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Chaos Walking Poster

Chaos Walking

No one escapes the noise.
2021 | 109m | English

(61172 votes)

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Popularity: 3 (history)

Details

Two unlikely companions embark on a perilous adventure through the badlands of an unexplored planet as they try to escape a dangerous and disorienting reality, where all inner thoughts are seen and heard by everyone.
Release Date: Feb 24, 2021
Director: Doug Liman
Writer: Patrick Ness, Christopher Ford
Genres: Fantasy, Adventure, Science Fiction
Keywords based on novel or book, post-apocalyptic future, dystopia, unassuming, based on young adult novel, derisive
Production Companies 3 Arts Entertainment, Lionsgate, Bron Studios, Allison Shearmur Productions, Creative Wealth Media Finance, TIK Films, Quadrant Pictures, Hercules Film Fund
Box Office Revenue: $26,508,132
Budget: $125,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Tom Holland Todd Hewitt
Daisy Ridley Viola Eade
Mads Mikkelsen Mayor David Prentiss
Demián Bichir Ben Moore
David Oyelowo Aaron
Kurt Sutter Cillian Boyd
Cynthia Erivo Hildy
Bethany Anne Lind Karyssa Hewitt
Nick Jonas Davy Prentiss Jr.
Ray McKinnon Matthew
Vincent Leclerc Daws
Blane Crockarell Young Todd
François Gauthier Charlie
Tyrone Benskin Hammer
Frank Fontaine Mr. Phelps
Don Jordan Tam
Patrick Garrow Ivan
Mylène Dinh-Robic Julie
Julian Richings Gault
Tara Nicodemo Answer Camp Woman (uncredited)
Harrison Osterfield Farnbranch Man (uncredited)
Yannick Lupien Fisherman (uncredited)
Jad Saikali Whaler (uncredited)
Marc Primeau Whaler (uncredited)
Michael Dyson Fisherman #1
Maxwell McCabe-Lokos Prentisstown Man #1
Stephen Eric McIntyre Prentisstown Man #2
Peter Seaborne Caleb
Jean Michel Paré Mayor Camp Man #1
Bryce Bruckbauer Young Davy (uncredited)
Name Job
Harrison Osterfield Actor's Assistant
Justin O'Neal Miller Art Direction
Wakana Yoshihara Makeup Artist
Ben Seresin Director of Photography
Marco Beltrami Original Music Composer
Daniel McGraw Makeup Artist
Ben Cooke Second Unit Director
Mohammad Ghorbankarimi Visual Effects Supervisor, Second Unit Director
Dylan Goss Aerial Director of Photography
Nicolas Lepage Supervising Art Director
Tammy-Lou Pate Makeup Artist
Arnaud Brisebois Visual Effects Supervisor
Fede Álvarez Second Unit Director
Flora Moody Makeup & Hair
Frédéric North Aerial Coordinator
Bruce Winant ADR Voice Casting
Leslie Bloome Foley Artist
Kevin Greutert Additional Editor
Andrew Pang First Assistant Editor
Dann Fink ADR Voice Casting
Joanna Fang Foley Artist
Ryan Collison Foley Mixer
Nick Seaman Foley Supervisor
William Groebe Storyboard Artist
Rocky Abou-Sakher Stunts
Michelle Rose Stunts
Jess Durham Stunts
Branden Arnold Stunt Double
Ruth Chiang Stunts
Benjamin Hoffman Stunts
Keith Meriweather Stunt Double
Orphée Ladouceur-Nguyen Stunts
Sylvia Stewart Stunt Double
Kevin Woodhouse Stunts
Doc Crotzer Editor
Véronique Beaudet Stunts
Jolene Van Vugt Stunt Double
Fraser Taggart Second Unit Director of Photography
Krista Bell Stunts
Hélèna Laliberté Stunts
Duke Jackson Stunt Double
Thomas Liccioni Stunt Double
Stéphane Simon Stunt Double
Naomi Frenette Stunts
Gabrielle-Anne Désy Stunts
Tomar Boyd Stunts
Andy Bradshaw Stunts
Jason Cavalier Stunts
Bobby Hernandez Stunts
