Popularity: 11 (history)
Director: | Michael Chaves |
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Writer: | Akela Cooper, Ian B. Goldberg, Richard Naing |
Staring: |
In 1956 France, a priest is violently murdered, and Sister Irene begins to investigate. She once again comes face-to-face with a powerful evil. | |
Release Date: | Sep 06, 2023 |
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Director: | Michael Chaves |
Writer: | Akela Cooper, Ian B. Goldberg, Richard Naing |
Genres: | Horror |
Keywords | france, nun, bullying, sequel, priest, religion, church, demon, gothic horror, demonic possession, praying, duringcreditsstinger, 1950s, demonic, girls' school, convent, the conjuring universe |
Production Companies | New Line Cinema, The Safran Company, Atomic Monster |
Box Office |
Revenue: $269,670,590
Budget: $38,500,000 |
Updates |
Updated: Aug 05, 2025 Entered: Apr 13, 2024 |
Name | Job |
---|---|
Michael Chaves | Director |
Akela Cooper | Screenplay, Story |
Lainey Lipson | Casting Assistant |
Ian B. Goldberg | Screenplay |
Richard Naing | Screenplay |
Rose Wicksteed | Casting |
Stéphane Cressend | Production Design |
Jean-Christophe Magnaud | Special Effects Supervisor |
Sébastien Fouassier | Stunt Coordinator |
Tristan Nyby | Director of Photography |
Gregory Plotkin | Editor |
James Wan | Characters |
Marco Beltrami | Original Music Composer |
Gary Dauberman | Characters |
Anne Fremiot | Casting |
Alexis McKenzie Main | Supervising Art Director |
Dominique Moisan | Art Direction |
Mathias Canard | Set Dresser |
Emmanuel Delis | Set Decoration |
Agnès Beziers | Costume Design |
Tavares Audrey | Hairstylist |
Véronique Boslé | Hairstylist |
Suzel Jouguet | Key Makeup Artist |
Kay Philips | Key Hair Stylist |
Audrey Tavares | Hairstylist |
Corinne Texier | Hairstylist |
Félix Armand | Production Assistant |
Nicolas Avrand | Assistant Production Coordinator |
Xio Farias | Production Secretary |
Arnaud Kaiser | Unit Production Manager, Production Manager |
Frederic Dagmey | Second Assistant Director |
Jérémy Debord | Second Second Assistant Director, Assistant Director |
Manon Grach | Third Assistant Director |
Tanya Larcinese | Third Assistant Director |
Guilhem Malgoire | Second Unit Director |
Frechon Marine | Set Production Assistant |
Melvin Nkosi | Second Assistant Director |
Jérémie Stachow | Set Production Assistant |
Dylan Talleux | First Assistant Director |
Chouchane Bakirel | Assistant Art Director |
Roberto DiCamillo | Construction Buyer |
Sue Elliott | Art Department Coordinator |
Clémence Hamel | Set Decoration Buyer |
Yannick Heuveline | Carpenter |
Alexis Imbert | Standby Property Master |
Clément Jolivet | Graphic Designer |
Clément Langelin | Carpenter |
Thomas Laporte | Painter |
Mark Schons | Concept Artist |
Simon Witte | Assistant Art Director |
Lou Jullien | Sound Assistant |
Erwan Kerzanet | Sound Mixer |
Marco Peron | Boom Operator |
Wesley Barker | Visual Effects Production Manager |
Dimitri Besicovitch | Stunt Double |
Benjamin Colussi | Stunts |
Andy Deschamps | Stunts |
Josue Daniel Acuña | Video Assist Operator |
Nicolas Amedeo | Rigging Gaffer |
Sepehr Azadi | First Assistant "A" Camera |
Sylvain Bardoux | Key Grip |
Tau Barut | Video Assist Operator |
Michel Bouquerel | Gaffer |
Sarah Boutin | Second Unit First Assistant Director |
Brayan Cadoret | Grip |
Antoine Charveriat | First Assistant Camera |
Margaux Escourolle | Second Assistant "B" Camera |
Hugues Espinasse | Second Unit Director of Photography |
Jean-Charles Etien | Grip |
Andres Gomez Orellana | First Assistant "B" Camera |
Florine Jacquemot | Additional Second Assistant Camera |
Kevin Kaiser | Camera Trainee |
Eric Larsen | Dolly Grip |
Matthieu Lornat | Camera Operator, Steadicam Operator |
Baptiste Marnière | Digital Imaging Technician |
Strasser Matteo | Grip |
Guillaume Mondin | Best Boy Grip |
Alexandre Monteau | "B" Camera Operator, Steadicam Operator |
Matteo Nira Mancini | Grip |
Sarah Okendo | Second Assistant Camera |
Mathieu Poudevigne | Electrician |
Rémi Quilichini | Steadicam Operator |
Yohann Ramsawmy | Electrician |
Pauline Rey | Second Assistant "A" Camera |
Benjamin Rigot | Electrician |
Julien Rizzo | Electrician |
Quentin Roddier | Data Management Technician |
Pietro Rosso | Electrician |
Dweezil Rotily | Electrician |
Laurent Schepman | Best Boy Grip |
Bastien Semeriva | Electrician |
Michel Strasser | Key Grip |
Jérôme Tanguy | Digital Imaging Technician |
Laurent Usse | Grip |
Clément Valette | Best Boy Electric |
Aurélie Avram | Casting Associate |
Etienne Beck | Casting Coordinator |
Sophie Kingston-Smith | Casting Associate |
Peggy Quetglas | Extras Casting Assistant |
Michèle Pezzin | Assistant Costume Designer |
Darren Hallihan | Assistant Editor |
Jackie Mata | Dailies Manager |
Frank Quatrone | Dailies Operator |
Philip Thomas | Assistant Location Manager |
Axel Sorensen | Assistant Location Manager |
Serop Cheikhoyan | Assistant Script |
Laura Gaubert | Driver |
Sophie Leclerc | Visual Effects Producer |
Zach Pino | Sound Effects Editor |
Jason W. Jennings | Sound Designer, Supervising Sound Editor |
Danielle Bozzone | Executive Producer's Assistant |
Stephanie Le Jamtel | Script Supervisor |
John Marquis | Sound Re-Recording Mixer |
Name | Title |
---|---|
Peter Safran | Producer |
James Wan | Producer |
Richard Brener | Executive Producer |
Judson Scott | Executive Producer |
Michael Polaire | Executive Producer |
Michael Clear | Executive Producer |
Victoria Palmeri | Executive Producer |
Dave Neustadter | Executive Producer |
