Popularity: 13 (history)
| Director: | Luca Guadagnino |
|---|---|
| Writer: | Justin Kuritzkes |
| Staring: |
| Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Major champion. To jolt him out of his recent losing streak, she signs him up for a "Challenger" event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi's former boyfriend. | |
| Release Date: | Apr 18, 2024 |
|---|---|
| Director: | Luca Guadagnino |
| Writer: | Justin Kuritzkes |
| Genres: | Drama, Romance |
| Keywords | love triangle, competition, husband wife relationship, infidelity, tennis, eroticism, atlanta, tennis player, male friendship, sports, rivalry, interracial marriage, tennis court, ex-boyfriend ex-girlfriend relationship, knee injury, new rochelle, new york, aggressive, prodigy, tennis pro, 2000s, codependency, 2010s, gay theme, female coach, psychosexual, sports drama, power dynamics, tense, ambiguous, disgusted |
| Production Companies | Metro-Goldwyn-Mayer, Frenesy Film, Pascal Pictures, Why Are You Acting? Productions |
| Box Office |
Revenue: $94,182,533
Budget: $55,000,000 |
| Updates |
Updated: Jul 28, 2025 Entered: Apr 28, 2024 |
| Name | Character |
|---|---|
| Zendaya | Tashi Donaldson |
| Mike Faist | Art Donaldson |
| Josh O'Connor | Patrick Zweig |
| Darnell Appling | Umpire (New Rochelle Final) |
| Bryan Doo | Art's Physiotherapist |
| Shane T Harris | Art's Security Guard |
| Nada Despotovich | Tashi's Mother |
| Joan Mcshane | Line Judge (New Rochelle Final) |
| Chris Fowler | TV Sports Commentator (Atlanta 2019) |
| Mary Joe Fernández | TV Sports Commentator (Atlanta 2019) |
| A.J. Lister | Lily |
| Connor Aulson | Leo Du Marier |
| Doria Bramante | Woman With Headset (Atlanta 2019) |
| Christine Dye | Motel Front Desk Clerk |
| James Sylva | Motel Husband |
| Kenneth A. Osherow | Motel Husband |
| Kevin Collins | New Rochelle Parking Lot Guard |
| Burgess Byrd | USTA Official / Line Judge US Open Jr. |
| Jason Tong | Line Judge (New Rochelle Final) |
| Hudson Rivera | Y. Kucera (US Open Jr. Player) |
| Noah Eisenberg | T. Svoboda (US Open Jr. Player) |
| Emma Davis | A. Mueller (US Open Jr. Player) |
| Naheem Garcia | Tashi's Father |
| Alex Bancila | Grosu |
| Jake Jensen | Finn Larsen |
| Konrad Ryba | Player (New Rochelle Locker Room) |
| Hailey Gates | Helen (Patrick's Date) |
| Andrew Rogers | Art's Teammate (Stanford) |
| Beverly Kristenson Helton | Umpire (Stanford Match) |
| Brad Gilbert | Art's Trainer (Ohio 2011) |
| Sam Xu | Art's Fan |
| Caleb Schneider | Puppeteer |
| David S. Bookbinder | Tennis Fan (uncredited) |
| Jack Amsler | Tennis Player (uncredited) |
| Lachlan Boyle | Waiter (uncredited) |
| Courtney Brooks | Waitress (uncredited) |
| Tierre Diaz | Tennis Fan (uncredited) |
| Elaine Victoria Grey | Posh Spectator (uncredited) |
| Jason Hewitt | Spectator (uncredited) |
| Lizzy Kircher | Waitress (uncredited) |
| Bobby Leigh | Andre (uncredited) |
| Patricia Pinto | Parent (uncredited) |
| Juan Szilagyi | Spectator (uncredited) |
| Annabella Valle | Featured Party Guest (uncredited) |
| Name | Job |
|---|---|
| Nilesh Nagarkar | I/O Supervisor |
| Jennie Shea | ADR Recordist |
| Merissa Lombardo | Production Design |
| Paul Alix | Art Direction |
| Jasmine Cho | Art Direction |
| Matthew Gatlin | Supervising Art Director |
| Jess Royal | Set Decoration |
| Mary Chipman | Makeup Artist |
| Rob Greene | Additional Hairstylist |
| Danarose Lobue | Hairstylist |
