Popularity: 3 (history)
Director: | Joe Carnahan |
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Writer: | Joe Carnahan, Chris Borey, Eddie Borey |
Staring: |
A former special forces agent is trapped in a time loop and relives his death over and over again. To escape the terrible situation, he must track down those responsible and stop them. | |
Release Date: | Feb 19, 2021 |
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Director: | Joe Carnahan |
Writer: | Joe Carnahan, Chris Borey, Eddie Borey |
Genres: | Action, Science Fiction, Thriller |
Keywords | video game, time loop, philosophical, satirical, absurd, audacious, defiant, scathing |
Production Companies | Ingenious Media, Scott Free Productions, EFO Films, The Fyzz, Highland Film Group, River Bay Films, WarParty Films, Diamond Film Productions, MoviePass Films, Big Red Films, Edver Films |
Box Office |
Revenue: $2,000,000
Budget: $45,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Frank Grillo | Roy Pulver |
Mel Gibson | Colonel Clive Ventor |
Naomi Watts | Jemma Wells |
Annabelle Wallis | Alice |
Ken Jeong | Chef Jake |
Will Sasso | Brett |
Selina Lo | Guan Yin |
Meadow Williams | Pam |
Michelle Yeoh | Dai Feng |
Mathilde Ollivier | Gabrielle |
Rob Gronkowski | Gunner |
Sheaun McKinney | Dave |
Rio Grillo | Joe |
Armida Lopez | Esmerelda the Chauffeur |
Buster Reeves | Mr. Good Morning |
Eric Etebari | Roy #2 |
Quinton 'Rampage' Jackson | German Twin #1 |
Rashad Evans | German Twin #2 |
Joe Knezevich | Driver |
Adam G. Simon | Loudmouth |
Melanie Kiran | Guest |
Thomas DeWier | Huey Pilot |
Aaron Beelner | Kaboom |
Travis Gomez | Pedro |
Michael Tourek | Smiley |
John Cenatiempo | Patrolman |
Brendan Johnston | Armed Sentry Guard |
Rigan Machado | Cop |
Adetinpo Thomas | Stunned Woman BMW |
Eric Goins | Slack-Jawed Dude |
Swen Temmel | Cop #2 |
Tyler Jon Olson | Ticket Taker |
Robert Goon | Dana |
Henry Penzi | Chef Jorge |
Athena Akers | BMX Tricks Rider (uncredited) |
James William Ballard | Laboratory Security Guard (uncredited) |
Joe Carnahan | Customer at the Chinese Restaurant (uncredited) |
Name | Job |
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Sharon Bialy | Casting |
Jon Billington | Production Design |
Jessica Erin Bennett | Stunts |
Travis Gomez | Stunts |
Joe Carnahan | Writer, Director |
Chris Borey | Writer |
Clinton Shorter | Original Music Composer |
Denney Pierce | Stunt Coordinator |
Riley Flanagan | Set Production Assistant |
Shauna Galligan | Stunts |
Jessica Williams | Stunt Driver |
Paul E. Short | Stunt Driver |
Chick Bernhard | Stunts |
Sarah Reagin Clemmensen | Stunts |
Ted Barba | Stunts |
Meredith Richardson | Stunts |
Jessica Medina | Stunts |
Eddie Borey | Writer |
Kevin Hale | Editor |
Lori Mazuer | Set Decoration |
Jayna Mansbridge | Costume Design |
Scott Putman | Line Producer, Unit Production Manager |
Kenny Savoca | Production Supervisor |
A. Todd Holland | Supervising Art Director |
Carpucine Childs | Makeup Artist |
Essie Cha | Makeup Department Head |
Paul Cha | Key Makeup Artist |
Russell Topal | Sound Effects Editor |
Beau Williams | Production Sound Mixer, Sound Mixer |
Craig Mann | Supervising Sound Editor, Sound Re-Recording Mixer |
Bernard O. Ceguerra | Visual Effects |
Makana Sylva | Visual Effects Supervisor |
Neil Van Dijk | Visual Effects Production Manager |
Alex Schade | Visual Effects Coordinator |
Matt Russell | Visual Effects Producer |
Brian Reiss | Visual Effects Producer |
Benjamin Mullin | Visual Effects Coordinator |
George Loucas | Visual Effects Supervisor |
Armen V. Kevorkian | Visual Effects Supervisor |
Sean Kachenmeister | Visual Effects Editor |
Isaac Marcos Gonzalez | Animation |
Juan Miguel Azpiroz | Director of Photography |
Ashley Waldron | Music Supervisor |
Sherry Thomas | Casting |
Nick Satriano | First Assistant Director |
Brian Avery Galligan | Second Assistant Director |
Frank Torres | Stunt Coordinator |
Brian Simpson | Stunt Coordinator |
Laura Wiest | Sound Re-Recording Mixer |
Luke Waki | Makeup Artist |
Roy Wooley | Special Effects Makeup Artist |
Pamela Hall | Hair Department Head |
