Popularity: 8 (history)
Director: | Neill Blomkamp |
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Writer: | Jason Hall, Zach Baylin |
Staring: |
The ultimate wish-fulfillment tale of a teenage Gran Turismo player whose gaming skills won him a series of Nissan competitions to become an actual professional racecar driver. | |
Release Date: | Aug 09, 2023 |
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Director: | Neill Blomkamp |
Writer: | Jason Hall, Zach Baylin |
Genres: | Adventure, Action, Drama |
Keywords | sports, based on true story, racing, based on video game, duringcreditsstinger, inspirational, vibrant |
Production Companies | Columbia Pictures, 2.0 Entertainment, PlayStation Productions |
Box Office |
Revenue: $121,700,000
Budget: $60,000,000 |
Updates |
Updated: Aug 02, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Archie Madekwe | Jann Mardenborough |
David Harbour | Jack Salter |
Orlando Bloom | Danny Moore |
Djimon Hounsou | Steve Mardenborough |
Darren Barnet | Matty Davis |
Maeve Courtier-Lilley | Audrey |
Geri Halliwell | Lesley Mardenborough |
Daniel Puig | Coby Mardenborough |
Josha Stradowski | Nicholas Capa |
Thomas Kretschmann | Patrice Capa |
Emelia Hartford | Leah Vega |
Pepe Barroso | Antonio Cruz |
Sang Heon Lee | Joo-Hwan Lee |
Maximilian Mundt | Klaus Hoffman |
Mariano González | Henry Evas |
Lindsay Pattison | Chloe McCormick |
Théo Christine | Marcel Durand |
Nikhil Parmar | Persol |
Richard Cambridge | Felix |
Takehiro Hira | Kazunori Yamauchi |
Niall McShea | Fredrick Schulin |
Akie Kotabe | Akira Akiba |
Sadao Ueda | Skeptical Nissan Board Member |
Wai Wong | Senior Nissan Executive |
Jamie Kenna | Jack Man Jones |
Royce Cronin | Capa Team Leader |
Harki Bhambra | Avi Bhatt |
Joanne Heywood | Clothing Customer |
Cavan Jones | Kid Playing at Gamer Cafe |
Lloyd Meredith | Percy |
Hannah Hornsby | Audrey's Friend |
Bence Bauer | Bonfire Guy |
Ciaran Joyce | Ciaran Cochrane |
John Carter | James Wallace |
Niki Faulkner | Instructor |
Rina Saito | Kaz's Translator |
Peter Lundie | Race Coordinator GT Academy |
Andrea Vasiliou | Dubai Racing Fan |
Yoojin Lee | Dubai Racing Fan |
Matthew Hirsch | Race Marshall (Le Mans) |
Jacques Jouffret | Race Official (Le Mans) |
Eszter Zavaros | Female Chef |
Daijiro Yoshihara | Nissan Corporate Driver (Japan) |
Maya Murofushi | Nissan Desk Clerk |
Bianca Bardoe | Germany Reporter |
Selin Cuhadaroglu | Sarah Eaton |
Hadia Tarek Mohamed Elsayed Sadek Ghaleb | Dubai Reporter |
Kal Sabir | Dubai Reporter |
Ayano Yamamoto | Nissan Executive Translator |
Will Buxton | Race Commentator |
Atsushi Kuwayama | Polyphony Employee, Japan |
Kazunori Yamauchi | Sushi Chef (uncredited) |
Name | Job |
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Justin O'Neal Miller | Supervising Art Director |
Martin Whist | Production Design |
Jann Mardenborough | Stunt Driver |
Ricky Aguirre | Art Direction |
Petra Balogh | Art Direction |
Andrew Del Rosario | Art Direction |
Jenne Lee | Art Direction |
Hauke Richter | Art Direction |
Carol Uraneck | Art Direction |
Lauree Martell | Set Decoration |
Adam Polgar | Set Decoration |
Terry Anderson | Costume Design |
Kinga Felhalmi | Makeup Artist |
Laura Papp | Makeup Artist |
Tracey Wells | Makeup & Hair |
Celal Girisken | Hairstylist |
Noemi Varro | Hairstylist |
Marcell Bajor | Assistant Director |
James Bitonti | First Assistant Director |
Martin Krauka | First Assistant Director |
Andrew Birdzell | Set Designer |
Tiana Calvert | Assistant Art Director |
Andreea Caplescu | Assistant Art Director |
Jeremiah Castleman | Assistant Art Director |
Franciska Hutter | Set Designer |
Katsuya Imai | Set Designer |
Ian Jones | Set Designer |
Kitty Komjáti | Set Decoration Buyer |
Helga Petro | Set Designer |
Serban Rotariu | Assistant Art Director |
Janka Répás | Set Designer |
Emma Sparer | Set Designer |
Tamás Csaba | Production Sound Mixer |
James Evans | Sound Designer |
Sam Fan | Sound Effects Editor |
Mike Horton | Foley Artist |
Kevin O'Connell | Sound Re-Recording Mixer |
Chris Terhune | Sound Effects Editor |
Gábor Kiszelly | Special Effects Supervisor |
Manraj Bhari | Visual Effects Coordinator |
Bianca Boujemaa | VFX Artist |
Kerekes Fanni | Visual Effects Coordinator |
Georgios Karathanasis | VFX Artist |
Caoimhe Maguire | Visual Effects Producer |
Viktor Müller | Visual Effects Supervisor |
Hristina Patkova | VFX Artist |
Greta Ruljevaite | Visual Effects Producer |
Samantha Slaughter | Visual Effects Coordinator |
