Popularity: 7 (history)
Director: | Jon Turteltaub |
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Writer: | Dean Georgaris, Erich Hoeber, Jon Hoeber, Steve Alten |
Staring: |
A deep sea submersible pilot revisits his past fears in the Mariana Trench, and accidentally unleashes the seventy foot ancestor of the Great White Shark believed to be extinct. | |
Release Date: | Aug 09, 2018 |
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Director: | Jon Turteltaub |
Writer: | Dean Georgaris, Erich Hoeber, Jon Hoeber, Steve Alten |
Genres: | Action, Science Fiction, Horror |
Keywords | based on novel or book, beach, deep sea, underwater, shark, oceanic expedition, kaiju, animal horror, underwater facility, mariana trench, amused, antagonistic, frightened |
Production Companies | Warner Bros. Pictures, di Bonaventura Pictures, Gravity Pictures, Maeday Productions, Apelles Entertainment, Flagship Entertainment Group |
Box Office |
Revenue: $530,517,320
Budget: $150,000,000 |
Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Jason Statham | Jonas Taylor |
Li Bingbing | Suyin |
Rainn Wilson | Morris |
Cliff Curtis | James 'Mac' Mackreides |
Ruby Rose | Jaxx |
Jessica McNamee | Lori |
Masi Oka | Toshi |
Winston Chao | Zhang |
Shuya Sophia Cai | Meiying |
Page Kennedy | DJ |
Robert Taylor | Heller |
Ólafur Darri Ólafsson | The Wall |
Mai Hongmei | Mother |
Wei Yi | Awesome Kid on Beach |
Vithaya Pansringarm | Thai Boat Captain |
Rob Kipa-Williams | D'Angelo |
Tawanda Manyimo | Marks |
Mark Trotter | Injured Sailor |
James Gaylyn | David E. Jordan |
Andrew Grainger | Morris' Lawyer |
Steven A. Davis | Speedboat Crewman |
Glen Levy | Speedboat Mercenary |
Edwin Wright | Morris' Helicopter Pilot |
Ivy Tsui | Bride |
Jeremy Tan | Groom |
Tim Wong | News Camera Operator |
Yoson An | News Helicopter Pilot |
Yao Yao | Dude on Raft |
Leand Macadaan | Filipino Fisherman #1 (uncredited) |
Boaz Magege | Launch Controller |
Piroon Vongvaruj | Thai Boat Crewman |
Douglas Lee | Wedding Photographer |
Teresa Lee | Bridesmaid |
Marc Copage | Interrogator |
Name | Job |
---|---|
Alessandro Ongaro | CG Supervisor |
Jon Turteltaub | Director |
Sarah Hart | Casting Assistant |
Simon Ward | Casting Assistant |
Tom Stern | Director of Photography |
Liz Mullane | Casting |
Amanda Neale | Costume Design |
Jane O'Kane | Makeup Artist, Hairstylist |
Mindy Marin | Casting |
Augie Davis | Stunts |
Shane Dawson | Stunts |
Stephen Grey | Stunts |
Allan Poppleton | Stunt Coordinator |
Vincent Roxburgh | Stunts |
Harry Gregson-Williams | Original Music Composer |
Dayna Grant | Stunts |
Dean Georgaris | Screenplay |
Erich Hoeber | Screenplay |
Matteo Veglia | VFX Production Coordinator |
Leiki Veskimets | Production Manager |
Jacob Tomuri | Stunts |
Jon Hoeber | Screenplay |
Steve Alten | Novel |
Maxine Zhang | First Assistant Director |
Joe Nolan | First Assistant Director |
Hamish McFarlane | First Assistant Director |
Matt Johnston | Third Assistant Director |
Laura Hutton | Third Assistant Director |
Monique Hoseason | Casting Assistant |
Betty Fotofili | Second Assistant Director |
Jingxuan Chen | Third Assistant Director |
Sarah Shepherd | Dialect Coach |
Veronica Miller | Production Accountant |
Rachael McMahon | Production Coordinator |
Monique Knight | Script Supervisor |
Moira Houlihan | Unit Publicist |
Andrew Cochrane | Production Coordinator |
Elizabeth A. Bergman | Production Coordinator |
Helen Ashton | Dialect Coach |
Russell Lloyd | Driver |
Sharon Ninness | Transportation Coordinator |
Isaac Lane | Transportation Co-Captain |
Huai Hsuan Huang | Translator |
Peter Oso Snell | Music Editor |
Allegra De Souza | Assistant Sound Editor |
Peta Sinclair | Location Manager |
Gina Deakin | Location Manager |
Jeff Pantaleo | Digital Intermediate |
