Popularity: 5 (history)
Director: | Woody Allen |
---|---|
Writer: | Woody Allen, Marshall Brickman |
Staring: |
New York comedian Alvy Singer falls in love with the ditsy Annie Hall. | |
Release Date: | Apr 19, 1977 |
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Director: | Woody Allen |
Writer: | Woody Allen, Marshall Brickman |
Genres: | Comedy, Drama, Romance |
Keywords | new york city, sports, tennis, narration, job interview, cocaine, neurosis, comedian, romcom, love, singer, breaking the fourth wall, volkswagen beetle |
Production Companies | United Artists, Rollins-Joffe Productions |
Box Office |
Revenue: $38,288,028
Budget: $4,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Woody Allen | Alvy Singer |
Diane Keaton | Annie Hall |
Tony Roberts | Rob |
Carol Kane | Allison |
Paul Simon | Tony Lacey |
Shelley Duvall | Pam |
Janet Margolin | Robin |
Colleen Dewhurst | Mrs. Hall |
Christopher Walken | Duane Hall |
Donald Symington | Dad Hall |
Helen Ludlam | Grammy Hall |
Mordecai Lawner | Alvy's Dad |
Joan Neuman | Alvy's Mom (as Joan Newman) |
Jonathan Munk | Alvy - Age 9 |
Ruth Volner | Alvy's Aunt |
Martin Rosenblatt | Alvy's Uncle |
Hy Anzell | Joey Nichols (as Hy Ansel) |
Rashel Novikoff | Aunt Tessie |
Russell Horton | Man in Theatre Line |
Marshall McLuhan | Marshall McLuhan |
Christine Jones | Dorrie |
Mary Boylan | Miss Reed |
Wendy Girard | Janet |
John Doumanian | Coke Fiend |
Bob Maroff | Man #1 Outside Theatre |
Rick Petrucelli | Man #2 Outside Theatre |
Lee Callahan | Ticket Seller at Theatre |
Chris Gampel | Doctor |
Dick Cavett | Dick Cavett |
Mark Lenard | Navy Officer |
Dan Ruskin | Comedian at Rally |
John Glover | Actor Boy Friend |
Bernie Styles | Comic's Agent |
Johnny Haymer | Comic |
Ved Bandhu | Maharishi |
John Dennis Johnston | L.A. Policeman |
Laurie Bird | Tony Lacey's Girlfriend |
Jim McKrell | Lacey Party Guest |
Jeff Goldblum | Lacey Party Guest |
William Callaway | Lacey Party Guest |
Roger Newman | Lacy Party Guest |
Alan Landers | Lacey Party Guest |
Jean Sarah Frost | Lacey Party Guest |
Vince O'Brien | Hotel Doctor |
Humphrey Davis | Alvy's Psychiatrist |
Veronica Radburn | Annie's Psychiatrist |
Robin Mary Paris | Actress in Rehearsal |
Charles Levin | Actor in Rehearsal |
Wayne Carson | Rehearsal Stage Manager |
Michael Karm | Rehearsal Director |
Petronia Johnson | Tony's Date at Nightclub |
Shaun Casey | Tony's Date at Nightclub |
Riccardo Bertoni | Waiter #1 at Nightclub |
Michael Aronin | Waiter #2 at Nightclub |
Lou Picetti | Street Stranger |
Loretta Tupper | Street Stranger |
James Burge | Street Stranger |
Shelley Hack | Street Stranger |
Albert M. Ottenheimer | Street Stranger |
Paula Trueman | Street Stranger |
Beverly D'Angelo | Actress in Rob's TV Show |
Tracey Walter | Actor in Rob's TV Show |
David Wier | Alvy's Classmate |
Keith Dentice | Alvy's Classmate |
Susan Mellinger | Alvy's Classmate |
Hamit Perezic | Alvy's Classmate |
James Balter | Alvy's Classmate |
Eric Bear | Alvy's Classmate |
Amy Levitan | Alvy's Classmate |
Gary Allen | School Teacher |
Frank Vohs | School Teacher |
Sybil Bowan | School Teacher |
Margaretta Warwick | School Teacher |
Lucy Lee Flippin | Waitress at Health Food Restaurant |
Gary Mule Deer | Man at Health Food Restaurant |
Sigourney Weaver | Alvy's Date Outside Theatre |
Walter Bernstein | Annie's Date Outside Theatre |
Truman Capote | Truman Capote Look-Alike (uncredited) |
Gregory Doucette | Usher (uncredited) |
Harrison Ressler | Restaurant Patron (uncredited) |
Billie Perkins | Nightclub Customer (uncredited) |
Kathryn Janssen | Lacey Party Guest |
Juliet Graham | Blonde Woman in Bookstore |
Name | Job |
---|---|
Robert Ward | Key Grip, Grip |
Gordon Willis | Director of Photography |
Brian Hamill | Still Photographer |
Donald E. Thorin | Camera Operator |
Woody Allen | Writer, Director |
Ruth Morley | Costume Design |
Robert Drumheller | Set Decoration |
Mel Bourne | Art Direction |
Justin Scoppa Jr. | Set Decoration |
Barbara Krieger | Set Decoration |