| Jonathan Anderson | Costume Design |
| Luca Guadagnino | Director |
| Ashley Lorrington | Hairstylist |
| Sarah McGray | Makeup Artist |
| Fernanda Perez | Makeup Designer |
| Kellie Robinson | Makeup Artist |
| Rebecca Serra | Additional Hairstylist |
| Sherryn Smith | Makeup Artist |
| Kit Conners | Second Second Assistant Director |
| Valentina de Amicis | Second Assistant Director |
| Enrico Mastracchi Manes | First Assistant Director |
| Kim H. Winther | First Assistant Director |
| Risa Uchida Battis | Set Dresser |
| Chantal Birdsong | Assistant Art Director |
| E. David Cosier | Assistant Art Director |
| Mary-Ling Gregory | Set Decoration Buyer |
| Jennifer LaFace | Assistant Set Decoration |
| Bryan Lane | Set Designer |
| Malique McLaren | Set Dresser |
| Setha Phongsavan | Set Dresser |
| John Pungitore | Set Dresser |
| Tom Wagman | Set Designer |
| Paul Carter | Sound Designer, Sound Re-Recording Mixer |
| Davide Favargiotti | Dialogue Editor |
| Brendan Jamieson O'Brien | Boom Operator |
| Adam Pleiman | ADR Mixer |
| Eva Rismanforoush | Boom Operator |
| Thomas Varga | Production Sound Mixer |
| Karl Wasserman | Utility Sound |
| William Cunha | Special Effects Technician |
| Andrew Thomas Fairbank | Special Effects Technician |
| Joseph Jarzobski | Special Effects Technician |
| Juliana Lima | Special Effects Coordinator |
| John Ruggieri | Special Effects Supervisor |
| John Vincent Mason | Stunt Coordinator |
| Virginia Cefaly | Visual Effects Producer |
| Daniel Chavez | Visual Effects Producer |
| Diego Di Paola | Digital Compositor |
| Brian Drewes | Visual Effects Supervisor |
| Julian Collazo Bass | First Assistant "C" Camera |
| Bianca Butti | "A" Camera Operator |
| Jesse Cardoza | Lighting Technician |
| Eddie K. Goldblatt | Second Assistant "C" Camera |
| Terrence Hayes | Camera Operator |
| Matt Hedges | Second Assistant Camera |
| Nick Jablonski | Grip |
| Steve Koster | Drone Operator, Drone Cinematographer |
| Frans Wetterings III | Gaffer |
| Dave Scranton | Best Boy Grip |
| Matt Bouldry | Extras Casting |
| Kate Abraham | Costumer |
| Gina G. Aller | Key Costumer |
| Maria Bentfield | Costumer |
| Sirraya Billings | Costumer |
| Sean Haley | Costumer |
| Elizabeth Kirby | Costume Supervisor |
| Nava R. Sadan | Costume Supervisor |
| Howard Steeves | Set Costumer |
| Krystle Poulin | Makeup Artist |
| Kimberly Kimble | Hairstylist |
| Massimo Gattabrusi | Hair Designer |
| Amber Voner | Hair Department Head |
| Cheryl Vernae Williams | Makeup Artist |
| Dan Cayer | Visual Effects Supervisor |
| Marco Geracitano | Visual Effects Supervisor |
| Swapnil Kharche | Visual Effects Producer |
| Don Libby | Visual Effects Supervisor |
| David V. Mei | VFX Artist |
| Riaz Patel | Visual Effects Supervisor |
| Evan Aurelio | Lighting Technician |
| Steve Ramsey | Gaffer |
| Kathy Driscoll-Mohler | Casting Associate |
| Molly Rose | Casting Associate |
| Kevin Jung | Foley Recordist |
| Kevin Wasner | Prosthetic Makeup Artist |
| Bernard Bellew | Unit Production Manager |
| Kate Kelly | Production Supervisor |
| Gary Martyn | Production Supervisor |
| Gianmarco Necchi | Assistant Production Manager |
| Rebecca R. Ryan | Production Supervisor |
| Jeff Pitman | Additional Second Assistant Director |
| Tony Scelsi | Additional Second Assistant Director |
| Elisa Perini | Third Assistant Director |
| Rachel Sikora | Additional Second Assistant Director |
| Kalani Akuna | Graphic Designer |
