Popularity: 3 (history)
Director: | Doug Liman |
---|---|
Writer: | Patrick Ness, Christopher Ford |
Staring: |
Two unlikely companions embark on a perilous adventure through the badlands of an unexplored planet as they try to escape a dangerous and disorienting reality, where all inner thoughts are seen and heard by everyone. | |
Release Date: | Feb 24, 2021 |
---|---|
Director: | Doug Liman |
Writer: | Patrick Ness, Christopher Ford |
Genres: | Fantasy, Adventure, Science Fiction |
Keywords | based on novel or book, post-apocalyptic future, dystopia, unassuming, based on young adult novel, derisive |
Production Companies | 3 Arts Entertainment, Lionsgate, Bron Studios, Allison Shearmur Productions, Creative Wealth Media Finance, TIK Films, Quadrant Pictures, Hercules Film Fund |
Box Office |
Revenue: $26,508,132
Budget: $125,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tom Holland | Todd Hewitt |
Daisy Ridley | Viola Eade |
Mads Mikkelsen | Mayor David Prentiss |
Demián Bichir | Ben Moore |
David Oyelowo | Aaron |
Kurt Sutter | Cillian Boyd |
Cynthia Erivo | Hildy |
Bethany Anne Lind | Karyssa Hewitt |
Nick Jonas | Davy Prentiss Jr. |
Ray McKinnon | Matthew |
Vincent Leclerc | Daws |
Blane Crockarell | Young Todd |
François Gauthier | Charlie |
Tyrone Benskin | Hammer |
Frank Fontaine | Mr. Phelps |
Don Jordan | Tam |
Patrick Garrow | Ivan |
Mylène Dinh-Robic | Julie |
Julian Richings | Gault |
Tara Nicodemo | Answer Camp Woman (uncredited) |
Harrison Osterfield | Farnbranch Man (uncredited) |
Yannick Lupien | Fisherman (uncredited) |
Jad Saikali | Whaler (uncredited) |
Marc Primeau | Whaler (uncredited) |
Michael Dyson | Fisherman #1 |
Maxwell McCabe-Lokos | Prentisstown Man #1 |
Stephen Eric McIntyre | Prentisstown Man #2 |
Peter Seaborne | Caleb |
Jean Michel Paré | Mayor Camp Man #1 |
Bryce Bruckbauer | Young Davy (uncredited) |
Name | Job |
---|---|
Harrison Osterfield | Actor's Assistant |
Justin O'Neal Miller | Art Direction |
Wakana Yoshihara | Makeup Artist |
Ben Seresin | Director of Photography |
Marco Beltrami | Original Music Composer |
Daniel McGraw | Makeup Artist |
Ben Cooke | Second Unit Director |
Mohammad Ghorbankarimi | Visual Effects Supervisor, Second Unit Director |
Dylan Goss | Aerial Director of Photography |
Nicolas Lepage | Supervising Art Director |
Tammy-Lou Pate | Makeup Artist |
Arnaud Brisebois | Visual Effects Supervisor |
Fede Álvarez | Second Unit Director |
Flora Moody | Makeup & Hair |
Frédéric North | Aerial Coordinator |
Bruce Winant | ADR Voice Casting |
Leslie Bloome | Foley Artist |
Kevin Greutert | Additional Editor |
Andrew Pang | First Assistant Editor |
Dann Fink | ADR Voice Casting |
Joanna Fang | Foley Artist |
Ryan Collison | Foley Mixer |
Nick Seaman | Foley Supervisor |
William Groebe | Storyboard Artist |
Rocky Abou-Sakher | Stunts |
Michelle Rose | Stunts |
Jess Durham | Stunts |
Branden Arnold | Stunt Double |
Ruth Chiang | Stunts |
Benjamin Hoffman | Stunts |
Keith Meriweather | Stunt Double |
Orphée Ladouceur-Nguyen | Stunts |
Sylvia Stewart | Stunt Double |
Kevin Woodhouse | Stunts |
Doc Crotzer | Editor |
Véronique Beaudet | Stunts |
Jolene Van Vugt | Stunt Double |
Fraser Taggart | Second Unit Director of Photography |
Krista Bell | Stunts |
Hélèna Laliberté | Stunts |
Duke Jackson | Stunt Double |
Thomas Liccioni | Stunt Double |
Stéphane Simon | Stunt Double |
Naomi Frenette | Stunts |
Gabrielle-Anne Désy | Stunts |
Tomar Boyd | Stunts |
Andy Bradshaw | Stunts |
Jason Cavalier | Stunts |
Bobby Hernandez | Stunts |
Shara Kim | Stunts |
Taraja Ramsess | Stunts |
Brent Woolsey | Stunts |
Marie France Denoncourt | Stunts |
Emily Alatalo | Stunts |
