 
  Popularity: 0.5 (history)
| Director: | Steven Spielberg | 
|---|---|
| Writer: | David Koepp, Michael Crichton | 
| Staring: | 
| Four years after Jurassic Park's genetically bred dinosaurs ran amok, multimillionaire John Hammond shocks chaos theorist Ian Malcolm by revealing that he has been breeding more beasties at a secret location. Malcolm, his paleontologist ladylove and a wildlife videographer join an expedition to document the lethal lizards' natural behavior in this action-packed thriller. | |
| Release Date: | May 23, 1997 | 
|---|---|
| Director: | Steven Spielberg | 
| Writer: | David Koepp, Michael Crichton | 
| Genres: | Adventure, Action, Science Fiction | 
| Keywords | exotic island, dna, paleontology, tyrannosaurus rex, velociraptor, san diego, california, island, sequel, dinosaur, creature, scientist, amusement park, theme park, costa rica, animal horror, father daughter relationship, absurd, cliché | 
| Production Companies | Universal Pictures, Amblin Entertainment | 
| Box Office | Revenue: $618,638,999 Budget: $73,000,000 | 
| Updates | Updated: Aug 31, 2025 Entered: Apr 30, 2024 | 
| Name | Character | 
|---|---|
| Jeff Goldblum | Ian Malcolm | 
| Julianne Moore | Sarah Harding | 
| Pete Postlethwaite | Roland Tembo | 
| Arliss Howard | Peter Ludlow | 
| Richard Attenborough | John Hammond | 
| Vince Vaughn | Nick Van Owen | 
| Vanessa Lee Chester | Kelly Curtis | 
| Peter Stormare | Dieter Stark | 
| Harvey Jason | Ajay Sidhu | 
| Richard Schiff | Eddie Carr | 
| Thomas F. Duffy | Dr. Robert Burke | 
| Joseph Mazzello | Tim | 
| Ariana Richards | Lex | 
| Thomas Rosales Jr. | Carter | 
| Camilla Belle | Cathy Bowman | 
| Cyd Strittmatter | Mrs. Bowman | 
| Robin Sachs | Mr. Bowman | 
| Ross Partridge | Curious Man | 
| Ian Abercrombie | Butler | 
| David Sawyer | Workman | 
| Geno Silva | Barge Captain | 
| Alex Miranda Cruz | Barge Captain's Son | 
| Robert 'Bobby Z' Zajonc | InGen Helicopter Pilot | 
| Bob Boehm | Cargo Helicopter Pilot | 
| Bradley Jensen | Cargo Helicopter Pilot | 
| Alan D. Purwin | Cargo Helicopter Pilot | 
| Ben Skorstad | Cargo Helicopter Pilot | 
| Rick Wheeler | Cargo Helicopter Pilot | 
| Kenyon Williams | Cargo Helicopter Pilot | 
| Christopher Caso | InGen Guard | 
| Gordon Michaels | InGen Worker | 
| J. Scott Shonka | InGen Worker | 
| Harry Hutchinson | InGen Worker | 
| Billy Brown | InGen Worker | 
| Brian Turk | InGen Worker | 
| Jim Harley | Harbor Master | 
| Colton James | Benjamin | 
| Carey Eidel | Benjamin's Dad | 
| Katy Boyer | Benjamin's Mom | 
| David Koepp | Unlucky Bastard | 
| Eugene Bass Jr. | Attorney | 
| Bari Buckner | Screaming Woman | 
| Patricia Bethune | Screamer | 
| David St. James | Screamer | 
| Mark Brady | Screamer | 
| Marjean Holden | Screamer | 
| Jacqueline Schultz | Screamer | 
| Domini Hofmann | Screamer | 
| Thomas Stuart | Screamer | 
| C. Ransom Walrod | Ship Driver | 
| David Gene Gibbs | Police Helicopter Pilot | 
| Michael N. Fujimoto | Asian Tourist | 
| Paul Fujimoto | Asian Tourist | 
| Darryl A. Imai | Asian Tourist | 
| Darryl Oumi | Asian Tourist | 
| Vincent Dee Miles | Screaming Hunter | 
| Bernard Shaw | CNN Reporter / Bernard Shaw | 
| Sean Michael Allen | Tourist #2 (uncredited) | 
| Michael Chinyamurindi | Waiter (uncredited) | 
| Tory Christopher | InGen Worker (uncredited) | 
| Michael Fallavollita | Mechanic with wrench (uncredited) | 
| Elliot Goldwag | Senior Board Member (uncredited) | 
| Larry Guardino | Senior Board Member (uncredited) | 