Gary Dauberman | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 126 | 165 | 105 |
2024 | 5 | 123 | 171 | 88 |
2024 | 6 | 125 | 184 | 97 |
2024 | 7 | 148 | 198 | 121 |
2024 | 8 | 106 | 147 | 75 |
2024 | 9 | 99 | 138 | 79 |
2024 | 10 | 97 | 157 | 74 |
2024 | 11 | 89 | 156 | 67 |
2024 | 12 | 81 | 111 | 62 |
2025 | 1 | 84 | 115 | 59 |
2025 | 2 | 66 | 101 | 14 |
2025 | 3 | 20 | 80 | 3 |
2025 | 4 | 14 | 19 | 11 |
2025 | 5 | 15 | 19 | 11 |
2025 | 6 | 14 | 18 | 11 |
2025 | 7 | 10 | 12 | 8 |
2025 | 8 | 13 | 22 | 9 |
2025 | 9 | 20 | 29 | 13 |
2025 | 10 | 12 | 13 | 11 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 123 | 498 |
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2025 | 9 | 52 | 393 |
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2025 | 8 | 122 | 622 |
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2025 | 7 | 651 | 811 |
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2025 | 6 | 375 | 762 |
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2025 | 5 | 432 | 735 |
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2025 | 4 | 403 | 732 |
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2025 | 3 | 264 | 618 |
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2025 | 2 | 273 | 710 |
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2025 | 1 | 449 | 813 |
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2024 | 12 | 445 | 842 |
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2024 | 11 | 174 | 869 |
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2024 | 10 | 276 | 708 |
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2024 | 9 | 443 | 771 |
Year | Month | High | Avg |
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2024 | 8 | 346 | 686 |
Despite having such a strong central character on its poster with a great back story, 'The Nun 2' spends more time on the pauses and long dialogue scenes than on the scares. 'Nun the less', watch it if you are invested in the 'Conjuring' universe. ...
Five years on from her first outing, Taissa Farmiga dons her holy robes to return as the nun who is a dab hand at facing down satanic apparitions. It's France in the 1950s and a priest is seized in his own church and brutally killed. Not by a person though - and that's where "Sister Irene" comes in. ... Fairly quickly her investigations take her to a girl's school where a previous tragedy has left a room completely sealed off and that's where she senses the source of this evil may be lurking. Can she figure out who this demon is and thwart it's ambitions - ambitions that really centre on the absorption of her own, true, spirit? Well, what do you think? We have a bit of eye candy from Jonas Bloquet's handyman "Maurice" but that's countered by far too many children - so often the death knell in horror films with their screeching, squealing and toxic effect on the jeopardy of any story - if only they would actually just do as they were told! To be fair, though, they are not the only thing that drags this down. It's all so very verbal, procedural and predictable. Even the visual effects are a direct descendent of the first film with a denouement that cannot be a shock to anyone. I know it's hard to reinvent the wheel in this genre, but films like this really offer very little by way of creative innovation, acting/writing skills or even providing the merest hint of scariness. Adequate for Halloween television, but no more I'd say.
I guess a plus on this sequel is it is better than the first one. Not that says much as I didn't really care for it, as it was a sludge to sit through, especially the finale. Here, honestly I couldn't really understand what the heck was going on but I suppose some of the direction was interesting an ... d it didn't feel like it dragged on. That said, it is empty on any emotional elements. The only reason I even like "The Conjuring Universe" is because of Patrick Wilson and Vera Farmiga, even the mediocre "The Devil Made Me Do It" was watchable because of them, all of these other entries have been mostly duds. **2.5/5**
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition THE NUN II surpasses its predecessor with commendable acting, improved practical effects, and impressive imagery, making it a surprisingly decent horror blockbuster. Michael Chaves effectively util ... izes his budget, showcasing well-directed, suspenseful sequences. However, it stumbles in the second act with a loss of momentum and still overuses generic jumpscares that often fall flat. The unnecessary complexity introduced in the story, including weird flashbacks and character intricacies, leads to a somewhat messy third act narratively. Despite these issues, this sequel represents a positive step forward for the franchise, although I doubt it will ever go back to the peak of the first two The Conjuring films." Rating: B-
<em>'The Nun II'</em> concludes this franchise, at least for the time being, in typical fashion - that being rather dull. I haven't got much new to add, anything I could say I've said much before for most of the other entries; most notably for the original 2018 film. I mainly dislike The Nun char ... acter, both in terms of how it looks visually and how it is portrayed audibly - just such a disappointment, <em>'The Curse of La Llorona'</em> did it greater... not that many would agree with me, admittedly. The human side of all this isn't much better either. The only positive I have is that some of the attacks on the kids here are fairly brutal, though sadly they are few and far between so don't elevate the film all that much. All in all, this is a forgettable flick at best.