Alexandre Cadieux | Stunts |
Patrick Ness | Screenplay, Novel |
Jeanne McCarthy | Casting |
Michael Paseornek | Production Executive |
Dan Weil | Production Design |
Daran Fulham | Art Direction |
Martine Giguère-Kazemirchuk | Set Decoration |
Charles Carter | Key Makeup Artist |
Marie-Michelle Claveau | Assistant Makeup Artist |
Bruno Gatien | Special Effects Makeup Artist |
Kimberly Jones | Makeup Department Head |
Daniele Nastasi | Makeup Artist |
Areli Perea | Makeup Artist |
Colleen Quinton | Makeup Department Head |
Brooke Lee Smith | Makeup Artist |
Adam Walls | Makeup Artist |
Kristen B. Adams | Set Designer |
Lon Bender | Supervising Sound Editor |
Thomas J. Doolittle | Sound Mixer |
Luke Gibleon | Sound Designer |
P. Daniel Newman | Sound Editor |
Simon Poudrette | Sound Mixer |
Emilien Breuillier | Visual Effects |
Nicholas Brooks | Visual Effects Supervisor |
Hosam Aboulmagd | VFX Artist |
Lorie Bussières | Visual Effects Production Manager |
Thomas Elder-Groebe | Visual Effects Producer |
Jennifer Santiago | Hair Department Head |
Gaétan Landry | Hairstylist |
Katie Ballard | Hairstylist |
George Black | Makeup & Hair |
Mark Anthony Little | First Assistant Director |
Érik Ajduk | First Assistant Director |
Tyler Delben | Second Assistant Director |
Brigitte Goulet | Second Assistant Director |
Maarten Kroonenburg | Camera Operator |
Geoffroy St-Hilaire | Camera Operator, Steadicam Operator |
Christopher TJ McGuire | Steadicam Operator |
Jason Johnson | Digital Imaging Technician |
Bruce McCleery | Second Unit Director of Photography |
Brad MacLean | Dolly Grip |
Jacob Hale | Drone Cinematographer |
William Sheffield | Electrician |
Dany Racine | First Assistant "A" Camera |
Martin Lebel | First Assistant "B" Camera |
Jonny Franklin | Gaffer |
Stefan Sonnenfeld | Digital Intermediate Colorist |
Brandon Roberts | Original Music Composer |
Patrick Wachsberger | Production Executive |
Matthew Hirsch | Line Producer |
Carolyne de Bellefeuille | Art Direction |
Frank Galline | Set Decoration |
Mathieu Baptista | Prosthetic Makeup Artist |
Gillian Chandler | Makeup Artist |
Melanie Deforrest | Makeup Artist |
Sarah Graham | Key Makeup Artist |
Julie Mignot | Makeup Artist |
Brie Puneky | Makeup Artist |
Jessica Renaud | Special Effects Makeup Artist |
Nathalie Trépanier | Makeup Artist |
Sian Wilson | Makeup Artist |
Frédéric Amblard | Set Designer |
Christopher Bonis | Sound Effects Editor |
Mary H. Ellis | Sound Mixer |
Mariusz Glabinski | Sound Designer |
Jeffrey A. Pitts | Sound Designer |
Matthew Wilson | Sound Editor |
Emily Abele | Visual Effects Compositor |
Tosin Akinwoye | Visual Effects Technical Director |
Hakyung Chang | Visual Effects Coordinator |
Réjean Goderre | Hair Department Head |
Ronald J. Rolfe | Hairstylist |
Anna Hilton | Hairstylist |
Jason Inman | First Assistant Director |
Bethan Mowat | Second Unit First Assistant Director |
Patrick Murphy | Second Assistant Director |
Gregory Santoro | Second Second Assistant Director |
Eric Dvorsky | Aerial Camera Technician |
Jean-François Abran | Best Boy Electric |
Simon Blouin | Camera Operator |
Sylvain Bernier | Chief Lighting Technician |
Kyle Spicer | Digital Imaging Technician |
Patrice Lapointe | Dolly Grip |
Simon Vincent | Dolly Grip |
Louie Northern | Drone Pilot |
Gabi Kislat | Epk Camera Operator |
Antoine Masson Maclean | First Assistant "A" Camera |
Christian Caperaa | First Assistant "B" Camera |
Charles Arnold | Grip |
Jamie Pimentel | Grip |
Benoît Lamarche | Key Grip |
Nicolas Lesage | Grip |
Kenneth MacKenzie | Key Grip |
Chris Jones | Key Grip |
Pierre Beaulieu | Lighting Technician |
Decoster Nicolas | Lighting Technician |