| Henry Kingi | Dinosaur Hunter (uncredited) | 
| Brian Lally | Tourist #3 (uncredited) | 
| David Lea | San Diego Pedestrian (uncredited) | 
| J. Patrick McCormack | Board Member (uncredited) | 
| Johnny Meyer | San Diego Pedestrian (uncredited) | 
| Michael Milhoan | Obnoxious Tourist (uncredited) | 
| Kenneth Moskow | Tourist #4 (uncredited) | 
| Mark Pellegrino | Tourist #6 (uncredited) | 
| Bob Quinn | Dock Construction Worker (uncredited) | 
| Chad Randall | Hunter (uncredited) | 
| Eli Roth | Subway Man (uncredited) | 
| James Ryan | Hunter (uncredited) | 
| Theodore Carl Soderberg | Dock Worker (uncredited) | 
| Steven Spielberg | Popcorn-Eating Man (uncredited) | 
| Name | Job | 
|---|---|
| Lauren E. Polizzi | Art Direction | 
| Paul Sonski | Art Direction | 
| William James Teegarden | Art Direction | 
| Gary Fettis | Set Decoration | 
| Kacy Magedman | Art Department Coordinator | 
| John Berger | Assistant Art Director | 
| John Villarino | Construction Coordinator | 
| Larry Guy Clause | Construction Foreman | 
| Carlo Basail | Greensman | 
| Kurt V. Hulett | Leadman | 
| Stefan Dechant | Production Illustrator | 
| Fred Arbegast | Sculptor | 
| Linda A. King | Set Designer | 
| Anthony 'AJ' Leonardi Jr. | Standby Painter | 
| Tomomi Itaya | Camera Intern | 
| Scott Froschauer | Grip | 
| David B. Nowell | Helicopter Camera | 
| Sue Moore | Costume Supervisor | 
| Karyn Huston | Hairstylist | 
| Judith A. Cory | Key Hair Stylist | 
| Cynthia Barr | Makeup Artist | 
| Dallas D. Dornan | Set Costumer | 
| David McKlveen | Carpenter | 
| Gerard R. Arnoult | Chef | 
| Tim Gonzales | Craft Service | 
| Nadia Venesse | Dialect Coach | 
| Jose Pedro Adelman | Driver | 
| Tim Gaylord | Loader | 
| William Ballard | Picture Car Coordinator | 
| Mike Cuevas | Post Production Assistant | 
| Erica Frauman | Post Production Supervisor | 
| David James | Still Photographer | 
| Jim Turner | Production Controller | 
| René González | Projection | 
| Donald D. Hardenburg | Propmaker | 
| Michael Denering | Scenic Artist | 
| Erik Mattson | Sequence Supervisor | 
| Judy Malinoski | Set Medic | 
| Heather Kelton | Set Production Assistant | 
| O.B. Babbs | Stand In | 
| M. James Arnett | Stunt Coordinator | 
| Wayne Williams | Transportation Captain | 
| Mike Shannon | Transportation Co-Captain | 
| Denny Caira | Transportation Coordinator | 
| D. Scott Easton | Unit Production Manager | 
| Dustin Meier | Utility Stunts | 
| Michael Gleason | Visual Effects Editor | 
| Jim Passon | Color Timer | 
| Patrick Crane | First Assistant Editor | 
| Anya Colloff | Casting Associate | 
| Michael Haro | Location Manager | 
| Stevie Lazo | Production Accountant | 
| Sherry Marshall | Production Coordinator | 
| Peter M. Tobyansen | Production Supervisor | 
| Kenneth Wannberg | Music Editor | 
| John Neufeld | Orchestrator | 
| Teresa Eckton | Sound Effects Editor | 
| Gary Summers | Sound Re-Recording Mixer | 
| Tim Alexander | Digital Compositors | 
| Megan Carlson | Visual Effects Coordinator | 
| Adria Later | Studio Teachers | 
| Andrew Petrotta | Assistant Property Master | 
| Robert Bleckman | Set Dresser | 
| Jack Glenn | Dolly Grip | 
| Jim Kwiatkowski | Key Grip | 
| Marie Boller | Key Costumer | 
| Robert 'Bobby Z' Zajonc | Aerial Coordinator, Stunts | 
| C. Ransom Walrod | Marine Coordinator | 
| Sean Hobin | Second Assistant Director | 
| Gary Burritt | Negative Cutter | 
| David Devlin | Lighting Director | 
| Todd M. Lachniet | Assistant Production Coordinator | 