Chantel Wilson | Key Hair Stylist |
Melizah Anguiano Wheat | Hairstylist |
Daniel Edery | VFX Artist |
Hilda Somarriba | Unit Publicist |
Simon Rhee | Utility Stunts |
Name | Title |
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Randall Emmett | Producer |
George Furla | Producer |
Frank Grillo | Producer |
Joe Carnahan | Producer |
Carolyn Folks | Executive Producer |
Arianne Fraser | Executive Producer |
Wayne Marc Godfrey | Executive Producer |
Delphine Perrier | Executive Producer |
Henry Winterstern | Executive Producer |
Meadow Williams | Executive Producer |
Swen Temmel | Executive Producer |
Mark DeVitre | Executive Producer |
Timothy C. Sullivan | Executive Producer |
Anthony Callie | Co-Producer |
Alana Crow | Co-Producer |
Charles Auty | Executive Producer |
Alastair Burlingham | Executive Producer |
Chris Charalambous | Executive Producer |
Richard Clark Jr. | Executive Producer |
Christelle Conan | Executive Producer |
Jules Daly | Executive Producer |
Alexander Eckert | Executive Producer |
Anders Erdén | Executive Producer |
Ted Fox | Executive Producer |
Jonathan Helmuth | Executive Producer |
Brandon K. Hogan | Executive Producer |
Robert Jones | Executive Producer |
Jennifer Lucas | Executive Producer |
Gary Raskin | Executive Producer |
Michael J. Urann | Co-Producer |
Thomas A. Giovine | Associate Producer |
Mitch Lowe | Executive Producer |
Nadine Luque | Executive Producer |
Jason Hellmann | Co-Producer |
Padraic McKinley | Co-Producer |
Armen V. Kevorkian | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 66 | 122 | 35 |
2024 | 5 | 156 | 193 | 112 |
2024 | 6 | 103 | 217 | 50 |
2024 | 7 | 42 | 76 | 22 |
2024 | 8 | 30 | 76 | 19 |
2024 | 9 | 32 | 52 | 14 |
2024 | 10 | 33 | 65 | 22 |
2024 | 11 | 35 | 66 | 24 |
2024 | 12 | 27 | 49 | 20 |
2025 | 1 | 32 | 52 | 21 |
2025 | 2 | 21 | 39 | 4 |
2025 | 3 | 7 | 28 | 2 |
2025 | 4 | 6 | 11 | 2 |
2025 | 5 | 5 | 11 | 4 |
2025 | 6 | 5 | 9 | 3 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 5 | 6 | 3 |
2025 | 9 | 5 | 7 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 606 | 848 |
Year | Month | High | Avg |
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2025 | 7 | 438 | 728 |
Year | Month | High | Avg |
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2025 | 6 | 628 | 852 |
Year | Month | High | Avg |
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2025 | 5 | 595 | 758 |
Year | Month | High | Avg |
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2025 | 4 | 512 | 762 |
Year | Month | High | Avg |
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2025 | 3 | 45 | 628 |
Year | Month | High | Avg |
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2025 | 2 | 457 | 720 |
Year | Month | High | Avg |
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2025 | 1 | 294 | 721 |
Year | Month | High | Avg |
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2024 | 12 | 614 | 830 |
Year | Month | High | Avg |
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2024 | 11 | 273 | 726 |
Year | Month | High | Avg |
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2024 | 8 | 759 | 889 |
At its core, the model is still the Phil Connors self-improvement plan. In trying to finally make it to tomorrow, will Roy become a better father, a better ex-husband, a better version of himself? 28 years ago, Murray and writer/director Harold Ramis wrung this ingenious conceit for everything it wa ... s worth. All a diverting riff like 'Boss Level' can do is throw a few sword fights and bazookas in with the recycled pleasures and hope they look like its own. It's inchoate, but mostly fun. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-boss-level-nostalgic-action-and-quirky-foes
