Popularity: 8 (history)
Director: | Richard Donner |
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Writer: | Shane Black, Warren Murphy, Jeffrey Boam |
Staring: |
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities. | |
Release Date: | Jul 07, 1989 |
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Director: | Richard Donner |
Writer: | Shane Black, Warren Murphy, Jeffrey Boam |
Genres: | Comedy, Adventure, Action, Crime, Thriller |
Keywords | loss of loved one, showdown, police, sequel, mixed martial arts (mma), gang, los angeles, california, police detective, wisecrack humor, buddy cop, diplomatic immunity, lapd, maverick cop, action hero, shooting |
Production Companies | Warner Bros. Pictures, Silver Pictures |
Box Office |
Revenue: $227,853,986
Budget: $25,000,000 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Mel Gibson | Martin Riggs |
Danny Glover | Roger Murtaugh |
Joe Pesci | Leo Getz |
Joss Ackland | Arjen Rudd |
Derrick O'Connor | Pieter Vorstedt |
Patsy Kensit | Rika Van Den Haas |
Darlene Love | Trish Murtaugh |
Traci Wolfe | Rianne Murtaugh |
Mark Rolston | Hans |
Steve Kahan | Captain Murphy |
Jenette Goldstein | Meagan Shapiro |
Dean Norris | Tim Cavanaugh |
Juney Smith | Tom Wyler |
Nestor Serrano | Eddie Estaban |
Philip Suriano | Joseph Ragucci |
Grand L. Bush | Jerry Collins |
Tony Carreiro | Marcelli |
Damon Hines | Nick Murtaugh |
Ebonie Smith | Carrie Murtaugh |
Allan Dean Moore | George |
Jack McGee | Carpenter |
Paul Tuerpe | Hitman |
Philip Maurice Miller | Hitman |
Sherman Howard | Hitman |
Bruce Young | Hitman |
Guy Mack | Hitman |
Danny Wynands | Hitman |
Pat Skipper | Hitman |
Robert Fol | Consulate Guard |
Virginia Shannon | Consulate Office Worker |
Dan Ondrejko | Consulate Clerk #2 |
Jim Piddock | Consulate Envoy |
Kenneth Tigar | Bomb Squad Leader |
Jim Birge | Bomb Squad Cop #2 |
Patrick Cameron | Bomb Squad Cop #3 |
Mary Ellen Trainor | Police Psychiatrist |
David Marciano | Cop #1 |
Tommy Hinkley | Cop #2 |
Norman D. Wilson | Detective in Squad Room |
Jeanne McGuire | Computer Operator #1 |
Catherine Guel | Computer Operator #2 |
Lionel Douglass | Officer Friesen |
James Oliver | Officer Moss |
Salim Jaidi | Policeman |
Al Weber Jr. | Poolside Card Player |
Edward J. Rosen | Poolside Card Player |
Jay Della | Poolside Card Player |
Marian Collier | Poolside Card Player |
Orlando Bonner | Tow Truck Driver |
Cynthia Burr | Owner of Honda |
J. Mills Goodloe | Eddie (uncredited) |
Jorga Caye | Ice Hockey Fan (uncredited) |
Lana Houston | Man in Condom Television Commercial (uncredited) |
Beau Lotterman | Policeman (uncredited) |
Larry Clardy | Policeman (uncredited) |
Conrad Hurtt | Squad Room Officer (uncredited) |
Bettina M. Johnson | Squad Room Woman (uncredited) |
Todd Blood | Street Extra (uncredited) |
Name | Job |
---|---|
Jack Eberhart | Leadman |
Michael Kamen | Original Music Composer, Musician, Orchestrator, Conductor |
Stuart Baird | Editor |
J. Michael Riva | Production Design |
Shane Black | Story, Characters |
Erik L. Nelson | Property Master |
Charlie Picerni | Second Unit Director, Stunts, Stunt Coordinator |
Willie D. Burton | Production Sound Mixer |
Gregory J. Barnett | Stunts |
Mic Rodgers | Stunts, Stunt Coordinator, Stunt Double |
Dick Ziker | Stunts |
Jophery C. Brown | Stunts |
Malcolm McNab | Musician |
Robert Mark Kamen | Script Editor |
Gail Levin | Casting |
Marvin March | Set Decoration |
Virginia Randolph-Weaver | Art Direction |
Sherman Labby | Production Illustrator |
Frank DeMichelis | Craft Service |
Dan Pemberton | Propmaker |
Matt Sweeney | Special Effects Coordinator |
Steve Perry | Second Unit Director, Unit Production Manager |
Terry Miller | First Assistant Director |
Marvin E. Lewis | Boom Operator |
Robert G. Henderson | Supervising Sound Editor |
Vicky Snow | Costumer |
Gary F. Kieldrup | Assistant Property Master |
Greg Orloff | Foley Mixer |
David Sanborn | Original Music Composer |
Marion Dougherty | Casting |
Richard Berger | Art Direction |