Shara Kim Stunts
Taraja Ramsess Stunts
Brent Woolsey Stunts
Marie France Denoncourt Stunts
Emily Alatalo Stunts
Alexandre Cadieux Stunts
Patrick Ness Screenplay, Novel
Jeanne McCarthy Casting
Michael Paseornek Production Executive
Dan Weil Production Design
Daran Fulham Art Direction
Martine Giguère-Kazemirchuk Set Decoration
Charles Carter Key Makeup Artist
Marie-Michelle Claveau Assistant Makeup Artist
Bruno Gatien Special Effects Makeup Artist
Kimberly Jones Makeup Department Head
Daniele Nastasi Makeup Artist
Areli Perea Makeup Artist
Colleen Quinton Makeup Department Head
Brooke Lee Smith Makeup Artist
Adam Walls Makeup Artist
Kristen B. Adams Set Designer
Lon Bender Supervising Sound Editor
Thomas J. Doolittle Sound Mixer
Luke Gibleon Sound Designer
P. Daniel Newman Sound Editor
Simon Poudrette Sound Mixer
Emilien Breuillier Visual Effects
Nicholas Brooks Visual Effects Supervisor
Hosam Aboulmagd VFX Artist
Lorie Bussières Visual Effects Production Manager
Thomas Elder-Groebe Visual Effects Producer
Jennifer Santiago Hair Department Head
Gaétan Landry Hairstylist
Katie Ballard Hairstylist
George Black Makeup & Hair
Mark Anthony Little First Assistant Director
Érik Ajduk First Assistant Director
Tyler Delben Second Assistant Director
Brigitte Goulet Second Assistant Director
Maarten Kroonenburg Camera Operator
Geoffroy St-Hilaire Camera Operator, Steadicam Operator
Christopher TJ McGuire Steadicam Operator
Jason Johnson Digital Imaging Technician
Bruce McCleery Second Unit Director of Photography
Brad MacLean Dolly Grip
Jacob Hale Drone Cinematographer
William Sheffield Electrician
Dany Racine First Assistant "A" Camera
Martin Lebel First Assistant "B" Camera
Jonny Franklin Gaffer
Stefan Sonnenfeld Digital Intermediate Colorist
Brandon Roberts Original Music Composer
Patrick Wachsberger Production Executive
Matthew Hirsch Line Producer
Carolyne de Bellefeuille Art Direction
Frank Galline Set Decoration
Mathieu Baptista Prosthetic Makeup Artist
Gillian Chandler Makeup Artist
Melanie Deforrest Makeup Artist
Sarah Graham Key Makeup Artist
Julie Mignot Makeup Artist
Brie Puneky Makeup Artist
Jessica Renaud Special Effects Makeup Artist
Nathalie Trépanier Makeup Artist
Sian Wilson Makeup Artist
Frédéric Amblard Set Designer
Christopher Bonis Sound Effects Editor
Mary H. Ellis Sound Mixer
Mariusz Glabinski Sound Designer
Jeffrey A. Pitts Sound Designer
Matthew Wilson Sound Editor
Emily Abele Visual Effects Compositor
Tosin Akinwoye Visual Effects Technical Director
Hakyung Chang Visual Effects Coordinator
Réjean Goderre Hair Department Head
Ronald J. Rolfe Hairstylist
Anna Hilton Hairstylist
Jason Inman First Assistant Director
Bethan Mowat Second Unit First Assistant Director
Patrick Murphy Second Assistant Director
Gregory Santoro Second Second Assistant Director
Eric Dvorsky Aerial Camera Technician
Jean-François Abran Best Boy Electric
Simon Blouin Camera Operator
Sylvain Bernier Chief Lighting Technician
Kyle Spicer Digital Imaging Technician
Patrice Lapointe Dolly Grip
Simon Vincent Dolly Grip
Louie Northern Drone Pilot
Gabi Kislat Epk Camera Operator
Antoine Masson Maclean First Assistant "A" Camera
Christian Caperaa First Assistant "B" Camera
Charles Arnold Grip
Jamie Pimentel Grip
Benoît Lamarche Key Grip
Nicolas Lesage Grip
Kenneth MacKenzie Key Grip
