Popularity: 2 (history)
Director: | Rick Rosenthal |
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Writer: | Debra Hill, John Carpenter |
Staring: |
After failing to kill stubborn survivor Laurie and taking a bullet or six from former psychiatrist Dr. Sam Loomis, Michael Myers has followed Laurie to the Haddonfield Memorial Hospital, where she's been admitted for Myers' attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs and slashes his way through hospital staff to reach his favorite victim. | |
Release Date: | Oct 30, 1981 |
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Director: | Rick Rosenthal |
Writer: | Debra Hill, John Carpenter |
Genres: | Horror, Thriller |
Keywords | sequel, mask, hospital, sheriff, holiday horror, halloween |
Production Companies | Universal Pictures, The De Laurentiis Company |
Box Office |
Revenue: $25,533,818
Budget: $2,500,000 |
Updates |
Updated: Aug 08, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jamie Lee Curtis | Laurie Strode |
Donald Pleasence | Dr. Sam Loomis |
Charles Cyphers | Sheriff Leigh Brackett |
Jeffrey Kramer | Graham |
Lance Guest | Jimmy Lloyd |
Pamela Susan Shoop | Karen |
Hunter von Leer | Deputy Gary Hunt |
Dick Warlock | Michael Myers / Patrolman #3 |
Leo Rossi | Budd |
Gloria Gifford | Mrs. Alves |
Tawny Moyer | Nurse Jill Elizabeth Franco |
Ana Alicia | Janet |
Ford Rainey | Dr. Mixter |
Cliff Emmich | Mr. Garrett |
Nancy Stephens | Marion Chambers |
John Zenda | Marshall |
Catherine Bergstrom | Producer |
Alan Haufrect | Announcer |
Lucille Benson | Mrs. Elrod |
Howard Culver | Man In Pajamas |
Dana Carvey | Assistant |
Billy Warlock | Craig |
Jonathan Prince | Randy |
Leigh French | Gary’s Mother |
Ty Mitchell | Young Gary |
Nancy Kyes | Annie Brackett |
Pamela McMyler | Laurie's Mother |
Dennis Holahan | Laurie's Father |
Nichole Drucker | Young Laurie |
Ken Smolka | 1st Patrolman |
Adam Gunn | Young Michael Myers |
Roger Hampton | Patrolman #2 |
Robin Coleman | Medic |
Jack Verbois | Bennett Tramer |
Tony Moran | Michael Myers (age 21) |
Kyle Richards | Lindsey |
Brian Andrews | Tommy |
Anne Bruner | Alice |
Anne-Marie Martin | Darcy Essmont (uncredited) |
Helen Kelly | Nurse at the Hospital (uncredited) |
Kim Gottlieb | Photographer At Hospital (uncredited) |
Don Ramey Logan | Upset Next Door neighbor (uncredited) |
Nancy Platt Jacoby | WWAR Sound Assistant (uncredited) |
Lance Warlock | Radio-Carrying Teen (uncredited) |
Name | Job |
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Wayne Roberts | Transportation Captain |
Rick Rosenthal | Director |
Debra Hill | Screenplay |
Alan Howarth | Original Music Composer |
Dean Cundey | Director of Photography |
Mark Goldblatt | Editor |
J. Michael Riva | Production Design |
Donna Garrett | Stunts |
Moustapha Akkad | Presenter |
Carl Fischer | Boom Operator |
Dick Warlock | Stunt Coordinator |
John Carpenter | Original Music Composer, Screenplay |
Skip Schoolnik | Editor |
Mary Gail Artz | Casting |
Michael Germain | Makeup Artist |
Peg Cummings | Set Decoration |
Daniel Stoltenberg | Property Master |
Bill Varney | Sound Re-Recording Mixer |
Terry Marshall | Electrician |
Stephen Purvis | Assistant Dialogue Editor |
Glynn Rubin | Stunts |
Joe A. Salamdino | Grip |
Raymond Stella | Camera Operator |
Susie Johnson | Extras Casting |
Geoffrey Ryan | Production Assistant, Location Scout |
Patrice J. Klinger | Assistant Accountant |
Nancy Platt Jacoby | Executive In Charge Of Production |
Michael C. Gutierrez | Sound Editor |
Jesse Wayne | Stunt Double, Stunts |
Brian Ralph | Negative Cutter |
Kimberly Ray | Assistant Editor |
Eddie Lee Voelker | Transportation Coordinator |
Kevin Conlin | Props |
Lawrence J. Cavanaugh | Special Effects Supervisor |
Richard M. Sternbach | Production Illustrator |
Riggs Murdock | Second Assistant Camera |
Douglas Olivares | First Assistant Camera |
Mark Walthour | Gaffer |
Warren Hamilton Jr. | Sound Editor |
Dic Alexander | Grip |
Jamie Shourt | Main Title Designer |