| Shadya H. Ballug | On Set Dresser |
| Ali Chedekel | Props |
| Jennifer Driscoll | Props |
| Jaf Farkas | Concept Artist |
| Margot Foster | Props |
| K. Claire Harrison | Set Decorating Coordinator |
| Michael Helou | Graphic Designer |
| Grace Heraty | Assistant Property Master |
| Cassie Jenness | Props |
| Matt Marks | Property Master |
| Kenrick McDonald | Propmaker |
| Katrina Morgan | Construction Buyer |
| Deneice O'Connor | Assistant Property Master |
| Scott T. Pina | Construction Coordinator |
| Chris Sullivan | Art Department Coordinator |
| Kelly Walton | Props |
| David Rickson | Charge Scenic Artist |
| Andrew Ox Wortman | Rigging Grip |
| Derek Whitaker | Electrician |
| Caleb Holland | Epk Camera Operator |
| Michele De Angelis | Online Editor |
| Claudio Del Bravo | Colorist |
| Anna Hovhannessian | Assistant Editor |
| Jacopo Ramella Pajrin | First Assistant Editor |
| Abigail Charland | Assistant Location Manager |
| Patrick Donovan | Assistant Location Manager |
| Jeremy Fiske | Assistant Location Manager |
| Mark Fitzgerald | Location Manager |
| Gahan Haskins | Location Scout |
| Anthony Pisani | Location Manager |
| Roberta D'Angelo | Music Editor |
| Liesl Takeuchi | Music Coordinator |
| Robin Urdang | Music Supervisor |
| Frankie Ferrari | Script Supervisor |
| Chiara Gherarducci | Script Supervisor |
| Juliet Loveland | Makeup Department Head |
| Jill Oshry | Makeup Artist |
| Diana Choi | Hairstylist |
| Matt Balfour | Production Secretary |
| Bobby Anderson | Picture Car Coordinator |
| James Carson | Concept Artist |
| Josh Clark | Leadman |
| Donnchadh Gaf Condon | Construction Foreman |
| Catriona Crosby | Set Dresser |
| Beau Desmond | Set Dresser |
| Mike Drury | On Set Props |
| Landon Lott | Production Illustrator |
| Butch McCarthy | Greensman |
| Kendrick McDonald | Propmaker |
| Michael A. Myles | Set Dresser |
| Amber Primm | Scenic Artist |
| David Soukup | Graphic Designer |
| Brian C.A. Thomas | Charge Scenic Artist |
| Henriette Vittadini | Assistant Set Decoration, Set Decoration |
| Cleo Wang | Set Decorating Coordinator |
| Jennie Breckenridge | ADR Recordist |
| Jenna Dalla Riva | Foley Recordist |
| Kelly Doran | Utility Sound, Boom Operator |
| Michele Gualdrini | Sound Re-Recording Mixer |
| John Traunwieser | Sound Mix Technician |
| Matt Vowles | Sound Re-Recording Mixer |
| Alessandro Abiuso | Digital Compositor |
| John Allegretti | Rotoscoping Artist |
| Gevorg Antonyan | Digital Compositor |
| Giulio Bartali | VFX Artist |
| Matthew E. Bell | VFX Lighting Artist |
| Phoebe Britton | Visual Effects Compositor |
| Antonio Cascone | Digital Compositor |
| Fabio Cerrito | Visual Effects |
| Alessio Chietera | Digital Compositor |
| Monica Cinquepalmi | Digital Compositor |
| Luigi Croce | Digital Compositor |
| Flavio De Blasio | Digital Compositor |
| Isabella De Blasio | Visual Effects Coordinator |
| Jitesh Deshpande | Digital Compositor |
| Scott Dougherty | Executive Visual Effects Producer |
| Courtney Dreher | 3D Artist |
| Francesca Falzetta Pizzi | Digital Compositor |
| Mattia Fede | Digital Compositor |
| Carlotta Ferraresi | Digital Compositor |
| Bryan Foster | Visual Effects Coordinator |
| Christina Garberson | Executive Visual Effects Producer |
| Sara Gargano | Digital Compositor |
| Fabiana Gianfagna | Digital Compositor |
| Claudio Gonzalez | Compositing Supervisor |
| Marc-André Guindon | Pre-Visualization Supervisor |
