Popularity: 6 (history)
| Director: | Woody Allen |
|---|---|
| Writer: | Woody Allen |
| Staring: |
| Chris, a former tennis player, looks for work as an instructor. He meets Tom Hewett, a wealthy young man whose sister Chloe falls in love with Chris. But Chris has his eye on Tom's fiancee Nola. | |
| Release Date: | Oct 26, 2005 |
|---|---|
| Director: | Woody Allen |
| Writer: | Woody Allen |
| Genres: | Drama, Romance, Crime, Thriller |
| Keywords | love triangle, london, england, upper class, adultery, infidelity, tennis, river thames, sports, love, wealth, lust, gold digger, instructor, social climbing, malicious, affair, awestruck |
| Production Companies | BBC Film, Thema Production, Jada Productions |
| Box Office |
Revenue: $85,306,374
Budget: $15,000,000 |
| Updates |
Updated: Aug 02, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jonathan Rhys Meyers | Chris Wilton |
| Scarlett Johansson | Nola Rice |
| Emily Mortimer | Chloe Hewett Wilton |
| Brian Cox | Alec Hewett |
| Penelope Wilton | Eleanor Hewett |
| James Nesbitt | Detective Banner |
| Ewen Bremner | Inspector Dowd |
| Miranda Raison | Heather |
| Margaret Tyzack | Mrs. Eastby |
| Rupert Penry-Jones | Henry |
| Toby Kebbell | Policeman |
| Alexander Armstrong | Mr. Townsend |
| Matthew Goode | Tom Hewett |
| Paul Kaye | Estate Agent |
| Mark Gatiss | Ping-Pong Player |
| Simon Kunz | Rod Carver |
| Geoffrey Streatfeild | Alan Sinclair |
| John Fortune | John the Chauffeur |
| Anthony O'Donnell | Custodian |
| Rose Keegan | Carol |
| Zoe Telford | Samantha |
| Scott Handy | Hewetts' Friend |
| Selina Cadell | Margaret |
| Georgina Chapman | Nola's Co-Worker |
| Colin Salmon | Ian |
| Steve Pemberton | Detective Parry |
| Janis Kelly | 'La Traviata' Performer |
| Alan Oke | 'La Traviata' Performer |
| Emily Gilchrist | Hewetts' Friend |
| Philip Mansfield | Waiter |
| Mary Hegarty | "Rigoletto" Performer |
| Patricia Whymark | Telephone Operator |
| Eddie Marsan | Office Worker (uncredited) |
| Name | Job |
|---|---|
| Jill Taylor | Costume Design |
| Steve Morphew | Stand In |
| Woody Allen | Director, Writer |
| Christopher Newman | First Assistant Director |
| Martin Crewes | Music, Musician, Musical Casting, Music Arranger |
| Tony Burns | Electrician |
| Peter Glossop | Production Sound Mixer |
| Ryan Collison | Foley Recording Engineer |
| Sallie Jaye | Makeup Designer, Hair Designer |
| Jim Clay | Production Design |
| Sharon Martin | Makeup Artist |
| Shaun Mills | Boom Operator |
| Diane Dancklefsen | Art Direction |
| Lee Dichter | Sound Re-Recording Mixer |
| Caroline Smith | Set Decoration |
| Carmel Jackson | Makeup Artist |
| Tori Parry | Unit Production Manager |
| Jan Spoczynski | Art Direction |
| Coll Anderson | Sound Effects Editor |
| David Wahnon | Sound Editor |
| Jimmy Wilson | Gaffer |
| Clive Coote | Still Photographer |
| Kim Armitage | Script Supervisor |
| Nancy Cabrera | Foley Artist |
| Philip McDonald | Property Master |
| Sylvia Menno | Dialogue Editor |
| Robert Hein | Supervising Sound Editor |
| Les Benson | Props |
| Richard Goodwin | Second Assistant Director |
| Francesca Dowd | Production Coordinator |
| Scott Kordish | Post Production Coordinator |
| Carrie-Ann Banner | Assistant Production Coordinator |
| Louise O'Malley | Production Accountant |
| Pietro Lorino, Jr. | Post Production Accountant |
| Kerry Smith | Assistant Accountant |
| Sue Quinn | Location Manager |
| Michael Harm | Location Manager |
| Lee Robertson | Assistant Location Manager |
| Joseph Jayawardena | Assistant Location Manager |
| Aurelia Thomas | Assistant Location Manager |
| Lucy Foulds | Location Coordinator |
| Finlay Bradbury | Location Assistant |
| Oliver Goodier | Assistant Art Director |
| Eddie Baker | Dressing Prop |
| Roy O'Connor | Dressing Prop |
| Stephen Conway | Standby Property Master |
| David Williamson | Standby Carpenter |
| Nick Pearce | Standby Painter |
| Robert Hooker | Standby Rigger |
| Steve Bohan | Construction Manager |
| John McGee | Supervising Carpenter |
| Eamon McLoughlin | Supervising Carpenter |
| David Lowery | Supervising Carpenter |
| David Cozens | Focus Puller |
| John Adefarasin | Clapper Loader |
| John Arnold | Grip |
| Ian Franklin | Rigging Gaffer |
| Mark Funnell | Best Boy Electric |