Chris Jones Key Grip
Pierre Beaulieu Lighting Technician
Decoster Nicolas Lighting Technician
Soupharak Keoborakoth Second Assistant "A" Camera
Raphael Capel Second Assistant "B" Camera
Treva Wurmfeld Epk Producer
Elizabeth Tremblay Script Supervisor
Robin Meyers Script Supervisor
Kate Sawyer Ager/Dyer
Véronique Marchessault Assistant Costume Designer
Miriam Silvester Costume Illustrator
Claudia Manseau Dresser
Melissa Mundt Seamstress
Jonathan Girard Textile Artist
Jeremy N. Caves Payroll Accountant
Charles Daghlian Production Assistant
Marine Lacour Production Assistant
Carly Plasha Production Assistant
Ines Steinmezer Production Secretary
Allison A. Millican Travel Coordinator
Jennifer Cram Casting Associate
Clove Bovee Contact Lens Technician
Mandrill Hardge Hairstylist
Frédéric Bélanger Key Hair Stylist
Alexander Lowe ADR Recordist
Norman Bernard Boom Operator
Damien Berger Boom Operator
Michael McMenomy Dialogue Editor
Laura Heinzinger Foley Editor
Connor Nagy Foley Mixer
Chantal Allard Sound Assistant
Jared Pecht Additional Colorist
Shelby Hall Assistant Editor
Max Ethan Miller Assistant Editor
Tim Masick Colorist
Leeza Diott Dailies Manager
Jon Mendenhall Dailies Operator
Gabriella Douglas Second Assistant Art Director
Cecile Braemer Art Department Coordinator
Charlotte Rouleau Assistant Art Director
Olivier Proulx Assistant Property Master
Alain Vachon Carpenter
Richard K. Buoen Concept Artist
Didier Konings Concept Artist
Peter Popken Concept Artist
Steffen Reichstadt Concept Artist
Houston Sharp Concept Artist
Henry Fong Conceptual Design
Walt Mikolwski Construction Coordinator
Sharai 'Sara' Corral Graphic Designer
Daniel Auclair Greensman
Isabelle Gasse Greensman
Mike Sannuti Key Rigging Grip
Rusty Edmonson Lighting Technician
Wesley J. Ford Rigging Grip
Olivia Aravecchia Second Assistant "A" Camera
Murray Close Still Photographer
Shane Tanny Script Coordinator
Dominic Pigeon Video Assist Operator
Glen Michel EPK Editor
Libby Dempster Assistant Costume Designer
Tina Charad Costume Designer
Yasmin Ali Costumer
Sabrine Canuel Key Costumer
Dominique Williams Set Costumer
Oleksandra Lykova Wardrobe Specialized Technician
Martin Lemire Drone Operator
Sue Bokobza Production Accountant
Jean-Francois Hall Production Assistant
Jonathan Meunier Production Assistant
Kathy Ann Thomas Production Coordinator
Isabelle Faivre-Duboz Script Supervisor
Leigh Jonte Casting Assistant
Julie Breton Extras Casting
Candace Wessinger Hairstylist
Brynn Berg Key Hair Stylist
Sebastian Vaskio ADR Mixer
Eric McAllister Assistant Sound Editor
Kurt Peterson Boom Operator
Jean Camden Boom Operator
Alexa Zimmerman Dialogue Editor
Andrew Geary Additional Colorist
Julia Bloch Additional Editor
Gershon Hinkson Additional Editor
James W. Harrison III Assistant Editor
Fred Brown II Assistant Editor
John St. Laurent Colorist
Chase Commins Dailies Operator
Anthony Corsi Dailies Technician
Adam Schaefer First Assistant Editor
Jena C. Sarappo Art Department Coordinator
Carla Martinez Assistant Art Director
Simon Pineau Assistant Art Director
Sylvain Boudreau Carpenter
Dwight Tank Woodruff Carpenter
Cosmin Hrincu Concept Artist
Eduardo Pena Concept Artist
Vicki Pui Concept Artist
Yohann Schepacz Concept Artist
Aaron Sims Concept Artist
Ian Volpi Construction Buyer