| Monique Henry-Hudson | Visual Effects Coordinator |
| Pavel Hristov | Digital Compositor |
| Mayur Iyer | Digital Compositor |
| Arshaluys Karapetyan | Digital Compositor |
| Ashot Karapetyan | Digital Compositor |
| Hasnain Khan | Digital Compositor |
| Tigran Khechoyan | Digital Compositor |
| Ashley Knehans | VFX Artist |
| Abhishek Kulkarni | Visual Effects Production Manager |
| Ajay Kumar | Digital Compositor |
| Mark L'Heureux | VFX Artist |
| Derrick Ligas | Digital Compositor |
| Anu Liikkanen | Digital Compositor |
| Areg Magoyan | Digital Compositor |
| Armen Mailyan | Head of Animation |
| Maura Manfredi | Digital Compositor |
| Deniz Mani | 3D Artist |
| Sean Martin | Visual Effects |
| Sasun Martirosyan | Digital Compositor |
| Vahan Martirosyan | Digital Compositor |
| Anthony Merola | VFX Production Coordinator |
| Erik Mnatsakanyan | Visual Effects |
| James P. Noon | Visual Effects |
| Marco Panci | CG Artist |
| Giulio Parati | Digital Compositor |
| Chris Payne | Visual Effects |
| Emanuele Perrina | Digital Compositor |
| David Pietricola | CG Supervisor |
| Brian Quinlan | Roto Supervisor |
| Matilde Rossi | Digital Compositor |
| Francesco Santoro | Digital Compositor |
| Lisa K. Sepp | Visual Effects Production Manager |
| Samantha Slaughter | Visual Effects Coordinator |
| Anuraj Sonalkar | Digital Compositor |
| Orsola Sorrentino | VFX Editor |
| Steven Spady | Sequence Supervisor |
| Silvia Tolomeo | VFX Editor |
| Pasquale Tomaiuolo | Digital Compositor |
| Davide Velli | Digital Compositor |
| Matteo Velli | Digital Compositor |
| Sergio Villegas | Matchmove Supervisor |
| Radoslav Yanudov | Digital Compositor |
| Vardanyan Zhirayr | Digital Compositor |
| Vanessa Zighetti | Digital Compositor |
| Gabriel Zurabashvili | Digital Compositor |
| Colby Blackwill | Rigging Gaffer |
| Steven Blaney | Key Rigging Grip |
| Tim Boland | Lighting Programmer |
| John Campbell | Lighting Technician |
| Rick Cardillo | Rigging Gaffer |
| Chris D. Chapman | Dolly Grip |
| Anjela Coviaux | Second Assistant "B" Camera |
| Chad B. Daring | Drone Operator |
| Joshua Dreyfus | Chief Lighting Technician |
| Jamie Fitzpatrick | First Assistant "B" Camera |
| Alexandra Hadley | Grip |
| David Hallas | Rigging Gaffer |
| Mattie Hamer | Camera Loader |
| Jose 'Flecha' Hernandez | Genetator Operator |
| Christopher Husta | Electrician |
| Robert Kelly | Dolly Grip |
| Stephen Laughrun | Grip |
| Zachary K. Lazar | Genetator Operator |
| Michael Ludwig | Key Grip |
| Samuel Lüsted | Second Assistant "C" Camera |
| Gus Margiotta | Additional Grip |
| John McNeil | Grip |
| James R. Mitchell | Assistant Chief Lighting Technician |
| Anthony Perkins | Video Assist Operator |
| Derek Raimo | Electrician |
| David C. Romano | Key Grip |
| Joe Saulino | Electrician |
| Steve Sikora | Lighting Technician |
| Jason Chef Sokolowski | Rigging Grip |
| Ezra Sparling-Leavitt | Rigging Grip |
| Niko Tavernise | Still Photographer |
| Paul Tupek | Grip |
| Justin Wakefield | Additional Lighting Technician |
| Alex Worster | First Assistant "B" Camera |
| Kaley Boerneke | Casting Assistant |
| Kyle Crand | Local Casting, Extras Casting |
| Erica Ellingson | Extras Casting |
| Julia Lauren | Extras Casting Assistant |
| Atyana Yandrich | Extras Casting Assistant |
| Robert Bell | Assistant Costume Designer |
| Celia Cataldo | Costume Coordinator |
| Vicky Donner | Set Costumer |
