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Halloween

Evil has a destiny.
2007 | 110m | English

(137077 votes)

TMDb IMDb

Popularity: 12 (history)

Director: Rob Zombie
Writer: Rob Zombie
Staring:
Details

The early years of young Michael Myers and the events leading up to his fateful Halloween night murder rampage in the quiet town of Haddonfield, Illinois.
Release Date: Aug 31, 2007
Director: Rob Zombie
Writer: Rob Zombie
Genres: Horror
Keywords mask, babysitter, halloween, sadism, psychopath, escape, cowardliness, cruelty, maniac, reboot, duringcreditsstinger, disturbed child, holiday horror
Production Companies Dimension Films, Spectacle Entertainment Group, Trancas International Films, Nightfall Productions
Box Office Revenue: $80,460,948
Budget: $15,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Tyler Mane Michael Myers
Malcolm McDowell Dr. Samuel Loomis
Sheri Moon Zombie Deborah Myers
William Forsythe Ronnie White
Scout Taylor-Compton Laurie Strode
Brad Dourif Sheriff Leigh Brackett
Danielle Harris Annie Brackett
Hanna Hall Judith Myers
Bill Moseley Zach 'Z-Man' Garrett
Daeg Faerch Michael Myers, Age 10
Kristina Klebe Lynda van der Klok
Danny Trejo Ismael Cruz
Ken Foree Big Joe Grizzly
Udo Kier Morgan Walker
Sid Haig Chester Chesterfield
Daryl Sabara Wesley Rhoades
Daniel Roebuck Lou Martini
Richard Lynch Principal Chambers
Clint Howard Doctor Koplenson
Lew Temple Noel Kluggs
Tom Towles Larry Redgrave
Leslie Easterbrook Patty Frost
Steve Boyles Stan Payne
Skyler Gisondo Tommy Doyle
Jenny Gregg Stewart Lindsey Wallace
Adam Weisman Steve Haley
Sydnie Pitzer Baby Boo
Myla Pitzer Baby Boo
Stella Altman Baby Boo
Dee Wallace Cynthia Strode
Max Van Ville Paul
Nick Mennell Bob Simms
Pat Skipper Mason Strode
Richmond Arquette Deputy Charles
Paul Kampf Officer Lowery
Sybil Danning Nurse Wynn
Micky Dolenz Derek Allen
Mel Fair Taylor Madison
Nikki Taylor Melton Princess
Deven Streeton Princess
Ezra Buzzington Graveyard Keeper (uncredited)
Richard Fancy University Dean (uncredited)
Courtney Gains Jack Kendall (uncredited)
Gary Grossman Drunk 'Rabbit in Red' Patron (uncredited)
Olja Hrustic Raped Inmate (uncredited)
Kazu Nagahama College Student #3 (uncredited)
Name Job
Douglas Noe Makeup Department Head
Cassandra McCormick Stunts
Casey Hendershot Stunts
Allison Caetano Stunts
Tim Sitarz Stunts
James Logan Stunt Double
Jeremy Platt Production Executive
Jeff Evans Stunts
David Daniel Camera Operator
Jay Levy First Assistant Camera
Michael Cruickshank Second Assistant Camera
James Sprattley First Assistant Camera
Josh Gundling Williamson Second Assistant Camera
Stuart Campbell Second Assistant Camera
Bryan Delorenzo Camera Loader
Joe Patnaud Post Production Assistant
Tim Williams Orchestrator, Conductor
Robin Urdang Music Consultant
Tom Rowland Music Supervisor
Wolfgang Matthes Scoring Mixer
Sterling Moore Cableman
Greg Mitchell Video Assist Operator
Tom Schurke 24 Frame Playback
Steve Irwin 24 Frame Playback
Aaron Schulte Rigging Gaffer
Robert Murphy Electrician
Daryl Didier Electrician
Hector Corona Electrician
Steve Rollins Electrician
Kevin Wilt Electrician
Cameron Lee Michael Electrician
Rich Paisley Electrician
Rob Novelli Electrician
Matthew Kistenmacher Electrician
George Canaday Second Company Grip
Scott Parent Rigging Grip
Kenneth E. King Rigging Grip
James Brownlee Grip
Ernesto Pérez Grip
Ben Kilmer Grip
Grant Smith Grip
Damien Perez Rigging Grip
Craig Hudgins Rigging Grip
Matt Hawkins Rigging Grip
Brian King Rigging Grip
Korey Scott Pollard Second Second Assistant Director
Karen E. Gilbert Assistant Location Manager
Mark Richardson Assistant Property Master
Nick Principe Assistant Property Master
Chad Vachter Assistant Property Master
Susan Cho Set Decoration Buyer
Brent Williams Set Dresser
Dennis DeGeorge Set Dresser
Frank E. Cope Set Dresser
Todd Devane Set Dresser