Dave Campbell Construction Foreman
Maurice Roy Graphic Designer
Maya Jarvis Greensman
Jessica Surendorff Greensman
Patrice Jacques Propmaker
Nathan Longest Props
Simon Théberge Set Designer
Tony Knight Leadman
Simone Leclerc Property Master
Mary Lee-Maynard Props
Mark Keever Set Dresser
Michel R. Lambert Set Dresser
Chris McGlamery Set Dresser
Jonathan Gesinski Storyboard Artist
Lanny Markasky Storyboard Artist
Dan Milligan Storyboard Artist
Frankie Stellato Animation Supervisor
Raphael A. Pimentel Animation Supervisor
Andrew Zink CG Supervisor
Robin Lamontagne CG Supervisor
Aadel Forootan CG Supervisor
Jan Dubberke Compositing Supervisor
Madhuka Gunasekera Compositor
Jeff Penick Compositor
Mike Terrigno Compositor
Manon Ghys Compositor
Meagan Green Compositor
Lalit Om Prakash Compositor
Dipak Tarpara Compositor
Gianluca Siciliano Creature Effects Technical Director
Jean-Alexandre Dufour Digital Compositor
Keanan Ferrand Digital Compositor
Danilo Ivanisevic Digital Compositor
Benjamin Scabell Digital Compositor
Victor Vilceanu Digital Compositor
Aditya Pravin Kalane Digital Compositor
Antonio Ribeiro Digital Compositor
Honghao Zhu VFX Lighting Artist
Anurag Deshmukh VFX Lighting Artist
Wilson Virassamy Sacri VFX Lighting Artist
Samuel Tremblay Rotoscoping Artist
Danilo de Lúcio Arantes Rotoscoping Artist
Azra Alkan Visual Effects Compositor
Christopher Bozzetto VFX Artist
David Ertsinian VFX Artist
Laurent Meste VFX Artist
Tiffany Herzog Visual Effects Coordinator
Mark C. Livolsi Visual Effects Coordinator
Christian Seel Visual Effects Coordinator
Casey Roberts Visual Effects Coordinator
Kiara Walker Visual Effects Coordinator
Marion Jardin Visual Effects Coordinator
Nelli Nedeltcheva Visual Effects Coordinator
Mike Soppit VFX Editor
Neil Mayo VFX Editor
Guillaume Poulin VFX Editor
Dione Wood Visual Effects Producer
Julien Cimino Visual Effects Producer
Timothy Bellm Visual Effects Production Assistant
Josh Hackett Visual Effects Production Assistant
Jessi Lin Johnson Visual Effects Production Assistant
Marc-Antoine Lamy Visual Effects Production Assistant
Sofia Portantino Visual Effects Production Manager
Jeremiah Sweeney Visual Effects Supervisor
Tye Kerber Set Dresser
Cedric Levesque Set Dresser
Stefania Gallico Storyboard Artist
Chris Wolfgang Mauch Storyboard Artist
Aaron Sowd Storyboard Artist
Arda Uysal Animation Supervisor
Jordi Cardus CG Supervisor
Benoit De Longlee CG Supervisor
Fabrice Vienne CG Supervisor
Alexandra Turmel Compositing Artist
Gaël Chopin Compositing Supervisor
Francesca Milde Compositor
Siqi Tang Compositor
Wes While Compositor
Phillip Berg Compositor
Shannagh Robertson Compositor
Ehsan Ramezani Compositor
Pembrooke St. Cyr Compositor
Philippe Bienvenue Digital Compositor
Tim Emeis Digital Compositor
Nadine Homier Digital Compositor
Jonathan Moulin Digital Compositor
Alexandra Torelli Digital Compositor
Keaton Cardoza Digital Compositor
Richard Noun Digital Compositor
Marie-Laurence Hudon VFX Lighting Artist
Cecile Cazes VFX Lighting Artist
Névin Ricquebourg VFX Lighting Artist
Jessica Koubi Pipeline Technical Director
Nicholas Campbell Rotoscoping Artist
Aurora Shannon Senior Colorist
Brian Hollars Visual Effects Camera
Matthew Dorazio VFX Artist
Tara Mason VFX Artist
Kate Xagoraris VFX Artist
Lexi Koome Visual Effects Coordinator
