Popularity: 6 (history)
Director: | Cameron Cairnes, Colin Cairnes |
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Writer: | Cameron Cairnes, Colin Cairnes |
Staring: |
A live broadcast of a late-night talk show in 1977 goes horribly wrong, unleashing evil into the nation's living rooms. | |
Release Date: | Mar 19, 2024 |
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Director: | Cameron Cairnes, Colin Cairnes |
Writer: | Cameron Cairnes, Colin Cairnes |
Genres: | Horror |
Keywords | new york city, 1970s, hallucination, halloween, possession, evil, hypnotism, macabre, found footage, satanic cult, death of wife, parapsychology, magician, late-night show, supernatural horror, provocative, satanic panic, ambiguous, scathing |
Production Companies | Image Nation Abu Dhabi, AGC Studios, Future Pictures, Spooky Pictures, Good Fiend Films, VicScreen |
Box Office |
Revenue: $15,469,415
Budget: $2,000,000 |
Updates |
Updated: Aug 06, 2025 Entered: Apr 13, 2024 |
Name | Character |
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David Dastmalchian | Jack Delroy |
Laura Gordon | June Ross-Mitchell |
Ian Bliss | Carmichael Haig |
Fayssal Bazzi | Christou |
Ingrid Torelli | Lilly D'Abo |
Rhys Auteri | Gus McConnell |
Georgina Haig | Madeleine Piper |
Josh Quong Tart | Leo Fiske |
Steve Mouzakis | Szandor D'Abo |
Paula Arundell | Diane |
Tamala Shelton | Carol |
Christopher Kirby | Phil |
Gaby Seow | Sammy |
Elise Jansen | Cavewoman |
John O'May | Walker Bedford |
Clare Chihambakwe | Stacey |
Amelie Mendosa | Christou's Assistant |
Grace Cummings | Peggy Decay |
Michael Ironside | The Narrator (voice) |
Andre Switzer | Lou |
Declan Fay | Cue Card Guy |
Milena Berhane | Production Assistant 1 |
Leah Wilbraham | Production Assistant 2 |
Chase Kauffman | Stage Hand 1 |
Miranda Bloom | Stage Hand 2 |
Mitchell Brotz | Stage Hand 3 |
Caspian Dezfouli | Camera Operator 1 |
Rod Lara | Camera Operator 2 |
Nicole Chapman | Cleo James |
Steven Kwon | Skeleton Man |
Imaan Hadchiti | Frank Khoury |
Farhad Zaiwala | Spoon Bender |
Jarrad Pidoto | Military Officer |
Paddy Shiels | Vietnam Vet |
Aya Cairnes | Levitating Woman |
Gerasimos Grammenos | FBI Agent |
Pearl Grammenos | Infant Lilly |
Adam Batt | Head of Airtime |
Raoul Salter | Vice President of Marketing |
Janine Lum | Vice President of Marketing's Wife |
Rik Brown | Annointed Grove Member |
Scarlett Varga | Young Lilly |
Sarah Lorey | Spinning Wheel Lady |
Tiare Skeats | High Priestess |
Anna van Guens | D'Abo's Disciple |
Arkie Simpson-Purdon | D'Abo's Disciple |
Daisy Anderson | D'Abo's Disciple |
Joel Anderson | D'Abo's Disciple |
Miles Brown | D'Abo's Disciple |
Scott Purdon | D'Abo's Disciple |
Quincy Simpson-Purdon | D'Abo's Disciple |
Jason Rout | Grove Member |
Jeff Schwisow | Grove Member |
Michael McArthur | Grove Member |
Jason Marion | Orson |
Angus Neale | David Dastmalchian Stand In |
Julia Pretto | Ingrid Torelli Stand In |
John Leary | Barry |
Déborrah Moogy Morgan | French Director |
Nicole Chapman | Cleo James |
Name | Job |
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Otello Stolfo | Production Design |
Andrew Power | First Assistant Director |
Matthew Temple | Director of Photography |
Leigh Pickford | Casting |
Steph Hooke | Costume Design |
Emma Bortignon | Sound Designer |
Hamish Keen | Sound Editor |
Jennifer Aldred | Foley Artist |
Doron Kipen | Dialogue Editor |
Josh Walker | Foley Artist |
Matt Begg | Gaffer |
Rayner Cook | Camera Operator |
Alex Dupen | Camera Operator |
Manel López | Sound Recordist |
Paul Shanahan | Sound Effects Editor |
Pete Smith | Sound Re-Recording Mixer |
Cameron Grant | Sound Designer |
Marie Princi | Makeup Designer, Hair Designer |
Russell Sharp | Special Effects Makeup Artist |
Glenn Richards | Original Music Composer |
Roscoe James Irwin | Original Music Composer |
Paula Salini | Line Producer |
Sarah Moss | Assistant Makeup Artist |
Greg Cooper | VFX Artist |
Peter Leary | VFX Artist |
Dylan Perry | VFX Artist |
Kate Angus | Stunt Double |
Sam Desmond | Stunt Double |
Jim Cookson | First Assistant Camera |
Khaled Alhosani | Camera Trainee |
Misha Tsai | Costume Assistant |
Nicholas Hower | Colorist |
Paige Gibson | Production Coordinator |
Matthew B. Maguire | Production Secretary |
Cameron Cairnes | Writer, Director, Editor |
Colin Cairnes | Writer, Director, Editor |
Chris Anderson | Stunt Coordinator |
