Popularity: 12 (history)
| Director: | Rob Zombie |
|---|---|
| Writer: | Rob Zombie |
| Staring: |
| The early years of young Michael Myers and the events leading up to his fateful Halloween night murder rampage in the quiet town of Haddonfield, Illinois. | |
| Release Date: | Aug 31, 2007 |
|---|---|
| Director: | Rob Zombie |
| Writer: | Rob Zombie |
| Genres: | Horror |
| Keywords | mask, babysitter, halloween, sadism, psychopath, escape, cowardliness, cruelty, maniac, reboot, duringcreditsstinger, disturbed child, holiday horror |
| Production Companies | Dimension Films, Spectacle Entertainment Group, Trancas International Films, Nightfall Productions |
| Box Office |
Revenue: $80,460,948
Budget: $15,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tyler Mane | Michael Myers |
| Malcolm McDowell | Dr. Samuel Loomis |
| Sheri Moon Zombie | Deborah Myers |
| William Forsythe | Ronnie White |
| Scout Taylor-Compton | Laurie Strode |
| Brad Dourif | Sheriff Leigh Brackett |
| Danielle Harris | Annie Brackett |
| Hanna Hall | Judith Myers |
| Bill Moseley | Zach 'Z-Man' Garrett |
| Daeg Faerch | Michael Myers, Age 10 |
| Kristina Klebe | Lynda van der Klok |
| Danny Trejo | Ismael Cruz |
| Ken Foree | Big Joe Grizzly |
| Udo Kier | Morgan Walker |
| Sid Haig | Chester Chesterfield |
| Daryl Sabara | Wesley Rhoades |
| Daniel Roebuck | Lou Martini |
| Richard Lynch | Principal Chambers |
| Clint Howard | Doctor Koplenson |
| Lew Temple | Noel Kluggs |
| Tom Towles | Larry Redgrave |
| Leslie Easterbrook | Patty Frost |
| Steve Boyles | Stan Payne |
| Skyler Gisondo | Tommy Doyle |
| Jenny Gregg Stewart | Lindsey Wallace |
| Adam Weisman | Steve Haley |
| Sydnie Pitzer | Baby Boo |
| Myla Pitzer | Baby Boo |
| Stella Altman | Baby Boo |
| Dee Wallace | Cynthia Strode |
| Max Van Ville | Paul |
| Nick Mennell | Bob Simms |
| Pat Skipper | Mason Strode |
| Richmond Arquette | Deputy Charles |
| Paul Kampf | Officer Lowery |
| Sybil Danning | Nurse Wynn |
| Micky Dolenz | Derek Allen |
| Mel Fair | Taylor Madison |
| Nikki Taylor Melton | Princess |
| Deven Streeton | Princess |
| Ezra Buzzington | Graveyard Keeper (uncredited) |
| Richard Fancy | University Dean (uncredited) |
| Courtney Gains | Jack Kendall (uncredited) |
| Gary Grossman | Drunk 'Rabbit in Red' Patron (uncredited) |
| Olja Hrustic | Raped Inmate (uncredited) |
| Kazu Nagahama | College Student #3 (uncredited) |
| Name | Job |
|---|---|
| Douglas Noe | Makeup Department Head |
| Cassandra McCormick | Stunts |
| Casey Hendershot | Stunts |
| Allison Caetano | Stunts |
| Tim Sitarz | Stunts |
| James Logan | Stunt Double |
| Jeremy Platt | Production Executive |
| Jeff Evans | Stunts |
| David Daniel | Camera Operator |
| Jay Levy | First Assistant Camera |
| Michael Cruickshank | Second Assistant Camera |
| James Sprattley | First Assistant Camera |
| Josh Gundling Williamson | Second Assistant Camera |
| Stuart Campbell | Second Assistant Camera |
| Bryan Delorenzo | Camera Loader |
| Joe Patnaud | Post Production Assistant |
| Tim Williams | Orchestrator, Conductor |
| Robin Urdang | Music Consultant |
| Tom Rowland | Music Supervisor |
| Wolfgang Matthes | Scoring Mixer |
| Sterling Moore | Cableman |
| Greg Mitchell | Video Assist Operator |
| Tom Schurke | 24 Frame Playback |
| Steve Irwin | 24 Frame Playback |
| Aaron Schulte | Rigging Gaffer |
| Robert Murphy | Electrician |
| Daryl Didier | Electrician |
| Hector Corona | Electrician |
| Steve Rollins | Electrician |
| Kevin Wilt | Electrician |
| Cameron Lee Michael | Electrician |
| Rich Paisley | Electrician |
| Rob Novelli | Electrician |
| Matthew Kistenmacher | Electrician |
| George Canaday | Second Company Grip |
| Scott Parent | Rigging Grip |
| Kenneth E. King | Rigging Grip |
| James Brownlee | Grip |
| Ernesto Pérez | Grip |
| Ben Kilmer | Grip |
| Grant Smith | Grip |
| Damien Perez | Rigging Grip |
| Craig Hudgins | Rigging Grip |
| Matt Hawkins | Rigging Grip |
| Brian King | Rigging Grip |
| Korey Scott Pollard | Second Second Assistant Director |
| Karen E. Gilbert | Assistant Location Manager |
| Mark Richardson | Assistant Property Master |
| Nick Principe | Assistant Property Master |
| Chad Vachter | Assistant Property Master |
| Susan Cho | Set Decoration Buyer |
| Brent Williams | Set Dresser |
| Dennis DeGeorge | Set Dresser |