Nathan Parade de la Feraude Visual Effects Coordinator
Brandon Uloho Visual Effects Coordinator
Jack Dorst Visual Effects Coordinator
Liat Har-Gil Visual Effects Coordinator
Alexia Levieuze-Palancade Visual Effects Coordinator
Danny Singh VFX Editor
Michael J. Wechsler VFX Editor
Mathieu Chouinard VFX Editor
Mitch Hounslow VFX Editor
Ineke Majoor Visual Effects Producer
Melanie La Rue Visual Effects Producer
Victoria Jayne Visual Effects Production Assistant
Tim Glover Visual Effects Production Assistant
Caroline Lachance Visual Effects Production Assistant
Katherine Soares Visual Effects Production Manager
Thomas Hullin Visual Effects Supervisor
Matt Johnson Visual Effects Supervisor
Andy Walker Visual Effects Supervisor
Josh Simmonds Visual Effects Supervisor
Louis Craig Special Effects Supervisor
Andrew McPhillips Visual Effects Supervisor
Brendan Seals Visual Effects Supervisor
Natacha Williams Special Effects Coordinator
Wayne Rowe Special Effects Technician
Thomas Zell Special Effects Technician
Didier Communaux Unit Manager
Simon Paquin Assistant Unit Manager
Bryan Haines VFX Artist
Nicole Abellera Hallman Casting
Maxime Beaudet Stunt Double
Gabriel Brodeur Desbiens Stunt Double
Karine Lemieux Stunt Double
Bj Prince Stunts
Christian Labrie Armorer
Paul Barrette Armorer
Michaël Ménard Armorer
Josée Juteau Animal Wrangler
Valérie Major Animal Coordinator
Alex Nomick Sound Effects Editor
Martin De Boer Stunt Double
Andrée Anne Godbout Stunt Double
Jason Kehler Utility Stunts
Luke McCoag Stunt Double
Tony Falcon Stunts
Jazzy Ellis Stunts
Marc-André Brisebois Stunt Double
Christine Cleary Stunts
Annie Carignan Stunts
Nicole Germain Stunts
Marie-Pier Gauthier Stunts
Mercedes Leggett Stunts
Eric Paul-Hus Stunts
Brian Roworth Stunts
Nigel Scantlebury Stunts
Billy Matt Thompson Stunts
Marie-Ève Beckers Stunts
Eric-André Paquin Special Effects Technician
Eliot W. Smith Special Effects Technician
Louis Payeur Special Effects Assistant
Hélène Ross Production Manager
Lawrence Sabella Assistant Unit Manager
Nancy Richardson Additional Editing
Flavie Groleau Stunt Double
Andy Antoine Stunt Double
Marc Désourdy Stunt Coordinator
Carole Pitre Armorer
Jérémie Dancause Armorer
Brent Radford Weapons Master
François Gauthier Animal Wrangler
Duy Pham Visual Effects
Kevin Kelsall Fight Choreographer
Mathieu Coderre Stunt Double
Sylvain Bourgeois Stunts
Allan Yuk-lun Chou Stunts
Miguel Dugal Stunts
Mariette Guillaume Stunts
Marc Moisan Stunts
Devin Regan Stunts
Diandra Stoddard Stunts
Millie Dallas Stunts
Doug Liman Director
Christopher Ford Screenplay
Kate Hawley Costume Design
Simon Crane Second Unit Director
C.C. Ice Stunt Double
Jan Philip Cramer Head of Animation
Richie Adams Main Title Designer
Name Title
Allison Shearmur Producer
Erik Feig Executive Producer
Jason Cloth Executive Producer
Doug Davison Producer
Erwin Stoff Producer
Alison Winter Producer
Ray Angelic Executive Producer
Iron Chen Executive Producer
Paris Kassidokostas-Latsis Executive Producer
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Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 63 132 37
2024 5 158 197 125
2024 6 91 173 53
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2025 1 46 136 25
2025 2 31 55 8
2025 3 12 60 3
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Reviews

