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Bring Them Down

2025 | 105m | English

(5161 votes)

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Popularity: 1 (history)

Details

When the ongoing rivalry between farmers Michael and Jack suddenly escalates, it triggers a chain of events that take increasingly violent and devastating turns, leaving both families permanently altered.
Release Date: Feb 06, 2025
Director: Christopher Andrews
Writer: Christopher Andrews, Jonathan Hourigan
Genres: Drama, Thriller
Keywords farm, feud, ireland
Production Companies Fís Éireann/Screen Ireland, RTÉ, Tailored Films, Frakas Productions, Shelter Prod, VOO & Be tv, Wild Swim Films, MUBI, Coimisiún na Meán, UK Global Screen Fund
Box Office Revenue: $0
Budget: $0
Updates Updated: Apr 09, 2025
Entered: Sep 13, 2024
Trailers and Extras

No trailers or extras available.

International Posters

Full Credits

Name Character
Barry Keoghan Jack
Christopher Abbott Michael
Colm Meaney Ray
Nora-Jane Noone Caroline
Paul Ready Gary
Susan Lynch Peggy
Conor MacNeill Nathan
Youssef Quinn Michael (Young)
Aaron Heffernan Lee
Adam Behan Daniel
Diarmuid de Faoite James
Gail Fitzpatrick Butcher
Grace Daly Caroline (Young)
Tom Leavey Farmer
Name Job
Christopher Andrews Writer, Director, Story
Jonathan Hourigan Writer, Story
George Cragg Editor
Sean Condren Stunt Coordinator, Stunt Double
James Farrell Grip
Simon Magee Gaffer
Joe Condren Stunt Coordinator
Killian Casey Production Assistant
Emer Molloy Production Coordinator
Nick Cooke Director of Photography
Hannah Peel Original Music Composer
Seán Treacy Production Assistant
Diarmuid de Faoite Dialect Coach
Fletcher Jarvis Production Design
Julie Harkin Casting
Lucy Smith Casting Associate
James Donnelly Art Direction
Katya Greene Set Decoration
Tony Aherne First Assistant Director
Glenn Delaney First Assistant Director
Meaghan McKeon Joyce Second Assistant Director
Hannah Bury Costume Design
Frances Galligan Makeup Artist
Shane Kenneally Stunt Driver
Philip McClean Stunt Double
Dan Billinghurst Camera Operator
Michel Denis Visual Effects Producer
Tristan Lilien Visual Effects Supervisor
Gert Janssen Sound Designer
Jean-Louis Viroux Foley Mixer, Sound Designer
Matt Needle Title Designer
Pierre Greco Foley Artist
Jean-Stephane Garbe Foley Editor, Sound Re-Recording Mixer
Name Title
Julianne Forde Producer
Jacob Swan Hyam Producer
Ivana MacKinnon Producer
Ruth Treacy Producer
Cassandre Warnauts Producer
Jean-Yves Roubin Producer
Niamh Fagan Executive Producer
Bobby Allen Executive Producer
Efe Çakarel Executive Producer
Jason Ropell Executive Producer
Celine Haddad Executive Producer
Barry Keoghan Executive Producer
Christopher Abbott Executive Producer
Carla MacKinnon Associate Producer
Julie Harkin Associate Producer
Christophe Hollebeke Executive Producer
Philippe Logie Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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2024 5 2 3 1
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Trending Position


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2025 8 679 705
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Reviews

Geronimo1967
7.0

We start with a fairly traumatic car accident that goes some way in explaining just why, many years later, the sheep farming “Michael” (Christopher Abbott) is living with his immobile dad (Colm Meaney) and living a fairly unfulfilled life. Their neighbour calls to advise that a couple of his rams ha ... ve been found dead on their farm and so when he goes to investigate, we meet “Caroline” (Nora-Jane Noone) who used to be his girlfriend before she left him for “Gary” (Paul Ready) and they had son “Jack” (Barry Keoghan). With no evidence of the corpses, he heads to the market to buy replacements only to find that his neighbours haven’t been straight with him and that there’s quite enough history here to ensure that “Michael” keeps his mouth shut. Meantime, things aren’t proving much better for the couple next door as their farm is struggling to pay it’s way and when their young son comes up with an unilateral scheme with his thuggish cousin “Lee” (Aaron Heffernan) to raise, rather brutally, some extra cash then things turn violent and dangerous now with just about every element of trust out the window! This isn’t a mystery for the squeamish as it highlights some of the real difficulties faced by hill farmers facing financial difficulties trying to make their inhospitable land pay. The story itself here is a bit of a mess, and though it does gradually start to make a little sense towards the end, for the most part it seems a little too thinly stretched and reliant on the time-shifting chronology to tell us an under-characterised story from differing perspectives as the threads rather far-fetchedly come together at the end. It’s a fine looking film offering an authentic look at a barely better than subsistence form of life populated by folks suspicious of newcomers and of each other, but I couldn’t help but feel this needed a much firmer hand on the storytelling front and Keoghan just too old for the part. Abbott delivers well, and it’s still worth a watch - but television in due course ought to be fine.

Feb 13, 2025