Menu
Darkman Poster

Darkman

They destroyed everything he had, everything he was. Now, crime has a new enemy and justice has a new face.
1990 | 95m | English

(73297 votes)

TMDb IMDb

Popularity: 2 (history)

Details

Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
Release Date: Aug 24, 1990
Director: Sam Raimi
Writer: Joshua Goldin, Sam Raimi, Ivan Raimi, Daniel Goldin, Chuck Pfarrer
Genres: Action, Science Fiction, Thriller
Keywords mask, corruption, experiment, gangster, superhero, burn, revenge, los angeles, california, scientist, madness, outsider, disfigurement, conflagration
Production Companies Universal Pictures, Renaissance Pictures
Box Office Revenue: $48,900,000
Budget: $16,000,000
Updates Updated: Aug 24, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Liam Neeson Peyton Westlake / Darkman
Frances McDormand Julie Hastings
Colin Friels Louis Strack Jr.
Larry Drake Robert G. Durant
Nelson Mashita Yakitito
Jessie Lawrence Ferguson Eddie Black
Rafael H. Robledo Rudy Guzman
Dan Hicks Skip
Ted Raimi Rick
Dan Bell Smiley
Nicholas Worth Pauly
Aaron Lustig Martin Katz
Arsenio Hung Fat
Said Faraj Convenience Store Clerk
Nathan Jung Chinese Warrior
Professor Toru Tanaka Chinese Warrior #2
John Lisbon Wood Carnival Booth Attendant
Frank Noon Side Show Barker
William Dear Limo Driver
Julius Harris Gravedigger
Bridget Hoffman Computer (Voice)
Philip A. Gillis Priest
Maggie Moore Nurse
Carl Bresk Policeman #1
Sean Daniel Policeman #2
John Landis Physician
Carrie Hall Screaming Woman
John Cameron Bartender
Craig Hosking Helicopter Pilot
Karl A. Wickman Police Helicopter Pilot
Cliff Fleming Police Helicopter Pilot
Andy Bale Dockworker #1
Neal McDonough Dockworker #2
Stuart Cornfeld Dockworker #3
William Lustig Dockworker
Scott Spiegel Dockworker
Cary Tyler Dockworker #6
Charles W. Young Dockworker with Bullet in Forehead
Bruce Campbell Final Shemp
Jenny Agutter Burn Doctor (uncredited)
Ethan Coen Oldsmobile Passenger (uncredited)
Joel Coen Oldsmobile Driver (uncredited)
Tau Logo Chinese Warrior #3 (uncredited)
Josh Becker Carnival Goer (uncredited)
Jorga Caye Parking Lot (uncredited)
Christopher Doyle Goon at Construction Site (uncredited)
Troy Fromin Durant's Henchman (uncredited)
Tony Gardner Burn Ward Nurse / Lizard Man (uncredited)
Name Job
Joshua Goldin Screenplay
Sam Raimi Story, Director, Screenplay
Ivan Raimi Screenplay
Danny Elfman Original Music Composer
Grania Preston Costume Design
Julie Kaye Fanton Set Decoration
Patricia Whitcher Production Manager
Phil Dagort Art Direction
Daniel Goldin Screenplay
Bud S. Smith Editor, Supervising Editor
David Stiven Editor
Dante Cardone Gaffer
Robert Skotak Visual Effects Supervisor
Paul Hellerman Production Manager
Julia Gibson Visual Effects Producer
Terry Rodman Supervising Sound Editor
Thomas Fichter Assistant Art Director
Jeffrey Wilhoit Foley
Bob Badami Music Editor
Corinne Saaranen-Welch Script Supervisor
Robert Thirlwell Sound Re-Recording Mixer
Ginni Barr Set Designer
Gary D. Scott First Assistant Camera
Kristin Smith Production Coordinator
Barbara A. Bordo Painter
Kirk Corwin Property Master
Deborah K. Larsen Key Makeup Artist
Allan Johnson Carpenter
Thomas D. Krausz Propmaker
John Smart Set Dresser
Pete von Sholly Storyboard Artist
Kim Heath Grip
Wayne Kosky Rigging Grip
Scott Sproule Rigging Grip
Steve Dunham Mechanical Designer
Ric Scott VFX Artist, Storyboard Artist, Special Effects Technician
Marcus Tate Visual Effects Camera
Kendall Nishimine Visual Effects
Joseph A. Mayer ADR Editor