| Frank E. Cope | Set Dresser |
| Todd Devane | Set Dresser |
| Tom von Badinski | Special Effects |
| Barbara Chennault | Key Costumer |
| Jennifer Wolf | Costumer |
| Brian Rae | Makeup Effects |
| Chris Zega | Makeup Effects |
| Michael Deak | Makeup Effects |
| Renee Ferruggia | Key Hair Stylist |
| James F. Orendorff | Construction Foreman |
| Lou Levinson | Digital Intermediate Colorist |
| Eva Prelle | Digital Intermediate Producer |
| Richard Saperstein | Executive In Charge Of Production |
| Daniel Meursault | Electrician |
| Rob Zombie | Screenplay, Music Supervisor, Director |
| Debra Hill | Original Film Writer |
| Wayne Toth | Special Effects Makeup Artist |
| Moustapha Akkad | In Memory Of |
| Sara Holden | Stunt Driver |
| Matthew F. Leonetti | Additional Photography |
| Barbara Harris | ADR Voice Casting |
| Ashley Cusato | Stunts |
| Tammy L. Smith | Extras Casting |
| Phil Parmet | Director of Photography |
| Glenn Garland | Editor |
| Lori Mazuer | Set Decoration |
| Mary E. McLeod | Costume Design |
| T.K. Kirkpatrick | Art Direction |
| Stephanie Ziemer | Set Decoration |
| Luis García | Key Makeup Artist |
| Andrew G. La Marca | Line Producer, Unit Production Manager |
| Alexander H. Gayner | First Assistant Director |
| Emily McGovern | Second Assistant Director |
| Rawn Hutchinson | Stunt Coordinator |
| Chris Nielsen | Stunt Driver |
| Lori Crowder | Stunt Driver |
| Diane Durant | Script Supervisor |
| Dennis Virkler | Additional Editor |
| Joel T. Pashby | Associate Editor |
| Matthew Schmidt | Assistant Editor |
| Perry Robertson | Supervising Sound Editor |
| Barney Cabral | Supervising ADR Editor |
| Scott Sanders | Sound Designer |
| Rickley W. Dumm | Sound Editor |
| Richard Dwan Jr. | Sound Editor |
| Kevin Zimmerman | Assistant Sound Editor |
| Nick Neutra | Foley Supervisor |
| Michael Kreple | Foley Mixer |
| Rick Owens | Foley Artist |
| Alan Freedman | ADR Mixer |
| Patrick Cyccone Jr. | Sound Re-Recording Mixer |
| Daniel J. Leahy | Sound Re-Recording Mixer |
| Brian Magerkurth | Sound Mix Technician |
| Darrell Hall | Music Editor |
| Buck Robinson | Sound Mixer |
| Brian Robinson | Boom Operator |
| Curtis Bradford | Chief Lighting Technician |
| Timothy Hedgecock | Assistant Chief Lighting Technician |
| Vince Palomino | First Company Grip |
| Donald E. Wygal | Production Coordinator |
| Justin Haut | Assistant Production Coordinator |
| Sasha Veneziano | Assistant Production Coordinator |
| Paul Belenardo | Production Accountant |
| Justin Carville | First Assistant Accountant |
| Karen Shane | Second Assistant Accountant |
| Sophia Tapia | Payroll Accountant |
| Michael Neale | Location Manager |
| Shawn Hueston | Assistant Location Manager |
| Gene Vassilaros | Casting Associate |
| John Brunot | Property Master |
| Drew Williams | Leadman |
| Michael V. Maurice | Set Dresser |
| Mark R. Byers | Special Effects Coordinator |
| Matt Prosser | Special Effects Technician |
| Nancy McArdle | Costume Supervisor |
| Artemio Carpio | Costumer |
| Ivory Stanton | Ager/Dyer |
| Yvonne Depatis-Kupka | Hair Department Head |
| Vickie Mynes | Key Hair Stylist |
| Joel Venti | Storyboard Artist |
| Alex L. Worman | Unit Publicist |
| Marsha Blackburn | Still Photographer |
| Robert J. Carlyle | Construction Coordinator |
| Wayne Williams | Transportation Coordinator |
| Billy Ray Hass | Transportation Co-Captain |
| Michael Kehoe | Craft Service |
| Deborah L. Mazor | Stunts |
| Michelle Sebek | Stunts |
| Brandon Sebek | Stunts |
| Gokor Chivichyan | Stunts |
| Michael H. Barnett | Stunts |
| Irving E. Lewis | Stunts |
| Christy Cotton | Stunts |
| Jay Torrez | Stunts |
| Silvina Knight | Makeup Artist |
| Anton Tremblay | Production Design |
| Tyler Bates | Original Music Composer |
| Monika Mikkelsen | Casting |
| John Carpenter | Original Film Writer |
| Terry Haggar | Color Timer |
| Alex Brown | Stunt Driver |
| BJ McDonnell | Steadicam Operator, Camera Operator |
| Name | Title |
|---|---|
| Rob Zombie | Producer |
| Malek Akkad | Producer |
| Bob Weinstein | Executive Producer |
| Andy Gould | Producer |
| Matthew Stein | Executive Producer |
| Patrick Esposito | Associate Producer |
| Harvey Weinstein | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 41 | 61 | 28 |
| 2024 | 5 | 48 | 73 | 38 |
| 2024 | 6 | 42 | 56 | 23 |
| 2024 | 7 | 37 | 77 | 23 |