garethmb
N/A

Adapting a series of books into a movie is often a daunting task. As anyone who has seen many Stephen King adaptations can attest; plot complexity, characters, and depth are removed in order to condense the story into a two-hour or less run time. The rise of streaming services has allowed many bo ... oks to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television. As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”. Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule. When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community. The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power. Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening. The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters. There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work. Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation. One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room. Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more. 3.5 out of 5

Jun 23, 2021
msbreviews
3.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com After decades of experiencing so many films and understanding the respective industry, I rarely get extremely excited for an original sci-fi movie starring famous actors. I wouldn’t be surprised if C ... haos Walking is the most anticipated film of the month for thousands of viewers, which isn’t an easy decision having in mind March is releasing tons of highly expected movies, such as Raya and the Last Dragon, Cherry, Zack Snyder’s Justice League, Godzilla x Kong, amongst others. It’ almost impossible not to feel remotely interested in watching a film with such a phenomenal cast - Tom Holland (Spider-Man, The Devil All the Time), Daisy Ridley (Star Wars, Murder on the Orient Express), Mads Mikkelsen (Doctor Strange, Rogue One: A Star Wars Story), Demián Bichir (Land, The Grudge), Cynthia Erivo (Widows, Bad Times at the El Royale), and more. Add Doug Liman (The Bourne franchise, The Edge of Tomorrow) as the director and screenwriters with tremendously successful credits as Patrick Ness (A Monster Calls) and Christopher Ford (Spider-Man: Homecoming), what could go wrong? Well… almost everything. I possess no knowledge of the source material, but from what I could gather, the book trilogy of the same name was very well-received, which I don’t doubt for a second. If there’s one thing no one can take away from Chaos Walking is its incredibly captivating concepts and imaginative visual ideas. From the premise of people being able to hear men’s thoughts (noise) to the actual visuals of said brain activity, I felt deeply invested during the first act. The futuristic setting is somewhat familiar, but the production/set design definitely set an engaging atmosphere. The score (Marco Beltrami, Brandon Roberts) also features interesting tracks that create a sense of wonder in this new world. Unfortunately, this is as far as I can go compliment-wise. Sure, the cast offers remarkable performances, especially Holland and Ridley, who obviously share most of the screentime as the underdeveloped protagonists, but sadly this is one of those movies where it’s hard not to find a significant flaw with everything. The lack of proper characterization is one of the main issues. While Holland’s character misses a regular arc - he has no evolution whatsoever, ending the film with the exact same defects as in the beginning - Ridley’s character raises dozens of questions that remain unanswered about herself, her past, her abilities, and her origins. The new world presented to the viewers packs hundreds of unquestionably innovative and exciting ideas, but none reaches even a fraction of its potential. The “superpower” of hearing thoughts is rarely seen in a different manner other than chaotic, annoying noise, which is hugely disappointing, having in mind the scarce showings of its real power. Nevertheless, the most frustrating component of the narrative is the introduction of massively important story elements that are completely forgotten by the end of the movie, namely - without getting into spoilers - an entire native population that remains as one of the most fascinating aspects of the screenplay that wasn’t remotely explained. Nowadays, people have more knowledge and understanding of how much studios impact the production of any film. Honestly, I don’t know if this is one of those projects ruined by awfully dumb corporate demands or if Doug Liman and his team of writers screwed the pooch. One thing is for sure: director, screenwriters, and/or producers, they’re the people to blame for such a frustratingly terrible adaptation. I apologize to Doc Crotzer, but this is one of the worst editing jobs I’ve seen in years, though I want it to be clear: Crotzer is far from being the sole or main culprit of such a horribly put-together movie. The camera work is also all-over-the-place (Ben Seresin). Finally, I don’t know if this following story detail is as explicit and barely explained in the source material as it is in this film, but due to the lack of any decent explanation besides “because”, I strongly dislike the whole “everyone can hear men’s thoughts, but no one can hear the women’s”. To be clear, my issue isn’t related to the idea but to its evolution in this movie. Men, especially Holland’s character, are shown to think like a primate with sexual thoughts concerning women and offenses to everyone and everything. Men’s thoughts represent them as utter pigs. However, the whole “women’s thoughts are hidden from everyone” can easily be interpreted as “women don’t have brains”, especially considering the film’s failed attempt at elaborating this concept. Chaos Walking will end up as one of the most disappointing, frustrating movies of the year. In addition to this, it’s also another entry in the list of “films with innovative, interesting concepts that fail to reach half of their potential”. Besides the engaging production design, a cool score, and decent performances, any viewer will struggle not to find a massive flaw in every single aspect of the narrative. From the dozens of unanswered questions regarding Daisy Ridley’s character to the lack of a proper arc for Tom Holland’s role, the underdeveloped protagonists are just one of many screenplay issues. Critical plot points and story elements either miss an explanation or are entirely forgotten by the end of a horrendously edited movie. Transitions between cuts are very choppy and make zero connection between storylines. The whole “men’s thoughts are seen by everyone, but women’s thoughts are not” is depicted in a way that leaves men portrayed as pigs and insinuates women have no brains. I genuinely don’t know if this massive disaster is due to studio interference and/or to the director and screenwriters team-up, but one thing is for certain: personally, it's one of the worst films of the year. Rating: D+

