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Boss Level Poster

Boss Level

Running out of time. And lives.
2021 | 101m | English

(86571 votes)

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Popularity: 3 (history)

Details

A former special forces agent is trapped in a time loop and relives his death over and over again. To escape the terrible situation, he must track down those responsible and stop them.
Release Date: Feb 19, 2021
Director: Joe Carnahan
Writer: Joe Carnahan, Chris Borey, Eddie Borey
Genres: Action, Science Fiction, Thriller
Keywords video game, time loop, philosophical, satirical, absurd, audacious, defiant, scathing
Production Companies Ingenious Media, Scott Free Productions, EFO Films, The Fyzz, Highland Film Group, River Bay Films, WarParty Films, Diamond Film Productions, MoviePass Films, Big Red Films, Edver Films
Box Office Revenue: $2,000,000
Budget: $45,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Frank Grillo Roy Pulver
Mel Gibson Colonel Clive Ventor
Naomi Watts Jemma Wells
Annabelle Wallis Alice
Ken Jeong Chef Jake
Will Sasso Brett
Selina Lo Guan Yin
Meadow Williams Pam
Michelle Yeoh Dai Feng
Mathilde Ollivier Gabrielle
Rob Gronkowski Gunner
Sheaun McKinney Dave
Rio Grillo Joe
Armida Lopez Esmerelda the Chauffeur
Buster Reeves Mr. Good Morning
Eric Etebari Roy #2
Quinton 'Rampage' Jackson German Twin #1
Rashad Evans German Twin #2
Joe Knezevich Driver
Adam G. Simon Loudmouth
Melanie Kiran Guest
Thomas DeWier Huey Pilot
Aaron Beelner Kaboom
Travis Gomez Pedro
Michael Tourek Smiley
John Cenatiempo Patrolman
Brendan Johnston Armed Sentry Guard
Rigan Machado Cop
Adetinpo Thomas Stunned Woman BMW
Eric Goins Slack-Jawed Dude
Swen Temmel Cop #2
Tyler Jon Olson Ticket Taker
Robert Goon Dana
Henry Penzi Chef Jorge
Athena Akers BMX Tricks Rider (uncredited)
James William Ballard Laboratory Security Guard (uncredited)
Joe Carnahan Customer at the Chinese Restaurant (uncredited)
Name Job
Sharon Bialy Casting
Jon Billington Production Design
Jessica Erin Bennett Stunts
Travis Gomez Stunts
Joe Carnahan Writer, Director
Chris Borey Writer
Clinton Shorter Original Music Composer
Denney Pierce Stunt Coordinator
Riley Flanagan Set Production Assistant
Shauna Galligan Stunts
Jessica Williams Stunt Driver
Paul E. Short Stunt Driver
Chick Bernhard Stunts
Sarah Reagin Clemmensen Stunts
Ted Barba Stunts
Meredith Richardson Stunts
Jessica Medina Stunts
Eddie Borey Writer
Kevin Hale Editor
Lori Mazuer Set Decoration
Jayna Mansbridge Costume Design
Scott Putman Line Producer, Unit Production Manager
Kenny Savoca Production Supervisor
A. Todd Holland Supervising Art Director
Carpucine Childs Makeup Artist
Essie Cha Makeup Department Head
Paul Cha Key Makeup Artist
Russell Topal Sound Effects Editor
Beau Williams Production Sound Mixer, Sound Mixer
Craig Mann Supervising Sound Editor, Sound Re-Recording Mixer
Bernard O. Ceguerra Visual Effects
Makana Sylva Visual Effects Supervisor
Neil Van Dijk Visual Effects Production Manager
Alex Schade Visual Effects Coordinator
Matt Russell Visual Effects Producer
Brian Reiss Visual Effects Producer
Benjamin Mullin Visual Effects Coordinator
George Loucas Visual Effects Supervisor
Armen V. Kevorkian Visual Effects Supervisor
Sean Kachenmeister Visual Effects Editor
Isaac Marcos Gonzalez Animation
Juan Miguel Azpiroz Director of Photography
Ashley Waldron Music Supervisor
Sherry Thomas Casting
Nick Satriano First Assistant Director
Brian Avery Galligan Second Assistant Director
Frank Torres Stunt Coordinator
Brian Simpson Stunt Coordinator
Laura Wiest Sound Re-Recording Mixer
Luke Waki Makeup Artist
Roy Wooley Special Effects Makeup Artist
Pamela Hall Hair Department Head
Chantel Wilson Key Hair Stylist
Melizah Anguiano Wheat Hairstylist
Daniel Edery VFX Artist
Hilda Somarriba Unit Publicist
Simon Rhee Utility Stunts
Name Title
Randall Emmett Producer
George Furla Producer
Frank Grillo Producer
Joe Carnahan Producer
Carolyn Folks Executive Producer
Arianne Fraser Executive Producer
Wayne Marc Godfrey Executive Producer
Delphine Perrier Executive Producer
Henry Winterstern Executive Producer
Meadow Williams Executive Producer
Swen Temmel Executive Producer
Mark DeVitre Executive Producer
Timothy C. Sullivan Executive Producer
Anthony Callie Co-Producer
Alana Crow Co-Producer
Charles Auty Executive Producer
Alastair Burlingham Executive Producer
Chris Charalambous Executive Producer
Richard Clark Jr. Executive Producer
Christelle Conan Executive Producer
Jules Daly Executive Producer
Alexander Eckert Executive Producer
Anders Erdén Executive Producer
Ted Fox Executive Producer
Jonathan Helmuth Executive Producer
Brandon K. Hogan Executive Producer
Robert Jones Executive Producer
Jennifer Lucas Executive Producer
Gary Raskin Executive Producer
Michael J. Urann Co-Producer
Thomas A. Giovine Associate Producer
Mitch Lowe Executive Producer
Nadine Luque Executive Producer
Jason Hellmann Co-Producer
Padraic McKinley Co-Producer
Armen V. Kevorkian Co-Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 66 122 35
2024 5 156 193 112
2024 6 103 217 50
2024 7 42 76 22
2024 8 30 76 19
2024 9 32 52 14
2024 10 33 65 22
2024 11 35 66 24
2024 12 27 49 20
2025 1 32 52 21
2025 2 21 39 4
2025 3 7 28 2
2025 4 6 11 2
2025 5 5 11 4
2025 6 5 9 3
2025 7 5 7 4
2025 8 5 6 3
2025 9 5 7 3

