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The Meg Poster

The Meg

Pleased to eat you.
2018 | 113m | English

(223196 votes)

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Popularity: 7 (history)

Details

A deep sea submersible pilot revisits his past fears in the Mariana Trench, and accidentally unleashes the seventy foot ancestor of the Great White Shark believed to be extinct.
Release Date: Aug 09, 2018
Director: Jon Turteltaub
Writer: Dean Georgaris, Erich Hoeber, Jon Hoeber, Steve Alten
Genres: Action, Science Fiction, Horror
Keywords based on novel or book, beach, deep sea, underwater, shark, oceanic expedition, kaiju, animal horror, underwater facility, mariana trench, amused, antagonistic, frightened
Production Companies Warner Bros. Pictures, di Bonaventura Pictures, Gravity Pictures, Maeday Productions, Apelles Entertainment, Flagship Entertainment Group
Box Office Revenue: $530,517,320
Budget: $150,000,000
Updates Updated: Aug 04, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jason Statham Jonas Taylor
Li Bingbing Suyin
Rainn Wilson Morris
Cliff Curtis James 'Mac' Mackreides
Ruby Rose Jaxx
Jessica McNamee Lori
Masi Oka Toshi
Winston Chao Zhang
Shuya Sophia Cai Meiying
Page Kennedy DJ
Robert Taylor Heller
Ólafur Darri Ólafsson The Wall
Mai Hongmei Mother
Wei Yi Awesome Kid on Beach
Vithaya Pansringarm Thai Boat Captain
Rob Kipa-Williams D'Angelo
Tawanda Manyimo Marks
Mark Trotter Injured Sailor
James Gaylyn David E. Jordan
Andrew Grainger Morris' Lawyer
Steven A. Davis Speedboat Crewman
Glen Levy Speedboat Mercenary
Edwin Wright Morris' Helicopter Pilot
Ivy Tsui Bride
Jeremy Tan Groom
Tim Wong News Camera Operator
Yoson An News Helicopter Pilot
Yao Yao Dude on Raft
Leand Macadaan Filipino Fisherman #1 (uncredited)
Boaz Magege Launch Controller
Piroon Vongvaruj Thai Boat Crewman
Douglas Lee Wedding Photographer
Teresa Lee Bridesmaid
Marc Copage Interrogator
Name Job
Alessandro Ongaro CG Supervisor
Jon Turteltaub Director
Sarah Hart Casting Assistant
Simon Ward Casting Assistant
Tom Stern Director of Photography
Liz Mullane Casting
Amanda Neale Costume Design
Jane O'Kane Makeup Artist, Hairstylist
Mindy Marin Casting
Augie Davis Stunts
Shane Dawson Stunts
Stephen Grey Stunts
Allan Poppleton Stunt Coordinator
Vincent Roxburgh Stunts
Harry Gregson-Williams Original Music Composer
Dayna Grant Stunts
Dean Georgaris Screenplay
Erich Hoeber Screenplay
Matteo Veglia VFX Production Coordinator
Leiki Veskimets Production Manager
Jacob Tomuri Stunts
Jon Hoeber Screenplay
Steve Alten Novel
Maxine Zhang First Assistant Director
Joe Nolan First Assistant Director
Hamish McFarlane First Assistant Director
Matt Johnston Third Assistant Director
Laura Hutton Third Assistant Director
Monique Hoseason Casting Assistant
Betty Fotofili Second Assistant Director
Jingxuan Chen Third Assistant Director
Sarah Shepherd Dialect Coach
Veronica Miller Production Accountant
Rachael McMahon Production Coordinator
Monique Knight Script Supervisor
Moira Houlihan Unit Publicist
Andrew Cochrane Production Coordinator
Elizabeth A. Bergman Production Coordinator
Helen Ashton Dialect Coach
Russell Lloyd Driver
Sharon Ninness Transportation Coordinator
Isaac Lane Transportation Co-Captain
Huai Hsuan Huang Translator
Peter Oso Snell Music Editor
Allegra De Souza Assistant Sound Editor
Peta Sinclair Location Manager
Gina Deakin Location Manager
Jeff Pantaleo Digital Intermediate
Jessica E. Newman Post Production Consulting
Christina Validakis Assistant Costume Designer
Rose-Marie Salmon Art Department Coordinator
Lucy McLay Assistant Costume Designer
Natalija Kucija Costume Design