Mike Villarino | Construction Foreman |
Geary McLeod | First Assistant Camera |
John R. Shannon | Still Photographer |
Scott H. Eddo | Makeup Artist |
Amy Jackson | Production Office Assistant |
Michael Denering | Scenic Artist |
Jack Lietzke | Transportation Coordinator |
Richmond G. Cogswell | Video Assist Operator |
Gregory Manson | Production Accountant |
Christopher Brooks | Music Editor |
Bub Asman | Sound Editor |
Jay Engel | Supervising ADR Editor |
Danny Falkengren | Dolly Grip |
Lisa Cogswell | Production Secretary, Production Coordinator |
Nancy Hansen | Script Supervisor |
Paul J. Campanella | Standby Painter |
Jaymes Hinkle | Scenic Artist |
Neil Burrow | Sound Editor |
Les Fresholtz | Sound Re-Recording Mixer |
Joseph A. Ippolito | Sound Editor |
Hank Salerno | Supervising ADR Editor |
Ellen Heuer | Foley Artist |
Calvin Joe Acord | Special Effects |
Larry L. Fuentes | Special Effects |
Steve Luport | Special Effects |
Jim Schwalm | Special Effects |
Lucinda Strub | Special Effects |
Steven Chambers | Stunts |
Warren Murphy | Story |
John Villarino | Construction Coordinator |
Dianne Wager | Set Designer |
Frank M. Holgate | Underwater Camera, Aerial Camera |
Paul Abascal | Hairstylist |
Julie Adams | Dialect Coach |
Michael Klastorin | Unit Publicist |
David Israel | Location Manager |
Darrin Martin | Assistant Sound Editor |
Albert Cho | Second Second Assistant Director |
James Simcik | ADR Editor |
Carolyn Tapp | Foley Recordist |
Craig Lietzke | Stunt Driver |
Kristin Dewey | Assistant Location Manager |
Marc Fambro | Carpenter |
Rick Alexander | Sound Re-Recording Mixer |
Teri E. Dorman | Sound Editor |
Karen Minahan | Assistant Sound Editor |
Vern Poore | Sound Re-Recording Mixer |
Marshall Winn | Sound Editor |
Bill Voigtlander | ADR Editor |
Chris Burton | Special Effects |
Richard L. Hill | Special Effects |
Bob Stoker | Special Effects |
Greg C. Jensen | Special Effects |
David Burton | Stunts |
James M. Halty | Stunts |
Matt Johnston | Stunts |
Bennie Moore | Stunts |
Lane Leavitt | Stunts |
Eddie L. Watkins | Stunts |
Ray De La Motte | Camera Operator |
Hal Nelson | Best Boy Grip |
Stephen Ashley Blake | Second Unit Director of Photography |
Horace Jordan | First Assistant Camera |
William J. Meshover | Assistant Editor |
Kirk Bales | Second Assistant Camera |
Bob E. Krattiger | Assistant Chief Lighting Technician |
Gilbert O. Parra | Technical Advisor |
Michael Alan Kahn | Second Assistant Director |
David J. Negrón Jr. | Storyboard Artist |
Virginia Cook-McGowan | Sound Editor |
Robert W. Harris | Cableman |
Michael Jiron | Sound Re-Recording Mixer |
Walter Newman | Sound Editor |
Brooke Henderson Ward | Assistant Sound Editor |
Joseph T. Sabella | Foley Artist |
Jon G. Belyeu | Special Effects Manager |
Don Hathaway | Special Effects |
David Peterson | Special Effects |
Doyle Smiley | Special Effects |
Fred Tessaro | Special Effects |
Janet Brady | Stunts |
Sparky Edmonston | Stunts |
Billy Hank Hooker | Stunts |
Tommy J. Huff | Stunts |
Victor Paul | Stunts |
Malcolm Bryce | Lighting Technician |
Bill Krattiger | Lighting Technician |
Bess Wiley | Second Assistant Camera |
Adam Glick | Lighting Technician |
Robert D. McBride | Camera Operator |
David Mann | Assistant Editor |
Joel Marx | Location Manager |
Chris Boardman | Orchestrator |
Alan Kaplan | Musician |
Richard Nash | Musician |
Vince De Rosa | Musician |
John M. Woodward | Transportation Captain |
Michael Papac | Weapons Master |
Frank Orsatti | Stunts |
Keith Tellez | Stunts |
Stephen St. John | Camera Operator |
John Earl Burnett | First Assistant Camera |
Damon Marcellino | Lighting Technician |
Michael Voght | Costumer |
Kevin Stitt | Assistant Editor |
Bruce Babcock | Orchestrator |
Louise Di Tullio | Musician |
Alicia Rivera Frankl | Production Accountant |
Antoinette Simmrin | Location Manager |
Philip Giffin | Orchestrator |
Norman Ludwin | Musician |
James Thatcher | Musician |
Julie Pitkanen | Script Supervisor |
Jeffrey Boam | Screenplay |
Eric Clapton | Original Music Composer |
