Popularity: 16 (history)
| Director: | Denis Villeneuve |
|---|---|
| Writer: | Frank Herbert, Denis Villeneuve, Jon Spaihts |
| Staring: |
| Follow the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, Paul endeavors to prevent a terrible future only he can foresee. | |
| Release Date: | Feb 27, 2024 |
|---|---|
| Director: | Denis Villeneuve |
| Writer: | Frank Herbert, Denis Villeneuve, Jon Spaihts |
| Genres: | Adventure, Science Fiction |
| Keywords | based on novel or book, fight, sandstorm, chosen one, sand, spice, politics, cult, epic, sequel, romance, tragic hero, tragedy, distant future, creature, planet, desert, destiny, giant worm, space opera, sand dune, allegorical, messiah, fall from grace, vengeance, religious allegory, giant creature, power, violence, intense, ambiguous, antagonistic, audacious, exuberant, melodramatic |
| Production Companies | Legendary Pictures |
| Box Office |
Revenue: $714,444,358
Budget: $190,000,000 |
| Updates |
Updated: Aug 03, 2025 Entered: Apr 25, 2024 |
| Name | Character |
|---|---|
| Timothée Chalamet | Paul Atreides |
| Zendaya | Chani |
| Rebecca Ferguson | Jessica |
| Javier Bardem | Stilgar |
| Josh Brolin | Gurney Halleck |
| Austin Butler | Feyd-Rautha |
| Florence Pugh | Princess Irulan |
| Dave Bautista | Beast Rabban |
| Christopher Walken | Emperor |
| Léa Seydoux | Lady Margot Fenring |
| Stellan Skarsgård | Baron Harkonnen |
| Charlotte Rampling | Reverend Mother Mohiam |
| Souheila Yacoub | Shishakli |
| Roger Yuan | Lanville |
| Babs Olusanmokun | Jamis |
| Alison Halstead | Maker Keeper |
| Giusi Merli | Reverend Mother Ramallo |
| Kait Tenison | Bene Gesserit Sister |
| Tara Breathnach | Bene Gesserit Sister |
| Akiko Hitomi | Bene Gesserit Sister |
| Imola Gáspár | Watermaster |
| Alison Adnet | Young Fremen Patrol |
| Hamza Baissa | Young Fremen Patrol |
| Hassan Najib | Young Fremen Patrol |
| Jasper Ryan-Cater | Young Fremen Patrol |
| Omar Elbooz | Young Fremen Patrol |
| Abdelkarim Hussein Seli Mohamed Hassanin | Young Fremen Patrol |
| Joseph Beddelem | Fedaykin Leader |
| Xavier Alba Royo | Fedaykin |
| Rachid Abbad | Fedaykin |
| Affif Ben Badra | Fedaykin |
| Botond Bóta | Fedaykin |
| Abdelaziz Boumane | Fedaykin |
| Abdellah Echahbi | Fedaykin |
| Zouhair Elakkari | Fedaykin |
| Noureddine Hajoujou | Fedaykin |
| Mohamed Mouraoui | Fedaykin |
| Adil Achraf Sayd | Fedaykin |
| Hamza Sayd | Fedaykin |
| Hopi Grace | Fremen Nun |
| Havin Fathi | Fremen Nun |
| Kincsö Pethö | Fremen Nun |
| Cat Simmons | Young Nun |
| Burt Caesar | Devotee |
| Remi Fadare | Devotee |
| Amer El-Erwadi | Huge Fighter |
| Tedroy Newell | Fremen Onlooker |
| Oxa Hazel | Fremen Onlooker |
| Hajiyeva Pakiza | Fremen Onlooker |
| Leon Herbert | Oldest Elder |
| Sima Rostami | Female Elder |
| Yvonne Campbell | Elder |
| Joseph Charles | Elder |
| Vic Zander | Elder |
| Dylan Baldwin | Harkonnen Translator |
| Marcia Tucker | Old Wounded Woman |
| Nicola Brome | Wounded Fremen |
| Kathy Owen | Wounded Fremen |
| Huw Novelli | Fundamentalist Fighter |
| Moe Bar-El | Fundamentalist Fighter |
| Serhat Metin | Fundamentalist Fighter |
| Amra Mallassi | Fundamentalist Fighter |
| Adam Bloom | Fundamentalist Fighter |
| Luis Alkmim | Sentinel Leader |
| Jordan Long | Smuggler Driver |
| Omar A.K. | Wounded Smuggler |
| Zdeněk Dvořáček | Arena Gladiator |
| Billy Clements | Arena Gladiator |
| Anton Valensi | Harkonnen Commander |
| Lex Daniel | Harkonnen Commander |
| Dominic McHale | Harkonnen Commander |
