Popularity: 8 (history)
| Director: | Michael Mohan |
|---|---|
| Writer: | Andrew Lobel |
| Staring: |
| An American nun embarks on a new journey when she joins a remote convent in the Italian countryside. However, her warm welcome quickly turns into a living nightmare when she discovers her new home harbours a sinister secret and unspeakable horrors. | |
| Release Date: | Mar 20, 2024 |
|---|---|
| Director: | Michael Mohan |
| Writer: | Andrew Lobel |
| Genres: | Horror, Mystery, Thriller |
| Keywords | italy, nun, pregnancy, priest, female protagonist, church, convent (nunnery), dark secret, shocking, unassuming, religious horror, body horror |
| Production Companies | Black Bear Pictures, Fifty-Fifty Films, Middle Child Pictures |
| Box Office |
Revenue: $35,340,015
Budget: $9,000,000 |
| Updates |
Updated: Sep 25, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sydney Sweeney | Sister Cecilia |
| Álvaro Morte | Father Sal Tedeschi |
| Simona Tabasco | Sister Mary |
| Benedetta Porcaroli | Sister Gwen |
| Giorgio Colangeli | Cardinal Franco Merola |
| Dora Romano | Mother Superior |
| Giulia Heathfield Di Renzi | Sister Isabelle |
| Giampiero Judica | Doctor Gallo |
| Betti Pedrazzi | Sister Francesca |
| Giuseppe Lo Piccolo | Deacon Enzo |
| Cristina Chinaglia | Sister Friede |
| Niccolò Senni | Customs Official |
| Isabel Desantis | Young Cecilia |
| Viviane Florentine Nicolai | Sister Sally |
| Marisa Regina | Sister Joan |
| Laura Camassa | Young Novice |
| Cinzia Fantauzzi | Red Veiled Nun |
| Tiziano Ferracci | Weary Customs Official |
| Name | Job |
|---|---|
| Francesca Brunori | Costume Design |
| Will Bates | Original Music Composer |
| Marco Petrassi | Stunts |
| Lorenzo Urbani | Stunts |
| Maria Teresa Monaco | Extras Casting |
| Pasquale Cafagno | Carpenter |
| Henri-Charles Alexandre | Standby Property Master |
| Carlo Macrì | Swing |
| Roberto Sergiovanni | Swing |
| Flavia Figà Talamanca | Costume Supervisor |
| Alina Dan | Costume Coordinator |
| Gaia Mandarano | Assistant Costume Designer |
| Annalaura Belli | Assistant Costume Designer |
| Claudio Rizzo | Key Set Costumer |
| Manuela Proietti | Key Set Costumer |
| Lisa Crescioli | Key Set Costumer |
| Giuseppina Corletti | Seamstress |
| Peter Nicastro | Hairstylist |
| Angelo Vannella | Hairstylist |
| Mauro Verderosa | Hairstylist |
| Elisabetta Paolucci | Hairstylist |
| Benedetta Del Vecchio | Makeup Artist |
| Michela Bazzardi | Costume Assistant |
| Vanessa Carboni | Costume Assistant |
| Michela Carmignani | Costume Assistant |
| Palmira Di Cesare | Costume Assistant |
| Laura Maddalena | Costume Assistant |
| Chiara Maggi | Costume Assistant |
| Eleonora Mainella | Costume Assistant |
| Giulia Pagliarulo | Costume Assistant |
| Ilaria Presutti | Costume Assistant |
| Annalisa Riccardi | Costume Assistant |
| Mariafrancesca Ricci | Costume Assistant |
| Daniele Uccero | Costume Assistant |
| Veronica Beffa | Makeup Artist |
| Veronica Falabella | Makeup Artist |
| Federico Meniconi | Makeup Artist |
| Giulia Giorgi | Special Effects Makeup Artist |
| Silvia Castellucci | Special Effects Makeup Artist |
| Alessandra Maria Catalano | Special Effects Makeup Artist |
| Matteo Gregori | Special Effects Makeup Artist |
| Paolo Di Gregorio | Special Effects Makeup Artist |
| Serenella Giudici | Accountant |
| Giulio Antonetti | First Assistant Accountant |
| Riccardo Fanelli | Second Assistant Accountant |
| Cory Lewis | Post Production Accountant |
| Barbara Ruggeri | Production Supervisor |
| Armando Avallone | "A" Camera Operator |
| Alberto Torrecilla | First Assistant "A" Camera |
| Pasquale Corrado | Second Assistant "A" Camera |
| Alessio Bastianelli | "B" Camera Operator |
| Ilya Saphea | "B" Camera Operator |
| Duccio Maccari | First Assistant "B" Camera |