| Lindakay Brown | ADR Editor | 
| Andre Fenley | Assistant Sound Editor | 
| Sandina Bailo-Lape | Foley Editor | 
| Miguel A. Fuertes | Lead Animator | 
| Richard J. Landon | Mechanical Designer | 
| Ewa Sztompke | Dialogue Editor | 
| Sara Bolder | Dialogue Editor | 
| Dean Drabin | ADR Mixer | 
| Ann Hadsell | ADR Recordist | 
| Frank 'Pepe' Merel | Foley Recordist | 
| Tony Eckert | Foley Mixer | 
| Bruce Lacey | Foley Editor | 
| Dennie Thorpe | Foley Artist | 
| Jana Vance | Foley Artist | 
| Ron Judkins | Sound | 
| Jerry Moss | Property Master | 
| Jurgen Scharpf | Sound Mix Technician | 
| Beau Desmond | Costumer | 
| Amy B. Hughes | Additional Second Assistant Director | 
| John Bell | Concept Artist | 
| Jason Gustafson | Special Effects Technician | 
| Vance Piper | Visual Effects Camera | 
| David Valentin | Visual Effects Production Assistant | 
| Cinda-Lin James | Stunts, Stunt Double | 
| Mark Gutterud | Assistant Camera | 
| Kevin Erb | Best Boy Grip | 
| Cheli Clayton | Second Assistant Camera | 
| Paul Lucero | Assistant Location Manager | 
| James Linville | Assistant Accountant | 
| Jarek Gorczycki | Assistant Chief Lighting Technician | 
| Jon Alexander | Compositing Supervisor | 
| Shane Mahan | Effects Supervisor | 
| Tony Hobbs | Extras Casting | 
| John Riley | Key Set Production Assistant | 
| Edward Poveda | Payroll Accountant | 
| Monique Gougeon | Production Assistant | 
| Stacie L. Speaker | Production Secretary | 
| Christine Cram | Rotoscoping Artist | 
| Shaun M. McGovern | Second Assistant Accountant | 
| Robert Jackson | Boom Operator | 
| Ken Blackwell | Assistant Editor | 
| Alan Wurtzel | Stunts | 
| Roger Wells | Stunts | 
| Lee Waddell | Stunts | 
| Ivan Stewart | Stunts | 
| Brian Stewart | Stunts | 
| Lou Simon | Stunts | 
| Adam Sewell | Stunts | 
| Mike Schwellinger | Stunts | 
| Charlie Romano | Stunts | 
| Shawn Robinson | Stunts | 
| Tom Morga | Stunts, Stunt Double | 
| Rich Minga | Stunts | 
| Tom Lupo | Stunts | 
| Les Larson | Stunts | 
| Kevin Larson | Stunts | 
| Jon W. Kishi | Stunts | 
| Jim Kirby | Stunts | 
| Tommy J. Huff | Stunts | 
| Yuri Hinson | Stunts | 
| Tom Elliott | Stunts | 
| John DePasquale | Stunts | 
| Mike De Luna | Stunts | 
| Danny Costa | Stunts | 
| David Cadiente | Stunts | 
| Robert Bollinger | Stunts | 
| David Rowden | Stunts | 
| Seth Arnett | Stunts | 
| Paul Avery | Best Boy Electric | 
| Don Levy | Unit Publicist | 
| Jerry Day | Rigging Grip | 
| Marek Bojsza | Electrician | 
| Steven Spielberg | Director | 
| John Williams | Original Music Composer | 
| Janusz Kamiński | Director of Photography | 
| Michael Kahn | Editor | 
| Janet Hirshenson | Casting | 
| Jane Jenkins | Casting | 
| David Koepp | Screenplay, Second Unit Director | 
| Chris Haarhoff | Steadicam Operator | 
| Laura Albert | Stunts | 
| Ana Maria Quintana | Script Supervisor | 
| Gary Rydstrom | Sound Designer | 
| Richard Hymns | Supervising Sound Editor | 
| Ned Gorman | Visual Effects Producer | 
| George Hull | Visual Effects Art Director | 
| Sergio Mimica-Gezzan | First Assistant Director | 
| Barbara Harris | ADR Voice Casting | 
| Tom Boyd | Musician | 
| Michael Silvers | Supervising ADR Editor | 
| Christopher Boyes | Assistant Sound Designer | 
| Michael Crichton | Novel | 
| Brian Lukas | Rigging Gaffer | 
| Steven Meizler | Focus Puller | 
| William Washington | Stunts | 
| Mark Stefanich | Stunts | 
| Pat Romano | Stunt Coordinator | 
| J.P. Romano | Stunts | 