Stephen Goldblatt | Director of Photography |
Stephen McLaughlin | Music Producer |
John Roesch | Foley Artist |
Richard Donner | Director |
Charles A. Tamburro | Aerial Coordinator |
Mark Canton | Executive In Charge Of Production |
David Horton Sr. | Sound Editor |
Alan Robert Murray | Supervising Sound Editor |
Paul Sabourin | Special Effects |
Steve Boyum | Stunts |
Gilbert B. Combs | Stunts |
Gary Davis | Stunts |
Eddy Donno | Stunts |
Kenny Endoso | Stunts |
Gary Epper | Stunts |
Tony Epper | Stunts |
Freddie Hice | Stunts |
Buddy Joe Hooker | Stunts |
Norman Howell | Stunts |
Gary McLarty | Stunts |
John C. Meier | Stunts |
Chuck Picerni Jr. | Stunts |
Steve Picerni | Stunts |
Chad Randall | Stunts |
R.A. Rondell | Stunts |
Scott Wilder | Stunts |
Tommie Turvey | Stunts |
Ric Roman Waugh | Stunts |
Tom Boyd | Musician |
Tommy Johnson | Musician |
Charles Saldaña III | Key Grip |
Barry Delaney | Costume Supervisor |
Gary H. Holt | Chief Lighting Technician |
Danny Rogers | Stunts |
Barbara Seibert Bolticoff | Costumer |
Name | Title |
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Steve Perry | Co-Producer |
Peter Frankfurt | Associate Producer |
Joel Silver | Producer |
Richard Donner | Producer |
Jennie Lew Tugend | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 44 | 22 |
2024 | 5 | 36 | 49 | 25 |
2024 | 6 | 33 | 57 | 17 |
2024 | 7 | 39 | 78 | 19 |
2024 | 8 | 35 | 61 | 21 |
2024 | 9 | 27 | 47 | 19 |
2024 | 10 | 29 | 52 | 17 |
2024 | 11 | 24 | 39 | 16 |
2024 | 12 | 28 | 35 | 18 |
2025 | 1 | 29 | 45 | 22 |
2025 | 2 | 20 | 36 | 4 |
2025 | 3 | 7 | 29 | 1 |
2025 | 4 | 6 | 12 | 4 |
2025 | 5 | 5 | 14 | 3 |
2025 | 6 | 5 | 6 | 4 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 4 | 9 | 3 |
2025 | 9 | 8 | 12 | 6 |
2025 | 10 | 8 | 8 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 558 | 820 |
Year | Month | High | Avg |
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2025 | 7 | 761 | 816 |
Year | Month | High | Avg |
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2025 | 6 | 326 | 711 |
Year | Month | High | Avg |
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2025 | 5 | 596 | 596 |
Year | Month | High | Avg |
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2025 | 3 | 680 | 828 |
Year | Month | High | Avg |
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2025 | 1 | 920 | 920 |
Year | Month | High | Avg |
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2024 | 11 | 855 | 901 |
A truly great sequel that expands upon the friendship that was born in the first picture. Intrepid cop partners Riggs & Murtaugh are on the trail of South African diplomats who are using their diplomatic immunities to engage in criminal activities. With the success of Lethal Weapon in 1987 it ... made common sense to follow it with a sequel. All the same elements were in place, cast, director and writers were all back for another slice of buddy buddy action bonanza. The only change of course is the villains, here represented by Joss Ackland & Derrick O'Connor's weasel South African bastardos. Joe Pesci enters the fray as the comical Leo Getz, a Federal Witness that the cop duo have to "babysit" till trial. Right from the off the tone of the film is set as our ears split and our eyes get dazzled by a high speed car chase. Riggs & Murtaugh are in hot pursuit whilst exchanging a now customary difference of opinion as regards police work. We know they are mates and we know that Riggs is still the lethal weapon and Murtaugh is old school copper. So whilst there's nothing new in that the formula remains the same, the makers do flesh out the relationship more as the film progresses - with one or two scenes absolute gold dust as the boys' lives come under serious threat. We are now, in spite of the carnage that surrounds them, involved with them, yes, such is the charm of their relationship, we do care. It's good writing, regardless of the charges from some quarters that these films are nasty shallow excuses for making money... It's fair to