Popularity: 2 (history)
Director: | Sam Raimi |
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Writer: | Joshua Goldin, Sam Raimi, Ivan Raimi, Daniel Goldin, Chuck Pfarrer |
Staring: |
Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love. | |
Release Date: | Aug 24, 1990 |
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Director: | Sam Raimi |
Writer: | Joshua Goldin, Sam Raimi, Ivan Raimi, Daniel Goldin, Chuck Pfarrer |
Genres: | Action, Science Fiction, Thriller |
Keywords | mask, corruption, experiment, gangster, superhero, burn, revenge, los angeles, california, scientist, madness, outsider, disfigurement, conflagration |
Production Companies | Universal Pictures, Renaissance Pictures |
Box Office |
Revenue: $48,900,000
Budget: $16,000,000 |
Updates |
Updated: Aug 24, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Liam Neeson | Peyton Westlake / Darkman |
Frances McDormand | Julie Hastings |
Colin Friels | Louis Strack Jr. |
Larry Drake | Robert G. Durant |
Nelson Mashita | Yakitito |
Jessie Lawrence Ferguson | Eddie Black |
Rafael H. Robledo | Rudy Guzman |
Dan Hicks | Skip |
Ted Raimi | Rick |
Dan Bell | Smiley |
Nicholas Worth | Pauly |
Aaron Lustig | Martin Katz |
Arsenio | Hung Fat |
Said Faraj | Convenience Store Clerk |
Nathan Jung | Chinese Warrior |
Professor Toru Tanaka | Chinese Warrior #2 |
John Lisbon Wood | Carnival Booth Attendant |
Frank Noon | Side Show Barker |
William Dear | Limo Driver |
Julius Harris | Gravedigger |
Bridget Hoffman | Computer (Voice) |
Philip A. Gillis | Priest |
Maggie Moore | Nurse |
Carl Bresk | Policeman #1 |
Sean Daniel | Policeman #2 |
John Landis | Physician |
Carrie Hall | Screaming Woman |
John Cameron | Bartender |
Craig Hosking | Helicopter Pilot |
Karl A. Wickman | Police Helicopter Pilot |
Cliff Fleming | Police Helicopter Pilot |
Andy Bale | Dockworker #1 |
Neal McDonough | Dockworker #2 |
Stuart Cornfeld | Dockworker #3 |
William Lustig | Dockworker |
Scott Spiegel | Dockworker |
Cary Tyler | Dockworker #6 |
Charles W. Young | Dockworker with Bullet in Forehead |
Bruce Campbell | Final Shemp |
Jenny Agutter | Burn Doctor (uncredited) |
Ethan Coen | Oldsmobile Passenger (uncredited) |
Joel Coen | Oldsmobile Driver (uncredited) |
Tau Logo | Chinese Warrior #3 (uncredited) |
Josh Becker | Carnival Goer (uncredited) |
Jorga Caye | Parking Lot (uncredited) |
Christopher Doyle | Goon at Construction Site (uncredited) |
Troy Fromin | Durant's Henchman (uncredited) |
Tony Gardner | Burn Ward Nurse / Lizard Man (uncredited) |
Name | Job |
---|---|
Joshua Goldin | Screenplay |
Sam Raimi | Story, Director, Screenplay |
Ivan Raimi | Screenplay |
Danny Elfman | Original Music Composer |
Grania Preston | Costume Design |
Julie Kaye Fanton | Set Decoration |
Patricia Whitcher | Production Manager |
Phil Dagort | Art Direction |
Daniel Goldin | Screenplay |
Bud S. Smith | Editor, Supervising Editor |
David Stiven | Editor |
Dante Cardone | Gaffer |
Robert Skotak | Visual Effects Supervisor |
Paul Hellerman | Production Manager |
Julia Gibson | Visual Effects Producer |
Terry Rodman | Supervising Sound Editor |
Thomas Fichter | Assistant Art Director |
Jeffrey Wilhoit | Foley |
Bob Badami | Music Editor |
Corinne Saaranen-Welch | Script Supervisor |
Robert Thirlwell | Sound Re-Recording Mixer |
Ginni Barr | Set Designer |
Gary D. Scott | First Assistant Camera |
Kristin Smith | Production Coordinator |
Barbara A. Bordo | Painter |
Kirk Corwin | Property Master |
Deborah K. Larsen | Key Makeup Artist |
Allan Johnson | Carpenter |
Thomas D. Krausz | Propmaker |
John Smart | Set Dresser |
Pete von Sholly | Storyboard Artist |
Kim Heath | Grip |
Wayne Kosky | Rigging Grip |
Scott Sproule | Rigging Grip |
Steve Dunham | Mechanical Designer |
Ric Scott | VFX Artist, Storyboard Artist, Special Effects Technician |
Marcus Tate | Visual Effects Camera |