Didn’t really know what this movie was when I got it but I have to say that it was a quite fun action romp and although I am usually very much against time travel stories this one worked for me. As the name implies the movie kind of plays out like a first person shooter game. Start, run and shoot ... , die, rinse, restart and repeat. I know, it sound rather boring but it actually works. There’s enough variation in each run to make it interesting and each iteration advances the story and adds another piece to the puzzle. Obviously there is a lot of action in this movie and it is good and fun action. Luckily they didn’t try to go for some silly PG-13 or TV-PG rating. This is a mature audience movie and both the language and the action is for adults and not the whining easily offended variety of adults. Heads fly, people explode and bullet wholes appear in all kinds of places. At the same time it is fun, over the top and sometimes quite comical action. The background voice from the main protagonist and his matter of fact but also “I’m tired of this bullshit” attitude is adding nicely to the fun-factor. There is a story underneath all of this, believe it or not, and it’s actually not that bad. Sure there are holes in it large enough to drive a battleship through but it doesn’t really matter. The story is good enough to drive the movie and the action forward and the movie makes no pretense of having any form of science or such logic in it anyway. It’s kind of a over the top action version of Groundhog Day with first person shooter elements. Frank Grillo is doing a good job of being the bored, violent main protagonist and it was rather fun seeing Mel Gibson again even though he, unfortunately, was one of the bad guys. The rest of the actors, well they are more or less as forgettable as they are expendable (over and over again). It is a fun movie clearly meant to entertain by showering the audience in outrageous (violent) action stunts and some snarky dialogue and it succeeds quite well in achieving this.
What simultaneously saves and sinks Boss Level is that co-writer/director Joe Carnahan handles the material as if it were a video game, so that the conventions of the time loop genre suddenly make perfect sense; for example, whenever the hero dies, he respawns at the previous checkpoint while retain ... ing the knowledge gained from previous attempts (any gamer will tell you that sometimes the only way to beat a level is knowing beforehand what’s coming). Thus, when Roy (Frank Grillo) needs a vehicle, he simply procures himself one à la Grand Theft Auto. And every time Guan-Yin (Selina Lo) kills him, she says her catchphrase “I am Guan-Yin, and Guan-Yin has done this”. She repeats this phrase so much it’s infuriating, but that’s precisely the point – to recreate the experience of having a Boss kick your ass so bad (and taunt you mercilessly in the process) that you just have to keep coming back for more, relishing in advance the moment when you finally get the best of him/her. The problem with this is that once Roy figures out where he has to go and what he has to do, and that he has unlimited opportunities to go there and do that, the film is drained of all sense of urgency, becoming as engaging as watching someone else play a video game for hours on end. Even the end of the world is no big deal when there is literally one every day; after all, Roy will always wake up in his bed and the world will always be there for him to save. Grillo’s cocky neanderthal schtick is an acquired taste, but considering that his character suffers what essentially is a Rasputinian Death in increments, it’s safe to say that Roy pays his dues. Moreover, Roy shares some genuinely emotional scenes with his preteen son – who happens to be Grillo’s real-life son as well. And then there’s Mel Gibson as the sinister and menacing main villain (Will Sasso, as his lackey, is also surprisingly effective). This is the second time in as many years, following Force of Nature, that Gibson’s presence alone is enough to elevate what would otherwise be little more than a collection of clichés.
"Live Die Repeat" with less sense and more beheadings. The movie had us, lost us, had me, lost me... but I stuck it out till the end. The name of the Big Bad company is DYNOW Industries. If that makes you snort, you know what type of movie this is. I did break my "No-Mel Gibson Movie" streak. On ... the plus side, you get to watch Mel Gibson die more than once. Much prefer the Joe Carnahan Frank Grillo film "Cop Shop" - see that instead.