William S. Scharf | Sound Editor |
Daisy Gerber | Location Manager |
Martin Danzig | Location Manager |
Artie Butler | Music |
Fern Buchner | Makeup Artist |
John Inzerella | Makeup Artist |
Cosmo Sorice | Scenic Artist |
Lois Kramer Hartwick | Production Office Coordinator |
Kay Chapin | Script Supervisor |
George Newman | Wardrobe Supervisor, Costume Supervisor |
James Sabat | Sound Mixer |
Frederic B. Blankfein | Second Assistant Director |
Ralph Rosenblum | Editor |
Wendy Greene Bricmont | Editor |
Thomas Saccio | Property Master |
Joseph Badalucco Jr. | Carpenter |
Steve Johnson | Color Timer |
Fred Schuler | Camera Operator |
James Pilcher | Sound mixer |
Romaine Greene | Hairstylist |
Vivienne Walker | Hairstylist |
Dan Sable | Sound Editor |
Chris Newman | Production Sound Mixer |
Marilyn Putnam | Wardrobe Supervisor, Costume Supervisor |
Fred T. Gallo | First Assistant Director |
Joe Williams Sr. | Construction Grip |
Carl Gibson | Key Grip |
Tom Priestley Jr. | First Assistant Camera |
Nancy McArdle | Wardrobe Supervisor |
Sonya Polonsky | Assistant Editor |
James E. Foote | Transportation Captain |
Scott MacDonough | Unit Publicist |
Pat O'Connor | Property Master |
Jack Higgins | Sound Re-Recording Mixer |
Larry D. Howard | Gaffer |
Dusty Wallace | Gaffer |
Aaron Beckwith | Extras Casting |
Susan E. Morse | Assistant Editor |
William Curry | Transportation Captain |
Christopher Cronyn | Production Assistant |
Beth Rudin | Production Assistant |
Donald S. Rugoff | Thanks |
Stuart Smiley | Production Assistant |
Juliet Taylor | Casting |
Robert Greenhut | Production Manager |
Marcel Ophüls | Thanks |
Marshall Brickman | Writer |
Chris K. Ishii | Animation |
Name | Title |
---|---|
Charles H. Joffe | Producer |
Jack Rollins | Producer |
Robert Greenhut | Executive Producer |
Fred T. Gallo | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Picture | N/A | Won |
Academy Awards | Best Director | Woody Allen | Won |
Academy Awards | Best Actor | Dustin Hoffman | Won |
Academy Awards | Best Picture | N/A | Won |
Academy Awards | Best Supporting Actress | Diane Keaton | Nominated |
Golden Globes | Best Actress | Diane Keaton | Won |
Golden Globes | Best Supporting Actress | Diane Keaton | Nominated |
Golden Globes | Best Director | Woody Allen | Nominated |
Berlin International Film Festival | Best Supporting Actress | Diane Keaton | Nominated |
BAFTA Awards | Best Picture | N/A | Won |
BAFTA Awards | Best Actress | Diane Keaton | Won |
BAFTA Awards | Best Director | Woody Allen | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 53 | 100 | 29 |
2024 | 5 | 83 | 118 | 66 |
2024 | 6 | 46 | 90 | 21 |
2024 | 7 | 31 | 57 | 20 |
2024 | 8 | 22 | 53 | 13 |
2024 | 9 | 19 | 26 | 12 |
2024 | 10 | 25 | 45 | 14 |
2024 | 11 | 20 | 41 | 13 |
2024 | 12 | 22 | 42 | 15 |
2025 | 1 | 25 | 50 | 15 |
2025 | 2 | 14 | 27 | 3 |
2025 | 3 | 8 | 20 | 2 |
2025 | 4 | 5 | 11 | 2 |
2025 | 5 | 4 | 11 | 3 |
2025 | 6 | 4 | 7 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 5 | 3 |
2025 | 9 | 5 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 874 | 918 |
Year | Month | High | Avg |
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2025 | 8 | 847 | 864 |
Year | Month | High | Avg |
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2025 | 7 | 516 | 551 |
Year | Month | High | Avg |
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2025 | 5 | 661 | 744 |
Year | Month | High | Avg |
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2025 | 4 | 560 | 560 |
Year | Month | High | Avg |
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2025 | 3 | 650 | 829 |
Year | Month | High | Avg |
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2025 | 2 | 880 | 909 |
Year | Month | High | Avg |
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2025 | 1 | 942 | 951 |
Year | Month | High | Avg |
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2024 | 12 | 563 | 720 |
One of the most iconic Allen's movie. Funny and quite believable but I think I was expecting something else. ...