| 2024 | 8 | 32 | 48 | 17 |
| 2024 | 9 | 29 | 57 | 21 |
| 2024 | 10 | 72 | 143 | 36 |
| 2024 | 11 | 47 | 116 | 25 |
| 2024 | 12 | 32 | 58 | 23 |
| 2025 | 1 | 30 | 59 | 22 |
| 2025 | 2 | 23 | 34 | 4 |
| 2025 | 3 | 10 | 37 | 2 |
| 2025 | 4 | 3 | 4 | 2 |
| 2025 | 5 | 3 | 4 | 3 |
| 2025 | 6 | 3 | 4 | 3 |
| 2025 | 7 | 3 | 4 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 6 | 7 | 4 |
| 2025 | 10 | 9 | 12 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 127 | 560 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 415 | 750 |
| Year | Month | High | Avg |
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| 2025 | 8 | 319 | 731 |
| Year | Month | High | Avg |
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| 2025 | 7 | 251 | 696 |
| Year | Month | High | Avg |
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| 2025 | 6 | 418 | 745 |
| Year | Month | High | Avg |
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| 2025 | 5 | 320 | 651 |
| Year | Month | High | Avg |
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| 2025 | 4 | 585 | 789 |
| Year | Month | High | Avg |
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| 2025 | 3 | 75 | 662 |
| Year | Month | High | Avg |
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| 2025 | 2 | 292 | 648 |
| Year | Month | High | Avg |
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| 2025 | 1 | 368 | 784 |
| Year | Month | High | Avg |
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| 2024 | 12 | 534 | 829 |
| Year | Month | High | Avg |
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| 2024 | 11 | 94 | 711 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 114 | 496 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 554 | 804 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 873 | 935 |
I don't have a problem with remakes per se. Even though I am not a big fan of the original "Halloween" film directed by John Carpenter, I do acknowledge it as a film that started a horror slasher trend and served as an inspiration for many of the films that came after it. Since I am not crazy about ... the 1978 film, I thought I would be able to enjoy this remake without being too influenced by my love for the original film. After seeing this remake, I started to appreciate the original version a little bit more, since Rob Zombie turned the story and its characters into a vulgar mess. The original film mostly focuses on the life of Laurie Strode going on about her business and interacting with her friends for the most part, while we see the mysterious Michael Myers stalking her, appearing from out of nowhere, and we never really get to know why (without taking the sequels into account). In this remake, Rob Zombie attempts to explore little Michael Myers' psychology, giving our villain a soul and establishing the roots of his evilness, taking away all the mystery and darkness surrounding the character. The results are not good by any means and the only thing it proves, is that sometimes, mystery is scarier and more disturbing than having everything explained, especially if the explanation is as predictable as "he was raised in a bad environment". The audience doesn't want to be spoon fed and I think it's clear that one of the main reasons why the original villain was scary, it's because Michael Myers remained as an enigmatic character from the beginning until the end. In the original film, Myers appears to come from a seemingly normal family, but for some reason, he turns out a merciless killer anyway. While the original "Halloween" film is not my favorite, as I established before, I do give the film credit for giving us a villain that no one could ever sympathize with. This film basically tries to portrait Michael as a poor little thing who was poorly raised and eliminates any possibility of seeing him as a genuinely dark and fear-provoking character. This overexposure of Michael's early years lasts about 40 minutes, which gets tedious, it makes the villain more pitiful than frightening and in the end, they don't really manage to establish a point about his insanity all that well either. Once again, Rob Zombie casts his wife, Sheri Moon Zombie, who was great in 'House of 1000', playing a Insane, trashy girl… but why did she have to play almost the exact same character here? I don't know what's the deal