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The Lost World: Jurassic Park Poster

The Lost World: Jurassic Park

Something has survived.
1997 | 129m | English

(469840 votes)

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Popularity: 0.5 (history)

Details

Four years after Jurassic Park's genetically bred dinosaurs ran amok, multimillionaire John Hammond shocks chaos theorist Ian Malcolm by revealing that he has been breeding more beasties at a secret location. Malcolm, his paleontologist ladylove and a wildlife videographer join an expedition to document the lethal lizards' natural behavior in this action-packed thriller.
Release Date: May 23, 1997
Director: Steven Spielberg
Writer: David Koepp, Michael Crichton
Genres: Adventure, Action, Science Fiction
Keywords exotic island, dna, paleontology, tyrannosaurus rex, velociraptor, san diego, california, island, sequel, dinosaur, creature, scientist, amusement park, theme park, costa rica, animal horror, father daughter relationship, absurd, cliché
Production Companies Universal Pictures, Amblin Entertainment
Box Office Revenue: $618,638,999
Budget: $73,000,000
Updates Updated: Aug 31, 2025
Entered: Apr 30, 2024
Trailers and Extras

Full Credits

Name Character
Jeff Goldblum Ian Malcolm
Julianne Moore Sarah Harding
Pete Postlethwaite Roland Tembo
Arliss Howard Peter Ludlow
Richard Attenborough John Hammond
Vince Vaughn Nick Van Owen
Vanessa Lee Chester Kelly Curtis
Peter Stormare Dieter Stark
Harvey Jason Ajay Sidhu
Richard Schiff Eddie Carr
Thomas F. Duffy Dr. Robert Burke
Joseph Mazzello Tim
Ariana Richards Lex
Thomas Rosales Jr. Carter
Camilla Belle Cathy Bowman
Cyd Strittmatter Mrs. Bowman
Robin Sachs Mr. Bowman
Ross Partridge Curious Man
Ian Abercrombie Butler
David Sawyer Workman
Geno Silva Barge Captain
Alex Miranda Cruz Barge Captain's Son
Robert 'Bobby Z' Zajonc InGen Helicopter Pilot
Bob Boehm Cargo Helicopter Pilot
Bradley Jensen Cargo Helicopter Pilot
Alan D. Purwin Cargo Helicopter Pilot
Ben Skorstad Cargo Helicopter Pilot
Rick Wheeler Cargo Helicopter Pilot
Kenyon Williams Cargo Helicopter Pilot
Christopher Caso InGen Guard
Gordon Michaels InGen Worker
J. Scott Shonka InGen Worker
Harry Hutchinson InGen Worker
Billy Brown InGen Worker
Brian Turk InGen Worker
Jim Harley Harbor Master
Colton James Benjamin
Carey Eidel Benjamin's Dad
Katy Boyer Benjamin's Mom
David Koepp Unlucky Bastard
Eugene Bass Jr. Attorney
Bari Buckner Screaming Woman
Patricia Bethune Screamer
David St. James Screamer
Mark Brady Screamer
Marjean Holden Screamer
Jacqueline Schultz Screamer
Domini Hofmann Screamer
Thomas Stuart Screamer
C. Ransom Walrod Ship Driver
David Gene Gibbs Police Helicopter Pilot
Michael N. Fujimoto Asian Tourist
Paul Fujimoto Asian Tourist
Darryl A. Imai Asian Tourist
Darryl Oumi Asian Tourist
Vincent Dee Miles Screaming Hunter
Bernard Shaw CNN Reporter / Bernard Shaw
Sean Michael Allen Tourist #2 (uncredited)
Michael Chinyamurindi Waiter (uncredited)
Tory Christopher InGen Worker (uncredited)
Michael Fallavollita Mechanic with wrench (uncredited)
Elliot Goldwag Senior Board Member (uncredited)
Larry Guardino Senior Board Member (uncredited)
Henry Kingi Dinosaur Hunter (uncredited)
Brian Lally Tourist #3 (uncredited)