| Paul Boyle | Harkonnen Commander |
| Niall White | Ornithopter Military Pilot |
| Tony Cook | Harkonnen Scanner Operator |
| Gábor Szemán | Harkonnen Officer |
| Jonathan Gunning | Game Supervisor |
| Will Irvine | Slave Master |
| Alan Mehdizadeh | Weapon Master |
| Rex Adams | Harpy |
| Molly Mcowan | Harpy |
| Ana Cilas | Harpy |
| Kajsa Mohammar | Feyd-Rautha's Attendant |
| Sára Bácsfalvi | Feyd-Rautha's Attendant |
| Zsófia Kocsis | Feyd-Rautha's Attendant |
| Matthew Sim | Spice Steward |
| Steve Wall | Bashar |
| Italo Amerighi | Imperial Council |
| Tim Hilborne | Imperial Council |
| Cecile Sinclair | Imperial Council |
| Tracy Coogan | Imperial Servant |
| Zoe Kata Kaska | Baby Jessica |
| Jimmy Walker | Baron Proxy |
| Rand Faris | Female Fremen Fighter |
| Fouad Humaidan | Male Fremen Fighter |
| Manaf Irani | Male Fremen Fighter |
| Dora Kápolnai-Schvab | Baron Servant |
| Joelle | Baron Servant |
| Anya Taylor-Joy | Alia Atreides (uncredited) |
| Peter Sztojanov, Jr. | Emperor's Elite Sardaukar (uncredited) |
| Name | Job |
|---|---|
| Omer Benyamin | Additional Music |
| Steven Doar | Additional Music |
| Tanya Lapointe | Second Unit Director |
| Abimanyu Khatman Zakaria | Sound Designer |
| Samantha Thompson | Visual Effects Coordinator |
| Stephen James | Visual Effects Supervisor |
| Paul Lambert | Visual Effects Supervisor |
| Tom Brown | Supervising Art Director |
| Miklós Hatvani-Deàk | Art Direction |
| Adorjan Portik | Art Direction |
| Jessica Derhammer | Unit Production Manager |
| Ines Rose | Art Direction Intern |
| Nancy Case | Casting Assistant |
| Louis Clark | Third Assistant Director |
| Vera Janisch | Second Second Assistant Director |
| George Max Trummler | Third Assistant Director |
| Dale Bartlett | Sound Re-Recording Mixer |
| Gareth John | Production Sound Mixer |
| Kane Rodrigues | Sound Mixer |
| Dave Whitehead | Sound Designer |
| Zsófia Kocsis | Stunt Double |
| Cyrus Leisy | Stunts |
| Richárd Nagy | Stunt Double |
| Lorenz Hideyoshi Ruwwe | Stunt Double |
| Belle Williams | Stunt Double |
| Megan Norris | Key Hair Stylist |
| Muhammad Rasheed | Makeup Artist |
| Zeina Soufan | Costume Supervisor |
| Jason Ewart | Steadicam Operator, "A" Camera Operator |
| Vilmos Keszler | Grip |
| Jamie Mills | Gaffer |
| Gergo Vasari | Grip |
| Tamás 'Chipie' Péter | First Assistant Director |
| Athina Sapanidis | Prosthetic Makeup Artist |
| Brogan Sharp | Prosthetic Makeup Artist |
| Sleiman Tadros | Prosthetic Makeup Artist |
| Laura Papp | Prosthetic Makeup Artist |
| Hanna Máté | Prosthetic Makeup Artist |
| Barbara Kund | Prosthetic Makeup Artist |
| Yazan Abu Jafar | Set Dresser |
| Abed Jarekji | Lead Set Dresser |
| Rachid Abbad | Stunts |
| Ray Beentjes | Dialogue Editor |
| Murat Çelikkol | ADR Mixer |
| Freya Clarke | First Assistant Sound Editor |
| Hayden Collow | Sound Effects Editor |
| Alexis Feodoroff | Sound Editor |
| Christopher Flick | Foley Supervisor |
| Tavish Grade | Foley Mixer |
| Michael W. Mitchell | Sound Effects Editor |
| Stefanie Ng | Dialogue Editor |
| Dan O'Connell | Foley Artist |
| Willard Overstreet | Foley Editor |
| Matt Stutter | Sound Effects Editor |
| Chris Terhune | Sound Effects Editor |
| Jordane Chedotal | Set Dresser |
| Janka Erdely | Set Designer |
| Elias Jaber | Set Dresser |
| Magdi Kondorosi | Set Decoration Buyer |
| Betti Unterlauf | Set Designer |
| Stefanie Übelhör | Assistant Art Director |
| Tarik Afifi | First Assistant Director |