Kendall Nishimine | Visual Effects |
Joseph A. Mayer | ADR Editor |
Bill Voigtlander | ADR Supervisor |
Alan Holly | Foley Mixer |
David A. Arnold | Sound Editor |
Steve Mann | Sound Effects Editor, Sound Editor |
Michael D. Wilhoit | Sound Supervisor |
Jody Fedele | Assistant Editor |
April A. Janow | First Assistant Accountant |
George Denes Suhayda | Set Designer |
Elizabeth Flaherty | Art Department Coordinator |
Tim Donahue | Visual Effects Art Director |
Michael Paul Clausen | Assistant Art Director |
Frank M. Holgate | Helicopter Camera |
Lisa Burnett | Set Costumer |
Dan Wallin | Sound Re-Recording Mixer |
Max Pomerleau | Gaffer |
Richard Alderete | First Assistant Editor |
Tony Didio Jr. | Armorer |
Susan Exton-Stranks | Hair Department Head |
Michele Poulik | Assistant Set Decoration |
David McKlveen | Construction Foreman |
Edmond Scott Ratliff | Set Dresser |
Kurt Grossi | Grip |
Brad Wood | Rigging Grip |
Tony Jefferson | Rigging Grip |
Randy Simper | Mechanical Designer |
Caleb Chung | Mechanical Designer |
Roger McCoin | Mechanical Designer |
Werner Hahnlein | Special Effects Technician |
John P. Mesa | Visual Effects Camera |
Tom Boucher | Visual Effects |
Christina Tucker | ADR Mixer |
Jill Smith | Assistant Sound Editor |
Pat Carol | Foley |
Dino DiMuro | Sound Effects Editor, Sound Editor |
Don Summer | Sound Mixer |
Kathie Weaver | Additional Editor |
Darrin Navarro | Assistant Editor |
Tom Prince | Production Executive |
Sherry Peterson | Stunts |
Gerrit V. Folsom | Location Manager |
Stacy Ivers | Unit Publicist |
William Mesa | Visual Effects Supervisor |
Lynda Foote | Set Costumer |
Larry Hamlin | Makeup Artist, Special Effects Makeup Artist |
Matthew Iadarola | Sound Re-Recording Mixer |
James Moriana | Foley |
Jammie Friday | Animation |
Issy Shabtay | Production Manager |
Ron Ervin | Construction Foreman |
Daryl Kass | Line Producer |
Harry Hauss | Pilot |
Scott Javine | First Assistant Director |
John Harrington | Assistant Property Master |
Scott Meehan | Construction Coordinator |
Christopher Gilman | Props |
Janet Kusnick | Storyboard Artist |
Kevin 'Rambo' Fitzgerald | Grip |
Tim Durr | Grip |
Gary Drew | Rigging Grip |
László Regos | Steadicam Operator |
Evan Brainard | Mechanical Designer |
Steve Frakes | Mechanical Designer |
Michael Lawler | Visual Effects Camera |
Andrea Horta | ADR Editor |
Jeff Courtie | ADR Mixer |
Robert Batha | Assistant Sound Editor |
John Murray | Foley Supervisor |
Neal Burger | Sound Editor |
Patrick O'Sullivan | Sound Editor |
Debbie DeRango | Casting Assistant |
M. Scott Smith | Supervising Editor |
Francis R. Mahony III | Second Assistant Director |
Lane Leavitt | Stunts |
Chuck Pfarrer | Screenplay |
Bill Pope | Director of Photography |
Randy Ser | Production Design |
Gary Frutkoff | Assistant Art Director |
Roger Nall | Scenic Artist |
Mark A. Lanza | Sound Editor, Sound Effects Editor |
Craig Barron | Visual Effects Supervisor |
Melinda Sue Gordon | Still Photographer |
Nancy Nayor | Casting |
Steve Bartek | Orchestrator |
Pablo Ferro | Title Designer |
Doug Beswick | Mechanical Designer |
Tony Gardner | Special Effects Makeup Artist |
Mark P. Stoeckinger | ADR Editor |
Kevin Hearst | Sound Editor |
Scott Martin Gershin | Sound Editor |
Debbie Evans | Stunts |
Gene LeBell | Stunts |
Barbara Anne Klein | Utility Stunts |
Manny Perry | Stunts |
Gregory J. Barnett | Stunts |
Chuck Borden | Stunts |
Allan Graf | Stunts |
Tim Trella | Stunts |
John Casino | Stunts |
Bob Murawski | Editor, Assistant Editor |
Christopher Doyle | Stunt Coordinator |
George B. Colucci Jr. | Stunt Double |
Dennis Madalone | Stunts |
David Pollison | Production Assistant |
Name | Title |
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Robert Tapert | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 27 | 49 | 17 |
2024 | 5 | 29 | 56 | 16 |
2024 | 6 | 21 | 30 | 15 |
2024 | 7 | 24 | 41 | 15 |