David Lea San Diego Pedestrian (uncredited)
J. Patrick McCormack Board Member (uncredited)
Johnny Meyer San Diego Pedestrian (uncredited)
Michael Milhoan Obnoxious Tourist (uncredited)
Kenneth Moskow Tourist #4 (uncredited)
Mark Pellegrino Tourist #6 (uncredited)
Bob Quinn Dock Construction Worker (uncredited)
Chad Randall Hunter (uncredited)
Eli Roth Subway Man (uncredited)
James Ryan Hunter (uncredited)
Theodore Carl Soderberg Dock Worker (uncredited)
Steven Spielberg Popcorn-Eating Man (uncredited)
Name Job
Lauren E. Polizzi Art Direction
Paul Sonski Art Direction
William James Teegarden Art Direction
Gary Fettis Set Decoration
Kacy Magedman Art Department Coordinator
John Berger Assistant Art Director
John Villarino Construction Coordinator
Larry Guy Clause Construction Foreman
Carlo Basail Greensman
Kurt V. Hulett Leadman
Stefan Dechant Production Illustrator
Fred Arbegast Sculptor
Linda A. King Set Designer
Anthony 'AJ' Leonardi Jr. Standby Painter
Tomomi Itaya Camera Intern
Scott Froschauer Grip
David B. Nowell Helicopter Camera
Sue Moore Costume Supervisor
Karyn Huston Hairstylist
Judith A. Cory Key Hair Stylist
Cynthia Barr Makeup Artist
Dallas D. Dornan Set Costumer
David McKlveen Carpenter
Gerard R. Arnoult Chef
Tim Gonzales Craft Service
Nadia Venesse Dialect Coach
Jose Pedro Adelman Driver
Tim Gaylord Loader
William Ballard Picture Car Coordinator
Mike Cuevas Post Production Assistant
Erica Frauman Post Production Supervisor
David James Still Photographer
Jim Turner Production Controller
René González Projection
Donald D. Hardenburg Propmaker
Michael Denering Scenic Artist
Erik Mattson Sequence Supervisor
Judy Malinoski Set Medic
Heather Kelton Set Production Assistant
O.B. Babbs Stand In
M. James Arnett Stunt Coordinator
Wayne Williams Transportation Captain
Mike Shannon Transportation Co-Captain
Denny Caira Transportation Coordinator
D. Scott Easton Unit Production Manager
Dustin Meier Utility Stunts
Michael Gleason Visual Effects Editor
Jim Passon Color Timer
Patrick Crane First Assistant Editor
Anya Colloff Casting Associate
Michael Haro Location Manager
Stevie Lazo Production Accountant
Sherry Marshall Production Coordinator
Peter M. Tobyansen Production Supervisor
Kenneth Wannberg Music Editor
John Neufeld Orchestrator
Teresa Eckton Sound Effects Editor
Gary Summers Sound Re-Recording Mixer
Tim Alexander Digital Compositors
Megan Carlson Visual Effects Coordinator
Adria Later Studio Teachers
Andrew Petrotta Assistant Property Master
Robert Bleckman Set Dresser
Jack Glenn Dolly Grip
Jim Kwiatkowski Key Grip
Marie Boller Key Costumer
Robert 'Bobby Z' Zajonc Aerial Coordinator, Stunts
C. Ransom Walrod Marine Coordinator
Sean Hobin Second Assistant Director
Gary Burritt Negative Cutter
David Devlin Lighting Director
Todd M. Lachniet Assistant Production Coordinator
Lindakay Brown ADR Editor
Andre Fenley Assistant Sound Editor
Sandina Bailo-Lape Foley Editor
Miguel A. Fuertes Lead Animator
Richard J. Landon Mechanical Designer
Ewa Sztompke Dialogue Editor
Sara Bolder Dialogue Editor
Dean Drabin ADR Mixer
Ann Hadsell ADR Recordist
Frank 'Pepe' Merel Foley Recordist
Tony Eckert Foley Mixer
Bruce Lacey Foley Editor
Dennie Thorpe Foley Artist
Jana Vance Foley Artist
Ron Judkins Sound
Jerry Moss Property Master