| Angelo Nakhnoukh | Second Assistant "B" Camera |
| Marco Angelo Bosco | Video Assist Operator |
| Andrea Soncin | Digital Imaging Technician |
| Giacomo Ferrari | Video Assist Operator |
| Gianmarco Palluzi | Cableman, Dailies Manager |
| Andrea Bianciardi | Assistant Location Manager |
| Brando De Siato | Assistant Location Manager |
| Marco Rachini | Best Boy Electric |
| Samuele Ferrari | Electrician |
| Cristiano Verardo | Electrician |
| Andrea Rostellato | Rigging Gaffer |
| Mirko Fioravanti | Electrician |
| Roberto Piersanti | Rigging Gaffer |
| Alessio Fiorani | Generator Operator |
| Mauro Faina | Best Boy Grip |
| Giacomo Mele | Dolly Grip |
| Marco Licitra | Grip |
| Daniele Dessena | Grip |
| Fulvio Sergianni | Key Rigging Grip |
| Antonio Andreacchio | Grip |
| Romano Brasioli | Grip |
| Simone Dante | Grip |
| Alessandro Del Tinto | Grip |
| Moreno Faina | Grip |
| Gennaro Ferrara | Grip |
| Valentina Grisolia | Grip |
| Pietro Petri | Grip |
| Valerio Taddei | Grip |
| Cristiano Biagioli | Rigging Grip |
| Giordano Iannaccone | Rigging Grip |
| Walter Martinelli | Special Effects Technician |
| Matteo Naselli | Special Effects Technician |
| Andrea Cunzo | Special Effects Technician |
| Filippo Franzè | Special Effects Technician |
| Jacopo Galiano | Special Effects Technician |
| Camillo Leporati | Special Effects Technician |
| Federica Di Dio | Casting Assistant |
| Annalisa Calia | Casting Assistant |
| Diego Biasini | Casting Assistant |
| Lucrezia Calabrese | Casting Assistant |
| Rocca Calabrese | Casting Assistant |
| Flavia Capogna | Casting Assistant |
| Erika Valletta | Casting Assistant |
| Marco Ginevra | Transportation Captain |
| Elisa Costa | Script Supervisor |
| Andrea Pagani | Second Unit First Assistant Director |
| Luca John Rosati | Second Unit First Assistant Director |
| Stefano Palla | First Assistant Camera |
| Maria Marangoni | Second Assistant Camera |
| Luca Sano | Digital Imaging Technician |
| Celeste Frontino | Sound Mixer |
| Simone Lucarella | Boom Operator |
| Tano Caruso | Electrician |
| Fabrizio Coppo | Electrician |
| Daniele Di Palma | Electrician |
| Danilo Di Palma | Electrician |
| Andrea Cuomo | Grip |
| Jason Tregoe Newman | Music Editor |
| Andrew Ransom | Music Editor |
| Bryant J. Fuhrmann | Music Editor |
| Emily Cramer | Color Assistant |
| Rudy Pesci | Color Assistant |
| Weiyi Ang | Color Assistant |
| Pernell L. Salinas | Assistant Sound Editor |
| Kristen Hirlinger | Supervising Dialogue Editor |
| Sam C. Lewis | Foley Mixer |
| Ellen Heuer | Foley Artist |
| Alex Ullrich | Foley Artist |
| Alex Gerbrandt | Sound Re-Recording Mixer |
| Zack Goldsborough | Sound Recordist, Sound Re-Recording Mixer |
| Adrian Cepeda | ADR Supervisor |
| Matt Akey | Executive Visual Effects Producer |
| Brian Sales | Compositing Supervisor |
| Eric Schoellnast | CG Supervisor |
| Andrew Furlong | Effects Supervisor |
| Austin Schmidt | Visual Effects Coordinator |
| Christian Oshesky | VFX Editor |
| Stephen Cheatum | VFX Editor |
| Teddy Blanks | Title Designer |
| Kevin Greutert | Creative Consultant |
| Andrew Lobel | Screenplay |
| Christian Masini | Editor |
| Barbara Giordani | Casting |
| Francesco Scandale | Art Direction |
| Francesco Vedovati | Casting |
| Adam Reamer | Production Design |
| Veronica Lopez | Set Decoration |
| Fabio di Lorenzo | Unit Manager |
| Edoardo Brunatelli | Set Production Assistant |
| Annamarie Dicesare | Assistant Director |
| Sara Fathi | Third Assistant Director |
| Alessandro Specchio | Second Assistant Director |
| Giulia Sardelli | Set Production Assistant |
| Roberto Scuro | Set Production Assistant, Production Assistant |
| Ginevra Fusari | Property Buyer |
| Sofia Novelli | Sound Assistant |
| Gian Felice Soccorsi | Boom Operator |
| Paolo Galiano | Special Effects Supervisor |