| Kate Hausler | Set Costumer |
| Kayla McEniry | Costumer |
| Margaret Moy | Costumer |
| Margaret Robbs | Costume Design |
| Anastasia Tsikhanava | Set Costumer |
| Angela Anzelmo | First Assistant Editor |
| Linda Bagalini | Post Production Coordinator |
| Fabrizio Mambro | Post Production Coordinator |
| Dylan Carroll-Brown | Location Production Assistant |
| Julie Fiske | Location Production Assistant |
| Anna Frick | Location Assistant |
| Jason Fritz | Assistant Location Manager |
| Sam Gillis | Assistant Location Manager |
| Victoria Hersey | Assistant Location Manager |
| Michael Judge | Assistant Location Manager |
| Jessica Logan | Location Coordinator |
| Jaquelyn Manyak | Location Production Assistant |
| Madie Young | Location Assistant |
| Mandy Mamlet | Executive Music Producer |
| Jacob Moreno | Score Engineer |
| Mariqueen Maandig Reznor | Vocals |
| Jamie Barham | Driver |
| Justin Powers | Driver |
| Fabienne Annylusse | Production Secretary |
| Mariarosa Calderon | Production Accountant |
| Elle Davida | Second Assistant Accountant |
| Danny Dragin | Key Set Production Assistant |
| Hannah Dwyer | Production Assistant |
| Brooke Ensign | Unit Publicist |
| Sasha Fastovskiy | Assistant Production Coordinator |
| S.J. 'JoJo' Fieger | Production Coordinator |
| Patty Harrigan | Production Coordinator |
| Susan Hegarty | Dialect Coach |
| Brandon Hollyer | First Assistant Accountant |
| Michael Khouri | Production Controller |
| Chiara Leonardi | Production Assistant |
| Blu Lepore | Production Coordinator |
| Devin McDonough | Assistant Production Coordinator |
| Benjamin Jeran McGinn | Stand In |
| Molly Merrell | Travel Coordinator |
| Brian W. O'Sullivan | Payroll Accountant |
| Claire Semder | Production Coordinator |
| Melanie Skoupil | Production Assistant |
| Abbey Sullivan | Production Secretary |
| Mimi Wyeth | Production Accountant |
| Atticus Ross | Original Music Composer |
| Sayombhu Mukdeeprom | Director of Photography |
| Marco Costa | Editor |
| Kevin Collins | Second Assistant Director |
| Craig Berkey | Supervising Sound Editor, Sound Re-Recording Mixer |
| Lisa Pinero | Sound Mixer |
| Dann Fink | ADR Voice Casting |
| Bruce Winant | ADR Voice Casting |
| Justin Kuritzkes | Screenplay |
| Francine Maisler | Casting |
| Matt Curtis | Main Title Designer |
| Howard Berger | Prosthetic Designer |
| Craig Lindberg | Makeup Artist |
| Mark DeSimone | ADR Mixer |
| Pierre D'Oncieu | Visual Effects Production Manager |
| Robby Geis | CG Artist |
| Roger Dillingham Jr. | Set Medic |
| Joe Piasecki | Assistant Location Manager |
| Isabella Stephanos | Location Production Assistant |
| Trent Reznor | Original Music Composer |
| Devonté Hynes | ADR & Dubbing, Songs |
| Jesse Cook III | VFX Editor |
| Megan Charles | Additional Hairstylist |
| Name | Title |
|---|---|
| Luca Guadagnino | Producer |
| Bernard Bellew | Executive Producer |
| Kevin Ulrich | Executive Producer |
| Daniela Venturelli | Associate Producer |
| Kim H. Winther | Co-Producer |
| Zendaya | Producer |
| Amy Pascal | Producer |
| Lorenzo Mieli | Executive Producer |
| Darnell Appling | Associate Producer |
| Rachel O'Connor | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 202 | 574 | 59 |
| 2024 | 5 | 401 | 853 | 216 |
| 2024 | 6 | 258 | 505 | 157 |
| 2024 | 7 | 160 | 210 | 125 |
| 2024 | 8 | 110 | 158 | 78 |
| 2024 | 9 | 91 | 151 | 69 |
| 2024 | 10 | 93 | 121 | 73 |
| 2024 | 11 | 70 | 104 | 55 |