Soupharak Keoborakoth | Second Assistant "A" Camera |
Raphael Capel | Second Assistant "B" Camera |
Treva Wurmfeld | Epk Producer |
Elizabeth Tremblay | Script Supervisor |
Robin Meyers | Script Supervisor |
Kate Sawyer | Ager/Dyer |
Véronique Marchessault | Assistant Costume Designer |
Miriam Silvester | Costume Illustrator |
Claudia Manseau | Dresser |
Melissa Mundt | Seamstress |
Jonathan Girard | Textile Artist |
Jeremy N. Caves | Payroll Accountant |
Charles Daghlian | Production Assistant |
Marine Lacour | Production Assistant |
Carly Plasha | Production Assistant |
Ines Steinmezer | Production Secretary |
Allison A. Millican | Travel Coordinator |
Jennifer Cram | Casting Associate |
Clove Bovee | Contact Lens Technician |
Mandrill Hardge | Hairstylist |
Frédéric Bélanger | Key Hair Stylist |
Alexander Lowe | ADR Recordist |
Norman Bernard | Boom Operator |
Damien Berger | Boom Operator |
Michael McMenomy | Dialogue Editor |
Laura Heinzinger | Foley Editor |
Connor Nagy | Foley Mixer |
Chantal Allard | Sound Assistant |
Jared Pecht | Additional Colorist |
Shelby Hall | Assistant Editor |
Max Ethan Miller | Assistant Editor |
Tim Masick | Colorist |
Leeza Diott | Dailies Manager |
Jon Mendenhall | Dailies Operator |
Gabriella Douglas | Second Assistant Art Director |
Cecile Braemer | Art Department Coordinator |
Charlotte Rouleau | Assistant Art Director |
Olivier Proulx | Assistant Property Master |
Alain Vachon | Carpenter |
Richard K. Buoen | Concept Artist |
Didier Konings | Concept Artist |
Peter Popken | Concept Artist |
Steffen Reichstadt | Concept Artist |
Houston Sharp | Concept Artist |
Henry Fong | Conceptual Design |
Walt Mikolwski | Construction Coordinator |
Sharai 'Sara' Corral | Graphic Designer |
Daniel Auclair | Greensman |
Isabelle Gasse | Greensman |
Mike Sannuti | Key Rigging Grip |
Rusty Edmonson | Lighting Technician |
Wesley J. Ford | Rigging Grip |
Olivia Aravecchia | Second Assistant "A" Camera |
Murray Close | Still Photographer |
Shane Tanny | Script Coordinator |
Dominic Pigeon | Video Assist Operator |
Glen Michel | EPK Editor |
Libby Dempster | Assistant Costume Designer |
Tina Charad | Costume Designer |
Yasmin Ali | Costumer |
Sabrine Canuel | Key Costumer |
Dominique Williams | Set Costumer |
Oleksandra Lykova | Wardrobe Specialized Technician |
Martin Lemire | Drone Operator |
Sue Bokobza | Production Accountant |
Jean-Francois Hall | Production Assistant |
Jonathan Meunier | Production Assistant |
Kathy Ann Thomas | Production Coordinator |
Isabelle Faivre-Duboz | Script Supervisor |
Leigh Jonte | Casting Assistant |
Julie Breton | Extras Casting |
Candace Wessinger | Hairstylist |
Brynn Berg | Key Hair Stylist |
Sebastian Vaskio | ADR Mixer |
Eric McAllister | Assistant Sound Editor |
Kurt Peterson | Boom Operator |
Jean Camden | Boom Operator |
Alexa Zimmerman | Dialogue Editor |
Andrew Geary | Additional Colorist |
Julia Bloch | Additional Editor |
Gershon Hinkson | Additional Editor |
James W. Harrison III | Assistant Editor |
Fred Brown II | Assistant Editor |
John St. Laurent | Colorist |
Chase Commins | Dailies Operator |
Anthony Corsi | Dailies Technician |
Adam Schaefer | First Assistant Editor |
Jena C. Sarappo | Art Department Coordinator |
Carla Martinez | Assistant Art Director |
Simon Pineau | Assistant Art Director |
Sylvain Boudreau | Carpenter |
Dwight Tank Woodruff | Carpenter |
Cosmin Hrincu | Concept Artist |
Eduardo Pena | Concept Artist |
Vicki Pui | Concept Artist |
Yohann Schepacz | Concept Artist |
Aaron Sims | Concept Artist |
Ian Volpi | Construction Buyer |
Dave Campbell | Construction Foreman |
Maurice Roy | Graphic Designer |
Maya Jarvis | Greensman |
Jessica Surendorff | Greensman |