| Thibault Chiron | Stunt Double |
| János Henk | Stunts |
| Alex Jay | Stunt Double |
| Sándor Mike | Stunts |
| Gábor Szemán | Stunt Double |
| Miklos Bajus | Special Effects Technician |
| Stephan Galliant | Special Effects Technician |
| Rafiq Kamhawi | Special Effects Coordinator |
| Mate Kantor | Special Effects Technician |
| Adam Konrath | Special Effects Technician |
| Oliver Laude | Special Effects Technician |
| Luca Nefzer | Special Effects Technician |
| Roman Remer | Special Effects Coordinator |
| Ruben Teshmar | Special Effects Technician |
| Gary Couto | Visual Effects Supervisor |
| Johnny Fehr | VFX Artist |
| Nelson Fernandes | VFX Artist |
| Michael Grobe | Visual Effects Supervisor |
| Max Hicks | VFX Artist |
| Louis-Charles Lapointe | Visual Effects Producer |
| Jake Maymudes | Visual Effects Producer |
| Shrijeet Modi | Visual Effects Producer |
| Max Rees | Visual Effects Producer |
| Rhys Salcombe | Visual Effects Supervisor |
| Igor Siniatulov | VFX Artist |
| Frank Herbert | Novel |
| Joe Walker | Editor |
| Ron Bartlett | Sound Re-Recording Mixer |
| Greig Fraser | Director of Photography |
| Jacqueline West | Costume Design |
| Donald Mowat | Prosthetic Designer, Makeup Department Head, Hair Designer |
| Patrice Vermette | Production Design |
| Gerd Nefzer | Special Effects Supervisor |
| Francine Maisler | Casting |
| Lee Morrison | Stunt Coordinator |
| Dixie Chassay | Casting |
| Rob de Groot | Stunt Double |
| Domonkos Párdányi | Stunt Coordinator |
| Magdalena Šittová | Stunt Double |
| Marek Svitek | Stunt Double |
| Craig Mazin | Additional Writing |
| Richard King | Supervising Sound Editor |
| Arnaud Brisebois | Visual Effects Supervisor |
| George Hull | Concept Artist |
| Darnell Appling | Actor's Assistant |
| Denis Villeneuve | Screenplay, Director |
| Jon Spaihts | Screenplay |
| Hans Zimmer | Original Music Composer |
| Shane Vieau | Set Decoration |
| Roger Yuan | Fight Choreographer |
| Lisa Gerrard | Vocals |
| Ed Natividad | Concept Artist |
| Matt Craufurd | Location Manager |
| Matt Cooper | Unit Manager |
| Chris Rosewarne | Concept Artist |
| Doug Hemphill | Sound Re-Recording Mixer |
| Andrew Ackland-Snow | Art Direction |
| Larissa Lowthorp | Creative Director |
| Tom Edmondson | Second Unit First Assistant Director |
| John Wesley DeWolfe | Camera Technician |
| Toby Hefferman | First Assistant Director |
| Miklós Szentváry-Lukács | Stunt Double |
| Vi-Dan Tran | Fight Choreographer |
| Name | Title |
|---|---|
| Jessica Derhammer | Co-Producer |
| Kim Herbert | Executive Producer |
| John Harrison | Executive Producer |
| Kim Allison-Hèbert | Executive Producer |
| Patrick McCormick | Producer |
| Brian Herbert | Executive Producer |
| Mary Parent | Producer |
| Tanya Lapointe | Producer |
| Cale Boyter | Producer |
| Byron Merritt | Executive Producer |
| Jon Spaihts | Executive Producer |
| Herb Gains | Executive Producer |
| Joshua Grode | Executive Producer |
| Thomas Tull | Executive Producer |
| Richard P. Rubinstein | Executive Producer |
| Denis Villeneuve | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2873 | 4742 | 1395 |
| 2024 | 5 | 1175 | 1769 | 791 |
| 2024 | 6 | 739 | 1010 | 475 |
| 2024 | 7 | 417 | 602 | 301 |
| 2024 | 8 | 274 | 345 | 214 |
| 2024 | 9 | 218 | 349 | 172 |
| 2024 | 10 | 222 | 395 | 155 |
| 2024 | 11 | 224 | 431 | 161 |
| 2024 | 12 | 237 | 431 | 189 |
| 2025 | 1 | 239 | 338 | 160 |
| 2025 | 2 | 162 | 225 | 32 |
| 2025 | 3 | 75 | 372 | 4 |
| 2025 | 4 | 30 | 39 | 25 |
