Popularity: 7 (history)
Director: | David Gordon Green |
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Writer: | Jeff Fradley, Danny McBride, David Gordon Green |
Staring: |
Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. | |
Release Date: | Oct 18, 2018 |
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Director: | David Gordon Green |
Writer: | Jeff Fradley, Danny McBride, David Gordon Green |
Genres: | Drama, Horror, Crime, Thriller |
Keywords | post-traumatic stress disorder (ptsd), illinois, trauma, halloween, knife, sequel, murder, boogeyman, serial killer, slasher, murderer, aggressive, escaped killer, holiday horror |
Production Companies | Miramax, Universal Pictures, Blumhouse Productions, Trancas International Films, Rough House Pictures |
Box Office |
Revenue: $259,939,869
Budget: $10,000,000 |
Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Jamie Lee Curtis | Laurie Strode |
Judy Greer | Karen |
Andi Matichak | Allyson |
James Jude Courtney | The Shape |
Nick Castle | The Shape |
Haluk Bilginer | Dr. Sartain |
Will Patton | Officer Hawkins |
Rhian Rees | Dana Haines |
Jefferson Hall | Aaron Korey |
Toby Huss | Ray |
Virginia Gardner | Vicky |
Dylan Arnold | Cameron Elam |
Miles Robbins | Dave |
Drew Scheid | Oscar |
Jibrail Nantambu | Julian |
Michael Harrity | Warden Kuneman |
William Matthew Anderson | Guard Haskell |
Diva Tyler | Caretaker |
Brien Gregorie | Father |
Vince Mattis | Lumpy |
Omar J. Dorsey | Sheriff Barker |
Pedro Lopez | Lynch |
Charlie Benton | Officer Richards |
Christopher Allen Nelson | Officer Francis |
Teresa Ann Johnson | Onlooker |
Jonathan Bruce | News Reporter |
Charlie Donadio | Corey |
Stephanie Butts | Shameel |
Davol Garrett | Stanford |
Michael Smallwood | Hunky Doctor |
Carmela McNeal | Sexy Nurse |
Miguel Macario Mata | Cowboy Kid |
Kurt Deimer | Teller |
Chris Holloway | Officer #1 |
Roger Antonio | Officer #2 |
Jacob M. Arnold | Pirate Kid |
Sophia Miller | Young Karen |
Colin Mahan | Loomis (voice) |
P. J. Soles | Teacher (voice) |
Angela Anderson | Nurse (uncredited) |
Marian Green | Gina Panchella / Sandwich Woman (uncredited) |
W.F. Bell | Community Center Member (uncredited) |
Willie Tyrone Ferguson | Police Officer / CSI (uncredited) |
Johnny Price | Criminally Insane Patient (uncredited) |
Aaron Christian Paderewski | Mechanic (uncredited) |
Omar Azimi | Mental Patient (uncredited) |
Rob Niter | Deputy Sheriff Walker (uncredited) |
Anthony Woodle | Onlooker (uncredited) |
Ross Bacon | Lance Tivoli (uncredited) |
Derrick Lemmon | Deputy (uncredited) |
Name | Job |
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Stephanie A. Ford | Makeup Artist |
Heath Hood | Special Effects |
Melissa Houle | Costume Supervisor |
Olga Hamlet | Post-Production Manager |
Sheena Knight | Art Department Coordinator |
Warren Drummond | Storyboard Designer |
Emily Gunshor | Costume Design |
Rawn Hutchinson | Stunt Coordinator |
Chris Nielsen | Stunts |
Ryan Baker | Utility Sound |
Faith Abraham | Casting Assistant |
Ally Conover | Casting Associate |
Alissa Digiandomenico | Set Dresser |
Kallen Gardner | Set Dresser |
Krystina Figg | Grip |
Michael Horton | Electrician |
Conrad Mizzell | Lighting Technician |
Daniel Davies | Original Music Composer |
Cody Carpenter | Original Music Composer |
Kyle Perritt | Lighting Technician |
Harley White | Lighting Technician |
Jeff Fradley | Writer |
Michael Simmonds | Director of Photography |
Sarah Domeier Lindo | Casting |
Fabiana Arrastia | ADR Voice Casting |
Tona B. Dahlquist | Extras Casting |
T. Ryan Hill | Extras Casting Assistant |
Karmen Leech | Local Casting |
Paul Daley | Camera Operator |
Stewart Cantrell | Camera Operator |
Andy Bader | Digital Imaging Technician |
Chrys Blackstone | Electrician |
Max Gordon | Electrician |
Dylan Trivette | Epk Camera Operator |
Matthew Mebane | First Assistant Camera |
Justin Simpson | First Assistant Camera |
Robert Sciretta | Gaffer |
Rocky Amon | Grip |
Mike Byrd | Grip |