Andrew Kotatko | Music Supervisor |
Jim Passon | Color Timer |
Name | Title |
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Mat Govoni | Producer |
Adam White | Producer |
Joel Anderson | Executive Producer |
Darius Family | Executive Producer |
Ben Ross | Executive Producer |
Julie Ryan | Executive Producer |
John Molloy | Producer |
Rami Yasin | Executive Producer |
Roy Lee | Producer |
Derek Dauchy | Producer |
Steven Schneider | Producer |
David Dastmalchian | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 246 | 810 | 55 |
2024 | 5 | 289 | 598 | 138 |
2024 | 6 | 205 | 366 | 139 |
2024 | 7 | 230 | 366 | 161 |
2024 | 8 | 263 | 404 | 188 |
2024 | 9 | 223 | 322 | 145 |
2024 | 10 | 188 | 293 | 130 |
2024 | 11 | 108 | 227 | 74 |
2024 | 12 | 110 | 171 | 76 |
2025 | 1 | 130 | 201 | 98 |
2025 | 2 | 89 | 159 | 20 |
2025 | 3 | 34 | 109 | 3 |
2025 | 4 | 13 | 21 | 10 |
2025 | 5 | 11 | 17 | 9 |
2025 | 6 | 9 | 11 | 8 |
2025 | 7 | 7 | 8 | 5 |
2025 | 8 | 7 | 9 | 5 |
2025 | 9 | 6 | 7 | 5 |
2025 | 10 | 7 | 8 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 443 | 709 |
Year | Month | High | Avg |
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2025 | 9 | 623 | 851 |
Year | Month | High | Avg |
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2025 | 8 | 394 | 745 |
Year | Month | High | Avg |
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2025 | 7 | 752 | 891 |
Year | Month | High | Avg |
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2025 | 6 | 574 | 850 |
Year | Month | High | Avg |
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2025 | 5 | 434 | 713 |
Year | Month | High | Avg |
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2025 | 4 | 360 | 777 |
Year | Month | High | Avg |
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2025 | 3 | 263 | 669 |
Year | Month | High | Avg |
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2025 | 2 | 134 | 695 |
Year | Month | High | Avg |
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2025 | 1 | 110 | 537 |
Year | Month | High | Avg |
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2024 | 12 | 187 | 569 |
Year | Month | High | Avg |
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2024 | 11 | 22 | 583 |
Year | Month | High | Avg |
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2024 | 10 | 27 | 153 |
Year | Month | High | Avg |
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2024 | 9 | 20 | 67 |
Year | Month | High | Avg |
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2024 | 8 | 43 | 178 |
How far are you willing to go in realizing your ambitions? Would you be willing to make big sacrifices? Associate with shady beings? Sell your soul? Those are among the possibilities raised in the latest hair-raising smart horror/comedy from the writing-directing duo of Cameron and Colin Cairnes. Th ... is documentary-style offering presents the supposedly lost recording (complete with allegedly never-before-seen found footage) of a 1970s late night talk show hosted by comedian/TV personality Jack Delroy (David Dastmalchian) whose goal is to unseat Johnny Carson’s eminently popular Tonight Show as the premier after-hours choice of viewing. Delroy’s Night Owls broadcast is modestly successful, but it never manages to win the late night ratings race, so he desperately looks for ways to nudge his program over the top. When he decides to host a Halloween show with an array of occult/paranormal guests – capitalizing on a growing trend at the time – he believes he’s hit on the formula to achieve his goal. But, as the show progresses, he finds himself in over his head as events begin to spiral out of control. Viewers both on and off the screen are kept in suspense with a well-integrated blend of humor, high camp and unexpectedly spooky moments involving a hammy, self-righteous psychic medium (Fayssal Bazzi), an egomanical magician-turned-debunker (Ian Bliss), and an escaped teenage cult member (Ingrid Torelli) and her psychologist caregiver/surrogate parent (Laura Gordon). As things deteriorate, Jack tries to hold the show together with the aid of his producer (Josh Quong Tart) and flunky sidekick (Rhys Auteri). But, as the stakes are continually upped, that task grows ever more difficult, especially when supernatural influences begin to assert themselves in the studio, threatening both the broadcast and