| 2025 | 5 | 32 | 50 | 25 |
| 2025 | 6 | 35 | 68 | 21 |
| 2025 | 7 | 24 | 33 | 19 |
| 2025 | 8 | 22 | 48 | 17 |
| 2025 | 9 | 17 | 26 | 14 |
| 2025 | 10 | 18 | 21 | 16 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 41 | 138 |
| Year | Month | High | Avg |
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| 2025 | 9 | 42 | 121 |
| Year | Month | High | Avg |
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| 2025 | 8 | 40 | 100 |
| Year | Month | High | Avg |
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| 2025 | 7 | 26 | 88 |
| Year | Month | High | Avg |
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| 2025 | 6 | 37 | 110 |
| Year | Month | High | Avg |
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| 2025 | 5 | 38 | 108 |
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| 2025 | 4 | 25 | 93 |
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| 2025 | 3 | 10 | 68 |
| Year | Month | High | Avg |
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| 2025 | 2 | 19 | 50 |
| Year | Month | High | Avg |
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| 2025 | 1 | 6 | 32 |
| Year | Month | High | Avg |
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| 2024 | 12 | 12 | 36 |
| Year | Month | High | Avg |
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| 2024 | 11 | 26 | 45 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 31 | 115 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 16 | 38 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 22 | 32 |
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/dune-part-two-review-the-new-generational-epitome-of-sci-fi-epics/ "Dune: Part Two surpasses even the highest expectations, establishing itself as an unquestionable technical masterpiece of blockbuster filmmaking. With a narrative that deepen ... s the complex web of political relationships, power, faith, love, and destiny, it not only provides a breathtaking audiovisual spectacle, thanks to the genius of Denis Villeneuve, Greig Fraser, and Hans Zimmer, but it also offers a profound meditation on universal human themes through thematically rich world-building and thoroughly developed characters. The superb performances of the entire cast, led by a career-best Timothée Chalamet and a mesmerizing Zendaya, further elevate this incredibly immersive cinematic experience. It warrants comparisons with the greatest sequels in history, easily becoming the new generational epitome of sci-fi epics." Rating: A+
As anticipated, a thrilling watch! I enjoyed <em>'Dune'</em>, though remember thinking it was obviously a complete set-up to a sequel and that this would only improve upon its predecessor - and that's very much the case. <em>'Dune: Part Two'</em> is excellent! My interest did wane slightly at rou ... ghly the middle part, as was similarly the case with the first film in truth, but that was a feeling that only lasted for a relativiely short time. All in all, it's fantastic. The acting is top notch, the visuals are breathtaking <em>(those sandworms tho)</em> and the score is outstandingly hefty - you can always rely on the great Hans Zimmer! Timothée Chalamet stars yet again, as do the likes of Rebecca Ferguson, Zendaya, Dave Bautista & Co. The person I actually enjoyed most on screen was Javier Bardem, who is truly brilliant throughout. Bring on <em>'Dune Messiah'</em>! On that note, happy to read that director Denis Villeneuve has noted that he won't be rushing that one out - and rightly so!
