movies I don't want a Predator movie to feel like The Avengers. It's the Predator, it is supposed to have a different tone. It left me with a bad taste in my mouth. It was too light to be a Predator movie. It wasn't dark. It wasn't scary, and it had too much of an attempt at humor to enjoy. In other words, the movie stank. It couldn't even remember what it was supposed to be.
Boyd Holbrook - a sort of love child of Mel Gibson and Michael Biehn - is the army sniper hero ("McKenna") who finds himself on the wrong end of the law after he and his team encounter the eponymous killing machine in the forest. Lucky to escape with his life, and a few souvenirs from the wreckage, ... he makes his way to a cantina where he posts his trophies to his wife and son before being taken into custody. Out in space, another of these would be visitors decides it needs to get that stuff back and so arrives duly determined to annihilate all who get in it's way. It turns out that the young "Rory McKenna" (Jacob Tremblay) is little short of a genius with AI - and pretty soon he, dad and feisty biologist "Brackett" (Olivia Munn) - along with a ragtag band of gung-ho prisoner/soldiers are facing up to their looming terror. Can they survive? Should they survive is probably the better question. Aside from a few scenes at the start and an admittedly lively fifteen minutes at the end, this is almost entirely devoid of the beastie we switched on to see. The dialogue is poorly written, expletive-ridden and banal; the characterisations are really shallow and there are far too many irrelevant sub-plots to distract from the (limited) focus of this 110 minute ramble of a film. The old adage - "if it ain't broke..." comes to mind. This is as far removed from the excellent 1987 introduction to this monstrous creature as it's possible to get and is, quite simply, a waste of video tape. There are plenty of adequate visual effects and pyrotechnics, but this film definitely had me rooting for the creature in the mask pretty much from the start!
This movie is **definitely** not in touch with the other entries in the Predator series. The pacing is very fast. There is a lot of comedy and corny acting. The CGI is good at least. Honestly painful to watch. I think the target radiance was kids? If not for the gore and the 3 swear words. ...