Fountain of Youth
The best secrets are the hardest to find.
2025 | 126m | English
Popularity: 10 (history)
| Director: | Guy Ritchie |
|---|---|
| Writer: | James Vanderbilt |
| Staring: |
| A treasure-hunting mastermind assembles a team for a life-changing adventure. But to outwit and outrun threats at every turn, he'll need someone even smarter than he is: his estranged sister. | |
| Release Date: | May 19, 2025 |
|---|---|
| Director: | Guy Ritchie |
| Writer: | James Vanderbilt |
| Genres: | Fantasy, Adventure, Mystery |
| Keywords | fountain of youth, egypt, treasure, secret organization, heist, art thief, sibling, healing power, estranged family member, pharaoh, ancient, history |
| Production Companies | Toff Guy Films, Vinson Films, Skydance Media, Radio Silence, Project X Entertainment |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jul 25, 2025 Entered: Jul 02, 2025 |
| Name | Character |
|---|---|
| John Krasinski | Luke Purdue |
| Natalie Portman | Charlotte Purdue |
| Eiza González | Esme |
| Domhnall Gleeson | Owen Carver |
| Arian Moayed | Inspector Jamal Abbas |
| Laz Alonso | Patrick Murphy |
| Carmen Ejogo | Deb McCall |
| Stanley Tucci | The Elder |
| Benjamin Chivers | Thomas |
| Michael Epp | Praeger |
| Steve Tran | Kasem |
| Daniel de Bourg | Harold |
| Perdita Weeks | Harold’s Lawyer |
| Simon Shorten | Dubious Cop |
| Russell Balogh | Agent Stevens |
| Elly Condron | Head Librarian |
| Edith Bukovics | Library Board Member |
| Donnie Baxter | Westerguard |
| Antony Bunsee | Professor Bishara |
| Name | Job |
|---|---|
| Mark Holt | Special Effects Supervisor |
| James Vanderbilt | Writer |
| Simon Hayes | Production Sound Mixer |
| Ed Wild | Director of Photography |
| Julian Morson | "A" Camera Operator |
| Jay Barton | Visual Effects Supervisor |
| Chris Benstead | Orchestrator, Original Music Composer |
| Pancho Chamorro | Set Decoration |
| Philie Naughten | Line Producer, Unit Production Manager |
| Paul Bennett | Second Assistant Director |
| John MacDonald | Stunt Double |
| Anthony Skrimshire | Stunt Double |
| Oliver Gough | Stunts, Stunt Double |
| Fiona Gavin | Supervising Art Director |
| Matilda Beard | Assistant Art Director |
| Mark Taylor | Sound Re-Recording Mixer |
| Angus Munro | Associate Editor |
| Dean Murray | First Assistant "B" Camera |
| Oscar van Hoorn | Camera Trainee |
| Jacob Robinson | Digital Imaging Technician |
| Jenn Egan | Music Supervisor |
| Timothy Siddall | Supervising ADR Editor, Supervising Dialogue Editor |
| Philip Moroz | Dialogue Editor |
| Michael Fentum | Sound Effects Editor |
| Sophia Hardman | Foley Editor |
| Jason Reilly | Construction Manager |
| Guy Ritchie | Director |
| Dan Hubbard | Casting |
| Luke Tumber | Stunts |
| Roma O'Connor | Visual Effects Producer |
| Laurent Gillet | Visual Effects Supervisor |
| Martyn John | Production Design |
| Adam Kirley | Stunt Coordinator |
| Lucy Cork | Stunt Double |
| Edd Osmond | Stunt Double |
| David Allcock | Storyboard Artist |
| Sara Hayward | Standby Art Director |
| Adam Ogelsby | Draughtsman |
| Dominic Gibbs | Supervising Sound Editor |
| Nathan Mann | First Assistant "A" Camera |
| Josh Bloomer | Second Assistant "B" Camera |
| Brandon Carrara | Drone Pilot |
| Iona Westlake | Production Coordinator |
| Alex Symeonides | Dialogue Editor, ADR Editor |
| Ben Chick | Sound Designer |
| Laurence Farr | Assistant Sound Editor |
| Jason Swanscott | Foley Artist |
| Giles Thornton | Orchestrator, Conductor |
| Yusuf Chaudhri | Stunts |
| Peter Bebb | Visual Effects Supervisor |
| Bryan Litson | Visual Effects Supervisor |
| James Herbert | Editor |