Patrice Jacques | Propmaker |
Nathan Longest | Props |
Simon Théberge | Set Designer |
Tony Knight | Leadman |
Simone Leclerc | Property Master |
Mary Lee-Maynard | Props |
Mark Keever | Set Dresser |
Michel R. Lambert | Set Dresser |
Chris McGlamery | Set Dresser |
Jonathan Gesinski | Storyboard Artist |
Lanny Markasky | Storyboard Artist |
Dan Milligan | Storyboard Artist |
Frankie Stellato | Animation Supervisor |
Raphael A. Pimentel | Animation Supervisor |
Andrew Zink | CG Supervisor |
Robin Lamontagne | CG Supervisor |
Aadel Forootan | CG Supervisor |
Jan Dubberke | Compositing Supervisor |
Madhuka Gunasekera | Compositor |
Jeff Penick | Compositor |
Mike Terrigno | Compositor |
Manon Ghys | Compositor |
Meagan Green | Compositor |
Lalit Om Prakash | Compositor |
Dipak Tarpara | Compositor |
Gianluca Siciliano | Creature Effects Technical Director |
Jean-Alexandre Dufour | Digital Compositor |
Keanan Ferrand | Digital Compositor |
Danilo Ivanisevic | Digital Compositor |
Benjamin Scabell | Digital Compositor |
Victor Vilceanu | Digital Compositor |
Aditya Pravin Kalane | Digital Compositor |
Antonio Ribeiro | Digital Compositor |
Honghao Zhu | VFX Lighting Artist |
Anurag Deshmukh | VFX Lighting Artist |
Wilson Virassamy Sacri | VFX Lighting Artist |
Samuel Tremblay | Rotoscoping Artist |
Danilo de Lúcio Arantes | Rotoscoping Artist |
Azra Alkan | Visual Effects Compositor |
Christopher Bozzetto | VFX Artist |
David Ertsinian | VFX Artist |
Laurent Meste | VFX Artist |
Tiffany Herzog | Visual Effects Coordinator |
Mark C. Livolsi | Visual Effects Coordinator |
Christian Seel | Visual Effects Coordinator |
Casey Roberts | Visual Effects Coordinator |
Kiara Walker | Visual Effects Coordinator |
Marion Jardin | Visual Effects Coordinator |
Nelli Nedeltcheva | Visual Effects Coordinator |
Mike Soppit | VFX Editor |
Neil Mayo | VFX Editor |
Guillaume Poulin | VFX Editor |
Dione Wood | Visual Effects Producer |
Julien Cimino | Visual Effects Producer |
Timothy Bellm | Visual Effects Production Assistant |
Josh Hackett | Visual Effects Production Assistant |
Jessi Lin Johnson | Visual Effects Production Assistant |
Marc-Antoine Lamy | Visual Effects Production Assistant |
Sofia Portantino | Visual Effects Production Manager |
Jeremiah Sweeney | Visual Effects Supervisor |
Tye Kerber | Set Dresser |
Cedric Levesque | Set Dresser |
Stefania Gallico | Storyboard Artist |
Chris Wolfgang Mauch | Storyboard Artist |
Aaron Sowd | Storyboard Artist |
Arda Uysal | Animation Supervisor |
Jordi Cardus | CG Supervisor |
Benoit De Longlee | CG Supervisor |
Fabrice Vienne | CG Supervisor |
Alexandra Turmel | Compositing Artist |
Gaël Chopin | Compositing Supervisor |
Francesca Milde | Compositor |
Siqi Tang | Compositor |
Wes While | Compositor |
Phillip Berg | Compositor |
Shannagh Robertson | Compositor |
Ehsan Ramezani | Compositor |
Pembrooke St. Cyr | Compositor |
Philippe Bienvenue | Digital Compositor |
Tim Emeis | Digital Compositor |
Nadine Homier | Digital Compositor |
Jonathan Moulin | Digital Compositor |
Alexandra Torelli | Digital Compositor |
Keaton Cardoza | Digital Compositor |
Richard Noun | Digital Compositor |
Marie-Laurence Hudon | VFX Lighting Artist |
Cecile Cazes | VFX Lighting Artist |
Névin Ricquebourg | VFX Lighting Artist |
Jessica Koubi | Pipeline Technical Director |
Nicholas Campbell | Rotoscoping Artist |
Aurora Shannon | Senior Colorist |
Brian Hollars | Visual Effects Camera |
Matthew Dorazio | VFX Artist |
Tara Mason | VFX Artist |
Kate Xagoraris | VFX Artist |
Lexi Koome | Visual Effects Coordinator |
Nathan Parade de la Feraude | Visual Effects Coordinator |
Brandon Uloho | Visual Effects Coordinator |