| Troy Robinson | Stunts | 
| Steve Picerni | Stunts | 
| Charlie Picerni | Stunts | 
| Chuck Picerni Jr. | Stunts | 
| Manny Perry | Stunts | 
| Hugh Aodh O'Brien | Stunts | 
| Diana R. Lupo | Stunts | 
| Shawn Patrick Lane | Stunts | 
| Henry Kingi | Stunts | 
| Steve Kelso | Stunts | 
| Keii Johnston | Stunts, Stunt Double | 
| Kevin L. Jackson | Stunts | 
| Jon H. Epstein | Stunts | 
| Chris Durand | Stunts | 
| Christopher Caso | Stunts | 
| Todd Bryant | Stunts | 
| Pete Antico | Stunts | 
| David Barrett | Stunt Driver | 
| Thomas Rosales Jr. | Stunts | 
| Gary Epper | Stunts | 
| Stanton Barrett | Stunts | 
| Robin Bonaccorsi | Stunts | 
| Scott Levy | Sound Recordist | 
| Rick Carter | Production Design | 
| Lars P. Winther | Second Second Assistant Director | 
| Gary Hymes | Stunt Coordinator | 
| Name | Title | 
|---|---|
| Bonnie Curtis | Associate Producer | 
| Colin Wilson | Producer | 
| Gerald R. Molen | Producer | 
| Kathleen Kennedy | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Supporting Actor | Jeff Goldblum | Nominated | 
Popularity History
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| 2024 | 4 | 2 | 4 | 1 | 
| 2024 | 5 | 3 | 5 | 2 | 
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| 2024 | 12 | 2 | 3 | 1 | 
| 2025 | 1 | 2 | 3 | 2 | 
| 2025 | 2 | 3 | 6 | 0 | 
| 2025 | 3 | 3 | 36 | 0 | 
| 2025 | 4 | 0 | 1 | 0 | 
| 2025 | 5 | 0 | 1 | 0 | 
| 2025 | 6 | 0 | 1 | 0 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 0 | 0 | 0 | 
| 2025 | 10 | 0 | 0 | 0 | 
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| 2024 | 11 | 186 | 554 | 
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| 2024 | 10 | 302 | 635 | 
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| 2024 | 9 | 254 | 495 | 
| Year | Month | High | Avg | 
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| 2024 | 8 | 274 | 456 | 
If you loved the charismatic Doctor Ian Malcolm of the first film, then get ready for him to take centre stage, and immediately have every interesting character trait stripped away! Did the original have you believing dinosaurs walked the Earth with its seamless blend of practical effects and ground ... breaking CGI? Too bad! That's gone too! Sense of wonder? Poof! Marvel as each and every actor phones it in over an absurdly bloated runtime in: _Jurassic Park II_! I mean, _Jurassic Park II: The Lost World_... I mean, _The Lost World_! I mean, _The Lost World: Jurassic Park_ for some damn reason. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Actually where you're going is the only place in the world where the geese chase you! The Lost World: Jurassic Park is directed by Steven Spielberg and adapted to screenplay by David Koepp from the novel written by Michael Crichton. It stars Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vinc ... e Vaughn, Richard Schiff, Peter Stormare, Vanessa Lee Chester, Arliss Howard and Harvey Jason. Music is scored by John Williams and cinematography by Janusz Kamiński. Four years on from the horrors of Jurassic Park on Isla Nublar, it transpires that there is a second dinosaur site on Isla Sornar. Dr. Ian Malcolm (Goldblum) is forced to head off to face the horrors once again when he learns that his paleontologist girlfriend, Sara Harding (Moore), is already on the island as a forerunner to a team John Hammond (Richard Attenborough) is assembling to document the dinosaurs in their habitat. Once there, though, the problems soon arise, especially when a team from InGen arrive with other ideas