with Rob Zombie having the need to show us his wife stripping and being sexy all the time, maybe it's some kind of fetish they have and it's all good... but 'Halloween' was not the right choice to show Sherri Moon dancing and showing her body again. Another thing that Rob Zombie seems to borrow from his film "House of 1000 Corpses" is the fact that the characters are swearing most of the times and while I have nothing against foul language whatsoever, but I think it sounds repetitive and silly when we hear the f-word every 5 seconds. The amount of stupid lines that could be easily compared to some of the crappiest PG-rated films that came out throughout the last years. I'm really disappointed. I didn't think I was going to hate it so much, but I do and it's a shame because I really wanted to like this film. Better luck next time, I guess. My noble advice for all fans of the original 'Halloween' movie is: Don't watch this remake if you're sensitive, because this hurts a lot. I know I felt cheated, even if I'm not a fan of Carpenter's version either.
The film’s first act is simply a huge version of the 1978 classic’s opening scene; following Michael Myers as a child through his first murder(s). Though many people found this tedious and far too drawn-out, personally I relished the opportunity to get more than a half a minute of character-developm ... ent on the antagonist. In fact, we don’t only get to see Michael growing up and being arrested, the film then goes on to show us his evolution in a mental asylum. Once again, I know that was less than appreciated by quite a number of people who saw the film, but I find the sequence fascinating every time I watch the movie. Things like the relevance of the mask and kitchen knife are explored more deeply than the original, and the brutality of the character of Michael Myers is more striking. Though this is not considered good to hardcore fans of the silent bogeyman-characteristics from the original. The protagonist of the piece is a character by the name of Laurie Strode, just as she is in the John Carpenter version, and she has two similar off-siders as the original (one of whom is portrayed by Danielle Harris of _Halloween 4_ & _5_ fame). Where the film does not advance in comparison to its predecessor is the dialogue between these three characters. They use virtually identical language to that of the 1978 film, which felt outdated and artificial even then (I can only hope that this was an intentional throwback by Mr. Zombie). The Ahab to Laurie Strode is Doctor Loomis, Michael Myers’ psychologist, acted by the consistently fantastic Malcolm McDowell. I believe it is his performance that makes me appreciate Rob Zombie’s remake so much. He steals every scene he is in with his overwhelming presence, particularly in the Zone 2 theatrical version of the film (which to my knowledge is unfortunately not available in Australia). _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
The critics are wrong…again. Well, at least as far as I am concerned. This remake is not bad at all. A lot of people are comparing it with the original which is understandable. A lot of people says that it is crap compared to the original which is not understandable. At least not by me. This is one ... of the movies where I have seen the original and it was even one of my favorites at the time. I think this remake holds up quite well. At first I was a bit worried that it was said to be a prequel. At least partly. However it is not really what I would call a prequel. It has a bit of extended background in the first quarter or so but that is not really what I would call a prequel. I think the movie was pretty much what I expected or perhaps I should say what I hoped for. It is a slasher-movie of course but it resists the temptation to go all overboard. Nowadays you do not really get scared or even shocked by these kinds of movies so I was not really expecting to be. I was just enjoying Michael’s rampage through the town. It is of course a bit scary in itself that you are watching a madman going on a killing spree through a small town and enjoying it but hey, it is all fake! One problem with the extended background at the beginning of the movie is that now there is kind of a plot-hole that is a bit annoying. When and, more importantly, how did Michael turn from a deranged