This is certainly a great looking film to see on a big screen with some really effective, almost industrially sounding, audio - but what happened to the story? It's wafer thin and really stretched out for 2¾ hours. We pick up with "Paul" (Timothée Chalamet) and his mother (Rebecca Ferguson) trying t ... o convince the "Fremen" that they are worth the hassle. Fortunately, leader "Stilgar" (Javier Bardem) is convinced of the messianic state of the young refugee, whilst their own reverend mother is on her last legs which might give "Jessica" a chance to prove her own worth, and provide an opportunity to peddle some embellished mythology about her son's ascendant propheteering. All of this manoeuvring and politicking is having quite an impact on "Chani" (the under-used Zendaya) and on the relationship between her and the increasingly worshipped new Duke. Meantime, now fully reinvigorated and emerged from his bath of recuperative Guinness, the evil "Baron Harkonnen" (an almost Zeppelin-like Stellan Skarsgård) has recruited his lethal nephew "Feyd-Rautha" (Austin Butler) to get to grips with the rebellion on "Arrakis" that is bringing him into the gaze of an ill-satisfied emperor (Christopher Walken). Battle lines are drawn! Now whilst I did enjoy this, the rest of the film is a gloriously photographed but slowly paced hybrid of "Khartoum" (1966) and "Lawrence of Arabia" (1962) with a bit of the "Phantom Menace" (1999) thrown in for good measure. The acting is adequate but the characterisations are all too routinely sacrificed at the altar of the stunning visuals and from about an hour to go, I was convinced this this was but part two of three (or maybe even more). Walken and Charlotte Rampling feature all too sparingly to make much difference, indeed even Zendaya's warrior-like tendencies seem to have been neutered rather and I though that Chalamet just tried far too hard to imbue his character with a strength that he was far more successful with first time round. That said, it does work well enough as a classy and well produced sci-fi adventure with plenty of action and mysticism but I needed more meat on it's bones. I still get distinctly squeamish when I watch what they do with the water, let alone where they get it from!!
An absolutely mesmerizing masterpiece, breathtaking cinematography and a spellbinding soundtrack that elevate the viewing experience to unparalleled heights. It serves as a testament to the brilliance of the book series, standing as the pinnacle of sci-fi cinema history. Thanks, Villeneuve! ...
Great but a little long. Sexier than LotR and no hair. Yell acting. Jabba bathes in black goo and kills women horribly. Walken is hilarious. Zendaya still an addict. Bridges is a bit self-serious. Amazing visuals. Really enjoyed...was glad and a bit bored by the end. Shorter Dunes please. ...
Saw it on the bigger screen, which was worth it. The worms were quite large. The movie has a great way of passing across the grand scale of the world in a way that michael bay can never understand how to do with his robots movies. It did stretch on quite a bit, looking back not even sure where al ... l the three hours went. Its just all shaping up for the big battle with a bit of political intrigue here and there. Also, still have no idea how they get off the worms or how they load up large groups of people onto the worms, like, can they stop the worms whenever they want and let people climb on, and then giddy up, but if thats the case why dont they have stabled worms ready to go.
I had to watch Dune part 1 because if I didn't, I would not have known what to expect in Dune part 2. The movie was incredible. To see it on the big screen really makes a difference. You need to see every angle possible. I understand why it needed to be that way. I loved the movie. I would watch Dun ... e 1 and 2 over again. I didn't like the scene where Feyd-Rautha died. But it was necessry if they planned on doing a third installment for Dune. The casting for this film was picked brilliantly. It fit them like they were part of the era of Dune itself.
**Not bad** Overall, a nice movie. But it was not something extraordinary. The acting and direction were pretty average. There were a lot of editing mistakes. In some scenes, you feel like it was rushed. Some scenes feel like they are missing context. Some scenes are unnecessarily slow-paced. ... There were a lot of stupid and logical fallacies. First, they show how dangerous those 'worms' are and run for life. Then they show you can actually 'tame' them like a cowboy, but with immense difficulty. Then you see the whole clan with tents, food, luggage, etc., riding them for traveling. I literally couldn't hold my laughter. Well, in the end, I was entertained. Rating: 7/10
I remember the first film, no not the first in this contemporary series but the first attempt to bring the books, to cinema. In terms of contextual cohesiveness and pacing I feel it did a better job, than its latter day counterpart. I believe with this effort they are going for sweeping epic but ... somehow it comes across as inexplicably pedestrian. Yes cinematography is remarkable, as are CGI effects but the pacing is slow and things happen that don't come together all that well or give the sense that they are contributing, meaningfully, to the overall story. Acting is competent but again, its not remarkable, which I think is in part down to a lack of depth, in characterisations. I know this review probably wont be popular or reflective of the mainstream but I sense they are trying to do too much and as a consequence, achieving too little. In summary, visually compelling but lacking in a certain intensity and depth. Feels contextually spare and at times redundant, if that makes sense. Still worth a look if you liked the books.