Jun 23, 2021
JPV852
6.0

It should first be noted I have never read (or even heard of) the novel this was based upon, so I don't have any preconceptions or expectations on how the adaptation was handled. With that out of the way, I found this to be... fine. A little messy in narrative and structure but I suppose moderately ... entertained. I also liked Tom Holland in the lead for the most part and Daisy Ridley grew on me though her character isn't very well developed. It's probably worthy of a rental but doubtful I'll revisit this very soon other than to listen to the commentary by Doug Liman considering the behind-the-scenes issues and major re-shoots. **3.0/5**

Jun 23, 2021
tmdb28039023
1.0

In 2257 AD, the colonists of the planet New World, all men, have been afflicted with a condition called the Noise, which causes everyone to see and hear each other's thoughts. Judging by the level of intelligence the characters exhibit, this ought be a deafeningly silent planet. People who colon ... ize a new world and literally call it "New World" can't have much in their minds (perhaps they should have called it Planet Faulkner, since everyone here seems to think in an uncontrollable stream of consciousness and/or has the mental faculties of a Benjy Compson). When sort of halo envelops their heads when they 'think,' it’s like the light is on but no one’s home. The only one here who manages to avoid appearing like a complete idiot is Mads Mikkelsen, and only because the Danish actor is too smart to play this dumb; his character, David Prentiss, is not particularly brilliant, but one can at least give him the benefit of the doubt — after all, he’s more insane than he is inane. Prentiss is the only one who has learned to control his "Noise", which shouldn't be too difficult; ever heard the expression 'think before you speak?' I don’t think it’d really be all that hard to 'think before you think;' these characters, however, are mentally incontinent. Either director Doug Liman and screenwriters Patrick Ness and Christopher Ford are as dumb as the movie they've made, or they assume the audience is. For some reason, women can see and hear men's thoughts, but men can't see and hear women’s — making the “Noise” nothing more than a clumsy allegory for female intuition. This actually has to do directly with the lack of women in Prentisstown (of which, as the name suggests, Prentiss is the mayor), in a twist preposterous enough to make M. Night Shyamalan himself scratch his head in disbelief.

Sep 05, 2022
r96sk
6.0

Fairly close to being a good film, for me at least. I could see something positive coming from <em>'Chaos Walking'</em> at differing moments, though unfortunately all in all it does end up being a pretty underwhelming 109 or so minutes. It holds an interesting concept and I was very much willing ... it to come to fruition in an entertaining manner but it never does. The 'inner' monologue thing does get a tad annoying, it isn't amazingly implemented via special efforts nor audio - less would've been more, especially of the phrase "control your noise" which is said too often for my liking. The characters, including the main two, could've been far stronger as well, though the acting talent themselves actually do OK. Daisy Ridley and Tom Holland are good names to have attached, though I didn't sense enough onscreen chemistry between the two. Mads Mikkelsen is alright, David Oyelowo's character is probably the only one who didn't intrigue me from the main bunch; the filmmakers could've utilized him better. No surprise to see that this has been received poorly. I didn't dislike it, though I can't really defend it all that strongly either.

Oct 22, 2023