Jack Dorst | Visual Effects Coordinator |
Liat Har-Gil | Visual Effects Coordinator |
Alexia Levieuze-Palancade | Visual Effects Coordinator |
Danny Singh | VFX Editor |
Michael J. Wechsler | VFX Editor |
Mathieu Chouinard | VFX Editor |
Mitch Hounslow | VFX Editor |
Ineke Majoor | Visual Effects Producer |
Melanie La Rue | Visual Effects Producer |
Victoria Jayne | Visual Effects Production Assistant |
Tim Glover | Visual Effects Production Assistant |
Caroline Lachance | Visual Effects Production Assistant |
Katherine Soares | Visual Effects Production Manager |
Thomas Hullin | Visual Effects Supervisor |
Matt Johnson | Visual Effects Supervisor |
Andy Walker | Visual Effects Supervisor |
Josh Simmonds | Visual Effects Supervisor |
Louis Craig | Special Effects Supervisor |
Andrew McPhillips | Visual Effects Supervisor |
Brendan Seals | Visual Effects Supervisor |
Natacha Williams | Special Effects Coordinator |
Wayne Rowe | Special Effects Technician |
Thomas Zell | Special Effects Technician |
Didier Communaux | Unit Manager |
Simon Paquin | Assistant Unit Manager |
Bryan Haines | VFX Artist |
Nicole Abellera Hallman | Casting |
Maxime Beaudet | Stunt Double |
Gabriel Brodeur Desbiens | Stunt Double |
Karine Lemieux | Stunt Double |
Bj Prince | Stunts |
Christian Labrie | Armorer |
Paul Barrette | Armorer |
Michaël Ménard | Armorer |
Josée Juteau | Animal Wrangler |
Valérie Major | Animal Coordinator |
Alex Nomick | Sound Effects Editor |
Martin De Boer | Stunt Double |
Andrée Anne Godbout | Stunt Double |
Jason Kehler | Utility Stunts |
Luke McCoag | Stunt Double |
Tony Falcon | Stunts |
Jazzy Ellis | Stunts |
Marc-André Brisebois | Stunt Double |
Christine Cleary | Stunts |
Annie Carignan | Stunts |
Nicole Germain | Stunts |
Marie-Pier Gauthier | Stunts |
Mercedes Leggett | Stunts |
Eric Paul-Hus | Stunts |
Brian Roworth | Stunts |
Nigel Scantlebury | Stunts |
Billy Matt Thompson | Stunts |
Marie-Ève Beckers | Stunts |
Eric-André Paquin | Special Effects Technician |
Eliot W. Smith | Special Effects Technician |
Louis Payeur | Special Effects Assistant |
Hélène Ross | Production Manager |
Lawrence Sabella | Assistant Unit Manager |
Nancy Richardson | Additional Editing |
Flavie Groleau | Stunt Double |
Andy Antoine | Stunt Double |
Marc Désourdy | Stunt Coordinator |
Carole Pitre | Armorer |
Jérémie Dancause | Armorer |
Brent Radford | Weapons Master |
François Gauthier | Animal Wrangler |
Duy Pham | Visual Effects |
Kevin Kelsall | Fight Choreographer |
Mathieu Coderre | Stunt Double |
Sylvain Bourgeois | Stunts |
Allan Yuk-lun Chou | Stunts |
Miguel Dugal | Stunts |
Mariette Guillaume | Stunts |
Marc Moisan | Stunts |
Devin Regan | Stunts |
Diandra Stoddard | Stunts |
Millie Dallas | Stunts |
Doug Liman | Director |
Christopher Ford | Screenplay |
Kate Hawley | Costume Design |
Simon Crane | Second Unit Director |
C.C. Ice | Stunt Double |
Jan Philip Cramer | Head of Animation |
Richie Adams | Main Title Designer |
Name | Title |
---|---|
Allison Shearmur | Producer |
Erik Feig | Executive Producer |
Jason Cloth | Executive Producer |
Doug Davison | Producer |
Erwin Stoff | Producer |
Alison Winter | Producer |
Ray Angelic | Executive Producer |
Iron Chen | Executive Producer |
Paris Kassidokostas-Latsis | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 63 | 132 | 37 |
2024 | 5 | 158 | 197 | 125 |
2024 | 6 | 91 | 173 | 53 |
2024 | 7 | 37 | 61 | 25 |
2024 | 8 | 32 | 65 | 21 |
2024 | 9 | 22 | 28 | 17 |
2024 | 10 | 29 | 59 | 19 |
2024 | 11 | 30 | 55 | 19 |
2024 | 12 | 26 | 48 | 16 |
2025 | 1 | 46 | 136 | 25 |
2025 | 2 | 31 | 55 | 8 |
2025 | 3 | 12 | 60 | 3 |
2025 | 4 | 8 | 11 | 6 |
2025 | 5 | 5 | 12 | 3 |