the fulfillment of the host’s long-cherished dream. Although occasional pacing issues, a periodically disjointed narrative and a somewhat overblown final act can get in the way of the smoothness of the story flow, these shortcomings are made up for by the film’s superb period piece production design, its clever writing and its fine performances, most notably that of the protagonist. And, in the end, it’s all served up with lots of laughs and a tidy moral of the story. Admittedly, “Late Night with the Devil” probably would have worked better as a Halloween release than a piece of springtime movie fare, but that doesn’t lessen the entertainment value of this inspired production, one thar shows horror flicks can indeed do more than just see how high it can make the final body count.
With his days of chasing Johnny Carson in the television ratings long gone, the now struggling and recently bereaved talk show host "Jack Delroy" (David Dastmalchian) is staring cancellation in the face. Then he and producer "Leo" (Josh Quong Tart) come up with an idea for a riveting Halloween speci ... al. The gist of what comes now purports to be an off-air recording of that lost transmission from 1977 - and it's quite literally hair raising. His first guest is a medium, his second an out-and-out sceptic and his third - well they have quite an unique claim to fame - and it's this last quarter of the film that comes "alive". Sadly, the rest of this feature is rather hampered by the constant (virtual) advertising breaks that completely suck the pace out of the thing. They are designed to, in monochrome, fill in a little of the back-stage machinations as the programme goes to air but for me, they just interrupted - far too frequently - the culmination of the truth or fake storyline. Dastmalchian does an half decent job here, but the plaudits really belong to Ian Bliss and his sarcastic "Carmichael Haig" character. He's the poacher-cum-gamekeeper cynic who has a ridiculing put down for just about everything that emanates from the other characters. Projectile vomiting or chair levitation - he has an plausible explanation. That's maybe part of the film's problem in general. Though set in the 1970s when these kind of visual effects were less prevalent, the whole thing just comes across as a perfectly plausible ratings-gathering gimmick. Whilst that's not necessarily a bad thing, it does rather rob the film of any pretence of horror or mystery. In fact, by the conclusion it seemed more designed to send up the whole principle of half-baked, late-night American television hosted by vain, ambitious but largely talentless men in suits. It's short and sweet, and doesn't hang around - but I just didn't find it particularly shocking or innovative. Wait til it's on the television, I'd say.
**Brilliant** In this day and age of AI scripted stories, it is refreshing to finally see a movie which is original. Late Night with the Devil is simply brilliant. Direction, acting, storyline, suspense, thrill, everything more than one could ask for. The story flows so meticulously that I kep ... t wondering what’s going to happen next? This movie is sure going to keep you on the edge of your seat. Overall, I thoroughly enjoyed this movie. Very entertaining and thought provoking. Solid 8/10 from me.
Late Night with the Devil demonstrates how much can be achieved with a quality script and exceptional acting. First off the performance by David Dastmalchian is simply excellent, in every sense. He beautifully and convincingly pulls off a Johnny Carson style, impression of a late night 70's inte ... rviewer. The man is wholly believable and to be honest, its his performance that drew me in and kept me watching till the end. The story is well rendered too. Its not exceptional but there's a decent amount of originality and a sense of ambiguity, especially surrounding the main character to create intrigue and interest. Has the interviewer already made a shadowy pact with the devil? What price will he pay? Tune in, to see. On the down side there are obvious budgetary constraints in play. That said, but there is so much quality on offer here in terms of performances from the cast and a solid story, its really not overly noticeable. In summary, a flick defined by exceptional performances and a quality, Faustian style, back story. A must watch if you like "quality" horror.