Matthias Villemont | VFX Artist |
Arthur Windus | Visual Effects Producer |
Mauro Calo | Stunts |
Gordon Garancsy | Grip |
György Füzi | Camera Operator |
Onofrio Nino Pansini | Camera Operator |
Mark Droter | Casting Associate |
Rose Powell | Casting Associate |
Holly Rodman | Casting Associate |
Austyn Daines | Editor |
György Kökényesi | Stunt Driver |
Balázs Lengyel | Stunt Double |
Robert Nagle | Stunt Driver |
Béla Orsányi | Stunts |
Mitch Peters | Stunt Double |
Niki Faulkner | Stunt Driver |
Bence Bauer | Stunt Driver |
Kinga Kosá-Gavalda | Stunts |
Craig Dolby | Stunt Driver |
Crystal Hooks | Stunt Driver |
Alex Kingi | Stunts |
Martin Ivanov | Stunt Driver |
Géza Kovács | Stunts |
Neill Blomkamp | Director |
Jacques Jouffret | Director of Photography |
Jason Hall | Screenplay |
Tiiu-Ann Pello | Art Direction |
Andy Gill | Stunt Coordinator |
Raylin Sabo | Casting |
Dan Mansfield | Second Assistant Director |
Beau Borders | Sound Re-Recording Mixer |
Matt Cavanaugh | Sound Effects Editor |
Christine Zivic | Visual Effects Coordinator |
Zach Baylin | Screenplay |
Steve Kelso | Stunt Coordinator |
Domonkos Párdányi | Stunt Coordinator |
Joshwa Walton | VFX Artist |
Melanie Tolbert | Stunt Driver |
Stephan Verdier | Stunt Driver |
Jack Gill | Stunt Driver |
Lorne Balfe | Original Music Composer |
Colby Parker, Jr. | Editor |
Mary Vernieu | Casting |
Kharmel Cochrane | Casting |
Jimmy N. Roberts | Stunt Driver |
Andrew Kawczynski | Original Music Composer |
Josephine Allegretti | Visual Effects |
Tamás Hagyó | Stunt Driver |
Júlia Juhásová | Visual Effects |
Jo Halpin | Casting Coordinator |
Simon Höbert | Location Assistant |
Name | Title |
---|---|
Doug Belgrad | Producer |
Matthew Hirsch | Executive Producer |
Asad Qizilbash | Producer |
Dana Brunetti | Producer |
Jason Hall | Executive Producer |
Kazunori Yamauchi | Executive Producer |
Hermen Hulst | Executive Producer |
Carter Swan | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 130 | 187 | 97 |
2024 | 5 | 124 | 212 | 97 |
2024 | 6 | 132 | 224 | 100 |
2024 | 7 | 114 | 179 | 84 |
2024 | 8 | 110 | 185 | 76 |
2024 | 9 | 96 | 137 | 71 |
2024 | 10 | 97 | 199 | 67 |
2024 | 11 | 108 | 168 | 72 |
2024 | 12 | 87 | 153 | 65 |
2025 | 1 | 90 | 138 | 66 |
2025 | 2 | 62 | 95 | 13 |
2025 | 3 | 19 | 87 | 3 |
2025 | 4 | 13 | 16 | 10 |
2025 | 5 | 13 | 14 | 10 |
2025 | 6 | 14 | 22 | 11 |
2025 | 7 | 13 | 18 | 9 |
2025 | 8 | 9 | 13 | 6 |
2025 | 9 | 10 | 14 | 7 |
2025 | 10 | 12 | 13 | 8 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 352 | 689 |
Year | Month | High | Avg |
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2025 | 9 | 305 | 732 |
Year | Month | High | Avg |
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2025 | 8 | 242 | 679 |
Year | Month | High | Avg |
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2025 | 7 | 191 | 657 |
Year | Month | High | Avg |
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2025 | 6 | 111 | 607 |
Year | Month | High | Avg |
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2025 | 5 | 379 | 737 |
Year | Month | High | Avg |
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2025 | 4 | 341 | 702 |
Year | Month | High | Avg |
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2025 | 3 | 241 | 657 |
Year | Month | High | Avg |
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2025 | 2 | 236 | 611 |
Year | Month | High | Avg |
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2025 | 1 | 113 | 691 |
Year | Month | High | Avg |
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2024 | 12 | 304 | 762 |
Year | Month | High | Avg |
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2024 | 11 | 305 | 643 |
Year | Month | High | Avg |
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2024 | 10 | 221 | 623 |
Year | Month | High | Avg |
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2024 | 9 | 533 | 821 |
Year | Month | High | Avg |
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2024 | 8 | 553 | 782 |