about the dinosaurs on their minds. Given the massive success of Jurassic Park in 1993, a sequel was inevitable. What transpires is pretty much more of the same, it's very safe film making by Spielberg. Coming off of the emotional exertions of his last film, Schindler's List, few can deny that the director was entitled to wind down with The Lost World project, there was after all nothing safe about Schindler's, but although Jurassic 2 is a hugely enjoyable family blockbuster, a jazzy bit of hi-tech fun, it lacks the requisite brains to make it an inspiring sequel. Formula follows the same path, humans in peril on the island, with some added and new dinosaurs (double T-Rex a bonus), and then the "twist" in the narrative sees some monster peril come to San Diego, King Kong style, for the finale. There's inter fighting between the good dudes led by Malcolm and the bad guys led by the weasel Peter Ludlow (Howard) who is Hammond's conniving nephew and current head of InGen. Family issues also feature, of course since this is Spielberg after all, while the dangers of tampering with science message remains as strong as ever. Cast are ably led by a witty Goldblum, who is a reassuring presence carried over from the first film, and the tech-credits are as expected, very high. Some scenes soar, such as a sequence shot from under a pane of glass that starts to crack under the weight of a character, others not so, such as having Malcolm's teenage daughter turn into Nadia Comăneci for one credulity stretching scene. But all told it's an honest blockbuster purely aimed at the target audience who helped to see it make over $600 million in profit. Safe often pays you see, and as sequels go it's one of the better ones in the 90s. It's exciting if intellectually stunted. 7/10
MORE REVIEWS @ https://www.msbreviews.com/ The Lost World definitely didn't deserve its originally bad reception. Sure, it's far from the incredible 1993's Jurassic Park. Less interesting character arcs and overall (silly) story. However, it remains fun enough with equally memorable dinosaur s ... equences. Goldblum rocks. Rating: B-
I feel I should point out that my overall positive review is based on entertainment value and not at all on scientific accuracy and the like. This sequel mirrors a few of the winning elements from the successful first movie: they retain Ian Malcolm, who is one of the highlights of the first film; ... they bring in a child, because it is much more dramatic to endanger children; they have at least one bad guy who we root for to become Dino-dinner; and there are plenty of action sequences with heart-stopping chases and hair-raising escapes. Several of the great one-liners are again given to Ian. My favorite line for all the Jurassic movies occurs early on. After they watch the cute Triceratops herd pass closely by them, Ian says, “Well yeah, ooh and ahh; that’s how it always starts, but then later there is running and then screaming.” And four years after the first movie, they have learned one thing from other action films: increasing the body count. Why kill of a handful of people when you can easily send a large team in to capture the dinosaurs and start picking them off one at a time? They even have a T-Rex wandering the streets of San Diego like King Kong at the end. So it sticks to the formula with a few variances and is entertaining.
Now they are trying to recover from the devastation that happened from the 1st one. This movie is pretty boring and not much happens. ...