| Loulou Bontemps | Costume Design |
| Max Keene | First Assistant Director |
| Samantha Arnold | Production Manager |
| Jessica Barfoot | Stunt Double |
| Elliot Collins | Stunt Double |
| Heather Noble | Art Direction |
| Sam Sparks | Assistant Art Director |
| Adam Scrivener | Sound Re-Recording Mixer |
| Tammo van Hoorn | "B" Camera Operator |
| Charlie Curtis | Second Assistant "A" Camera |
| Saskia Barnes | Camera Trainee |
| Rory Herbert | Script Supervisor |
| Robin Johnson | Boom Operator |
| Tom Williams | Dialogue Editor |
| Ryan Green | Sound Effects Editor |
| Rob Price | Foley Mixer |
| Emma Matthews | Construction Buyer |
| Name | Title |
|---|---|
| Ivan Atkinson | Producer |
| Don Granger | Producer |
| Paul Neinstein | Producer |
| Chad Villella | Executive Producer |
| Guy Ritchie | Producer |
| Dana Goldberg | Producer |
| William Sherak | Producer |
| Tyler Gillett | Executive Producer |
| Tara Farney | Executive Producer |
| Jake Myers | Producer |
| David Ellison | Producer |
| Tripp Vinson | Producer |
| Matt Bettinelli-Olpin | Executive Producer |
| James Vanderbilt | Producer |
| Max Keene | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 7 | 2 |
| 2024 | 5 | 5 | 6 | 2 |
| 2024 | 6 | 4 | 8 | 1 |
| 2024 | 7 | 5 | 9 | 1 |
| 2024 | 8 | 5 | 9 | 2 |
| 2024 | 9 | 2 | 4 | 1 |
| 2024 | 10 | 3 | 7 | 1 |
| 2024 | 11 | 2 | 4 | 1 |
| 2024 | 12 | 4 | 8 | 1 |
| 2025 | 1 | 5 | 8 | 2 |
| 2025 | 2 | 4 | 6 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 6 | 9 | 2 |
| 2025 | 5 | 59 | 265 | 3 |
| 2025 | 6 | 60 | 181 | 29 |
| 2025 | 7 | 22 | 27 | 14 |
| 2025 | 8 | 14 | 16 | 11 |
| 2025 | 9 | 14 | 20 | 9 |
| 2025 | 10 | 10 | 13 | 9 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 95 | 671 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 332 | 698 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 78 | 495 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 83 | 290 |
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/fountain-of-youth-review/ "Fountain of Youth is a prime example of how to craft quality, crowd-pleasing entertainment without reinventing the wheel. Is it predictable? Absolutely. Formulaic? No doubt. But it’s undeniably fun, visually engaging, ... and driven by a charismatic cast and a director who knows exactly what he’s doing. Guy Ritchie brings his trademark energy without betraying the genre’s core identity, and James Vanderbilt delivers a solid, compelling script. It’s a shame the film didn’t get the theater release it deserved – like the ancient sites it explores, it should have been experienced in all its grandeur." Rating: B
I came into this movie hearing that it wasn’t all that was cracked up to be, that it was a bit lifeless and a paint by numbers movie. I can’t really dispute that. But since I was walking in with my eyes wide open, I enjoyed it for what it was. There isn’t enough exploration or exposition that giv ... es us any idea what the characters are really about and we’re left to pee together through throwaway lines and a bunch of inferences. There are several characters that are involved that you never find out what their backstory is, why they’re doing what they’re doing, or what the end goal is. The story is one we’ve all heard before, and the neat little tricks and puzzles. It takes to find the end goal is clever and brings back memories of the da Vinci code and other similar stories. This will be one of those movies that’s on and families can enjoy for quite some time, but it won’t win any awards. Still it entertained me for the two hours it was on and at this point, that’s all I’m looking for in movies.