2025 | 6 | 4 | 7 | 3 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 3 | 5 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 630 | 862 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 488 | 746 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 501 | 794 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 647 | 647 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 137 | 419 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 686 | 731 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 332 | 596 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 297 | 651 |
Adapting a series of books into a movie is often a daunting task. As anyone who has seen many Stephen King adaptations can attest; plot complexity, characters, and depth are removed in order to condense the story into a two-hour or less run time. The rise of streaming services has allowed many bo ... oks to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television. As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”. Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule. When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community. The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power. Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening. The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters. There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work. Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation. One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room. Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more. 3.5 out of 5
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com After decades of experiencing so many films and understanding the respective industry, I rarely get extremely excited for an original sci-fi movie starring famous actors. I wouldn’t be surprised if C ... haos Walking is the most anticipated film of the month for thousands of viewers, which isn’t an easy decision having in mind March is releasing tons of highly expected movies, such as Raya and the Last Dragon, Cherry, Zack Snyder’s Justice League, Godzilla x Kong, amongst others. It’ almost impossible not to feel remotely interested in watching a film with such a phenomenal cast - Tom Holland (Spider-Man, The Devil All the Time), Daisy Ridley (Star Wars, Murder on the Orient Express), Mads Mikkelsen (Doctor Strange, Rogue One: A Star Wars Story), Demián Bichir (Land, The Grudge), Cynthia Erivo (Widows, Bad Times at the El Royale), and more. Add Doug Liman (The Bourne franchise, The Edge of Tomorrow) as the director and screenwriters with tremendously successful credits as Patrick Ness (A Monster Calls) and Christopher Ford (Spider-Man: Homecoming), what could go wrong? Well… almost everything. I possess no knowledge of the source material, but from what I could gather, the book trilogy of the same name was very well-received, which I don’t doubt for a second. If there’s one thing no one can take away from Chaos Walking is its incredibly captivating concepts and imaginative visual ideas. From the premise of people being able to hear men’s thoughts (noise) to the actual visuals of said brain activity, I felt deeply invested during the first act. The futuristic setting is somewhat familiar, but the production/set design definitely set an engaging atmosphere. The score (Marco Beltrami, Brandon Roberts) also features interesting tracks that create a sense of wonder in this new world. Unfortunately, this is as far as I can go compliment-wise. Sure, the cast offers remarkable performances, especially Holland and Ridley, who obviously share most of the screentime as the underdeveloped protagonists, but sadly this is one of those