Sarah Goodhue Set Costumer
Helena Falangus Assistant Costume Designer
Aaron Gilman Animation Supervisor
Juan Alejandro Gomez Acosta Animation
Steven Kemper Editor
Robert Bavin Art Direction
Andy McLaren Art Direction
Kim Sinclair Supervising Art Director
Sam Storey Art Direction
Calvin Tsoi Art Direction
Ken Turner Art Direction
Amber Richards Set Decoration
Kendal Ferguson Makeup Artist
Michael Krehl Makeup Supervisor
Paul Pattison Makeup Artist, Hairstylist
Simon Ambridge Production Manager
Zahra Archer Set Designer
Jess Bauer Set Dresser
Alister Baxter Set Designer
Liam Beck Conceptual Design
Henry Fong Conceptual Design
Janelle Hope Art Department Coordinator
Mathew Hunkin Prop Designer
Tasha Lang Property Master
Landon Lott Set Designer
Robert McKinnon Conceptual Design
Ross Perkin Set Designer
Brendon Sweeney Set Designer
Filippo Valsecchi Conceptual Design
Gillian West-Walker Set Dresser
Rose Worley Prop Maker
Corrin Ellingford Boom Operator
Jason W. Jennings Sound Designer
Katie Paterson Sound Design Assistant
Adnan Taumoepeau Boom Operator
Karl Chisholm Special Effects Coordinator
Trevor Kiely Special Effects
Gavin Legge Special Effects
Phil McLaren Special Effects Supervisor
Peter Beeh Aerial Camera
Mike Bhana Camera Operator
Jonathan Bowes-Onions Camera Intern
Nick Chester Rigging Grip
Toby Conway Rigging Grip
Jamie Couper Rigging Gaffer
Oren Graham Lighting Technician
Brenden Holster First Assistant Camera
Adam Lewando Lighting Technician
Rob Marsh Camera Operator
Reuben Morrison Lighting Technician
Sean O'Neill Gaffer
Luke Ripley Lighting Technician
Ben Rowsell Camera Operator
Kina Scollay Underwater Director of Photography
Ropata Smith-Warren Grip
Clint Elvy Stunts
Tony Marsh Stunts
Joshua Randall Stunts
Joshua Tieu Stunts
Beau Weston Stunts
Barton Williams Stunts
Eva Yang Stunt Coordinator
Zack Weiler Digital Effects Producer
Sue Rowe Visual Effects
Divyansh Mittal Digital Compositors
Ben Marks Visual Effects Coordinator
Stephanie Malicdem Visual Effects
Rhonda C. Gunner Visual Effects Design Consultant
Justin Golden Visual Effects Technical Director
Steve Garrad Visual Effects Producer
Megan Galbraith Visual Effects Coordinator
Holly Fung Visual Effects Coordinator
David Cohan Visual Effects Coordinator
Daniele Chindamo Visual Effects
Raymond Chen Visual Effects Supervisor
Daniel Cairnie Digital Compositors
Sara Bold Visual Effects Coordinator
John L. Anderson VFX Supervisor
Mark Stephen Set Designer
Ana Ramos Dominguez Visual Effects Producer
Aaron Gibson Transportation Captain
Dylan Coburn Storyboard Artist
Warren Mahy Storyboard Artist
Rachel Bullock Casting
Adrian De Wet Visual Effects Supervisor
Chantal Nong Vo Executive In Charge Of Production
Grant Major Production Design
Ashlee Fidow Stunts
Yasushi Asaya Stunts
Stuart Thorp Stunts
James Madigan Second Assistant Director
Billy Yip Oi-Wah Stunts
Name Title
Belle Avery Producer
Jie Chen Associate Producer
Lorenzo di Bonaventura Producer
Barrie M. Osborne Executive Producer
Gerald R. Molen Executive Producer
Tom Hern Associate Producer
Kenneth Atchity Associate Producer
Randy Greenberg Executive Producer
Colin Wilson Producer
Chi-Li Wong Associate Producer
Chunzi Wang Associate Producer
Jiang Wei Executive Producer
Ben Erwei Ji Executive Producer
Chantal Nong Vo Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 74 96 52
2024 5 83 134 63
2024 6 83 143 56
2024 7 72 102 58
2024 8 77 130 50
2024 9 51 64 39
2024 10 67 124 41
2024 11 70 124 46
2024 12 79 149 48
2025 1 85 105 62
2025 2 66 85 11
2025 3 20 73 3
2025 4 16 23 10
2025 5 37 153 11
2025 6 28 123 9
2025 7 11 14 9
2025 8 11 13 9
2025 9 8 14 6
2025 10 8 9 6