Tom von Badinski Special Effects
Barbara Chennault Key Costumer
Jennifer Wolf Costumer
Brian Rae Makeup Effects
Chris Zega Makeup Effects
Michael Deak Makeup Effects
Renee Ferruggia Key Hair Stylist
James F. Orendorff Construction Foreman
Lou Levinson Digital Intermediate Colorist
Eva Prelle Digital Intermediate Producer
Richard Saperstein Executive In Charge Of Production
Daniel Meursault Electrician
Rob Zombie Screenplay, Music Supervisor, Director
Debra Hill Original Film Writer
Wayne Toth Special Effects Makeup Artist
Moustapha Akkad In Memory Of
Sara Holden Stunt Driver
Matthew F. Leonetti Additional Photography
Barbara Harris ADR Voice Casting
Ashley Cusato Stunts
Tammy L. Smith Extras Casting
Phil Parmet Director of Photography
Glenn Garland Editor
Lori Mazuer Set Decoration
Mary E. McLeod Costume Design
T.K. Kirkpatrick Art Direction
Stephanie Ziemer Set Decoration
Luis García Key Makeup Artist
Andrew G. La Marca Line Producer, Unit Production Manager
Alexander H. Gayner First Assistant Director
Emily McGovern Second Assistant Director
Rawn Hutchinson Stunt Coordinator
Chris Nielsen Stunt Driver
Lori Crowder Stunt Driver
Diane Durant Script Supervisor
Dennis Virkler Additional Editor
Joel T. Pashby Associate Editor
Matthew Schmidt Assistant Editor
Perry Robertson Supervising Sound Editor
Barney Cabral Supervising ADR Editor
Scott Sanders Sound Designer
Rickley W. Dumm Sound Editor
Richard Dwan Jr. Sound Editor
Kevin Zimmerman Assistant Sound Editor
Nick Neutra Foley Supervisor
Michael Kreple Foley Mixer
Rick Owens Foley Artist
Alan Freedman ADR Mixer
Patrick Cyccone Jr. Sound Re-Recording Mixer
Daniel J. Leahy Sound Re-Recording Mixer
Brian Magerkurth Sound Mix Technician
Darrell Hall Music Editor
Buck Robinson Sound Mixer
Brian Robinson Boom Operator
Curtis Bradford Chief Lighting Technician
Timothy Hedgecock Assistant Chief Lighting Technician
Vince Palomino First Company Grip
Donald E. Wygal Production Coordinator
Justin Haut Assistant Production Coordinator
Sasha Veneziano Assistant Production Coordinator
Paul Belenardo Production Accountant
Justin Carville First Assistant Accountant
Karen Shane Second Assistant Accountant
Sophia Tapia Payroll Accountant
Michael Neale Location Manager
Shawn Hueston Assistant Location Manager
Gene Vassilaros Casting Associate
John Brunot Property Master
Drew Williams Leadman
Michael V. Maurice Set Dresser
Mark R. Byers Special Effects Coordinator
Matt Prosser Special Effects Technician
Nancy McArdle Costume Supervisor
Artemio Carpio Costumer
Ivory Stanton Ager/Dyer
Yvonne Depatis-Kupka Hair Department Head
Vickie Mynes Key Hair Stylist
Joel Venti Storyboard Artist
Alex L. Worman Unit Publicist
Marsha Blackburn Still Photographer
Robert J. Carlyle Construction Coordinator
Wayne Williams Transportation Coordinator
Billy Ray Hass Transportation Co-Captain
Michael Kehoe Craft Service
Deborah L. Mazor Stunts
Michelle Sebek Stunts
Brandon Sebek Stunts
Gokor Chivichyan Stunts
Michael H. Barnett Stunts
Irving E. Lewis Stunts
Christy Cotton Stunts
Jay Torrez Stunts
Silvina Knight Makeup Artist
Anton Tremblay Production Design
Tyler Bates Original Music Composer
Monika Mikkelsen Casting
John Carpenter Original Film Writer
Terry Haggar Color Timer
Alex Brown Stunt Driver
BJ McDonnell Steadicam Operator, Camera Operator
Name Title
Rob Zombie Producer
Malek Akkad Producer
Bob Weinstein Executive Producer
Andy Gould Producer
Matthew Stein Executive Producer
Patrick Esposito Associate Producer
Harvey Weinstein Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 41 61 28
2024 5 48 73 38
2024 6 42 56 23
2024 7 37 77 23
2024 8 32 48 17
2024 9 29 57 21
2024 10 72 143 36
2024 11 47 116 25
2024 12 32 58 23
2025 1 30 59 22
2025 2 23 34 4
2025 3 10 37 2
2025 4 3 4 2
2025 5 3 4 3
2025 6 3 4 3
2025 7 3 4 3
2025 8 3 4 2
2025 9 6 7 4
2025 10 9 12 5