Jimmy DiGiandomenico | Grip |
Lee Donaldson | Key Grip |
Andrew Kyle Morrison | Lighting Technician |
Ben Davidson | Rigging Gaffer |
Adrienne Brown | Rigging Grip |
Ryan Green | Still Photographer |
David Bach | ADR Supervisor |
Steve Baine | Foley Artist |
Ryan Cole | Dialogue Editor |
Jeremy B. Davis | Sound Re-Recording Mixer |
Will Files | Supervising Sound Editor |
Judah Getz | ADR Mixer |
Lee Gilmore | Sound Effects Editor |
Oleg Kulchytskyi | Sound Re-Recording Mixer |
Howard London | ADR Mixer |
Chris Terhune | Sound Designer |
Tom Poole | Senior Colorist |
Simon Maddison | Visual Effects Supervisor |
Jane Reynolds | Visual Effects Producer |
Deidre Outlaw | Makeup Artist |
Marcus Koch | VFX Artist |
John Williams | Local Casting |
Richard A. Wright | Production Design |
Sean White | Art Direction |
Missy Berent Ricker | Set Decoration |
Ramsay Williams | Set Costumer |
Sarah Dano | Costume Supervisor |
Dalia Dalili | Set Costumer |
Toni Cunningham | Set Costumer |
Ricky Aguirre | Set Designer |
Daniel Deas | Set Dresser |
Anne Goelz | Set Designer |
Carson Gloster | Set Dresser |
Jake Kuykendall | Assistant Art Director |
Clayton Tilley | Set Dresser |
Philip Toolin | Set Designer |
Melissa Wooten | Set Dresser |
Aaron Khristeus | In Memory Of |
Atilla Salih Yücer | First Assistant Director |
Kamen Velkovsky | Second Assistant Director |
Max Sturgeon | Second Second Assistant Director |
Drew Sacks | First Assistant Editor |
John Diesso | Online Editor |
Timothy Alverson | Editor |
Danny McBride | Screenplay |
Debra Hill | Characters |
Christopher Allen Nelson | Makeup Department Head |
Vincent Van Dyke | Makeup Designer |
Corrina Roshea Bobb | Stunts |
Lydia Hand | Stunt Double |
Cal Johnson | Stunt Double |
Adam Lytle | Stunt Double |
Dale Miller | Stunts |
Marian Sing | Stunts |
Terri Taylor | Casting |
Mark DeSimone | ADR Mixer |
Moustapha Akkad | In Memory Of |
Marian Green | Stunts |
Ashley Rae Trisler | Stunt Double |
Abigail Hard | Stunts |
David Gordon Green | Director, Screenplay |
John Carpenter | Original Music Composer, Characters |
Rick Osako | Line Producer |
Susan Boyajian | ADR Voice Casting |
P.K. Hooker | Supervising Sound Editor, Sound Designer |
Name | Title |
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Bill Block | Producer |
Jason Blum | Producer |
Malek Akkad | Producer |
David Thwaites | Executive Producer |
Danny McBride | Executive Producer |
Zanne Devine | Executive Producer |
Ryan Freimann | Executive Producer |
Ryan Turek | Co-Producer |
John Carpenter | Executive Producer |
David Gordon Green | Executive Producer |
Jamie Lee Curtis | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 141 | 332 | 71 |
2024 | 5 | 344 | 450 | 286 |
2024 | 6 | 212 | 373 | 104 |
2024 | 7 | 78 | 153 | 37 |
2024 | 8 | 45 | 69 | 29 |
2024 | 9 | 39 | 49 | 29 |
2024 | 10 | 82 | 142 | 44 |
2024 | 11 | 63 | 147 | 35 |
2024 | 12 | 38 | 56 | 28 |
2025 | 1 | 38 | 66 | 23 |
2025 | 2 | 28 | 49 | 4 |
2025 | 3 | 10 | 30 | 3 |
2025 | 4 | 7 | 12 | 4 |
2025 | 5 | 5 | 12 | 3 |
2025 | 6 | 5 | 7 | 4 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 5 | 8 | 3 |
2025 | 9 | 5 | 8 | 4 |
2025 | 10 | 5 | 7 | 5 |
Trending Position
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2025 | 10 | 158 | 264 |
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2025 | 9 | 238 | 674 |
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2025 | 6 | 101 | 613 |
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2025 | 5 | 368 | 739 |
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2024 | 12 | 193 | 713 |
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2024 | 11 | 15 | 588 |
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2024 | 10 | 88 | 300 |
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2024 | 9 | 356 | 594 |
Year | Month | High | Avg |
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2024 | 8 | 348 | 689 |
