Popularity: 6 (history)
Director: | Jerry Zucker |
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Writer: | Bruce Joel Rubin |
Staring: |
After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic. | |
Release Date: | Jul 13, 1990 |
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Director: | Jerry Zucker |
Writer: | Bruce Joel Rubin |
Genres: | Fantasy, Drama, Romance, Mystery, Thriller |
Keywords | corruption, fortune teller, money transfer, money laundering, pottery, heaven, hell, afterlife, love, murder, death, ghost, power of love, spiritism, everlasting love |
Production Companies | Paramount Pictures, Howard W. Koch Productions |
Box Office |
Revenue: $505,000,000
Budget: $22,000,000 |
Updates |
Updated: Aug 13, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Jerry Zucker | Director |
Maurice Jarre | Original Music Composer, Orchestrator |
Adam Greenberg | Director of Photography |
Janet Hirshenson | Casting |
Jane Jenkins | Casting |
Walter Murch | Sound Re-Recording Mixer, Editor |
Leslie Shatz | Sound Re-Recording Mixer, Supervising Sound Editor |
Anthony Stacchi | Animation |
Ned Gorman | Visual Effects Producer |
Charlie Picerni | Second Unit Director, Stunt Coordinator |
Patti Hawn | Unit Publicist |
Gary Davis | Stunt Coordinator |
Bruce Joel Rubin | Writer |
Michael Tadross | Unit Production Manager |
Shane Dixon | Stunts |
Gary McLarty | Stunts |
Jeff Ward | Stunts |
Allan Graf | Stunt Coordinator |
Jim Rygiel | Digital Effects Supervisor |
Sandy Berumen | Stunt Double |
Lindsay Doran | Thanks |
Clayton Collins | Sound Editor |
Ruth Morley | Costume Design |
Mark W. Mansbridge | Art Direction |
Joe D. Mitchell | Set Decoration |
Julia L. Walker | Hairstylist |
Dione Taylor | Hairstylist |
Marietta Carter-Narcisse | Makeup Artist |
Kyle Sweet | Makeup Artist |
Butch West | Construction Coordinator |
Gary Kudroff | Leadman |
Stan Tropp | Set Designer |
Steve Maslow | Sound Re-Recording Mixer |
Douglas Greenfield | Dolby Consultant |
Jeff Howard | Animation |
Candace Lewis | Animation |
Martine Tomczyk | Animation |
Sean Turner | Animation |
Judith Weaver | Animation Supervisor |
Charlie Clavadetscher | Animation Supervisor |
Michael Gleason | Visual Effects Editor |
John T. Van Vliet | Visual Effects Supervisor |
Howard Stein | Visual Effects Editor |
Katherine Kean | Visual Effects Supervisor |
Bruce Nicholson | Visual Effects Supervisor |
Mike Benson | Camera Operator |
Elizabeth Ziegler | Steadicam Operator |
Peter Sorel | Still Photographer |
Deven Chierighino | Gaffer |
Dawn J. Jackson | Costume Supervisor |
Richard Edlund | Visual Effects Supervisor |
Gene R. Johnson | Transportation Coordinator |
Faye Brenner | Script Supervisor |
Eric Klosterman | Location Manager |
Michael Magill | Dialogue Editor |
Lee Haxall | Dialogue Editor |
David Lee Fein | Foley Artist |
Ken Dufva | Foley Artist |
Horst Grandt | Property Master |
Cary Fisher | Second Unit Director of Photography |
Kathy McCart | Sound Recordist |
Gary Ritchie | Sound Recordist |
Bob Baron | ADR Mixer |
Laura Graham | Foley Editor |
Greg Curda | Foley Mixer |
Don Coufal | Boom Operator |
Jeff Wexler | Sound Mixer |
John Hockridge | First Assistant Director |
George Parra | Second Assistant Director |
Mark Radcliffe | First Assistant Director |
Joseph Ray | Second Assistant Director |
Jane Musky | Production Design |
Bob K. Cummings | Stunts |
Ramiro González | Stunts |
Peter Hock | Stunts |
Andy Duppin | Stunts |
Kym Washington Longino | Stunts |
Gene McLaughlin | Stunts |
Harry Madsen | Stunts |
Dirk Petersmann | Unit Production Manager |
John Watson | First Assistant Editor |
Ben Nye Jr. | Makeup Supervisor |
Robert Lindsey | Construction Foreman |
Bill 'Kauhane' Hoyt | Painter |
Michael Lessa | Production Illustrator |
David J. Negrón Jr. | Storyboard Artist |
Christopher E. Bennett | Apprentice Sound Editor |
E. Jeane Putnam | Assistant Sound Editor |
Eugene Crum | Special Effects |
Tom Bertino | Roto Supervisor |
Laura Buff | Visual Effects Production Manager |
Ed Jones | Executive In Charge Of Post Production |
Martin Rosenberg | Visual Effects Camera |
Scott Ross | General Manager |
Gavin Alcott | Second Assistant Camera |
Charles John Bukey | First Company Grip |
Billy Clevenger | First Assistant Camera |
Jono Kouzouyan | Chief Lighting Technician |
Donald L. Hartley | Dolly Grip |
Harold Hathaway | Assistant Chief Lighting Technician |
Sylvia Fay | Extras Casting |
Kendall Errair | Costumer |
Tom Shaffer | Color Timer |
William Hogue | Transportation Captain |
Sheila Barnes | Production Coordinator |
Beth Brown | Production Assistant |