Trending Position


Year Month High Avg
2025 10 127 560
Year Month High Avg
2025 9 415 750
Year Month High Avg
2025 8 319 731
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2025 7 251 696
Year Month High Avg
2025 6 418 745
Year Month High Avg
2025 5 320 651
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2025 4 585 789
Year Month High Avg
2025 3 75 662
Year Month High Avg
2025 2 292 648
Year Month High Avg
2025 1 368 784
Year Month High Avg
2024 12 534 829
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2024 11 94 711
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2024 10 114 496
Year Month High Avg
2024 9 554 804
Year Month High Avg
2024 8 873 935

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Reviews

tmdb17996075
4.0

I don't have a problem with remakes per se. Even though I am not a big fan of the original "Halloween" film directed by John Carpenter, I do acknowledge it as a film that started a horror slasher trend and served as an inspiration for many of the films that came after it. Since I am not crazy about ... the 1978 film, I thought I would be able to enjoy this remake without being too influenced by my love for the original film. After seeing this remake, I started to appreciate the original version a little bit more, since Rob Zombie turned the story and its characters into a vulgar mess. The original film mostly focuses on the life of Laurie Strode going on about her business and interacting with her friends for the most part, while we see the mysterious Michael Myers stalking her, appearing from out of nowhere, and we never really get to know why (without taking the sequels into account). In this remake, Rob Zombie attempts to explore little Michael Myers' psychology, giving our villain a soul and establishing the roots of his evilness, taking away all the mystery and darkness surrounding the character. The results are not good by any means and the only thing it proves, is that sometimes, mystery is scarier and more disturbing than having everything explained, especially if the explanation is as predictable as "he was raised in a bad environment". The audience doesn't want to be spoon fed and I think it's clear that one of the main reasons why the original villain was scary, it's because Michael Myers remained as an enigmatic character from the beginning until the end. In the original film, Myers appears to come from a seemingly normal family, but for some reason, he turns out a merciless killer anyway. While the original "Halloween" film is not my favorite, as I established before, I do give the film credit for giving us a villain that no one could ever sympathize with. This film basically tries to portrait Michael as a poor little thing who was poorly raised and eliminates any possibility of seeing him as a genuinely dark and fear-provoking character. This overexposure of Michael's early years lasts about 40 minutes, which gets tedious, it makes the villain more pitiful than frightening and in the end, they don't really manage to establish a point about his insanity all that well either. Once again, Rob Zombie casts his wife, Sheri Moon Zombie, who was great in 'House of 1000', playing a Insane, trashy girl… but why did she have to play almost the exact same character here? I don't know what's the deal with Rob Zombie having the need to show us his wife stripping and being sexy all the time, maybe it's some kind of fetish they have and it's all good... but 'Halloween' was not the right choice to show Sherri Moon dancing and showing her body again. Another thing that Rob Zombie seems to borrow from his film "House of 1000 Corpses" is the fact that the characters are swearing most of the times and while I have nothing against foul language whatsoever, but I think it sounds repetitive and silly when we hear the f-word every 5 seconds. The amount of stupid lines that could be easily compared to some of the crappiest PG-rated films that came out throughout the last years. I'm really disappointed. I didn't think I was going to hate it so much, but I do and it's a shame because I really wanted to like this film. Better luck next time, I guess. My noble advice for all fans of the original 'Halloween' movie is: Don't watch this remake if you're sensitive, because this hurts a lot. I know I felt cheated, even if I'm not a fan of Carpenter's version either.