***Talky romcom with Woody Allen and Diane Keaton is consistently amusing*** A twice-divorced neurotic stand-up comedian in New York City (Woody Allen) details his perspective on life and his relationship with the scatterbrained Annie Hall (Diane Keaton). The best movie I’ve seen by Woody Alle ... n is the excellent “Match Point” (2005), but that was a crime drama/romance/thriller whereas a lot of his films are talky romantic dramedies, which is the case with “Annie Hall” (1977), winner of Best Picture and other awards at the AA. Was it worthy of all the accolades and does it hold up? Well, I laughed consistently if that tells you anything. The movie uses techniques that were probably innovative when it was released in 1977, like Annie’s immaterial essence doing something else why her body’s in bed with Alvy (Allen). The dialogue-driven approach is refreshing (today, that is) and the way Alvy sometimes breaks the fourth wall is amusing. I also enjoyed seeing the mid-70s period in the background, like “Messiah of Evil” (1973) on the marquee and a billboard featuring DESTROYER-era KISS. The film runs 1 hour, 33 minutes and was shot in New York City & Long Island and the Los Angeles area. GRADE: B
Stand-up comic "Alvy" (Woody Allen) has a lively history with the women in his life. His marriages - of which there have been two - have all ended rather suddenly, as has his latest dalliance with the eponymous singer (Diane Keaton) who won't have sex with him unless she gets high first! Now this la ... test failure perplexes him. He thinks that over the years he would have managed to iron out the frailties in his character and so, by now, be able to retain the affections of a woman. What keeps going wrong? Woody Allen did pretty much everything on this production so is able to well focus the self-deprecating Jewish humour that threads through the feature as well as using the retrospective nature of the story telling to quite amusingly but also entirely plausibly assess not just "Alvy" but what scenarios from his life, loves, upbringing and choices helped mould the man into that rather flawed creature we now see before us. At times it is a little wordy, and he does recourse to in-jokes once or twice too many, but for the most part this is a confidently pitched double-hander with two actors who have an unique sort of on/off on-screen chemistry that makes this an engaging and enjoyable ninety minutes that might well ring true in many a bedroom.
**A good romantic comedy, with flaws and virtues, that didn't deserve four Oscars. Despite that, it deserves the appreciation of fans of this movie genre.** Woody Allen is one of those directors that many people love, many people can't stand, and many people find just stupid. I've seen some of hi ... s films that I liked, and I've seen others that I hated, and I can understand why he is one of those who have never been able to assert himself and have a consensual recognition. The film is a romantic comedy based on the relationship of a couple played by Woody Allen and Diane Keaton. They like each other, but they can't make the relationship work harmoniously. Of course, this leads to funny and embarrassing situations. Released in the aftermath of the “sexual revolution”, the film tackles the topic of sexuality bluntly and they openly discuss it. I don't know if it's necessary to say, but the dialogues are an important feature of the film, and the two characters are talking almost all the time. One of the strengths of the film is its apparent simplicity and elegance: it is a simple film, so simple and apparently cheap that it smells of indie. There are no complicated visual effects, the cinematography is functional and has good lighting, the sets are very realistic, simple and pragmatic, everyone seems to be wearing their own clothes... And in the center of the spotlight is the acting couple in a magnificent work. They don't even look like they're there playing characters, they just look like themselves! However, it is far from being a problem-free film. Sex is a topic approached in a sincere way, but it dominates their discussions, it is so omnipresent that it ends up being tiring, like those people who are always talking about the same thing and do not shut up or change the subject. Allen's style of humor is also far from leading to consensus: some like it, say it is informal, brilliant in its simplicity, and others already consider it simply stupid, tasteless and, at times, offensive. The film was one of the great winners of the 1977 Oscars, and that for many people is something. In my opinion, I think Diane Keaton deserved the Oscar for Best Actress, she does a remarkable job. Likewise, I think the film deserved the Oscar for Best Original Screenplay, the film's story and dialogues justifies it well, but Allen did not deserve the Oscar for Best Director, which would have been more justly given to George Lucas, also nominated for the first film of the “Star Wars” saga. And since these two films competed for the Oscar for Best Picture, it's really hard to understand how this film won the award. I think that even Allen fans accept that “Star Wars” deserved the statuette and that the academy just didn't want to do it because it was a sci-fi movie. Now, let's get to the point: is the movie good, is it really worth it? Of course, it's a subjective answer, depending on what you like. People who like romantic comedies with a lot of dialogue will enjoy it, but others can skip it without feeling like they've really lost anything by doing it.