Wayne Fitzgerald | Title Designer |
John Moy | Craft Service |
Laura Tateishi | Production Secretary |
Steven-Charles Jaffe | Second Unit Director |
Doug Chiang | Visual Effects Art Director |
Jim Morris | Executive In Charge Of Production |
Name | Title |
---|---|
Howard W. Koch | Producer |
Bruce Joel Rubin | Associate Producer |
Lisa Weinstein | Producer |
Steven-Charles Jaffe | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 67 | 94 | 47 |
2024 | 5 | 80 | 143 | 66 |
2024 | 6 | 90 | 128 | 60 |
2024 | 7 | 85 | 109 | 58 |
2024 | 8 | 72 | 112 | 41 |
2024 | 9 | 44 | 78 | 29 |
2024 | 10 | 57 | 84 | 33 |
2024 | 11 | 51 | 103 | 35 |
2024 | 12 | 43 | 54 | 32 |
2025 | 1 | 55 | 83 | 37 |
2025 | 2 | 39 | 60 | 8 |
2025 | 3 | 13 | 45 | 3 |
2025 | 4 | 7 | 9 | 5 |
2025 | 5 | 7 | 9 | 7 |
2025 | 6 | 8 | 14 | 6 |
2025 | 7 | 7 | 10 | 6 |
2025 | 8 | 6 | 8 | 4 |
2025 | 9 | 8 | 14 | 6 |
2025 | 10 | 6 | 7 | 6 |
Trending Position
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2025 | 10 | 523 | 733 |
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2025 | 9 | 239 | 680 |
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2024 | 12 | 419 | 768 |
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2024 | 11 | 290 | 613 |
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2024 | 10 | 94 | 580 |
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2024 | 9 | 668 | 864 |
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2024 | 8 | 576 | 783 |
_**Top-of-the-line drama/thriller tackles the afterlife**_ A man suddenly discovers that he's a ghost (Patrick Swayze) and means to find his killer while protecting his former fiancé (Demi Moore). Tony Goldwyn plays his business partner while Whoopi Goldberg is on hand as a psychic spiritual advi ... sor. Like all great movies, “Ghost” (1990) takes about 15-20 minutes to establish the characters and then takes off, gripping the viewer until the end. It combines drama, thrills and comedy in its fascinating exploration of the hereafter and is cut from the same cloth as future movies “City of Angels” (1998), “Meet Joe Black” (1998) and “The Sixth Sense” (1999). While the film’s theology is no deeper than a Jack T. Chick tract and I don’t agree with every jot & tittle, it effectively conveys its profound ideas in a way that is palatable to the masses. The movie runs 2 hours, 6 minutes and was shot in New York City (Manhattan and Brooklyn), Paramount Studios and downtown Los Angeles. GRADE: A/A-
Tony Goldwyn should have been a more popular actor. He was actually pretty exceptional in almost everything he has done but never actually made it to superstar status. Instead he kind of lingered in supporting actor limbo through the 90s and then kind of disappeared. It's a shame. And he's ... not the only unsung hero in Ghost, Vincent Schiavelli is in it too. It has a great cast that brings their all to the film. The script isn't that imaginative, you've seen a few movies like this before, but that never really matters when it's done well.
"Sam" (Patrick Swayze) and his girlfriend "Molly" (Demi Moore) aren't the best at pottery, but they do know how to make a mess! A trip to the theatre to see the Scottish play doesn't end well though, as he is randomly attacked in the street. She's desolate but fortunately his work colleague "Carl" ( ... Tony Goldwyn) is on hand to try to help her through the aftermath. What she doesn't know, though, is that "Sam" is stuck in limbo. He can't move on and so must watch her every day life unfold. Quickly, he realises that his old pal is keen on "Molly" and then, even worse, begins to suspect that his death wasn't quite as random as it might have seemed. How can he talk to her; warn her? Well that's where the star of the show comes in. "Oda Mae" (Whoopi Goldberg) is a medium who spends her time telling old widows that their long dead husbands still love them. She is ill-prepared to star in her own version of "Blithe Spirit", though, and that doesn't get any easier when she tries to convince "Molly" she is really in touch with "Sam" and that he is terrified that she may also be a target of a nefarious plot. The Righteous Brothers also have to take a share of the plaudits here as their "Unchained Melody" refrain helps set the scene for a romantic mystery that's peppered with some tea-time menace and a Goldberg who is at the top of her game. The plot itself isn't maybe the strongest and I'm glad I didn't have an account with his bank, but it's two hours that flies by keeping sentimentality and slapstick to a minimum and allowing the spirit of "Madame Arcati" to enter the 1990s enjoyably. There are even nuns, too!