| Enrico Toscano | Special Effects Technician |
| Alessandro Novelli | Stunt Coordinator |
| Alessandro Biagioli | Rigging Grip |
| Valentina Scuro | Script Supervisor |
| Marion Marcucci | Assistant Location Manager |
| Samuel Peterson | First Assistant Editor |
| Alessio David Ciattini | Dailies Manager |
| Francesca Antonetti | Makeup Artist |
| Federica Emidi | Makeup Department Head |
| Chiara Fulli | Makeup Artist |
| Elena Fabbiani | Hairstylist |
| Gianpaolo Catanzaro | Sound Mixer, Sound Engineer |
| Christian P. Minkler | Sound Re-Recording Mixer |
| Antonello Emidi | Second Unit Director of Photography |
| Elvis Pasqual | Gaffer |
| Casey Roberts | Visual Effects Producer |
| Dani Horbiak | VFX Artist |
| John Brubaker | Visual Effects Supervisor |
| Laura La Fauci | Special Effects Coordinator |
| Elena Gentile | Special Effects Coordinator |
| Joshua Adeniji | Sound Effects Editor, Sound Designer |
| Willa Yudell | Music Supervisor |
| Mikki Itzigsohn | Music Supervisor |
| Sally Sue Beisel | First Assistant Director |
| Will Greenfield | Unit Production Manager |
| Lorenza Perrone | Stunts |
| Gaia Amato | Stunts |
| Lavinia Alberti | Stunts |
| Manuele Cacciabaudo | Stunts |
| Marco Caterini | Stunts |
| Federico Diust | Stunts |
| Giulia Fraschetti | Stunts |
| Flavia Marcellini | Stunts |
| Silvia Marcellini | Stunts |
| Tamara Tassi | Stunts |
| David Zamperla | Stunts |
| Matteo Vallecoccia | Line Producer |
| Sabrina Manna | Production Manager |
| Alberto Gavini | Location Manager |
| Samuel Turchi | Key Set Production Assistant |
| Giorgio Lattanzi | Set Production Assistant |
| Daniela Merlo | Dialogue Coach |
| Giulia Romolini | Assistant Set Decoration |
| Elena Pillon | Art Department Coordinator, Set Decorating Coordinator |
| Riccardo Passanisi | Property Master |
| Tommaso Postiglione | On Set Dresser |
| Fabio Marconi | Leadman |
| Michael Mohan | Director |
| Anthony Steven Visciglia | Assistant Art Director |
| Victor Perez | Visual Effects Supervisor |
| Bryan Parker | Supervising Sound Editor |
| Gianluca Apa | Set Production Intern |
| Tommaso Mele | Key Grip |
| Luca Vannella | Hair Department Head |
| Elisha Christian | Director of Photography |
| Lowell A. Meyer | Second Unit Director of Photography, Additional Photography |
| Andrea Leigh Chlebak | Colorist |
| Name | Title |
|---|---|
| Riccardo Neri | Producer |
| Jonathan Davino | Producer |
| Michael Heimler | Producer |
| John Friedberg | Executive Producer |
| Christopher Casanova | Executive Producer |
| Will Greenfield | Executive Producer |
| Ben Shafer | Co-Producer |
| Gabriela Leibowitz | Co-Producer |
| Gianluca Mizzi | Supervising Producer |
| Philip Rogosky | Supervising Producer |
| David Bernad | Producer |
| Teddy Schwarzman | Producer |
| Sydney Sweeney | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 516 | 1542 | 50 |
| 2024 | 5 | 688 | 1300 | 440 |
| 2024 | 6 | 516 | 851 | 291 |
| 2024 | 7 | 336 | 451 | 248 |
| 2024 | 8 | 265 | 555 | 137 |
| 2024 | 9 | 145 | 241 | 109 |
| 2024 | 10 | 140 | 263 | 88 |
| 2024 | 11 | 103 | 238 | 65 |
| 2024 | 12 | 85 | 114 | 60 |
| 2025 | 1 | 88 | 123 | 72 |
| 2025 | 2 | 63 | 89 | 12 |
| 2025 | 3 | 25 | 88 | 3 |
| 2025 | 4 | 9 | 12 | 8 |
| 2025 | 5 | 8 | 9 | 7 |
| 2025 | 6 | 7 | 10 | 5 |
| 2025 | 7 | 6 | 7 | 5 |
| 2025 | 8 | 6 | 13 | 5 |
| 2025 | 9 | 10 | 13 | 7 |