Kim Gottlieb | Still Photographer |
Patrick G. Ralston | Electrician |
Ronald Woodward | Key Grip |
Candy Artmont | Script Supervisor |
Terry Feller | Propmaker |
Jane Ruhm | Costume Supervisor |
José Antonio Torres | Assistant Editor |
Lynne Birdt | Production Coordinator |
Serge Genitempo | Standby Painter |
Drain M. Marshall | Rigging Gaffer |
Mark Pearson | Best Boy Grip |
Douglas Ryan | Additional Camera |
William S. Beasley | First Assistant Director |
Jon Antunovich | Electrician |
Clyde E. Bryan | First Assistant Camera |
Ami Agmon | Location Manager |
James A. Rathbun | Assistant Property Master |
Frank 'Paco' Munoz | Special Effects |
Gary B. Kibbe | Additional Camera |
Art Schaefer | Production Accountant |
Frankie Bergman | Hairstylist |
Eugene J. Reed | Props |
Jerry T. Tirado | Leadman |
Joseph F. Brennan | Boom Operator |
Steve Maslow | Sound Re-Recording Mixer |
Sam Nicholson | Visual Effects |
Bobby W. Brown | Electrician |
Kris Krosskove | Dolly Grip |
Dennis E. Shelton | Electrician |
Randi Chernov | Producer's Assistant |
Michael Diersing | Construction Foreman |
Jiggs Garcia | Additional Camera |
László Horváth | Grip |
Walter Rexford Allen Lott | Electrician |
Thomas Marshall | Best Boy Electrician |
Ray Thomas | Electrician |
Frances Vega Aubrey | Costumer |
Steve Burris | Craft Service |
Walt Hadfield | Construction Coordinator |
Darrell Huntsman | Greensman |
Andy Bonin | Technical Advisor |
Bob Burris | Craft Service |
Duncan Henderson | Second Assistant Director |
Thomas Causey | Sound Mixer |
Gregg Landaker | Sound Re-Recording Mixer |
David Lewis Yewdall | Supervising Sound Editor |
Diamond Farnsworth | Stunts |
Casey Hotchkiss | First Assistant Camera |
David E. Stone | Sound Editor |
Gene Wahrman | Dialogue Editor |
Matt Furginson | Swing |
Norris L. Essex | Electrician |
Steven R. Mathis | Electrician |
Michael D. Ornstein | Associate Editor |
Egbert W. Jetter | Catering |
Jeffrey Chernov | Production Manager |
Name | Title |
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Moustapha Akkad | Executive Producer |
Debra Hill | Producer |
Dino De Laurentiis | Executive Producer |
John Carpenter | Producer |
Irwin Yablans | Executive Producer |
Joseph Wolf | Executive Producer |
Barry Bernardi | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 36 | 49 | 22 |
2024 | 5 | 36 | 78 | 25 |
2024 | 6 | 40 | 60 | 26 |
2024 | 7 | 41 | 62 | 30 |
2024 | 8 | 37 | 59 | 25 |
2024 | 9 | 33 | 43 | 27 |
2024 | 10 | 51 | 80 | 39 |
2024 | 11 | 38 | 82 | 19 |
2024 | 12 | 23 | 33 | 17 |
2025 | 1 | 27 | 45 | 16 |
2025 | 2 | 19 | 39 | 4 |
2025 | 3 | 7 | 29 | 1 |
2025 | 4 | 10 | 33 | 2 |
2025 | 5 | 8 | 37 | 2 |
2025 | 6 | 5 | 13 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 3 | 2 |
2025 | 9 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 672 | 815 |
Year | Month | High | Avg |
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2025 | 8 | 404 | 791 |
Year | Month | High | Avg |
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2025 | 7 | 757 | 757 |
Year | Month | High | Avg |
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2025 | 6 | 790 | 893 |
Year | Month | High | Avg |
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2025 | 5 | 433 | 624 |
Year | Month | High | Avg |
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2025 | 3 | 508 | 662 |
Year | Month | High | Avg |
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2025 | 2 | 950 | 950 |
Year | Month | High | Avg |
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2025 | 1 | 804 | 837 |
Year | Month | High | Avg |
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2024 | 11 | 91 | 656 |
Year | Month | High | Avg |
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2024 | 10 | 203 | 601 |
Year | Month | High | Avg |
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2024 | 9 | 413 | 744 |
I might be the only person who thinks this, but _Halloween II_ is just as good as the original. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._ ...
