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The Exorcist: Believer Poster

The Exorcist: Believer

Do you believe?
2023 | 111m | English

(49365 votes)

TMDb IMDb

Popularity: 6 (history)

Details

Since his wife's death, Victor has raised his daughter Angela alone. After she and her friend return from a three-day disappearance with missing memories, they begin displaying frightening behavior reminiscent of the MacNeil possession fifty years prior.
Release Date: Oct 04, 2023
Director: David Gordon Green
Writer: Danny McBride, Peter Sattler, David Gordon Green, Scott Teems
Genres: Horror, Thriller
Keywords exorcism, faith, sequel, possession, disappearance, death of mother, exorcist, reboot, demonic possession, religious horror, father daughter relationship, awestruck
Production Companies Universal Pictures, Blumhouse Productions, Morgan Creek Entertainment, Rough House Pictures
Box Office Revenue: $136,284,218
Budget: $30,000,000
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Leslie Odom Jr. Victor Fielding
Lidya Jewett Angela Fielding
Olivia O'Neill Katherine West
Ann Dowd Nurse Ann Brooks
Jennifer Nettles Miranda West
Norbert Leo Butz Tony West
Okwui Okpokwasili Dr. Beehibe
Raphael Sbarge Pastor Don Revans
E.J. Bonilla Father Maddox
Ellen Burstyn Chris MacNeil
Linda Blair Regan MacNeil
Danny McCarthy Stuart
Tracey Graves Sorenne Fielding
Celeste Oliva Detective Konik
Antoni Corone Father Phillips
Norah Murphy Hannah
Chloe Traicos Joda Maxwell
Chandu Kanuri Daniel
Richard Carr III Dr. Carr
Malena Cunningham Anderson News Reporter
Emily Rachel Gordon Catholic Choir Member
Linda Boston Principal
Nick Benas Neighbor
Justin Paul Warren Portrait Dad
Seth Loven Patient
Dylan Probert Catholic Choir Member
Amanda Beth Nurse
Lariah Alexandria Deshanah
Cecil Chatman Orderly
Rory Gross Tyler
Nigel Barto Nurse
Edward James Warren Portrait Son
Forrest Briggs Paramedic
Eliseo Antonio Paredes Doctor
Lize Johnston The Demon Lamashtu
Patrick Roper Teacher
Name Job
Jalil Jay Lynch Stunt Driver
Carly Nykanen Stunt Double
Charlie Parrish Stunts
Marcelle Coletti Stunts
Jared Losano Stunts
Christian Brunetti Stunts
William Peter Blatty Characters
Valerie Daniella Hernández Oloffson Casting
Joshwa Walton VFX Artist
Danny McBride Story
Brittania Fader Stunt Double
Tim McAdams Stunt Driver, Stunt Double
Cassandra McCormick Stunt Double
Mark Riccardi Stunt Coordinator
Kevin Scott Stunt Coordinator
Paul E. Short Stunt Driver
Judd Wild Stunts
Janelle Beaudry Stunts
David Wingo Music, Musician
Terri Taylor Casting
Alessia Seravalle Second Assistant Director
Dylan Bocanegra Concept Artist
Jaye Tyroff Stunt Driver
Jewelianna Ramos-Ortiz Stunts
Carson Gloster Leadman
Benjamin Baggott Lighting Technician
Paul Daley Camera Operator
Jason Kay Aerial Camera
Michael-Ryan Fletchall Drone Operator
Tres Jefferson Lighting Technician
Matthew Nelson Casting Associate
Lara Karamardian Assistant Editor
Amman Abbasi Music, Musician
Christopher Guzman Post Production Coordinator
Justin Paul Warren Digital Imaging Technician
Kevin Jung Foley Recordist
Ashley Rae Trisler Stunt Coordinator
Peter Sattler Screenplay
Michael Simmonds Director of Photography
Stuart Frossell Art Direction
Jess Royal Set Decoration
Cindy Carr Set Decoration
Lizz Wolf Costume Design
Ashley Levy Makeup Department Head
Ana María Andrickson Special Effects Makeup Artist
Dawn Angeletti Makeup Artist
Sophie Ashworth Makeup Artist
Scottie Gissel First Assistant Director
Nate Meyer Second Unit Director
Stephen W. Moore First Assistant Director
Aaron J. Stone Second Assistant Director
Max Sturgeon Second Assistant Director
Peter Johnson Assistant Art Director
Virgina Sanchez Lopez Set Decoration Buyer
Jason Vigdor Assistant Art Director
Caitlin Elmes Set Decoration Buyer
Katie Boaen Set Decoration Buyer
Haley Benner Set Dresser
Timothy Alverson Editor
Karl de Serres Foley Artist
Christof Gebert Production Sound Mixer
Ted Teske Sound Re-Recording Mixer
Marilee Yorston Foley Artist
Mary Manchin Visual Effects Coordinator
Andre Coutu Visual Effects Producer, Post Producer
Lee R. LaCaille Special Effects