kid to a supernatural killer with the strength to carry away one ton worth of tombstone and survive being stabbed as well as shot at? Apart from that I think this movie was not bad at all. Sometimes I actually felt that Michael was behaving a bit too human like when he was stumbling when crashing through walls etc. but on the whole I quite liked this movie. The style is different from the original for sure but I do not feel it is worse or better for that matter. It is a bit surprising (well maybe not, the French are bizarre when it comes to scheduling movies and TV-shows) that Cine+ did not schedule this movie for actual Halloween instead of the crap they did show. This one would have been perfect then instead of a day after.
Well it has Malcolm McDowell, and he delivers in the master of accents kind of way. But....1 star for being a reboot, out of principal, especially a reboot of a slasher film that, well, I always thought the deal with those was to keep adding and adding until you have to look up the Roman Numerals ... in Encyclopedias to make sure you're numbering them right. "Halloween MCMLXXVIII: This Time it's Easter," You know, that sort of thing. But we will add one for Malcolm McDowell just because, yeah, he delivers. So two stars: ** And then it seems like Zombies idea was to show a lot of nudity and especially a lot of naked women getting killed by a horrible male monster after committing the sin of fornication. So three stars: *** And that is because he MIGHT--with a really big stretch on that--have been trying to do a satire thing of the slasher genre with all the naked murdered women. But...he could have also been going for mainstream snuff porn. I'm honestly not sure which way to go on this one...so We are back to two stars: ** Just because it really might not have been an attempt at satire and I sort of want to be sure. And we can't add any more because well... It was already made and when it came around in 1978 it was moody and atmospheric and, well, it really looked a lot like Halloween, only a nightmare version of it. Zombie's remake feels more like a cheap version of Halloween and really, the outdoor shots that are supposed to give you the seasonal feel remind me more of Thanksgiving pick-up football games. They look and feel less like a nightmare version of Halloween than Season of the Witch's small Southern Town atmosphere. And the horror parts, really, ANY slasher movie and, by the way, since when was Halloween about T&A? I thought Friday the 13th owned that stereotype and we went to Halloween for, you know, atmosphere and scares...at least in the first 2 films. So really, I guess my point is that it has Malcolm McDowell and that is slightly redeeming. He's always fun to watch...even in his bad movies...like this one.
I'm unmoved by this <em>'Halloween'</em> remake. I guess that is of little surprise as I'm not someone who overly enjoys the 1978 original, I do like it but it is nought special to me personally. All in all, based on reading back my review of that aforementioned flick and based on my thoughts whi ... lst watching, this is a weaker film in every way. The only true positive I have is the Michael Myers theme, which is just a carry-over from the 1970s release - as ace as it is to hear it again, I would've preferred if they went without it... it kinda feels like they forced themselves to find spots to use it for the sake of using it. This production missed a Jamie Lee Curtis-esque performance, no-one stands out in that regard - Scout Taylor-Compton tries, but to no avail. I never found Michael Myers himself all that scary or uncomforting in the original and that is again the case here, even to a further degree in all honesty. Myers just feels so brute-force all the time that there is no intrigue or creepiness about him here in my opinion. Malcolm McDowell didn't do anything for me as Loomis either, though it's cool to see Brad Dourif appear. The opening 50 minutes and the closing 50 minutes felt like a bit of an abrupt switch too, admittedly I might have noticed something that doesn't exist but that's how it felt. It seemed early on like a noticeably different portrayal of <em>'Halloween'</em>, then the latter part felt more like a more standard, by the numbers remake. If not for the name, this would be a very forgettable movie... in my eyes, anyway.