Jun 23, 2021
Ruuz
7.0

The film’s first act is simply a huge version of the 1978 classic’s opening scene; following Michael Myers as a child through his first murder(s). Though many people found this tedious and far too drawn-out, personally I relished the opportunity to get more than a half a minute of character-developm ... ent on the antagonist. In fact, we don’t only get to see Michael growing up and being arrested, the film then goes on to show us his evolution in a mental asylum. Once again, I know that was less than appreciated by quite a number of people who saw the film, but I find the sequence fascinating every time I watch the movie. Things like the relevance of the mask and kitchen knife are explored more deeply than the original, and the brutality of the character of Michael Myers is more striking. Though this is not considered good to hardcore fans of the silent bogeyman-characteristics from the original. The protagonist of the piece is a character by the name of Laurie Strode, just as she is in the John Carpenter version, and she has two similar off-siders as the original (one of whom is portrayed by Danielle Harris of _Halloween 4_ & _5_ fame). Where the film does not advance in comparison to its predecessor is the dialogue between these three characters. They use virtually identical language to that of the 1978 film, which felt outdated and artificial even then (I can only hope that this was an intentional throwback by Mr. Zombie). The Ahab to Laurie Strode is Doctor Loomis, Michael Myers’ psychologist, acted by the consistently fantastic Malcolm McDowell. I believe it is his performance that makes me appreciate Rob Zombie’s remake so much. He steals every scene he is in with his overwhelming presence, particularly in the Zone 2 theatrical version of the film (which to my knowledge is unfortunately not available in Australia). _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

Jun 23, 2021
Dark Jedi
7.0

The critics are wrong…again. Well, at least as far as I am concerned. This remake is not bad at all. A lot of people are comparing it with the original which is understandable. A lot of people says that it is crap compared to the original which is not understandable. At least not by me. This is one ... of the movies where I have seen the original and it was even one of my favorites at the time. I think this remake holds up quite well. At first I was a bit worried that it was said to be a prequel. At least partly. However it is not really what I would call a prequel. It has a bit of extended background in the first quarter or so but that is not really what I would call a prequel. I think the movie was pretty much what I expected or perhaps I should say what I hoped for. It is a slasher-movie of course but it resists the temptation to go all overboard. Nowadays you do not really get scared or even shocked by these kinds of movies so I was not really expecting to be. I was just enjoying Michael’s rampage through the town. It is of course a bit scary in itself that you are watching a madman going on a killing spree through a small town and enjoying it but hey, it is all fake! One problem with the extended background at the beginning of the movie is that now there is kind of a plot-hole that is a bit annoying. When and, more importantly, how did Michael turn from a deranged kid to a supernatural killer with the strength to carry away one ton worth of tombstone and survive being stabbed as well as shot at? Apart from that I think this movie was not bad at all. Sometimes I actually felt that Michael was behaving a bit too human like when he was stumbling when crashing through walls etc. but on the whole I quite liked this movie. The style is different from the original for sure but I do not feel it is worse or better for that matter. It is a bit surprising (well maybe not, the French are bizarre when it comes to scheduling movies and TV-shows) that Cine+ did not schedule this movie for actual Halloween instead of the crap they did show. This one would have been perfect then instead of a day after.