2024 | 8 | 20 | 28 | 12 |
2024 | 9 | 18 | 39 | 10 |
2024 | 10 | 17 | 26 | 12 |
2024 | 11 | 14 | 20 | 9 |
2024 | 12 | 15 | 22 | 10 |
2025 | 1 | 19 | 39 | 11 |
2025 | 2 | 12 | 17 | 3 |
2025 | 3 | 6 | 17 | 1 |
2025 | 4 | 3 | 7 | 1 |
2025 | 5 | 3 | 7 | 2 |
2025 | 6 | 2 | 5 | 2 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 716 | 827 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 270 | 725 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 939 | 951 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 708 | 764 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 932 | 950 |
Year | Month | High | Avg |
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2025 | 4 | 979 | 985 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 627 | 783 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 720 | 769 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 815 | 884 |
Enter Darkman. Sam Raimi’s trial run for the Spider-Man franchise is a whole bunch of fun. Liam Neeson plays Dr. Peyton Westlake, a super scientist who after a major run-in with the villainous Robert G. Durant (Larry Drake), reinvents himself as Darkman, a super-anti-hero who sets about ridding L ... .A. of its mobsters. It’s a comic book film that isn’t based on a comic book, Raimi inventing his own tortured protagonist whilst homaging similar beings of eras past. All the silliness of such fare is here of course, overblown violence and colourful characters are frequent, but there’s good thought gone into the revenge theme, while the action sequences are often excellent. The pace hardly sags, as Raimi’s creations move about a Los Angeles that is equally decaying or affluent, and in Neeson the story has a lead actor with swagger, pathos and emotional force in abundance. 7/10
Full Review: https://open.spotify.com/episode/6ODe6zr5oNHl6lkcjoOcPB?si=0aad71ce959743a3 I recently rewatched Darkman and there is just so much to like about this movie. In comparison to today's superhero overdose, Darkman just sticks to the basics and tells an incredible emotional and captiv ... ating story which is real. No over the top CGI, no storylines forced in by studio producers, not really any characters used just as a device, no cut scenes of blatant Easter Eggs and no political agenda in sight. Comedy is used appropriately and not to undercut the tone of particular scenes and characters. I really miss these kind of movies in today's superhero landscape. I do like the MCU and how they bought these comic book characters to screen, but after watching Darkman (after about 15 years or so) the MCU are doing so much wrong. I loved you could just watch this movie and not have to worry about what is means to the overarching story or where this story and character fit into the larger universe. It also did such a great job of focusing purely on one character and the journey through the pain he has to go through. I love this movie, it's one of those movies which will always stick in my memory. It's a real testament to great film making and knowing what works.
This is interesting... this is one of those B-Movie gems that is packed full of pro-talent before they really became pro-talent. And that is right down to the Cohens who did uncredited script polishing. This is worth the watch, even if you are one of those people that hates B-movies... wrongly ha ... tes. And, it's a comic book movie, it is over the top, it is campy, it packs serious action into a short little plot that still manages to be compelling. The MCU could take lessons on story crafting from this.
Seen this one a few times over the years and while some scenes were really cheesy due to the visual effects of that era, it still is quite entertaining and solid performances from Neeson and McDormand even with some of the overly dramatic dialogue especially from Neeson. Fine way to spend 90-minutes ... still.