Movie is really good, but there is one obvious flaw and one important condition: Flaw: you'll have to endure every scene about Jann's relationships. With the parents it's just very predictable — just try to imagine, they didn't believe in him and persuaded to drop his dreams and find proper job. ... Of course, you know what will happen in the end. Okay, relationships with parents are always important, but WHY DID THEY ADD SCENES WITH THE GIRLFRIEND? Thanks for showing Tokyo during their weekend there, but I still can't understand the reason to add her in the first place — they didn't have conflicts, interesting dialogues or even support, really. I'm sure creators could invest time to more interesting and important topics. But anyway, this flaw disappears in the shadow of other, actually important stuff. Racing. So yeah, let's return to the condition: you have to love it when cars go BRRRRR. The main reason behind this movie is to sell you GT7 for your PS5, and believe me, after leaving the cinema, you'll at least check if there are any discounts for the game right now (yes, there are). Sound, shooting angles, tension during races — everything works perfectly and beyond! Just when you become bored, you'll be in for a surprise. When you want a new angle, you'll get it. When you forget who the sponsor of the movie is, you'll see graphics from the video game. So, just believe me, if you love races, you have to go to the movie right now. Just select cinema with quality sound, please :) And as a bonus, you'll get David Harbour, who's stealing absolutely every scene. Love him!
FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-neill-blomkamps-gran-turismo-is-such-an-enjoyable-surprise/ "Gran Turismo is one of the most exciting surprises of the year! Being completely unaware of the inspirational true story on which the movie is based made it even more f ... ascinating, engaging, and wildly exhilarating. Lorne Balfe and Andrew Kawczynski's score contains countless tracks loaded with extremely high levels of adrenaline that transform all racing sequences into moments of pure entertainment. Exceptional performance by David Harbour, who commits himself to his role in such a way that, if the awards season started now and there was no clear dependence on marketing campaigns, the actor would be one of the frontrunners. I strongly recommend not researching anything about the real story *before* the film, even if just to avoid dealing with the predictable, formulaic structure of this type of movie." Rating: B+
Archie Madekwe is quite good here as the gamer Jann Mardenborough who entered a competition devised by Nissan marketing man Danny Moore (Orlando Bloom) to raise the profile of their sports cars in a league usually dominated by the likes of Porsche and Ferrari etc. There's a great degree of cynicism ... from the high-pressure, high-octane, industry that these glorified couch potatoes could ever make the grade, but with the help of slightly jaded but experienced coach Jack Salter (David Harbour) they decide to push these youngsters to their limits. What now ensues is based on fact, so we have little jeopardy to the ultimate denouement. That said, though, Neill Blomkamp manages to build the momentum well with some excellent action photography to get the adrenalin pumping. Neither Bloom nor Harbour are really here nor there, but the young Madekwe does manage to exude some of the grit and determination of his ambitious, fiercely competitive, and dedicated persona and it's been quite a while since I heard the dulcets of Enya emanate from a big screen. It does take a little while to get out of neutral - maybe just a bit too much familial scene setting to justify the fees of Geri Horner and Djimon Hounsou but once we escape that, the thing picks up entreatingly and is quite a thrill a times to watch. Definitely better on a big screen.
**Wrong in so many levels.** Big fan of the game since PS1 till that day. Trailer gave me no thrills so i was expecting nothing but no! Way worse than trailer. Guys ! Even GT (is a half-sim) has some reality way more than this. For starters Whats with the Hungaroring? Silverstone Academy is rever ... se Hungaroring, Le Mans (La Sarthe) is regular Hungaroring.... In racing there is no wiggly helmets; cars don't explodes, engines do, there are no spotters except ovals!; track races have qualies, you don't start in the middle of nowhere; you dont pass your opponent with down shifts and sudden throttle; GT3 cars are fast as any car on straights; Le Mans 24H doesn't finish at the last lap; it finishes at the end of 24 hours + 1 lap; Nurburgring is 20.83 km and if you crash in the middle of it nobody waves yellow flags in start-finish straight. I could have add more but i am already bored. Good soundtrack, good cinematography, well blended CGI but no soul and no technical aspect. I don't even know how Yamauchi San gave his blessing to this as himself a real deal racing driver. Lastly this film is the second DRIVEN disaster IMO.(4/10)