**An honorable continuation, which respects the previous work without bringing anything new.** I don't like Halloween, and I've had time to say it before, but I recognize that it's the best time for good horror films to be broadcast on television. These days, I saw this film as a follow-up to “Ha ... lloween”. I have no doubt that it is a worthy sequel, perhaps one of the best I have seen, in that it is strictly faithful to the original and is made with quality. It is directed by Rick Rosenthal, but the team and cast remained the same, with the addition of specific names, and John Carpenter's inspiration continues in the script he wrote and in the attention he undoubtedly gave to the entire project. Pleasance is the actor who looks in the best shape here. He finally had better material and more time to show some value on stage. Jamie Lee Curtis has essentially stayed the same and retains much of what he did. It doesn't disappoint, but it doesn't bring any surprises either. The soundtrack also doesn't bring anything new, maintaining the essence of the first film's score, which is positive. After its initial success, it is no wonder that this film's budget was more substantial than that of the first, and that the number of corpses that fall throughout the plot also increases. A plot that is not particularly brilliant, well written and elegant, and that falls into the most basic clichés of slasher horror without any shame, but that manages, at least, to respect coherence with the original film and give the villain an almost iconic aura, an invulnerability that makes him unstoppable and impossible to kill, and that turned him into a cinema icon. In addition to these points of relative quality, we also have good lighting and cinematography, good use of sets and filming locations, better quality effects that are as well executed and practical as those previously used. Everything comes together, therefore, to form the image of a film that is not surprising, but manages to respect and stand alongside its predecessor.
If you recall the conclusion of the first part (1979) then you’ll know that “Michael Myers” is now the deadliest critter alive (that’s assuming that term actually applies!). He’s certainly not forgotten “Laurie” (Jamie Lee Curtis) who’s recovering in the local hospital and luckily for him, this is a ... dimly lit and largely empty facility that he can wander around with relative impunity slaughtering all who come onto his path. Perhaps the only hope for the bed-ridden gal is the determined doctor “Loomis” (Donald Pleasence) who has teamed up with the sheriff (Charles Cyphers) to try to thwart this latest attempt on her life. What’s pretty clear is that this new, improved, version of “Myers” isn’t going to give up easily and that bullets and knives aren’t going to work. How to stop him? It starts off quite strongly, this film, but once the scenario switches to the hospital it becomes all a bit too stage-managed for me. The place is conveniently dark and gloomy; there is but a skeleton staff and so his rampaging is left unfettered whilst the hitherto poorly patient appears to develop live-preserving ninja skills. Also, fortunately for her her nemesis never appears to want to run anywhere so she can always make it to the timely departing elevator or the conveniently positioned window whilst he flails around robotically trying to impale her on/with something. It relies too heavily on trying to build a gradually increasing sense of peril but with has such inevitability about it that I thought it became quite sterile after about half an hour. JLC doesn’t really feature so much and the only real screaming that goes on here is that which suggests sequel. It’s watchable enough, but hasn’t the creepiness of the first one and most of his victims probably deserved their fates!