First of all, it just got dark when paul called out chani's rival princess :)) Funny though! The blue thing that they called they called WATER OF LIFE is just so mysterious,,it literally controls them i suppose! I literally enjoyed that part when chani slapped paul after being consious :))) also pa ... ul is a whole bloodline bearer ig while the harkonnens are just gay :.> Also the war parts were amazing. waiting for next part!!!
As a big sci-fi/fantasy fan, I generally look forward to seeing new releases in this genre. However, when the first part of this story was released in 2021, I was sorely disappointed by this tedious, overlong slog that, despite its stunning visuals and cinematography, never really engaged me. Though ... , for all my disappointment with the initial installment, it can’t begin to compare to my reaction to “Part Two” – an even more tedious, unengaging, overly complicated offering that had me bored by 20 minutes in. I found myself not caring a whit about the characters or their story (which could have used a scorecard to help viewers sort out everything), and even the supposedly superior visuals of this iteration failed to capture my attention or interest. I can only conclude that I must be missing something, given the generally positive reactions and accolades this film and its predecessor have received, but I’m mystified that I haven’t yet figured out what. By all rights, the elements would appear to be in place here to make this picture succeed – a stellar cast, great special effects and the skillful directing of filmmaker Denis Villeneuve, who created such excellent works as “Arrival” (2016) and “Blade Runner 2049” (2017) – but “Part Two,” like its predecessor, just never grabbed me. To be honest, I’m truly surprised that I made it all the way through, considering the nearly constant temptation to want to fast-forward through the egregiously dull sequences (of there were many). From all this, I can only surmise that this film and the one that preceded it were created simply to milk as much box office money as possible out of the source material, despite the fact that the story isn’t captivating enough to live up to that challenge. Indeed, if you’re like me and found the first part boring, you’ll probably find this one even more tiresome and lackluster (I’m certainly glad that I waited for this one to come to streaming and didn’t waste my money on theater ticket prices). And now, as I understand it, another sequel, “Dune: Messiah,” is in pre-production to continue a story that has still yet to reach conclusion after more than five hours of screentime. Be aware that the “Dune” films are far from the quality of other lengthy trilogies like the “Lord of the Rings” and “Dark Knight” series, films that definitely hold viewer interest from start to finish. Instead, “Dune” and “Dune: Part Two” are more like such mind-numbing stand-alone offerings as “Heaven’s Gate” (1980), “Ishtar” (1987) and “Tenet” (2020) than anything of a genuinely epic nature. Treat the hype for this one with a hefty grain of salt, and don’t say you weren’t warned.
This is the greatest Science Fiction film ever made. Followed by part one. ...
This is one of the few movies I've seen where I don't sit down later and start picking it apart. I can't say it's flawless. But whatever flaws it has simply fade into oblivion. ...
#MovieReview #DunePart2 #DuneMovie "Dune" is a franchise that demands prior knowledge of the backstory and characters from either the book series or previous adaptations to fully appreciate the intricate narrative. While the film is long and dialogue-heavy, it manages to deliver a compelling stor ... y despite the limited action sequences. Timothée Chalamet shines in his role, though at times, his character may feel overshadowed by the ensemble cast. Florence Pugh's character, on the other hand, seems to lack a clear purpose, appearing intermittently throughout the film without a defined role. Rebecca Ferguson delivers a standout performance as the mother figure, commanding attention whenever she appears on screen. The dynamic between Josh Brolin and Dave Bautista offers a humorous nod to their previous roles, adding an entertaining element to the movie. Zendaya's character receives more screen time than in the previous installment, but her role remains secondary to the overarching plot. Austin Butler's portrayal, while intriguing, is hindered by sparse dialogue and an unusual vocal delivery reminiscent of an "evil Elvis." As a middle installment in a trilogy, "Dune Part 2" serves as a foundation for character development and plot progression. While it may not be as action-packed as some viewers expect, it sets the stage for the anticipated climax in the final film of the series. Overall, "Dune Part 2" is a worthwhile watch for those invested in the franchise, offering a rich and immersive cinematic experience. With the promise of a third installment on the horizon, the intricate world of "Dune" is poised to deliver a satisfying conclusion to the story.
What have they done to the story. The boom was actually really well constructed and the characters grew on you. This movie seems to blend random significant parts of the books in an attempt to create an original story, and It's not working out in their favour. A lot of character's traits were lost o ... r completely mangled. What have they done to my Chani. Also the ending makes little sense, why would the houses have the authority to deny a choices made by the emperor, and whay power did they have to make thay choice? Paul was still in control of the spice fields