| 2024 | 12 | 89 | 126 | 64 |
| 2025 | 1 | 113 | 187 | 69 |
| 2025 | 2 | 65 | 115 | 11 |
| 2025 | 3 | 22 | 70 | 3 |
| 2025 | 4 | 13 | 23 | 9 |
| 2025 | 5 | 16 | 22 | 13 |
| 2025 | 6 | 14 | 18 | 12 |
| 2025 | 7 | 12 | 14 | 11 |
| 2025 | 8 | 12 | 15 | 10 |
| 2025 | 9 | 12 | 14 | 9 |
| 2025 | 10 | 11 | 14 | 9 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 210 | 571 |
| Year | Month | High | Avg |
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| 2025 | 9 | 59 | 412 |
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| 2025 | 8 | 166 | 594 |
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| 2025 | 7 | 90 | 546 |
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| 2025 | 6 | 142 | 527 |
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| 2025 | 5 | 127 | 539 |
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| 2025 | 4 | 65 | 488 |
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| 2025 | 3 | 53 | 360 |
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| 2025 | 2 | 56 | 191 |
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| 2025 | 1 | 20 | 97 |
| Year | Month | High | Avg |
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| 2024 | 12 | 22 | 129 |
| Year | Month | High | Avg |
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| 2024 | 11 | 81 | 278 |
| Year | Month | High | Avg |
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| 2024 | 10 | 70 | 215 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 100 | 181 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 49 | 125 |
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/challengers-movie-review-luca-guadagnino-goes-deep-beyond-the-baseline/ "Challengers transcends the limits of its tennis-centric premise to delve deep into the complexities of human relationships and personal desires. Luca Guadagnino’s ... meticulous filmmaking and metaphoric storytelling, coupled with the stellar, fervorous performances of Zendaya, Josh O’Connor, and Mike Faist, propel viewers into a world where the lines between love and competition blur with tantalizing intensity, sexual tension, and an electrifying score. With its potent blend of passion, intimacy, narrative and character depth, the film never stops reminding us that the most captivating stories lie beyond the boundaries of the tennis court." Rating: A-
A lot of fun, is <em>'Challengers'</em>. First of all, I gotta say, the proper poster is so good! Thankfully, the movie matches. I enjoyed my time watching this one, I do have some (very) minor issues with the pacing and music (that blaring club track is a bit much) but in truth they evaporate gi ... ven how high quality the rest of the film is. The cast are great. Zendaya is the obvious star of the 131 minutes, she is top notch throughout. Josh O'Connor and Mike Faist are just as impressive though, they more than hold their own alongside Zendaya. I've seen O’Connor before in TV's <em>'The Crown'</em> so I'm not all that surprised or anything, though this is the first time I've see Faist act. Aside from the earlier noted track, the music is overall excellent though. I also like how the tennis is portrayed, I'm only a casual viewer of the sport but it all felt believable in that regard. I think the run time could've been trimmed a tad, while the amount of different timelines is perhaps a little excessive. Again, mind, these are not major concerns of mine, just worthy of noting. A terrific flick, no doubt!