Bill Voigtlander ADR Supervisor
Alan Holly Foley Mixer
David A. Arnold Sound Editor
Steve Mann Sound Effects Editor, Sound Editor
Michael D. Wilhoit Sound Supervisor
Jody Fedele Assistant Editor
April A. Janow First Assistant Accountant
George Denes Suhayda Set Designer
Elizabeth Flaherty Art Department Coordinator
Tim Donahue Visual Effects Art Director
Michael Paul Clausen Assistant Art Director
Frank M. Holgate Helicopter Camera
Lisa Burnett Set Costumer
Dan Wallin Sound Re-Recording Mixer
Max Pomerleau Gaffer
Richard Alderete First Assistant Editor
Tony Didio Jr. Armorer
Susan Exton-Stranks Hair Department Head
Michele Poulik Assistant Set Decoration
David McKlveen Construction Foreman
Edmond Scott Ratliff Set Dresser
Kurt Grossi Grip
Brad Wood Rigging Grip
Tony Jefferson Rigging Grip
Randy Simper Mechanical Designer
Caleb Chung Mechanical Designer
Roger McCoin Mechanical Designer
Werner Hahnlein Special Effects Technician
John P. Mesa Visual Effects Camera
Tom Boucher Visual Effects
Christina Tucker ADR Mixer
Jill Smith Assistant Sound Editor
Pat Carol Foley
Dino DiMuro Sound Effects Editor, Sound Editor
Don Summer Sound Mixer
Kathie Weaver Additional Editor
Darrin Navarro Assistant Editor
Tom Prince Production Executive
Sherry Peterson Stunts
Gerrit V. Folsom Location Manager
Stacy Ivers Unit Publicist
William Mesa Visual Effects Supervisor
Lynda Foote Set Costumer
Larry Hamlin Makeup Artist, Special Effects Makeup Artist
Matthew Iadarola Sound Re-Recording Mixer
James Moriana Foley
Jammie Friday Animation
Issy Shabtay Production Manager
Ron Ervin Construction Foreman
Daryl Kass Line Producer
Harry Hauss Pilot
Scott Javine First Assistant Director
John Harrington Assistant Property Master
Scott Meehan Construction Coordinator
Christopher Gilman Props
Janet Kusnick Storyboard Artist
Kevin 'Rambo' Fitzgerald Grip
Tim Durr Grip
Gary Drew Rigging Grip
László Regos Steadicam Operator
Evan Brainard Mechanical Designer
Steve Frakes Mechanical Designer
Michael Lawler Visual Effects Camera
Andrea Horta ADR Editor
Jeff Courtie ADR Mixer
Robert Batha Assistant Sound Editor
John Murray Foley Supervisor
Neal Burger Sound Editor
Patrick O'Sullivan Sound Editor
Debbie DeRango Casting Assistant
M. Scott Smith Supervising Editor
Francis R. Mahony III Second Assistant Director
Lane Leavitt Stunts
Chuck Pfarrer Screenplay
Bill Pope Director of Photography
Randy Ser Production Design
Gary Frutkoff Assistant Art Director
Roger Nall Scenic Artist
Mark A. Lanza Sound Editor, Sound Effects Editor
Craig Barron Visual Effects Supervisor
Melinda Sue Gordon Still Photographer
Nancy Nayor Casting
Steve Bartek Orchestrator
Pablo Ferro Title Designer
Doug Beswick Mechanical Designer
Tony Gardner Special Effects Makeup Artist
Mark P. Stoeckinger ADR Editor
Kevin Hearst Sound Editor
Scott Martin Gershin Sound Editor
Debbie Evans Stunts
Gene LeBell Stunts
Barbara Anne Klein Utility Stunts
Manny Perry Stunts
Gregory J. Barnett Stunts
Chuck Borden Stunts
Allan Graf Stunts
Tim Trella Stunts
John Casino Stunts
Bob Murawski Editor, Assistant Editor
Christopher Doyle Stunt Coordinator
George B. Colucci Jr. Stunt Double
Dennis Madalone Stunts
David Pollison Production Assistant
Name Title
Robert Tapert Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 27 49 17
2024 5 29 56 16
2024 6 21 30 15
2024 7 24 41 15
2024 8 20 28 12
2024 9 18 39 10
2024 10 17 26 12
2024 11 14 20 9
2024 12 15 22 10
2025 1 19 39 11
2025 2 12 17 3
2025 3 6 17 1
2025 4 3 7 1
2025 5 3 7 2
2025 6 2 5 2
2025 7 2 2 1
2025 8 2 3 1
2025 9 2 3 2