Tiana Melvina Woods Stunt Double
Stephon Rodgers Stunt Double
Stephen Grum Gaffer, Camera Operator
Yasmin Ali Set Costumer
Dalia Dalili Set Costumer
Cierra Dreslinski Set Costumer
Victor M. Giarrusso Set Costumer
Kirsten Hawkins Costume Supervisor
Candace Kualii Set Costumer
Reno Reeves Costume Supervisor
Ally Conover Casting
Sarah Domeier Lindo Casting
Daniel Carrasco Concept Artist
Tania Estevez Key Makeup Artist
Jill Fogel Special Effects Makeup Artist
Rocco Gaglioti Jr. Makeup Artist
Greg McDougall Special Effects Makeup Artist
Delaney McIntyre Assistant Makeup Artist
Shannon Rae Mulligan Key Makeup Artist
Ken Niederbaumer Special Effects Key Makeup Artist, Special Effects Makeup Artist
Mike J. Regan Makeup Effects
Somica Spratley Key Makeup Artist
William Thornton Makeup Effects
Daniele Tirinnanzi Sculptor
Hailey Trifiro Special Effects Makeup Artist
Gary J. Tunnicliffe Makeup Effects
Billy Bonifield Production Supervisor
Brian S. Johnston Production Supervisor
Mark David Katchur Production Manager
Natalie Ballard Additional Second Assistant Director
Alex Beaver Second Second Assistant Director
Bennett Gammon First Assistant Director
Hugo Garza Additional Second Assistant Director
Teddy Gibbons Second Second Assistant Director
Spencer Jarvis First Assistant Director
Gabriela Latorre First Assistant Director
Amalia Ramírez Atiles Additional Second Assistant Director
Kaya Ozan Sorak Additional Second Assistant Director
Brody Docar On Set Dresser
Warren Drummond Storyboard Artist
Gabriela C. Ferreira Set Decoration
Alejandro Pérez Félix Leadman
Peter Johnson Assistant Art Director
Pike Kanjanampa Art Department Coordinator
Tyrone Lee Props
Virginia Sanchez Lopez Set Decoration Buyer
Cindy Mah Assistant Property Master, Property Master
Eli Meyer Art Department Assistant
Montana Mooney Art Department Assistant
Grant Ogden Props
Héctor Ramos Assistant Property Master
Mike Scherschel Property Master
Dre Smith Construction Buyer
Milechka Sterlin Set Designer
Sam Stover Leadman
Caitlin Wells Assistant Property Master
Melissa Wooten Assistant Property Master
Rich Bologna Supervising Sound Editor
Rick Chefalas Dialogue Editor
Eddy Custodio Boom Operator
Igor Nikolic Foley Supervisor
James Peterson Sound Mixer, Additional Photography
Richard Marty Simpson Boom Operator
Emil De La Paz Special Effects Technician
Nicole Dillard Special Effects Technician
Heath Hood Special Effects Coordinator, Special Effects Supervisor
Sean Krumbholz Special Effects Technician
Fernando E. Medina Special Effects Technician
Eury Rodriguez Special Effects Technician
Rachel Ambelang Visual Effects Editor
Christopher Cheng Compositor
Angel Escobedo Visual Effects Coordinator
Phylicia Feldman Compositor
Bryan Haines Digital Compositor
lain He Digital Compositor
Miranda Leighr Compositor
Victor Lin Compositor
Stewart Cantrell Second Unit Director of Photography
David Gordon Green Screenplay, Director, Story
Colton Maddigan Foley Recordist
Jon Romano Head of Production
Teddy Blanks Title Designer
Brittany Fottrell Post Production Coordinator
Jaden Waldman Sound Assistant
Brandon Tonner-Connolly Production Design
Scott Teems Story
Jessica Merideth Stunt Double
Christopher H. Warner Unit Production Manager
Nadia Lorencz Stunt Double
Noelle Jean-Baptiste Set Decoration Buyer
Haley Pigman Creative Producer
Cynthia Francillon Executive Producer's Assistant
Name Title
Jason Blum Producer
James G. Robinson Producer
Stephanie Allain Executive Producer
Danny McBride Executive Producer
Ryan Turek Executive Producer
David Robinson Producer
Jennifer Scudder Trent Co-Producer
Atilla Salih Yücer Executive Producer
Julian Lawitschka Associate Producer
Nate Meyer Associate Producer
David Gordon Green Executive Producer
Christopher H. Warner Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 95 134 70
2024 5 107 146 74
2024 6 85 127 68
2024 7 87 128 65
2024 8 66 88 52
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2024 12 52 69 44
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2025 3 15 56 3
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Reviews