Jessica E. Newman | Post Production Consulting |
Christina Validakis | Assistant Costume Designer |
Rose-Marie Salmon | Art Department Coordinator |
Lucy McLay | Assistant Costume Designer |
Natalija Kucija | Costume Design |
Sarah Goodhue | Set Costumer |
Helena Falangus | Assistant Costume Designer |
Aaron Gilman | Animation Supervisor |
Juan Alejandro Gomez Acosta | Animation |
Steven Kemper | Editor |
Robert Bavin | Art Direction |
Andy McLaren | Art Direction |
Kim Sinclair | Supervising Art Director |
Sam Storey | Art Direction |
Calvin Tsoi | Art Direction |
Ken Turner | Art Direction |
Amber Richards | Set Decoration |
Kendal Ferguson | Makeup Artist |
Michael Krehl | Makeup Supervisor |
Paul Pattison | Makeup Artist, Hairstylist |
Simon Ambridge | Production Manager |
Zahra Archer | Set Designer |
Jess Bauer | Set Dresser |
Alister Baxter | Set Designer |
Liam Beck | Conceptual Design |
Henry Fong | Conceptual Design |
Janelle Hope | Art Department Coordinator |
Mathew Hunkin | Prop Designer |
Tasha Lang | Property Master |
Landon Lott | Set Designer |
Robert McKinnon | Conceptual Design |
Ross Perkin | Set Designer |
Brendon Sweeney | Set Designer |
Filippo Valsecchi | Conceptual Design |
Gillian West-Walker | Set Dresser |
Rose Worley | Prop Maker |
Corrin Ellingford | Boom Operator |
Jason W. Jennings | Sound Designer |
Katie Paterson | Sound Design Assistant |
Adnan Taumoepeau | Boom Operator |
Karl Chisholm | Special Effects Coordinator |
Trevor Kiely | Special Effects |
Gavin Legge | Special Effects |
Phil McLaren | Special Effects Supervisor |
Peter Beeh | Aerial Camera |
Mike Bhana | Camera Operator |
Jonathan Bowes-Onions | Camera Intern |
Nick Chester | Rigging Grip |
Toby Conway | Rigging Grip |
Jamie Couper | Rigging Gaffer |
Oren Graham | Lighting Technician |
Brenden Holster | First Assistant Camera |
Adam Lewando | Lighting Technician |
Rob Marsh | Camera Operator |
Reuben Morrison | Lighting Technician |
Sean O'Neill | Gaffer |
Luke Ripley | Lighting Technician |
Ben Rowsell | Camera Operator |
Kina Scollay | Underwater Director of Photography |
Ropata Smith-Warren | Grip |
Clint Elvy | Stunts |
Tony Marsh | Stunts |
Joshua Randall | Stunts |
Joshua Tieu | Stunts |
Beau Weston | Stunts |
Barton Williams | Stunts |
Eva Yang | Stunt Coordinator |
Zack Weiler | Digital Effects Producer |
Sue Rowe | Visual Effects |
Divyansh Mittal | Digital Compositors |
Ben Marks | Visual Effects Coordinator |
Stephanie Malicdem | Visual Effects |
Rhonda C. Gunner | Visual Effects Design Consultant |
Justin Golden | Visual Effects Technical Director |
Steve Garrad | Visual Effects Producer |
Megan Galbraith | Visual Effects Coordinator |
Holly Fung | Visual Effects Coordinator |
David Cohan | Visual Effects Coordinator |
Daniele Chindamo | Visual Effects |
Raymond Chen | Visual Effects Supervisor |
Daniel Cairnie | Digital Compositors |
Sara Bold | Visual Effects Coordinator |
John L. Anderson | VFX Supervisor |
Mark Stephen | Set Designer |
Ana Ramos Dominguez | Visual Effects Producer |
Aaron Gibson | Transportation Captain |
Dylan Coburn | Storyboard Artist |
Warren Mahy | Storyboard Artist |
Rachel Bullock | Casting |
Adrian De Wet | Visual Effects Supervisor |
Chantal Nong Vo | Executive In Charge Of Production |
Grant Major | Production Design |
Ashlee Fidow | Stunts |
Yasushi Asaya | Stunts |
Stuart Thorp | Stunts |
James Madigan | Second Assistant Director |
Billy Yip Oi-Wah | Stunts |
Name | Title |
---|---|
Belle Avery | Producer |
Jie Chen | Associate Producer |
Lorenzo di Bonaventura | Producer |
Barrie M. Osborne | Executive Producer |
Gerald R. Molen | Executive Producer |
Tom Hern | Associate Producer |
Kenneth Atchity | Associate Producer |
Randy Greenberg | Executive Producer |
Colin Wilson | Producer |
Chi-Li Wong | Associate Producer |