May 16, 2024
GenerationofSwine
1.0

Well it has Malcolm McDowell, and he delivers in the master of accents kind of way. But....1 star for being a reboot, out of principal, especially a reboot of a slasher film that, well, I always thought the deal with those was to keep adding and adding until you have to look up the Roman Numerals ... in Encyclopedias to make sure you're numbering them right. "Halloween MCMLXXVIII: This Time it's Easter," You know, that sort of thing. But we will add one for Malcolm McDowell just because, yeah, he delivers. So two stars: ** And then it seems like Zombies idea was to show a lot of nudity and especially a lot of naked women getting killed by a horrible male monster after committing the sin of fornication. So three stars: *** And that is because he MIGHT--with a really big stretch on that--have been trying to do a satire thing of the slasher genre with all the naked murdered women. But...he could have also been going for mainstream snuff porn. I'm honestly not sure which way to go on this one...so We are back to two stars: ** Just because it really might not have been an attempt at satire and I sort of want to be sure. And we can't add any more because well... It was already made and when it came around in 1978 it was moody and atmospheric and, well, it really looked a lot like Halloween, only a nightmare version of it. Zombie's remake feels more like a cheap version of Halloween and really, the outdoor shots that are supposed to give you the seasonal feel remind me more of Thanksgiving pick-up football games. They look and feel less like a nightmare version of Halloween than Season of the Witch's small Southern Town atmosphere. And the horror parts, really, ANY slasher movie and, by the way, since when was Halloween about T&A? I thought Friday the 13th owned that stereotype and we went to Halloween for, you know, atmosphere and scares...at least in the first 2 films. So really, I guess my point is that it has Malcolm McDowell and that is slightly redeeming. He's always fun to watch...even in his bad movies...like this one.

Jan 13, 2023
r96sk
6.0

I'm unmoved by this <em>'Halloween'</em> remake. I guess that is of little surprise as I'm not someone who overly enjoys the 1978 original, I do like it but it is nought special to me personally. All in all, based on reading back my review of that aforementioned flick and based on my thoughts whi ... lst watching, this is a weaker film in every way. The only true positive I have is the Michael Myers theme, which is just a carry-over from the 1970s release - as ace as it is to hear it again, I would've preferred if they went without it... it kinda feels like they forced themselves to find spots to use it for the sake of using it. This production missed a Jamie Lee Curtis-esque performance, no-one stands out in that regard - Scout Taylor-Compton tries, but to no avail. I never found Michael Myers himself all that scary or uncomforting in the original and that is again the case here, even to a further degree in all honesty. Myers just feels so brute-force all the time that there is no intrigue or creepiness about him here in my opinion. Malcolm McDowell didn't do anything for me as Loomis either, though it's cool to see Brad Dourif appear. The opening 50 minutes and the closing 50 minutes felt like a bit of an abrupt switch too, admittedly I might have noticed something that doesn't exist but that's how it felt. It seemed early on like a noticeably different portrayal of <em>'Halloween'</em>, then the latter part felt more like a more standard, by the numbers remake. If not for the name, this would be a very forgettable movie... in my eyes, anyway.

Oct 28, 2023