Jurgen Scharpf Sound Mix Technician
Beau Desmond Costumer
Amy B. Hughes Additional Second Assistant Director
John Bell Concept Artist
Jason Gustafson Special Effects Technician
Vance Piper Visual Effects Camera
David Valentin Visual Effects Production Assistant
Cinda-Lin James Stunts, Stunt Double
Mark Gutterud Assistant Camera
Kevin Erb Best Boy Grip
Cheli Clayton Second Assistant Camera
Paul Lucero Assistant Location Manager
James Linville Assistant Accountant
Jarek Gorczycki Assistant Chief Lighting Technician
Jon Alexander Compositing Supervisor
Shane Mahan Effects Supervisor
Tony Hobbs Extras Casting
John Riley Key Set Production Assistant
Edward Poveda Payroll Accountant
Monique Gougeon Production Assistant
Stacie L. Speaker Production Secretary
Christine Cram Rotoscoping Artist
Shaun M. McGovern Second Assistant Accountant
Robert Jackson Boom Operator
Ken Blackwell Assistant Editor
Alan Wurtzel Stunts
Roger Wells Stunts
Lee Waddell Stunts
Ivan Stewart Stunts
Brian Stewart Stunts
Lou Simon Stunts
Adam Sewell Stunts
Mike Schwellinger Stunts
Charlie Romano Stunts
Shawn Robinson Stunts
Tom Morga Stunts, Stunt Double
Rich Minga Stunts
Tom Lupo Stunts
Les Larson Stunts
Kevin Larson Stunts
Jon W. Kishi Stunts
Jim Kirby Stunts
Tommy J. Huff Stunts
Yuri Hinson Stunts
Tom Elliott Stunts
John DePasquale Stunts
Mike De Luna Stunts
Danny Costa Stunts
David Cadiente Stunts
Robert Bollinger Stunts
David Rowden Stunts
Seth Arnett Stunts
Paul Avery Best Boy Electric
Don Levy Unit Publicist
Jerry Day Rigging Grip
Marek Bojsza Electrician
Steven Spielberg Director
John Williams Original Music Composer
Janusz Kamiński Director of Photography
Michael Kahn Editor
Janet Hirshenson Casting
Jane Jenkins Casting
David Koepp Screenplay, Second Unit Director
Chris Haarhoff Steadicam Operator
Laura Albert Stunts
Ana Maria Quintana Script Supervisor
Gary Rydstrom Sound Designer
Richard Hymns Supervising Sound Editor
Ned Gorman Visual Effects Producer
George Hull Visual Effects Art Director
Sergio Mimica-Gezzan First Assistant Director
Barbara Harris ADR Voice Casting
Tom Boyd Musician
Michael Silvers Supervising ADR Editor
Christopher Boyes Assistant Sound Designer
Michael Crichton Novel
Brian Lukas Rigging Gaffer
Steven Meizler Focus Puller
William Washington Stunts
Mark Stefanich Stunts
Pat Romano Stunt Coordinator
J.P. Romano Stunts
Troy Robinson Stunts
Steve Picerni Stunts
Charlie Picerni Stunts
Chuck Picerni Jr. Stunts
Manny Perry Stunts
Hugh Aodh O'Brien Stunts
Diana R. Lupo Stunts
Shawn Patrick Lane Stunts
Henry Kingi Stunts
Steve Kelso Stunts
Keii Johnston Stunts, Stunt Double
Kevin L. Jackson Stunts
Jon H. Epstein Stunts
Chris Durand Stunts
Christopher Caso Stunts
Todd Bryant Stunts
Pete Antico Stunts
David Barrett Stunt Driver
Thomas Rosales Jr. Stunts
Gary Epper Stunts
Stanton Barrett Stunts
Robin Bonaccorsi Stunts
Scott Levy Sound Recordist
Rick Carter Production Design
Lars P. Winther Second Second Assistant Director
Gary Hymes Stunt Coordinator
Name Title
Bonnie Curtis Associate Producer
Colin Wilson Producer
Gerald R. Molen Producer
Kathleen Kennedy Executive Producer
Organization Category Person
Golden Globes Best Supporting Actor Jeff Goldblum Nominated
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Reviews