Trending Position


Year Month High Avg
2025 8 606 848
Year Month High Avg
2025 7 438 728
Year Month High Avg
2025 6 628 852
Year Month High Avg
2025 5 595 758
Year Month High Avg
2025 4 512 762
Year Month High Avg
2025 3 45 628
Year Month High Avg
2025 2 457 720
Year Month High Avg
2025 1 294 721
Year Month High Avg
2024 12 614 830
Year Month High Avg
2024 11 273 726
Year Month High Avg
2024 8 759 889

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Reviews

maketheSWITCH
5.0

At its core, the model is still the Phil Connors self-improvement plan. In trying to finally make it to tomorrow, will Roy become a better father, a better ex-husband, a better version of himself? 28 years ago, Murray and writer/director Harold Ramis wrung this ingenious conceit for everything it wa ... s worth. All a diverting riff like 'Boss Level' can do is throw a few sword fights and bazookas in with the recycled pleasures and hope they look like its own. It's inchoate, but mostly fun. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-boss-level-nostalgic-action-and-quirky-foes

Jun 23, 2021
Dark Jedi
7.0

Didn’t really know what this movie was when I got it but I have to say that it was a quite fun action romp and although I am usually very much against time travel stories this one worked for me. As the name implies the movie kind of plays out like a first person shooter game. Start, run and shoot ... , die, rinse, restart and repeat. I know, it sound rather boring but it actually works. There’s enough variation in each run to make it interesting and each iteration advances the story and adds another piece to the puzzle. Obviously there is a lot of action in this movie and it is good and fun action. Luckily they didn’t try to go for some silly PG-13 or TV-PG rating. This is a mature audience movie and both the language and the action is for adults and not the whining easily offended variety of adults. Heads fly, people explode and bullet wholes appear in all kinds of places. At the same time it is fun, over the top and sometimes quite comical action. The background voice from the main protagonist and his matter of fact but also “I’m tired of this bullshit” attitude is adding nicely to the fun-factor. There is a story underneath all of this, believe it or not, and it’s actually not that bad. Sure there are holes in it large enough to drive a battleship through but it doesn’t really matter. The story is good enough to drive the movie and the action forward and the movie makes no pretense of having any form of science or such logic in it anyway. It’s kind of a over the top action version of Groundhog Day with first person shooter elements. Frank Grillo is doing a good job of being the bored, violent main protagonist and it was rather fun seeing Mel Gibson again even though he, unfortunately, was one of the bad guys. The rest of the actors, well they are more or less as forgettable as they are expendable (over and over again). It is a fun movie clearly meant to entertain by showering the audience in outrageous (violent) action stunts and some snarky dialogue and it succeeds quite well in achieving this.

May 16, 2024
tmdb28039023
5.0

What simultaneously saves and sinks Boss Level is that co-writer/director Joe Carnahan handles the material as if it were a video game, so that the conventions of the time loop genre suddenly make perfect sense; for example, whenever the hero dies, he respawns at the previous checkpoint while retain ... ing the knowledge gained from previous attempts (any gamer will tell you that sometimes the only way to beat a level is knowing beforehand what’s coming). Thus, when Roy (Frank Grillo) needs a vehicle, he simply procures himself one à la Grand Theft Auto. And every time Guan-Yin (Selina Lo) kills him, she says her catchphrase “I am Guan-Yin, and Guan-Yin has done this”. She repeats this phrase so much it’s infuriating, but that’s precisely the point – to recreate the experience of having a Boss kick your ass so bad (and taunt you mercilessly in the process) that you just have to keep coming back for more, relishing in advance the moment when you finally get the best of him/her. The problem with this is that once Roy figures out where he has to go and what he has to do, and that he has unlimited opportunities to go there and do that, the film is drained of all sense of urgency, becoming as engaging as watching someone else play a video game for hours on end. Even the end of the world is no big deal when there is literally one every day; after all, Roy will always wake up in his bed and the world will always be there for him to save. Grillo’s cocky neanderthal schtick is an acquired taste, but considering that his character suffers what essentially is a Rasputinian Death in increments, it’s safe to say that Roy pays his dues. Moreover, Roy shares some genuinely emotional scenes with his preteen son – who happens to be Grillo’s real-life son as well. And then there’s Mel Gibson as the sinister and menacing main villain (Will Sasso, as his lackey, is also surprisingly effective). This is the second time in as many years, following Force of Nature, that Gibson’s presence alone is enough to elevate what would otherwise be little more than a collection of clichés.

Sep 03, 2022
RobMcJ
5.0

"Live Die Repeat" with less sense and more beheadings. The movie had us, lost us, had me, lost me... but I stuck it out till the end. The name of the Big Bad company is DYNOW Industries. If that makes you snort, you know what type of movie this is. I did break my "No-Mel Gibson Movie" streak. On ... the plus side, you get to watch Mel Gibson die more than once. Much prefer the Joe Carnahan Frank Grillo film "Cop Shop" - see that instead.

Nov 07, 2023