movies where it’s hard not to find a significant flaw with everything. The lack of proper characterization is one of the main issues. While Holland’s character misses a regular arc - he has no evolution whatsoever, ending the film with the exact same defects as in the beginning - Ridley’s character raises dozens of questions that remain unanswered about herself, her past, her abilities, and her origins. The new world presented to the viewers packs hundreds of unquestionably innovative and exciting ideas, but none reaches even a fraction of its potential. The “superpower” of hearing thoughts is rarely seen in a different manner other than chaotic, annoying noise, which is hugely disappointing, having in mind the scarce showings of its real power. Nevertheless, the most frustrating component of the narrative is the introduction of massively important story elements that are completely forgotten by the end of the movie, namely - without getting into spoilers - an entire native population that remains as one of the most fascinating aspects of the screenplay that wasn’t remotely explained. Nowadays, people have more knowledge and understanding of how much studios impact the production of any film. Honestly, I don’t know if this is one of those projects ruined by awfully dumb corporate demands or if Doug Liman and his team of writers screwed the pooch. One thing is for sure: director, screenwriters, and/or producers, they’re the people to blame for such a frustratingly terrible adaptation. I apologize to Doc Crotzer, but this is one of the worst editing jobs I’ve seen in years, though I want it to be clear: Crotzer is far from being the sole or main culprit of such a horribly put-together movie. The camera work is also all-over-the-place (Ben Seresin). Finally, I don’t know if this following story detail is as explicit and barely explained in the source material as it is in this film, but due to the lack of any decent explanation besides “because”, I strongly dislike the whole “everyone can hear men’s thoughts, but no one can hear the women’s”. To be clear, my issue isn’t related to the idea but to its evolution in this movie. Men, especially Holland’s character, are shown to think like a primate with sexual thoughts concerning women and offenses to everyone and everything. Men’s thoughts represent them as utter pigs. However, the whole “women’s thoughts are hidden from everyone” can easily be interpreted as “women don’t have brains”, especially considering the film’s failed attempt at elaborating this concept. Chaos Walking will end up as one of the most disappointing, frustrating movies of the year. In addition to this, it’s also another entry in the list of “films with innovative, interesting concepts that fail to reach half of their potential”. Besides the engaging production design, a cool score, and decent performances, any viewer will struggle not to find a massive flaw in every single aspect of the narrative. From the dozens of unanswered questions regarding Daisy Ridley’s character to the lack of a proper arc for Tom Holland’s role, the underdeveloped protagonists are just one of many screenplay issues. Critical plot points and story elements either miss an explanation or are entirely forgotten by the end of a horrendously edited movie. Transitions between cuts are very choppy and make zero connection between storylines. The whole “men’s thoughts are seen by everyone, but women’s thoughts are not” is depicted in a way that leaves men portrayed as pigs and insinuates women have no brains. I genuinely don’t know if this massive disaster is due to studio interference and/or to the director and screenwriters team-up, but one thing is for certain: personally, it's one of the worst films of the year. Rating: D+
