Popularity: 10 (history)
| Director: | Ben Wheatley |
|---|---|
| Writer: | Dean Georgaris, Erich Hoeber, Jon Hoeber, Steve Alten |
| Staring: |
| An exploratory dive into the deepest depths of the ocean of a daring research team spirals into chaos when a malevolent mining operation threatens their mission and forces them into a high-stakes battle for survival. | |
| Release Date: | Aug 02, 2023 |
|---|---|
| Director: | Ben Wheatley |
| Writer: | Dean Georgaris, Erich Hoeber, Jon Hoeber, Steve Alten |
| Genres: | Action, Science Fiction, Horror |
| Keywords | based on novel or book, deep sea, sequel, underwater, shark, kaiju, civil action, animal horror, mariana trench, environmental crisis, shark cage |
| Production Companies | Warner Bros. Pictures, di Bonaventura Pictures, Apelles Entertainment, DF Pictures, CMC Pictures, Onaroll Productions |
| Box Office |
Revenue: $384,056,482
Budget: $129,000,000 |
| Updates |
Updated: Aug 05, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jason Statham | Jonas Taylor |
| Wu Jing | Jiuming Zhang |
| Shuya Sophia Cai | Meiying |
| Page Kennedy | DJ |
| Sergio Peris-Mencheta | Montes |
| Sienna Guillory | Driscoll |
| Cliff Curtis | Mac |
| Skyler Samuels | Jess |
| Melissanthi Mahut | Rigas |
| Whoopie van Raam | Curtis |
| Kiran Sonia Sawar | Sal |
| Felix Mayr | Lance |
| Guo Tao | Party Guest |
| Robin Hill | Cargo Ship Captain |
| Dai Lele | Beautiful Tourist |
| Ivy Tsui | Coco |
| Stewart Alexander | Tourist Buisinessman |
| Able Wanamakok | Tourists' Friend |
| Xiong Jinyi | Tourists' Friend |
| Cai Jingjing | Newlywed Woman |
| Kenneth Won | Club Paradise Guide |
| Longxi | Cute Girl on Boat |
| Bai Narisu | Cute Guy on Boat |
| Matthew Stirling | Leary Crewman |
| Richard Glover | Mercenary Pilot |
| Billy Clements | Mercenary |
| Jonny James | Mercenary |
| Enzo di Bonaventura | Curious Tourist |
| Sara Dee | Parrot / Suit Voice (voice) |
| Li Xin | Guest |
| Goran Lečić |
| Name | Job |
|---|---|
| Tolga Kenan | Stunt Coordinator |
| Marc Mailley | Stunt Coordinator |
| Sarah Lochlan | Stunts |
| Christina Petrou | Stunts |
| Chris Lowe | Production Design |
| Lindsay Pugh | Costume Design |
| Atchariya Pinitsanpirom | Line Producer |
| Sylvia Atkins | Makeup Supervisor |
| Catherine Heys | Makeup Designer |
| Alice Hollingum | Makeup Artist |
| Joe Hopker | Makeup Supervisor |
| Roseanna Larner | Makeup Artist |
| Waldo Mason | Prosthetics |
| Jami Chan | Production Manager |
| Ben Dixon | Unit Production Manager |
| Mark Layton | Production Manager |
| Ariel Murray-Simmons | Unit Manager |
| Charlie Reed | Production Supervisor |
| Mac Montero | Third Assistant Director |
| Teresa Orlando | Second Assistant Director |
| Jack Ainsworth | Camera Trainee |
| Lester Ambrose | Electrician |
| Peter Ayriss | Drone Pilot |
| Dominique Cheung | First Assistant "B" Camera |
| Paul Helm | Electrician |
| John Koukouzis | Drone Operator |
| John Koutsoulas | Drone Operator |
| Sacha Kovacevic | Electrician |
| Dan Lowe | Gaffer |
| Piran John Miller | Second Assistant Camera |
| Alex Mott | Key Grip |
| Ella Robinson | Electrician |
| Ben Saffer | Digital Imaging Technician |
| Aphisit 'Pep' Wansri | Grip |
| Tim Wooster | Second Unit Director of Photography |
| Beth Trinder | Assistant Camera |
| Stamos Triantafyllos | Camera Operator |
| Iain Thomson | Digital Imaging Technician |
| Dean Thompson | First Assistant "A" Camera |
| Oliver Squire | Second Assistant "A" Camera |
| Nisa Rizvi | Camera Trainee |
| Luke Redgrave | Camera Operator |
| Zachary Winnington | Costume Coordinator |
| Peter Bardsley | Location Manager |
| Tom Beltrandi | Location Manager |
| Saithip Boonyasomphop | Script Supervisor |
| Anita Christy | Script Supervisor |
| Peter Bebb | Visual Effects Supervisor |
| Emma Ennis | Stunt Coordinator |
| Kelly Lee | Production Manager |
| Inga Fabian | Assistant Production Coordinator |
| Lottie Geliot | Art Department Coordinator |
| Rachael Evelyn | Stunts |
| Ben Wheatley | Director |
| Dean Georgaris | Screenplay, Screenstory |
| Erich Hoeber | Screenplay, Screenstory |
| Cliff Lanning | First Assistant Director |
| Jon Hoeber | Screenplay, Screenstory |
| Jonathan Amos | Editor |
| Steve Alten | Novel |
| Haris Zambarloukos | Director of Photography |
| Harry Gregson-Williams | Original Music Composer |
| Theo Morton | Stunt Double |
| Adam Kiani | Stunt Double |
| Jessica Hooker | Stunts |
| Yusuf Chaudhri | Stunts |
| Chris Rosewarne | Concept Artist |
| Stephen Doyle | Props |
| Elliot Hawkes | Utility Stunts |
| Samuel Hussey | Props |