Chunzi Wang | Associate Producer |
Jiang Wei | Executive Producer |
Ben Erwei Ji | Executive Producer |
Chantal Nong Vo | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 74 | 96 | 52 |
2024 | 5 | 83 | 134 | 63 |
2024 | 6 | 83 | 143 | 56 |
2024 | 7 | 72 | 102 | 58 |
2024 | 8 | 77 | 130 | 50 |
2024 | 9 | 51 | 64 | 39 |
2024 | 10 | 67 | 124 | 41 |
2024 | 11 | 70 | 124 | 46 |
2024 | 12 | 79 | 149 | 48 |
2025 | 1 | 85 | 105 | 62 |
2025 | 2 | 66 | 85 | 11 |
2025 | 3 | 20 | 73 | 3 |
2025 | 4 | 16 | 23 | 10 |
2025 | 5 | 37 | 153 | 11 |
2025 | 6 | 28 | 123 | 9 |
2025 | 7 | 11 | 14 | 9 |
2025 | 8 | 11 | 13 | 9 |
2025 | 9 | 8 | 14 | 6 |
2025 | 10 | 8 | 9 | 6 |
Trending Position
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2025 | 10 | 413 | 786 |
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2025 | 9 | 253 | 628 |
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2025 | 8 | 170 | 595 |
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2025 | 7 | 132 | 635 |
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2025 | 6 | 115 | 642 |
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2025 | 5 | 253 | 706 |
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2025 | 4 | 389 | 706 |
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2025 | 3 | 247 | 716 |
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2025 | 2 | 107 | 665 |
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2025 | 1 | 245 | 670 |
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2024 | 12 | 368 | 700 |
Year | Month | High | Avg |
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2024 | 11 | 388 | 719 |
Year | Month | High | Avg |
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2024 | 10 | 538 | 755 |
Year | Month | High | Avg |
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2024 | 9 | 560 | 807 |
Year | Month | High | Avg |
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2024 | 8 | 330 | 687 |
Well, when the credits started to roll I cannot say that I felt it had been a waste of time and money. I did indeed have some enjoyment watching this movie. However, it could have been a lot better. For starters, what is the point of making a movie about a bloody “dinosaur shark” and aim for a PG ... -13 rating? Whoever made that incredibly stupid decision obviously missed the mark big time. I think this was the biggest fault with the movie. There were so many missed opportunities. The entire scene at the beach at the end of the movie was just wasted for example. The script was of course somewhat illogical with holes in it large enough to drive a, well, a Megalodon through them. This however was something that I more or less expected given the kind of movie. First of all it is science fiction and fantasy after all and second, it appears that these kind of movies never seem to get anything better than mediocre script writers…at best. There were some good things though. I have read the book and I didn’t really like it. In my review I gave it 2 out 5 five stars. The main reason for this was that the book was more of a bad soap opera than a horror/thriller. It was so filled with unlikable, scheming and backstabbing assholes that it was really not enjoyable. Jason’s ex wife was such a despicable bitch that she alone ruined the book for example. Luckily the movie had toned down that aspect of the book quite a lot. Actually, in the end, there was really only one truly despicable asshole in the movie and he met with the fate that he deserved thanks to his own stupidity. So, I did enjoy the movie and, as a science fiction and fantasy fan, I am glad to have watched it. I mean, a giant pre-historic shark on the big screen does have a certain cool-factor after all. It was somewhat saved by Jason Statham being in it though and it could have been a lot better.