It should first be noted I have never read (or even heard of) the novel this was based upon, so I don't have any preconceptions or expectations on how the adaptation was handled. With that out of the way, I found this to be... fine. A little messy in narrative and structure but I suppose moderately ... entertained. I also liked Tom Holland in the lead for the most part and Daisy Ridley grew on me though her character isn't very well developed. It's probably worthy of a rental but doubtful I'll revisit this very soon other than to listen to the commentary by Doug Liman considering the behind-the-scenes issues and major re-shoots. **3.0/5**
In 2257 AD, the colonists of the planet New World, all men, have been afflicted with a condition called the Noise, which causes everyone to see and hear each other's thoughts. Judging by the level of intelligence the characters exhibit, this ought be a deafeningly silent planet. People who colon ... ize a new world and literally call it "New World" can't have much in their minds (perhaps they should have called it Planet Faulkner, since everyone here seems to think in an uncontrollable stream of consciousness and/or has the mental faculties of a Benjy Compson). When sort of halo envelops their heads when they 'think,' it’s like the light is on but no one’s home. The only one here who manages to avoid appearing like a complete idiot is Mads Mikkelsen, and only because the Danish actor is too smart to play this dumb; his character, David Prentiss, is not particularly brilliant, but one can at least give him the benefit of the doubt — after all, he’s more insane than he is inane. Prentiss is the only one who has learned to control his "Noise", which shouldn't be too difficult; ever heard the expression 'think before you speak?' I don’t think it’d really be all that hard to 'think before you think;' these characters, however, are mentally incontinent. Either director Doug Liman and screenwriters Patrick Ness and Christopher Ford are as dumb as the movie they've made, or they assume the audience is. For some reason, women can see and hear men's thoughts, but men can't see and hear women’s — making the “Noise” nothing more than a clumsy allegory for female intuition. This actually has to do directly with the lack of women in Prentisstown (of which, as the name suggests, Prentiss is the mayor), in a twist preposterous enough to make M. Night Shyamalan himself scratch his head in disbelief.
Fairly close to being a good film, for me at least. I could see something positive coming from <em>'Chaos Walking'</em> at differing moments, though unfortunately all in all it does end up being a pretty underwhelming 109 or so minutes. It holds an interesting concept and I was very much willing ... it to come to fruition in an entertaining manner but it never does. The 'inner' monologue thing does get a tad annoying, it isn't amazingly implemented via special efforts nor audio - less would've been more, especially of the phrase "control your noise" which is said too often for my liking. The characters, including the main two, could've been far stronger as well, though the acting talent themselves actually do OK. Daisy Ridley and Tom Holland are good names to have attached, though I didn't sense enough onscreen chemistry between the two. Mads Mikkelsen is alright, David Oyelowo's character is probably the only one who didn't intrigue me from the main bunch; the filmmakers could've utilized him better. No surprise to see that this has been received poorly. I didn't dislike it, though I can't really defend it all that strongly either.