Ruuz
4.0

If you loved the charismatic Doctor Ian Malcolm of the first film, then get ready for him to take centre stage, and immediately have every interesting character trait stripped away! Did the original have you believing dinosaurs walked the Earth with its seamless blend of practical effects and ground ... breaking CGI? Too bad! That's gone too! Sense of wonder? Poof! Marvel as each and every actor phones it in over an absurdly bloated runtime in: _Jurassic Park II_! I mean, _Jurassic Park II: The Lost World_... I mean, _The Lost World_! I mean, _The Lost World: Jurassic Park_ for some damn reason. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Jun 23, 2021
John Chard
7.0

Actually where you're going is the only place in the world where the geese chase you! The Lost World: Jurassic Park is directed by Steven Spielberg and adapted to screenplay by David Koepp from the novel written by Michael Crichton. It stars Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vinc ... e Vaughn, Richard Schiff, Peter Stormare, Vanessa Lee Chester, Arliss Howard and Harvey Jason. Music is scored by John Williams and cinematography by Janusz Kamiński. Four years on from the horrors of Jurassic Park on Isla Nublar, it transpires that there is a second dinosaur site on Isla Sornar. Dr. Ian Malcolm (Goldblum) is forced to head off to face the horrors once again when he learns that his paleontologist girlfriend, Sara Harding (Moore), is already on the island as a forerunner to a team John Hammond (Richard Attenborough) is assembling to document the dinosaurs in their habitat. Once there, though, the problems soon arise, especially when a team from InGen arrive with other ideas about the dinosaurs on their minds. Given the massive success of Jurassic Park in 1993, a sequel was inevitable. What transpires is pretty much more of the same, it's very safe film making by Spielberg. Coming off of the emotional exertions of his last film, Schindler's List, few can deny that the director was entitled to wind down with The Lost World project, there was after all nothing safe about Schindler's, but although Jurassic 2 is a hugely enjoyable family blockbuster, a jazzy bit of hi-tech fun, it lacks the requisite brains to make it an inspiring sequel. Formula follows the same path, humans in peril on the island, with some added and new dinosaurs (double T-Rex a bonus), and then the "twist" in the narrative sees some monster peril come to San Diego, King Kong style, for the finale. There's inter fighting between the good dudes led by Malcolm and the bad guys led by the weasel Peter Ludlow (Howard) who is Hammond's conniving nephew and current head of InGen. Family issues also feature, of course since this is Spielberg after all, while the dangers of tampering with science message remains as strong as ever. Cast are ably led by a witty Goldblum, who is a reassuring presence carried over from the first film, and the tech-credits are as expected, very high. Some scenes soar, such as a sequence shot from under a pane of glass that starts to crack under the weight of a character, others not so, such as having Malcolm's teenage daughter turn into Nadia Comăneci for one credulity stretching scene. But all told it's an honest blockbuster purely aimed at the target audience who helped to see it make over $600 million in profit. Safe often pays you see, and as sequels go it's one of the better ones in the 90s. It's exciting if intellectually stunted. 7/10

May 16, 2024
msbreviews
6.0

MORE REVIEWS @ https://www.msbreviews.com/ The Lost World definitely didn't deserve its originally bad reception. Sure, it's far from the incredible 1993's Jurassic Park. Less interesting character arcs and overall (silly) story. However, it remains fun enough with equally memorable dinosaur s ... equences. Goldblum rocks. Rating: B-

Jun 06, 2022
narrator56
7.0

I feel I should point out that my overall positive review is based on entertainment value and not at all on scientific accuracy and the like. This sequel mirrors a few of the winning elements from the successful first movie: they retain Ian Malcolm, who is one of the highlights of the first film; ... they bring in a child, because it is much more dramatic to endanger children; they have at least one bad guy who we root for to become Dino-dinner; and there are plenty of action sequences with heart-stopping chases and hair-raising escapes. Several of the great one-liners are again given to Ian. My favorite line for all the Jurassic movies occurs early on. After they watch the cute Triceratops herd pass closely by them, Ian says, “Well yeah, ooh and ahh; that’s how it always starts, but then later there is running and then screaming.” And four years after the first movie, they have learned one thing from other action films: increasing the body count. Why kill of a handful of people when you can easily send a large team in to capture the dinosaurs and start picking them off one at a time? They even have a T-Rex wandering the streets of San Diego like King Kong at the end. So it sticks to the formula with a few variances and is entertaining.

Jul 24, 2022
SoSmooth1982
5.0

Now they are trying to recover from the devastation that happened from the 1st one. This movie is pretty boring and not much happens. ...