Trending Position


Year Month High Avg
2025 9 716 827
Year Month High Avg
2025 8 270 725
Year Month High Avg
2025 7 939 951
Year Month High Avg
2025 6 708 764
Year Month High Avg
2025 5 932 950
Year Month High Avg
2025 4 979 985
Year Month High Avg
2025 3 627 783
Year Month High Avg
2025 1 720 769
Year Month High Avg
2024 8 815 884

Return to Top

Reviews

John Chard
7.0

Enter Darkman. Sam Raimi’s trial run for the Spider-Man franchise is a whole bunch of fun. Liam Neeson plays Dr. Peyton Westlake, a super scientist who after a major run-in with the villainous Robert G. Durant (Larry Drake), reinvents himself as Darkman, a super-anti-hero who sets about ridding L ... .A. of its mobsters. It’s a comic book film that isn’t based on a comic book, Raimi inventing his own tortured protagonist whilst homaging similar beings of eras past. All the silliness of such fare is here of course, overblown violence and colourful characters are frequent, but there’s good thought gone into the revenge theme, while the action sequences are often excellent. The pace hardly sags, as Raimi’s creations move about a Los Angeles that is equally decaying or affluent, and in Neeson the story has a lead actor with swagger, pathos and emotional force in abundance. 7/10

May 16, 2024
d54.pod
10.0

Full Review: https://open.spotify.com/episode/6ODe6zr5oNHl6lkcjoOcPB?si=0aad71ce959743a3 I recently rewatched Darkman and there is just so much to like about this movie. In comparison to today's superhero overdose, Darkman just sticks to the basics and tells an incredible emotional and captiv ... ating story which is real. No over the top CGI, no storylines forced in by studio producers, not really any characters used just as a device, no cut scenes of blatant Easter Eggs and no political agenda in sight. Comedy is used appropriately and not to undercut the tone of particular scenes and characters. I really miss these kind of movies in today's superhero landscape. I do like the MCU and how they bought these comic book characters to screen, but after watching Darkman (after about 15 years or so) the MCU are doing so much wrong. I loved you could just watch this movie and not have to worry about what is means to the overarching story or where this story and character fit into the larger universe. It also did such a great job of focusing purely on one character and the journey through the pain he has to go through. I love this movie, it's one of those movies which will always stick in my memory. It's a real testament to great film making and knowing what works.

Sep 03, 2022
GenerationofSwine
10.0

This is interesting... this is one of those B-Movie gems that is packed full of pro-talent before they really became pro-talent. And that is right down to the Cohens who did uncredited script polishing. This is worth the watch, even if you are one of those people that hates B-movies... wrongly ha ... tes. And, it's a comic book movie, it is over the top, it is campy, it packs serious action into a short little plot that still manages to be compelling. The MCU could take lessons on story crafting from this.

Jan 11, 2023
JPV852
7.0

Seen this one a few times over the years and while some scenes were really cheesy due to the visual effects of that era, it still is quite entertaining and solid performances from Neeson and McDormand even with some of the overly dramatic dialogue especially from Neeson. Fine way to spend 90-minutes ... still.

Feb 18, 2024