The other 2 star / 40% review of this movie is on point. The Lost World: Jurassic Park sucks on so many levels. I had Jurassic Park 1 on repeat for nearly 24 hours and every time I sat down I had a laugh or a feeling of awe or excitement. Jurassic Park 1 is truly a marvel. Apart from the squealin ... g, the characters are well written and well acted. The casting is amazing, even the kids, and it's so WOKE I oughta give it a 10/10. _Actually, I think I will._ This time around it's all trash. Malcolm returns but the off-putting charisma that made him "beloved" is dulled. The kids return for a cameo but get replaced by Malcolm's daughter who... exists like Stacker Pentecost's son apparently exits in Pacific Rim. She does basically nothing for the majority of the movie. I'm not one to hate on kids unless they're insufferable but she kinda embodies the reaction I had throughout this movie, which is "this is pointless". Pointless movie, nothing happens, sure some folks get nommed but no one cares because they're all kinda stupid and useless except for the first guy who gets nommed _who I'm almost certain mentioned the Rexes left the area_. I've never seen Julianne Moore smile so much. Her character, Sarah, is fine up until Sarah and Nick do the "no good deed" _with a lot of unnecessary stupid_ that results in the events of this movie. Unlike the normal fare, I don't have an issue with women or feminism so her little quip about not needing Malcolm to save her at the start of the movie before everything goes awry doesn't phase me. She went there not expecting events to unfold the way they did, and by events I mean Ludlow. Anyway, back on topic. There isn't much else to say except just re-watch Jurassic Park 1 five times and you'll likely have a better time than watching any of the five sequels. P.S.: Can anyone explain the ship? Anyone at all? I know what the script says was supposed to happen but that's not what we get in the movie and the movie makes no sense whatsoever. 4/10 is too generous for this trash. I should reduce my rating. This was so disappointing after watching Jurassic Park 1 on repeat over the course of 24 hours.
The Lost World: Jurassic Park tries to follow in the footsteps of the original masterpiece but stumbles along the way. While Spielberg delivers some thrilling action and stunning visuals, the movie lacks the charm and cohesion that made Jurassic Park so iconic. From the start, it feels like somethin ... g is missing. The plot kicks off with a weak foundation, and motivations for the characters feel scattered and unclear, which makes it hard to connect with their journey. What really hurts the movie is the lack of focus. The story feels pulled in multiple directions, with some characters there to explore, others there to capture dinosaurs, and a few just along for the ride. This muddled narrative waters down the tension and excitement, leaving you questioning the point of certain scenes. Even Ian Malcolm, who was a standout in the first movie, struggles to carry the weight of a leading role here. The awe and wonder of the original have been replaced by darker tones and chaotic action, which might appeal to some but feels like a step back overall. That said, the movie does have its moments. The action sequences are gripping, and Spielberg still knows how to build tension when it counts. Visually, it’s as impressive as you’d expect, with dinosaurs that still hold up today. But ultimately, The Lost World feels like a sequel that’s trying too hard to recapture the magic of its predecessor without fully understanding what made it special in the first place. It’s worth a watch for the action and nostalgia, but don’t expect it to leave the same lasting impression as the original.
There's a lovely quote from the late Lord Attenborough at the end of this film along the lines of "...creatures don't need our help to survive, they need our absence". Never a truer word, but sadly it doesn't really enliven this merchandising booster of a film. The aforementioned gent, "Hammond" has ... had control of his company wrested away from him and informs chaotician "Malcolm" (Jeff Goldblum) that there's a B-site full of the beasties from the first film and his new board are determined to monetise them all. He has to get there first, and so armed with his sarcastic wit and the savvy Quatermain-esque "Tembo" (Pete Postlethwaite) off he goes. Of course, it being a Spielberg movie, there has to be an annoying child and in this case that's the stowaway "Kelly" (Vanessa Chester) and to complete our line up of charm-free misfits we have Vince Vaughn's "Nick" and Julianne Moore's "Sarah". Thereafter we embark on an whole load of set-piece snatched from the jaws (literally) of death time and time again type scenarios from the real stars of the show, only they have lost the wow factor of their 1993 outing and so now look like pale imitations or something from Ray Harryhausen's reject pile. The story is all too hysterically predictable as it turns out that the venal and the scientific end up going head to head with each other, and the ravenous dinosaurs, before a denouement that is entirely fitting but about ninety minutes later than I wanted it to be. Postlethwaite is the only one here who has anything like a character, in many ways akin to Bob Peck's first time round and there are some astonishingly creative visuals, but this is a sequel that nobody is going to look back upon very fondly.