A semi-welcome return. Not the greatest horror film to hit theater screens this year but certainly not the worst. It unfortunately lacks the finality that the original had but still proves to be an effective entry in a franchise known for its inconsistency in quality. I can’t call myself a fan of ... the franchise but I am a fan of the original film and this sequel transfers the formula made famous by said film pretty well to a Generation Z audience. There are plenty of callbacks to the first entry (one of the victims even being a babysitter) and they all work incredibly well. There unfortunately isn’t that much tension. Most, if not all of the scares are executed brilliantly but the fights between Michael Myers and his victims are pretty disappointing. The gore is awesome; can’t really complain much about that. Subplots are handled poorly; despite already being in motion, they end pretty quickly which is a letdown. Writing is fine..good, not great. Humor is handled well though. Serviceable to fans new and old. It’s evident that Blumhouse knows how to make horror movies and that’s the big takeaway here. The new score is brilliant. One of the best I’ve heard all year, in fact. Enjoyable. Would recommend overall.
The unfortunately named _Halloween_ has been released, and in doing so has created an entirely new **fifth** timeline in the _Halloween_ franchise. It's a decent timeline this one, makes a lot of sense. Not perfect, pretty expected run of events, but yeah, good. Gonna throw myself under the bus o ... nce more by yet again mentioning my love for the Rob Zombie _Halloween_ films, but here goes anyway: Seems interesting that a decent chunk of the same people who hate those Rob Zombie movies (99% of all horror fans), love this movie, despite some scenes in the 2018 _Halloween_ seemingly being ripped straight from Mr. Zombie himself. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
So we're all totally just going to ignore Laurie had a teenage son twenty years ago? ...
"A worthy successor" 40 years after the events in ‘Halloween’ (1978) Laurie Strode faces off once again with Michael Myers. Strode has been preparing for 4 decades for an eventual showdown with Myers. Of course Michael escapes and it’s only a matter of time before the 2 meet. Strode’s doomsday ... prepper storyline is a bit far-fetched but that doesn’t make it less entertaining. Jamie Lee Curtis makes a triumphant return as Laurie Strode. It also marks the return of Nick Castle as Michael Myers. And Myers lives up to his reputation. His killings are more brutal than ever. Director David Gordon Green executes it almost perfectly. A lot of killings happen offscreen but you get to see the horror afterwards. And there’s of course the delicious tracking shot where Myers returns to Haddonfield. The camera follows him through a suburban home where he slaughters someone. The camera follows him back onto the street and into the next house to kill again. Michael’s introduction in the psych ward is also pretty memorable when all the psychos start to go… psycho. After that sequence we get the opening credits with the iconic theme. Brilliant. Credit has to go to writer Danny McBride. He respects the original, as is obvious in the countless references (Laurie standing in front of the window, Michael missing an eye) but isn’t afraid to give it a spin. Who’s hunting who? There’s also the humor he brings to the story. And it works (the babysitting scene). Of course it’s not all great. At times ‘Halloween’ falls victim to several genre tropes (girl falling when chased, questionable decisions). And although Strode’s been preparing for 40 years she doesn’t do a top notch job. The biggest letdown was the character of Dr. Sartain (Haluk Bilginer). He’s a poor man’s Dr. Loomis whose role is too expanded. All in all David Gordon Green and Danny McBride finally make up for 40 years of mediocrity and less (Halloween: Resurrection says boo). Although the 2018 version will not achieve the same cult status as the original it’s a solid entry in a disappointing franchise.