Tennis playing "Art" (Mike Faist) and "Patrick" (Josh C'Connor) have been best mates since school but there's a fly in the ointment of their bromance. That's the upcoming superstar that is "Tashi" (Zendaya) - whom both of the boys take a shine to. A shared beer in their hotel room and she declares s ... he's no home wrecker - but as this story progresses we arrive at a scenario that sees her own career aspirations tragically thwarted and rather vicariously transferred onto now husband "Art" whilst her ex-boyfriend "Patrick" and he now barely speak. Having won six slams, "Art" is running out of steam - but his unfulfilled wife is not ready for him to quit. Can he win an elusive US Open? For that matter, can he even win a confidence-building Challenger event in which he must beat his former friend. It's this match that serves as the conduit for the story as we dance about the timelines delivering a story that I felt was rife with pretty toxic ambition. Zendaya handles her really ambiguous, sometimes quite cruel and selfish, role here real quite unnervingly well as Luca Guadagnino allows all three actors to develop characteristics that vary from the engaging to the detestable - and he lets us be the judge. They are all flawed individuals spurned on by hormones, desire and the highly charged and competitive nature of their touring existences makes for quite a compelling look at just what makes these guys tick! After his appearance in "Mothering Sunday" (2021) O'Connor has no issues getting naked, the others prove a little more restrained as the sexual chemistry becomes more palpable and destructive and by the denouement - well who knows what will happen? I like that uncertainty - and I know what I wanted to occur... If you can't like yourself, can anyone else?
While I have found Zendaya to be an attractive and stylish young woman, I haven't really warmed up to her as a serious actress all that much. She was fine in the "Spider-Man" franchise since it didn't require any great stretches for her. I feel that in the "Dune" series she is overshadowed by other, ... more talented actors. And in the more serious "Malcolm and Marie" she was in over her head in the cheap imitation of "Who's Afraid of Virginia Woolf?" "Challengers" is a big step for her as an actress. And while I do still feel as though her two co-stars were more convincing, I think that this part is a brave move into meatier and more challenging roles. The film is told over a thirteen year period. Zendaya plays Tashi a rising star in the tennis world. She seems to be the next great thing. At one of the tournaments she meets Art and Patrick, played by Mike Faist and Josh O'Connor. They are also competitive tennis players and best friends. And they both fall for Tashi. Who wouldn't? Over the next several years they each start a relationship with Tashi. Not surprisingly they grow apart, but their stories continue to intersect as they both move closer to an inevitable confrontation...both off and on the court. It's the kind of movie that Hollywood rarely makes anymore. It's about people and their feelings, and their ambitions. It's not a sequel or a remake, or comic book. This is why I find stories about real human emotions to be so much more exciting than the latest, generic action retread. The plot is advanced by the things the characters say and how their emotions guide their futures. The film offers ambiguous motivations. On the surface we see them caring for each other, but what lies deep beneath is a much more selfish reality that put them in a survival mode. Each of them is a well written being. There is no hero to the story...nor a villain. While Zendaya holds her own, Faist and O'Connor are the best part. They move the story and are also the central interest to me. This is, after all a love story, but we don't really understand early that it is also an unconventional one between the two male characters as well. All three of them hold a certain amount of sexual tension between them. If I was to have a small gripe, it would be that the last twenty minutes is stretched too long. I'm glad that the filmmakers didn't rush it like many films do, but...they do milk the final in too many slow motion and trick shots. It adds tension, but it gets close to making us lose a bit of interest as well. Just get on with it!
A story about a sociopathic, egocentric, racist narcissist who - not knowing what love is - treats two young men who both fall in love with her as pawns in a twisted game of life. The havoc she wreaks, and the lives she break, are of no concern to her, as she continues on and on trying to satisfy ... her quench for power, control, and admiration. It's not that I necessarily have a problem with films spun around an antagonist, or with demonic female characters, there's just something about the way it is on display in this film that makes me nauseous and tired. Perhaps it's the poor writing, or the lack of any real protagonist, as the two who are supposedly our protagonists are really willing victims, so it's hard to feel for them. Maybe it's the disorganized structure of the script. And pairing it with an atrocius score certainly doesn't help. Oh, and the supposed "tennis" they're playing is so far detached from actual tennis that you can't help but laugh out loud at times when the film is trying to be very dramatic. Quite unfortunate. I do think the three main actors do a good job, and I'll gladly watch them in something else in the future. Especially our antagonist (assuming she has other facial expressions than sulking) and the dark-haired protagonist.