Child friendly horror... You have to take in to context the post release statements by director Jon Turteltaub and lead actor Jason Statham. The Meg is not the film they either read on the page or filmed as a course of grisly schlock entertainment. This was meant to be a proper schlocker, a blood ... letting monster of the deep on the loose picture, sadly the suits at the helm didn't see that as a viable money making exercise and had this cut to be a "12" friendly bums on theatre seats cash grabber. Shame on them. What we get is a run of the mill creature feature that although once viewed does not leave a lasting impression (was anyone really hoping for that anyway?), but is kind of fun in that time filling sort of way. It runs through the modern day creature feature playbook 101. So off we go with the hero having a troubled backstory, a money made funder out of his depth, ladies with life quandaries, a man who can't swim working in the middle of the ocean! and on we go. Throw in some quite awfully scripted dialogue and it's cheese sarnie time. Statham is nearly always a good watch - in the muscle bound action hero kind of way - though you see the cracks between what the film was meant to be and what it ended up as. For you see that The Stath comes off as taking it all too seriously, which in this released cut is ridiculous. He's surrounded by no mark actors, though no short supply of beauty (Bingbing Li socko gorgeous/Ruby Rose hard sexy) and the narrative feeds us all the pointers of exactly where this will end up. There's a couple of nifty fun homages to Jaws, some decent suspense scenes, and the cinematography (Tom Stern) is pin sharp and pleasurable. Best bet to enjoy this is to know it's a "12" rated friendly piece, to understand it has ultimately ended up as a same old same old monster movie. It's a million miles away from the class of Jaws, and lacks the tongue in cheek knowing of Deep Blue Sea, but it fills a gap in that undemanding time wasting way. 5/10
It's nice to see a Shark-led Creature Feature that's actually got some money behind it, but _The Meg_ is still really nothing special. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...
This is one of these international co-productions that has way too many producers and vested interests behind it, so it's no great surprise that what we do end up with is such an hybrid of so many other films, It's actually quite hard to be objective when writing about it. The obvious comparisons ar ... e with "Jaws" (1975) and "Deep Blue Sea" (1999) but this is a distinctly poor relation. Even on an IMAX screen, it moves along with all the pace of a milk-float even despite the lively contributions from the enthusiastic Jason Statham as he attacks the leviathan with a glorified Stanley knife. The remainder of the acting and pretty much all of the dialogue is typically banal and but for the very effective use of CGI this would achieve laughs not gasps. Can't wait for the sequel....
<em>'The Meg'</em> almost succeeds in being a fun action blockbuster, though for me it comfortably falls short of doing so. To put it bluntly, I simply got bored whilst watching it. I like the cast, but that's about it in terms of positives. The effects and story just didn't do it for yours truly. ... <em>'Jaws'</em> (obviously) and even <em>'Piranha'</em> did it better, this one doesn't have anything fresh to add to the subgenre of man-eating fish. It kinda does its own thing for the first half, however by the end it really could just be a flick from either of those two named franchises. As noted, I did like those onscreen. Jason Statham isn't at his best but is nevertheless effortlessly entertaining. He, Li Bingbing and Sophia Cai are a cute trio. Cliff Curtis is pretty solid too. Page Kennedy is OK, I remember him from TV's <em>'Rush Hour'</em> (I'm one of a few that actually saw and enjoyed that show). I can't imagine the sequel turned out any better. I am going to soon find out, here's hoping it does.