| 2025 | 10 | 9 | 12 | 8 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 914 | 936 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 488 | 809 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 790 | 885 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 595 | 771 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 528 | 793 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 427 | 750 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 252 | 722 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 319 | 710 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 305 | 755 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 369 | 717 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 275 | 630 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 168 | 656 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 178 | 394 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 53 | 214 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 31 | 155 |
Now I did quite like the underlying premiss of this take on the immaculate conception but boy, the execution and the acting are something completely different. "Cecilia" (Sydney Sweeney) is taken to a beautifully rustic convent where she is welcomed with open arms. Everyone says how pretty and bless ... ed she is, and this rather flies in the face of her natural humility. Imagine her shock, then, when she is summoned to the cardinal (Giorgio Colangeli) and made to undergo some rather personal medical tests that reveal.... Well that'd be telling, and for a while Michael Mohan manage to sustain a little interest in just what is going on amidst the peace and quiet of this ancient sanctuary. Sadly, though, the story swiftly goes way off the rails and leaves us exposed to Sweeney's limited talents and an excess of hysteria that involves a chicken, a dimly lit catacomb and a dastardly plan that puts enormous strain on our increasingly inventive and resilient novice. As "Yoda" might have profoundly said, "loads of screaming and ketchup do not an horror film make" and after about half an hour here the writing is on the wall (perhaps the best place for it?) and my interest wained. This is a tough genre to keep interesting - there are few ideas that have not been done to death before. This has the germ of originality, but sadly it's a very small germ.
Passable. I think I wanted more from <em>'Immaculate'</em>, though what's provided is fairly watchable to be honest. Visually it looks neat, too. Sydney Sweeney's performance is as good as expected, the rest of the cast are all competent; Álvaro Morte the standout of them. The run time does fl ... y by, I kinda felt watching that there wasn't really a middle - just one long build-up to the main event at the end. Speaking of which, 'the' scene at the conclusion made me smirk, the problem is that it most certainly was not supposed to; Cecilia's screams immediately sounded like that "<a href="https://youtu.be/ee925OTFBCA?si=s8NzVt0U6AX4jEg5&t=13" rel="nofollow">best cry ever</a>" meme* to me, I couldn't help but smile, I'm sorry. <em>*never knew the backstory to that clip until searching for it here, it's not quite so amusing now to be honest. awks.</em> All in all, I'd narrowly class this as a film worth watching. I almost got to see it by myself in an empty cinema, though a group of two inexplicably arrived like 30-45 minutes into the 90 minutes! That's gotta hurt.
It's just passable and that's it. ...
You might like it, if this is the first horror movie of your life - otherwise skip it. Immaculate brings nothing new to the table. There is not a single original idea here, almost every scene or idea has been done before in countless other movies. It copied everything that has been done before an ... d did it without soul. Two exceptions though: First, the very last scene was somewhat intense but the conclusion did not make sense in my opinion. Second, the visuals are well made and often beautiful. Being this unimaginative, the movie could have increased its entertainment value going the obvious route and show some nudity - Sydney Sweeney and the other nuns have lots to offer in this regard. There is none though, except some slightly transparent bathing gowns. I mean, if you can't write properly, at least give us some other excitement.