| Matthew Bell | Stunts |
| Dominic Tuohy | Special Effects Supervisor |
| Varpu Kronholm | Stunt Double |
| Name | Title |
|---|---|
| Chi-Li Wong | Associate Producer |
| Kenneth Atchity | Associate Producer |
| Ying Xujun | Executive Producer |
| Randy Greenberg | Executive Producer |
| Cate Adams | Executive Producer |
| Erik Howsam | Executive Producer |
| Belle Avery | Producer |
| Lorenzo di Bonaventura | Producer |
| Cliff Lanning | Co-Producer |
| Liu Ruifang | Executive Producer |
| E. Bennett Walsh | Executive Producer |
| Gerald R. Molen | Executive Producer |
| Wu Jing | Executive Producer |
| Jason Statham | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 165 | 225 | 136 |
| 2024 | 5 | 160 | 211 | 136 |
| 2024 | 6 | 178 | 246 | 126 |
| 2024 | 7 | 176 | 222 | 135 |
| 2024 | 8 | 149 | 197 | 114 |
| 2024 | 9 | 105 | 141 | 84 |
| 2024 | 10 | 132 | 201 | 94 |
| 2024 | 11 | 125 | 202 | 97 |
| 2024 | 12 | 109 | 139 | 90 |
| 2025 | 1 | 124 | 156 | 90 |
| 2025 | 2 | 90 | 124 | 18 |
| 2025 | 3 | 31 | 116 | 3 |
| 2025 | 4 | 17 | 20 | 13 |
| 2025 | 5 | 15 | 21 | 12 |
| 2025 | 6 | 14 | 16 | 11 |
| 2025 | 7 | 14 | 16 | 12 |
| 2025 | 8 | 14 | 18 | 12 |
| 2025 | 9 | 13 | 21 | 10 |
| 2025 | 10 | 12 | 15 | 9 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 275 | 659 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 179 | 681 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 172 | 545 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 163 | 655 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 161 | 695 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 198 | 685 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 354 | 727 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 414 | 765 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 332 | 693 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 270 | 656 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 285 | 661 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 216 | 703 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 456 | 746 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 518 | 741 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 312 | 587 |
Now the "Meg" (2018) itself could never be called a good film, but it is a great deal better than this muddled and derivative effort. "Jonas" (Jason Statham) is now working as a sort of eco-policeman trying to stop the dumping of toxic waste into the oceans, and after a snappy "007" style opening, h ... e is daringly rescued by "Mac" (Clff Curtis) and "Rigas" (Melissanthu Mahut) and returned to the research centre where he is reunited with "Jess" (Skyler Samuels), "DJ" (Page Kennedy) and the adrenalin seeking "Juiming" (Jing Wu) who are nursing the daughter of the last megalodon! The team now travel to a remote installation where they must investigate some more of the beasties that live below the frozen layer put there by nature to ensure than we don't mix. Thing is, it seems they are not the only folks who've hit on the idea that there might be untapped riches 25,000 feet below the surface, and soon our team are involved in a contretemps with "Montes" (Sergio Peris-Mencheta) that introduces treachery, double-dealing and causes explosions galore that release not just megs, but also an enormous octopus into the ocean where they can merrily terrorise the holidaymakers on the nearby resort of "Fun Island". Can "Jonas" et al manage to take on four of these super-creatures before they've snacked their way through the tourists? This might have been a bit better if they'd just cut all the preamble and gone straight to the rig and to the underwater action, big fish and pyrotechnics. As it is, we spend far too long meandering about on the surface meeting the characters and there's way too much pointless dialogue throughout - though one or two half-hearted witticisms and puns help a little - before an ending that is entirely predictable and really rather processionally so. The acting is just banal, the continuity is all over the place - as is the editing - and the huge chunk of Ali Baba money that's floated this thing ensures that the switches from the English to Chinese languages actually smacks more of keeping everybody happy in the boardroom rather than engaging anyone in the actual cinema. Simply, even the charismatic Statham cannot rescue this from the doldrums of CGI-led mediocrity that churns out an unremarkable hybrid of "Jaws" and "Jurassic Park". It does need a big screen. If you wait til it's on the telly then you will be even more disappointed. Mind you, is that actually possible?