"Halloween" basically ignores all but the first movie. Think of the way that various Godzilla reboots worked. It's an interesting approach and does wipe out the atrocious "Halloween: Resurrection" from continuity, at the very least. I really wanted to like this movie a lot more, being a big fan o ... f John Carpenter's original, but I can only say it's okay or fair. It starts out pretty strong, with an unsettling opening scene and elements like the title sequence being a direct homage to the original film ("Halloween III" playing on a TV is great call back to the first "Halloween" playing on a TV in "Halloween III") but some questionable choices get made and it seems to lose its way as the movie progresses. The characterizations of several characters are inconsistent, switching back and forth between badass and panicky. The lead teenage character who we think the torch is going to be passed to just doesn't cut it. And the end is quicker than I would have expected, feeling a little unsatisfying and reminiscent of "H20". See it if you're a fan of the series. Other may be left feeling a little letdown.
The best sequel/reboot of the Halloween series. John Carpenter returns as executive producer and sound director leaving the directing to David Gordon Green of "Pineapple Express" and "Joe." The movie does a great job of connecting to and playing homage to the original (there are many easter egg ... s to find) while injecting an original story around the distraught Laurie Strode (Jamie Lee Curtis). Unfortunately, an unbelievable plot twist late distracts from the stronger main plot line. If you can forgive that one sin, you'll enjoy the Halloween reboot tremendously.
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/guess-whos-back-backnbspagain-halloween-2018nbspreview<a> It’s hard to justify the return of Michael Myers, the looming boogeyman who made his first appearance in 1978’s _Halloween_. In 2018, after ten _Halloween_ m ... ovies in that forty-year span (some outright sequels, others attempted reboots), Laurie Strode (Jamie Lee Curtis) is back for _Halloween_. One would think those forty years would have given the town of Haddonfield a sense of clarity or compassion toward Laurie’s enduring trauma, but that’s not the case.
Uh... No. What was this? So damn boring I fell asleep. ...
We have yet another movie where it is getting high praise for reasons of politics...and possibly because Jamie Lee Curtis is back...but mainly for politics. But it was really nice seeing Jamie Lee Curtis back, and nice in the "it doesn't really feel like a Halloween movie without her in it" kind ... of way. Unfortunately that isn't enough to save the film, nor is the added over-the-top blood and gore that didn't really need a place in the first two movies. But...the blood and gore seemed to replace real scares (though there were a couple) as if to say, yeah, they understand that they aren't making this horror movie frightening, so they might as well make it bloodier and hope that it's a decent trade off for actual scares. The main issue, however, is that it is spread thin. It's like it was written in committee where everyone that there little plot be added to the film despite how difficult that would make actual story telling. The results are so many tiny little subplots that you end up not even caring about the main plot as they try to cram them all into the same hole. You end up just not caring at all about any of it. And then the characters shoved into the movie to accommodate the extra plot lines are just as thin and under-developed that it's really hard to care about what happens to them as well. In the end there is so much going on that it never really focuses enough on anything to keep the audience emotionally invested and really you end up only caring about Jamie because she won you over in the first two good films and that kind of holds you just enough to actually finish a film. If she weren't cast in it, even her character would be hard to relate to in any way. It makes you want to take the director by the collar and yell "focus!" with the hopes that it would drop all the unnecessary story lines and just deal with what matters. But, you know, there are the political signaling, and for a lot of people that matters more than story telling. For everyone else, there is about 15 minutes, maybe, of actual focused plot and the rest is all tangential.
2018's <em>'Halloween'</em> is... good! It is hard to keep up with all the continuity (or the lack thereof) of this franchise at this point, though this apparently a direct sequel to the 1978 original as it practically nullifies every other sequel that preceded it. Not a big fan of that, I never ... am (I much prefer the <em>'Fast & Furious'</em> method of utilising every entry of the series, no matter how well receieved), but I guess in this messy franchise it made sense to do so. Michael Myers still doesn't set the world alight for me as an antagonist, he is perfectly serviceable and does the job but personally I like my villains to have more about them. As in Myers doesn't have any great lines, any varying expressions, a dull look and a repetitive MO... he just doesn't do anything for me. In terms of onscreen performances away from that guy, Jamie Lee Curtis is a cut above any of her co-stars here. I wouldn't say she is at her best in comparison with her prior showings in the series, though I'd still put this one near the top in that particular regard. Elsewhere, Haluk Bilginer is decent.