Trending Position


Year Month High Avg
2025 10 413 786
Year Month High Avg
2025 9 253 628
Year Month High Avg
2025 8 170 595
Year Month High Avg
2025 7 132 635
Year Month High Avg
2025 6 115 642
Year Month High Avg
2025 5 253 706
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2025 4 389 706
Year Month High Avg
2025 3 247 716
Year Month High Avg
2025 2 107 665
Year Month High Avg
2025 1 245 670
Year Month High Avg
2024 12 368 700
Year Month High Avg
2024 11 388 719
Year Month High Avg
2024 10 538 755
Year Month High Avg
2024 9 560 807
Year Month High Avg
2024 8 330 687

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Reviews

Dark Jedi
6.0

Well, when the credits started to roll I cannot say that I felt it had been a waste of time and money. I did indeed have some enjoyment watching this movie. However, it could have been a lot better. For starters, what is the point of making a movie about a bloody “dinosaur shark” and aim for a PG ... -13 rating? Whoever made that incredibly stupid decision obviously missed the mark big time. I think this was the biggest fault with the movie. There were so many missed opportunities. The entire scene at the beach at the end of the movie was just wasted for example. The script was of course somewhat illogical with holes in it large enough to drive a, well, a Megalodon through them. This however was something that I more or less expected given the kind of movie. First of all it is science fiction and fantasy after all and second, it appears that these kind of movies never seem to get anything better than mediocre script writers…at best. There were some good things though. I have read the book and I didn’t really like it. In my review I gave it 2 out 5 five stars. The main reason for this was that the book was more of a bad soap opera than a horror/thriller. It was so filled with unlikable, scheming and backstabbing assholes that it was really not enjoyable. Jason’s ex wife was such a despicable bitch that she alone ruined the book for example. Luckily the movie had toned down that aspect of the book quite a lot. Actually, in the end, there was really only one truly despicable asshole in the movie and he met with the fate that he deserved thanks to his own stupidity. So, I did enjoy the movie and, as a science fiction and fantasy fan, I am glad to have watched it. I mean, a giant pre-historic shark on the big screen does have a certain cool-factor after all. It was somewhat saved by Jason Statham being in it though and it could have been a lot better.

May 16, 2024
John Chard
5.0

Child friendly horror... You have to take in to context the post release statements by director Jon Turteltaub and lead actor Jason Statham. The Meg is not the film they either read on the page or filmed as a course of grisly schlock entertainment. This was meant to be a proper schlocker, a blood ... letting monster of the deep on the loose picture, sadly the suits at the helm didn't see that as a viable money making exercise and had this cut to be a "12" friendly bums on theatre seats cash grabber. Shame on them. What we get is a run of the mill creature feature that although once viewed does not leave a lasting impression (was anyone really hoping for that anyway?), but is kind of fun in that time filling sort of way. It runs through the modern day creature feature playbook 101. So off we go with the hero having a troubled backstory, a money made funder out of his depth, ladies with life quandaries, a man who can't swim working in the middle of the ocean! and on we go. Throw in some quite awfully scripted dialogue and it's cheese sarnie time. Statham is nearly always a good watch - in the muscle bound action hero kind of way - though you see the cracks between what the film was meant to be and what it ended up as. For you see that The Stath comes off as taking it all too seriously, which in this released cut is ridiculous. He's surrounded by no mark actors, though no short supply of beauty (Bingbing Li socko gorgeous/Ruby Rose hard sexy) and the narrative feeds us all the pointers of exactly where this will end up. There's a couple of nifty fun homages to Jaws, some decent suspense scenes, and the cinematography (Tom Stern) is pin sharp and pleasurable. Best bet to enjoy this is to know it's a "12" rated friendly piece, to understand it has ultimately ended up as a same old same old monster movie. It's a million miles away from the class of Jaws, and lacks the tongue in cheek knowing of Deep Blue Sea, but it fills a gap in that undemanding time wasting way. 5/10

May 16, 2024
Ruuz
5.0

It's nice to see a Shark-led Creature Feature that's actually got some money behind it, but _The Meg_ is still really nothing special. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...

Jun 23, 2021
Geronimo1967
5.0

This is one of these international co-productions that has way too many producers and vested interests behind it, so it's no great surprise that what we do end up with is such an hybrid of so many other films, It's actually quite hard to be objective when writing about it. The obvious comparisons ar ... e with "Jaws" (1975) and "Deep Blue Sea" (1999) but this is a distinctly poor relation. Even on an IMAX screen, it moves along with all the pace of a milk-float even despite the lively contributions from the enthusiastic Jason Statham as he attacks the leviathan with a glorified Stanley knife. The remainder of the acting and pretty much all of the dialogue is typically banal and but for the very effective use of CGI this would achieve laughs not gasps. Can't wait for the sequel....

May 29, 2024
r96sk
6.0

<em>'The Meg'</em> almost succeeds in being a fun action blockbuster, though for me it comfortably falls short of doing so. To put it bluntly, I simply got bored whilst watching it. I like the cast, but that's about it in terms of positives. The effects and story just didn't do it for yours truly. ... <em>'Jaws'</em> (obviously) and even <em>'Piranha'</em> did it better, this one doesn't have anything fresh to add to the subgenre of man-eating fish. It kinda does its own thing for the first half, however by the end it really could just be a flick from either of those two named franchises. As noted, I did like those onscreen. Jason Statham isn't at his best but is nevertheless effortlessly entertaining. He, Li Bingbing and Sophia Cai are a cute trio. Cliff Curtis is pretty solid too. Page Kennedy is OK, I remember him from TV's <em>'Rush Hour'</em> (I'm one of a few that actually saw and enjoyed that show). I can't imagine the sequel turned out any better. I am going to soon find out, here's hoping it does.

Apr 09, 2025