Meg 2 doesn't really feel like a follow up film, to its 2018 counterpart. Indeed, the latest instalment feels more like a platform for various action "stunts". The giant,prehistoric shark's are essentially window dressing, for a variety of frenetic action sequences, where things blow up, are tor ... n apart, shot at, harpooned, people gobbled up Jaws and Jurassic Park style and what I can only describe as acrobatic, aquatic scenes with jet ski's and the like, all take place. They even throw in a giant squid, to spice things up. Or put more simply, this is a messy mash up, of derivative, often dispirit ideas. Unsurprisingly, the results a bit chaotic, with no compass to direct the viewer, in terms of the story, such as it is. Its quite watchable, in its own way but it never really goes anywhere. In summary, watchable on a very visually superficial level. Lots of action but little in the way of an established story, to pull the whole thing together.
Good Movie ...
Pretty tough sitting through this one, especially the first half where a good portion was so dark, maybe to hide the bad visual effects, I couldn't even tell what was going on. There were a few moments of the camp that made the first one at least entertaining, but not enough to keep me engaged. On t ... he plus side, Jason Statham was alright for what he's given, otherwise this just was a waste of time. **2.0/5**
The Meg 2: The Trench is exactly what I expected, and honestly, what I wanted from a movie about giant sharks: campy fun with over-the-top action, sleek visuals, and just enough chaos. The cinematography stood out, especially the camera transitions and underwater shots, which were beautifully done. ... The special effects carried their weight too, making the whole experience visually exciting. The pacing worked well. The first act transitioned smoothly into the second, where things started to intensify setting things up well and the intensity ramping up toward the finale. The acting was decent, maybe overacted at times, but it matched the tone of the movie. Sure, the script had its flaws (I mean, swimming normally at 25,000 feet below sea level? Come on), but those issues didn’t ruin the experience unless you’re the type of viewer who’s only there to nitpick. This movie isn’t meant to be serious or realistic, it’s a popcorn flick through and through. If we judged every movie on plausibility, most would fail spectacularly. The Meg 2 is fun for what it is: a one-time watch that lets you escape into its ridiculous world for a couple of hours.
<em>'Meg 2: The Trench'</em> is rubbish. It's just the original with added (lousy) human antagonists and, eh, a giant octopus? I was zoned out by that point if I'm honest, it's no Kraken from <em>'Pirates of the Caribbean'</em>, that's for sure. Jason Statham is forgettable in this too. That's a ... big problem, given he is the glue that ought to hold these films together. In fact, the best person in this flick is Page Kennedy, who is amusing and has one cool fight scene; good (if minimal) character development, that. Sophia Cai and Cliff Curtis remain the best of the rest. It's just all so dull, I was totally uninterested by the end; I felt my eyes roll hard when they revealed Fun Island, which is practically a carbon copy of what happens at the end of <em>'The Meg'</em>. With all the negatives noted, it still didn't overtly annoy me; so (narrowly) avoids a lower score. I forgot, until now, that Ben Wheatley also directed <em>'Free Fire'</em> (5/10) and <em>'Kill List'</em> (3/10)... sheesh. Fingers crossed that one day I'll see one of his movies and enjoy it.