say that this is Gibson's movie, this is because it's written that way. Some of Riggs' back story is filled in and he even gets a love interest in the slender form of Patsy Kensit. Riggs cracks the jokes and does the outrageous mental stuff, while Glover's (still doing fine work in Gibson's shadow) Murtaugh continues to be the counter opposite, with some of the astute written sequences involving Murtaugh and the South African core of the story being excellently handled by Glover. Regardless of character development and nifty political observations, it's the action that dominates proceedings. Director Richard Donner has a wail of a time putting the cast through their paces. There's explosions, fights, shoot-outs, more high speed pursuits, and on it goes till we get to the finale, and it's a potential cliffhanger one too. Two more inferior sequels would follow, all of which still made serious money, but this serves notice of the last time that all the elements came together successfully. A stylish Hollywood action comedy with two impressionable lead actors providing a lesson in on screen chemistry success. 7.5/10
Fun sequel with plenty of action and the teamwork between Gibson and Glover was great. Joe Pesci was fine but kind of got a bit annoying. Still highly entertaining all these years later. ...
"Lethal Weapon 2" has a generous selection of set piece action sequences which usually results in the wholesale destruction of property and all in the name of entertainment. These sequences have been exceptionally well executed and they certainly go towards further enlivening what is an already high ... ly entertaining although not particularly memorable motion picture experience. A lot of the carefully constructed scripting used to establish exactly what is going on is all too eagerly disregarded in favour of the much lazier and undoubtedly the more crowd pleasing option of simply blowing things up or killing a lot of people just for the sake of it. Of course it would be nice if this wasn't always the more commonplace approach in a genre film such as this one.
Flushed with their success from 1987, our intrepid pair of investigators now find themselves embroiled in a cunning smuggling operation being run, they think, out of the diplomatically protected South African consulate. They think this because a previous raid revealed an hoard of Krugerrand and then ... "Murtaugh" (Danny Glover) and his family were quite unceremoniously warned to leave well alone. It's drugs that are the focus of their investigation but how is that getting converted into millions and millions of dollars and how is it to be got out of the USA? "Capt. Murphy" (Steve Kaplan) assigns him and his sparky cohort "Riggs" (Mel Gibson) to protect "Getz" (Joe Pesci) who might just have some clues, but he also has some great big targets on his back and it soon becomes quite a perilous detail. Meantime, the abominably smug "Rudd" (Joss Ackland) directs affairs from the safety of his mission so "Riggs", ever the unorthodox, decides the best way to bypass immunity is to seduce his secretary "Rika" (Patsy Kensit). With the body count mounting and the bullets flying, they have to get a move on before their quarry flees for good. I didn't think this was a patch on the first outing for these two. Despite a quietly menacing effort from Ackland, the rest of this is all really predictable and flat. Pesci is about as versatile as a chocolate fireguard and his constant stream of banal dialogue just sucked what little joy there was here for me out of the window. There simply isn't enough Glover and Gibson to keep it entertaining, and even though there are plenty of light-hearted action scenes it's all just gone a bit too old style "Starsky and Hutch". The writing has lost much of it's sharpness and originality and the cheeky, likeable, elements of "Riggs" character have been replaced by something more aggressive and less enjoyable. It's watchable, but already the franchise is beginning to look tired and repetitive.