Jul 07, 2023
Sejian
4.0

The other 2 star / 40% review of this movie is on point. The Lost World: Jurassic Park sucks on so many levels. I had Jurassic Park 1 on repeat for nearly 24 hours and every time I sat down I had a laugh or a feeling of awe or excitement. Jurassic Park 1 is truly a marvel. Apart from the squealin ... g, the characters are well written and well acted. The casting is amazing, even the kids, and it's so WOKE I oughta give it a 10/10. _Actually, I think I will._ This time around it's all trash. Malcolm returns but the off-putting charisma that made him "beloved" is dulled. The kids return for a cameo but get replaced by Malcolm's daughter who... exists like Stacker Pentecost's son apparently exits in Pacific Rim. She does basically nothing for the majority of the movie. I'm not one to hate on kids unless they're insufferable but she kinda embodies the reaction I had throughout this movie, which is "this is pointless". Pointless movie, nothing happens, sure some folks get nommed but no one cares because they're all kinda stupid and useless except for the first guy who gets nommed _who I'm almost certain mentioned the Rexes left the area_. I've never seen Julianne Moore smile so much. Her character, Sarah, is fine up until Sarah and Nick do the "no good deed" _with a lot of unnecessary stupid_ that results in the events of this movie. Unlike the normal fare, I don't have an issue with women or feminism so her little quip about not needing Malcolm to save her at the start of the movie before everything goes awry doesn't phase me. She went there not expecting events to unfold the way they did, and by events I mean Ludlow. Anyway, back on topic. There isn't much else to say except just re-watch Jurassic Park 1 five times and you'll likely have a better time than watching any of the five sequels. P.S.: Can anyone explain the ship? Anyone at all? I know what the script says was supposed to happen but that's not what we get in the movie and the movie makes no sense whatsoever. 4/10 is too generous for this trash. I should reduce my rating. This was so disappointing after watching Jurassic Park 1 on repeat over the course of 24 hours.

May 09, 2024
RalphRahal
6.0

The Lost World: Jurassic Park tries to follow in the footsteps of the original masterpiece but stumbles along the way. While Spielberg delivers some thrilling action and stunning visuals, the movie lacks the charm and cohesion that made Jurassic Park so iconic. From the start, it feels like somethin ... g is missing. The plot kicks off with a weak foundation, and motivations for the characters feel scattered and unclear, which makes it hard to connect with their journey. What really hurts the movie is the lack of focus. The story feels pulled in multiple directions, with some characters there to explore, others there to capture dinosaurs, and a few just along for the ride. This muddled narrative waters down the tension and excitement, leaving you questioning the point of certain scenes. Even Ian Malcolm, who was a standout in the first movie, struggles to carry the weight of a leading role here. The awe and wonder of the original have been replaced by darker tones and chaotic action, which might appeal to some but feels like a step back overall. That said, the movie does have its moments. The action sequences are gripping, and Spielberg still knows how to build tension when it counts. Visually, it’s as impressive as you’d expect, with dinosaurs that still hold up today. But ultimately, The Lost World feels like a sequel that’s trying too hard to recapture the magic of its predecessor without fully understanding what made it special in the first place. It’s worth a watch for the action and nostalgia, but don’t expect it to leave the same lasting impression as the original.

Jan 20, 2025
Geronimo1967
6.0

There's a lovely quote from the late Lord Attenborough at the end of this film along the lines of "...creatures don't need our help to survive, they need our absence". Never a truer word, but sadly it doesn't really enliven this merchandising booster of a film. The aforementioned gent, "Hammond" has ... had control of his company wrested away from him and informs chaotician "Malcolm" (Jeff Goldblum) that there's a B-site full of the beasties from the first film and his new board are determined to monetise them all. He has to get there first, and so armed with his sarcastic wit and the savvy Quatermain-esque "Tembo" (Pete Postlethwaite) off he goes. Of course, it being a Spielberg movie, there has to be an annoying child and in this case that's the stowaway "Kelly" (Vanessa Chester) and to complete our line up of charm-free misfits we have Vince Vaughn's "Nick" and Julianne Moore's "Sarah". Thereafter we embark on an whole load of set-piece snatched from the jaws (literally) of death time and time again type scenarios from the real stars of the show, only they have lost the wow factor of their 1993 outing and so now look like pale imitations or something from Ray Harryhausen's reject pile. The story is all too hysterically predictable as it turns out that the venal and the scientific end up going head to head with each other, and the ravenous dinosaurs, before a denouement that is entirely fitting but about ninety minutes later than I wanted it to be. Postlethwaite is the only one here who has anything like a character, in many ways akin to Bob Peck's first time round and there are some astonishingly creative visuals, but this is a sequel that nobody is going to look back upon very fondly.

Jan 23, 2025