Challengers presents an intriguing story centered around an unconventional love triangle with a twist. The film is well-crafted, showcasing impressive performances, direction, editing and cinematography. The plot of Challengers revolves around the complex relationships between the three main char ... acters, exploring themes of love, rivalry, and redemption. The story is engaging, with a narrative that keeps the audience invested in the characters' journeys. Mike Faist and Josh O'Connor deliver solid performances as Art and Patrick, two friends whose relationship becomes strained. Their chemistry feels authentic, adding to the film's emotional weight. However, Zendaya's performance as Tashi is the film's standout element. She commands every scene she is in, bringing depth and nuance to her character. Her portrayal of Tashi's internal conflicts and external manipulations is both compelling and believable. The film's technical aspects are equally impressive. The cinematography beautifully captures the film's mood, using lighting and framing to enhance the emotional impact of the scenes especially on the court. The editing is top-notch, ensuring a smooth narrative flow and maintaining the film's pacing. The seamless transitions between past and present help to build suspense and deepen the story. Challengers is particularly appealing to younger generations and aspiring filmmakers. Its fresh take on a classic trope, combined with high-quality filmmaking, makes it a standout in contemporary cinema. The film's exploration of modern relationships and personal growth resonates well with a younger audience. Additionally, its artistic approach provides inspiration for filmmakers looking to push the boundaries of traditional storytelling. Overall, Challengers is a well-made film with a compelling story and strong performances. Zendaya shines as Tashi, supported by the solid performances of Mike Faist and Josh O'Connor. The film's technical excellence, from cinematography to editing, enhances its overall impact. This movie is a must-watch for anyone interested in a nuanced and emotionally rich narrative, as well as for those who appreciate high-quality filmmaking.
A Game of Love, Rivalry, and Resilience The Challengers, directed by Luca Guadagnino, serves up more than just a tennis love triangle—it’s a story about passion, ambition, and the lengths we go to reclaim our sense of self. Zendaya shines as Tashi Duncan, a once-dominant tennis star turned coach, ... whose life is as complex and intense as the sport she mastered. This film takes the audience on a whirlwind of emotions, following Tashi’s journey as she navigates a challenging personal and professional dynamic between her husband, Art, and her ex-boyfriend, Patrick. What starts as a sports drama quickly evolves into a tale of love, loyalty, and the complicated ties that bind us. Guadagnino’s direction brings the tension of a tennis match to every scene, where every glance, word, and play feels like a volley in an emotional game that none of the characters are fully prepared for. At the heart of The Challengers is a powerful message about resilience and the relentless pursuit of purpose. Tashi’s return to the court—albeit from the sidelines as a coach—is emblematic of her unwillingness to give up, even when her own dreams seem beyond reach. She embodies the law of assumption, believing in the possibilities that lie ahead, even when the present seems tangled in a web of broken relationships and lost potential. By daring to assume victory, not only in the game but in her own life, Tashi embraces a future filled with the abundance of second chances. What makes this film so compelling is the complexity of its characters, all of whom are struggling with their own vulnerabilities. The tennis matches are metaphors for life’s battles—hard-fought, full of unpredictable twists, and always demanding more than expected. It’s in the emotional back-and-forth, the moments of doubt and the sparks of hope, that The Challengers truly comes alive. Ultimately, The Challengers is about the fight to reclaim one’s identity and the power of belief—belief in love, in oneself, and in the idea that we are always capable of bouncing back from life’s toughest setbacks. It’s an inspiring, beautifully crafted film that reminds us, whether on the court or off, that every challenge we face is an opportunity to grow stronger. If you’re looking for a story that blends high-stakes competition with profound personal growth, The Challengers is a must-watch. It serves up drama, passion, and the belief that, no matter the odds, we always have the strength to rise.