| Dennis Holliday | Electrician |
| Charlotte Sewell | Assistant Costume Designer |
| Martin Chitty | Wardrobe Master |
| Ella Hastings | Wardrobe Assistant |
| David Wootton | Wardrobe Assistant |
| Paul Mooney | Hairstylist |
| Stephane Malenfant | Sound Assistant |
| Thomas Kodros | Dolby Consultant |
| Katy Skjerping | Assistant Editor |
| Akil Wilson | Assistant Sound Editor |
| Tom Glaisyer | Third Assistant Director |
| Claire Saunders | Casting Associate |
| Will Davies | Casting Assistant |
| David Wheal | Casting Assistant |
| Julie Schubert | Casting Assistant |
| Waseem Barlas | Driver |
| Ron Narduzzo | Driver |
| Darren Thackeray | Driver |
| Simon Saunders | Driver |
| Martin Hobbs | Visual Effects Supervisor |
| Nikki Inwood | Stand In |
| Alisa Lepselter | Editor |
| Patricia Kerrigan DiCerto | Casting |
| Juliet Taylor | Casting |
| Roger Tooley | Steadicam Operator |
| Morgan Neville | First Assistant Editor |
| Remi Adefarasin | Director of Photography, Camera Operator |
| Gail Stevens | Casting |
| Name | Title |
|---|---|
| Stephen Tenenbaum | Producer |
| Nicky Kentish Barnes | Producer |
| Helen Robin | Co-Producer |
| Letty Aronson | Producer |
| Charles H. Joffe | Co-Executive Producer |
| Jack Rollins | Co-Executive Producer |
| Gareth Wiley | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Director | Woody Allen | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 35 | 59 | 22 |
| 2024 | 5 | 36 | 79 | 22 |
| 2024 | 6 | 27 | 42 | 20 |
| 2024 | 7 | 33 | 57 | 20 |
| 2024 | 8 | 27 | 37 | 18 |
| 2024 | 9 | 24 | 29 | 16 |
| 2024 | 10 | 25 | 53 | 15 |
| 2024 | 11 | 25 | 46 | 16 |
| 2024 | 12 | 22 | 33 | 12 |
| 2025 | 1 | 25 | 45 | 16 |
| 2025 | 2 | 16 | 23 | 3 |
| 2025 | 3 | 7 | 23 | 1 |
| 2025 | 4 | 3 | 4 | 2 |
| 2025 | 5 | 3 | 4 | 2 |
| 2025 | 6 | 3 | 4 | 2 |
| 2025 | 7 | 3 | 4 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 4 | 6 | 3 |
| 2025 | 10 | 5 | 7 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 542 | 778 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 572 | 837 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 207 | 689 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 248 | 529 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 810 | 920 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 600 | 686 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 917 | 943 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 776 | 881 |
_Match Point, or, Crime & Misdemeanors, Except I Changed Like 4 Things, And the Mistress is Really Hot This Time_ ...
Declining tennis pro "Wilton" (Jonathan Rhys Meyers) is looking for a job at a swanky London club teaching the well-healed folks like "Tom" (Matthew Goode) and his sister "Chloe" (Emily Mortimer) to whom, after a rather brief courtship, he ultimately gets married. He gets used to her standard of liv ... ing but isn't really that enamoured of the woman herself. That scenario only worsens when he meets budding actress "Nola" (Scarlett Johansson) - who was dating "Tom" and they start to have an affair. With his wife determined to start a family and a mistress who is becoming increasingly obsessive, poor old "Wilton" must resort to some desperate measures! What possessed Wood Allen to cast JRM here? He's so wooden he makes Victor Mature look animated. Sure, he's got the eye-candy look but as an actor he's terrible. Luckily, that's more than compensated for by strong efforts from Johansson and from Mortimer who both manage their roles with considerably greater aplomb. The former illustrates her journey from independently minded woman to a frenetically preoccupied one quite convincingly as the story develops, and Mortimer likewise conveys something of the visceral and turbulent nature of aspiring motherhood. It takes a look at the lives of the offspring of the wealthy in a slightly less procedural fashion, too. The benign parents - Brian Cox and Penelope Wilton - are not your stereotypically doting parents, they expect him to work for his new found riches and she, especially, tends to speak as she finds. The denouement is my kind of conclusion, even if it is a little on the far-fetched side, and there's a degree of concluding satisfaction to be had here that I quite enjoyed. I'm still not sure why she didn't marry "Tom" though!