GenerationofSwine
1.0

Well, they made The Exorcist woke... and oddly Anti-Catholic... and it flopped. Seriously, The Pope's Exorcist was better and EVERYONE knew that was going to flop. I'm going to tell you right now that you should go back and watch the prequel movies because they were better... BOTH of them. Yo ... u have two little girls, a strong anti-Catholic message, a strong anti-patriarchy message, you know... the usual Hollywood meh messaging (except the Anti-Catholic part, that is a dead horse that hasn't been beaten nearly as much) and, most importantly, the same sequel/reboot/franchise killer that seems to go out of it's way to insult all the fans of the original film... ... and everyone that helped make it. Which, honestly, is also a dead horse that's been beaten too much these days. In fact, insulting the original is sort of a trope these days. People that actually like Terminator: Dark Fate are going to rave about this one... but everyone else is going to roll their eyes because at the end of the day, it has the exact same boring message as everything else. And like everything else with that message, everything else from bookend to bookend takes a backseat to it. Bad dialogue peppered with political lectures. Bad acting (but let's be honest, they had nothing to work with) and in the end even the demon lacked the sardonic and vulgar wit of the first one. But, hey, if you liked Dark Fate and thought The Rise of Skywalker was better than Empire, this movie is for you. But everyone else has seen it before and is tired of it.

Oct 13, 2023
Geronimo1967
5.0

"Angela" (Lidya Jewett) and her school mate "Katherine" (Olivia O'Neill) go for a walk in the woods one day. They don't come home - and panic amongst the parents ensues. Luckily, the girls turn up in a cow-barn a few miles away but have no recollection of just what they had been doing for the three ... days they had been missing. Anyway, dad "Victor" (Leslie Odom Jr.) soon starts to notice some odd behaviour from his previously reasonable daughter and before we know it, she - and her friend - are showing worrying signs of a possession that resonates all too readily with events some fifty years earlier and that finds him seeking the help of "Chris MacNeil" (Ellen Burstyn) before the girls are Satanic toast. It's ten minutes shy of two hours long this, and that's about ninety minutes too long. The vast majority of this film is taken up by pointless preamble, family establishment scenarios and unfortunately the acting and writing are really lacklustre too. Burstyn only makes sparing appearances and Odom Jr. ought to just stick to singing. The last ten minutes is slightly better than standard Blumhouse fayre that concludes this completely unnecessary sequel with, admittedly, a couple of not so predicable twists, but still - with very little to make the preceding drudge worth watching. This is a poor relation to the original and should have gone straight to a streamer.

Oct 19, 2023
hamfaceman
4.0

I've seen better ...

Feb 29, 2024
Ditendra
3.0

Woke crap ...

Mar 08, 2025