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The Rule of Jenny Pen Poster

The Rule of Jenny Pen

2025 | 104m | English

(8899 votes)

TMDb IMDb

Popularity: 6 (history)

Details

Confined to a secluded rest home and trapped within his stroke-ridden body, a former Judge must stop an elderly psychopath who employs a child's puppet to abuse the home's residents with deadly consequences.
Release Date: Mar 07, 2025
Director: James Ashcroft
Writer: James Ashcroft, Eli Kent
Genres: Drama, Horror, Thriller
Keywords dementia, sadism, doll, based on short story, retirement community, supernatural horror
Production Companies Blueskin Films, Light in the Dark Productions
Box Office Revenue: $422,256
Budget: $0
Updates Updated: May 22, 2025
Entered: Sep 13, 2024
Trailers and Extras

No trailers or extras available.

International Posters

Full Credits

Name Character
Geoffrey Rush Stefan Mortensen
John Lithgow Dave Crealy
George Henare Tony Garfield
Nikki MacDonnell Court Mother
Maaka Pohatu Dr. Neels
Fiona Collins Carer Grace
Yvette Parsons Carer Tania
Ian Mune Howie Wicker
Richard Chapman Musician
Bruce Phillips Peter Llewyn
Irene Wood Olive Shaw
Annie Ruth Moira Spender
Nick Blake Tobias Popanovich
Nathaniel Lees Sonny Ausage
Ariadne Baltazar Carer May
Hilary Norris Eunice Joyce
Holly Shanahan Madeline Shepard
Lutz Halbhubner Sean Dunn
Ginette McDonald Sally Pile
Jane Waddell Comfrey Hails
Catie Noble Physiotherapist
Anapela Polataivao Carer Jasmine
Thomas Sainsbury Carer Mike
Hannah Lynch Carer Joy
Semu Filipo Coach
Paolo Rotondo Psychologist
Rashmi Pilapitiya Nurse Anita
Sylvie Ashcroft Garfield's Granddaughter
Marbles Pluto
Mary Andrews Resident
Rangi Andrews Resident
Doreen Beer Resident
Trevor Beer Resident
Margaret Blake Resident
Adrienne Gordon Resident
Wendy Green Resident
Winston Gurnell Resident
Lynn Harriman Resident
Vivienne Hutchison Resident
Barbara Iles Resident
Peter Judge Resident
Janice Kosterman Resident
Daphne Lecouteur Resident
Christine Lester Resident
Stephen Lester Resident
Isobel McAlpine Resident
Judi McGreevy Resident
Kevin McPake Resident
Jean Mills Resident
Connie Mitchell Resident
Faye Moore Resident
Robin Moore Resident
Adrienne Nairn Resident
Tim Norman Resident
Karl Periera Resident
Lorraine Philbey Resident
Steve Punter Resident
Sarah Simmonds Resident
Audrey Swann Resident
Deborah Taylor Resident
John Wakelin Resident
Pearl Wakelin Resident
Michael Ward Resident
Wayne Wilson Resident
Vee Hodgson Carer
Melissa Isaacson Carer
Lormar Karauti Carer
Huirangi Law Carer
Anna Lopez Carer
Charlotte Mann Carer
Dervla Murtagh Carer
Jessica Ruck-Nu'u Carer
Lindsey Seaton Carer
Lian Song Carer
Bayley Rakei Teen Rugby Player
David Lewai Teen Rugby Player
Jed Walker Teen Rugby Player
Kane Mason Teen Rugby Player
Oscar McDougall Teen Rugby Player
Riley Williams Teen Rugby Player
Romeo McIlvride Teen Rugby Player
Sasha Parize-Baker Teen Rugby Player
Tomãs Green Gamargo Teen Rugby Player
Tawhiri Wanoa Teen Rugby Player
Zach Harrison Teen Rugby Player
Celia Griffiths String Quartet
Hijiri Yamamoto String Quartet
Jack Moyer String Quartet
Taliesin Amoore String Quartet
Harper Ashcroft Visitor
India Ashcroft Visitor
Nina Williams Visitor
Stella Williams Visitor
Mandy Thomas Visitor
Kurt Johnson Police Officer
Lovely Gomonit Police Officer
Jacqueline Later Undertaker
Ryshon Te Fono Groundsman
Orlando Stewart Holloway
Natasha Kenyon Prosecution Lawyer
Raz Yusoff Prosecution Lawyer
Wendy Griffiths Defence Lawyer
Fergus Aitken Defence Lawyer
Sue Bridgen Mother's Family
Brendon Hannah Mother's Family
Chris Hewer Mother's Family
Helena Sharples Mother's Family
Jason Noble Police Officer
Peter Hewitt Police Officer
Tim Foley Prison Officer
Wayne Carter Prison Officer
Max Makheri Journalist
Mini Samuels Journalist
Elizabeth Marshall Clerk
Samantha Chilman Bailiff
Jo Carter Public Gallery
Yvette Cottam Public Gallery
Susan Holt Public Gallery
Jayasudhasri Jaiganesh Public Gallery
Jacqueline Jones Public Gallery
Helena Mahn Public Gallery
Leanne Turrell Public Gallery
Jack Carter Public Gallery
Sam Carter Public Gallery
David Dahya Public Gallery
Tony Hopkins Public Gallery
Ben Johnson-Frow Public Gallery
Owen Jones Public Gallery
Robert Thynne Public Gallery
Michael Waris Public Gallery
Callum Scott Talking Clock (voice)
Name Job
James Ashcroft Director, Writer
Eli Kent Writer
Owen Marshall Short Story
Matt Henley Director of Photography
Gretchen Peterson Editor
John Gibson Original Music Composer
Name Title
James Ashcroft Executive Producer
Eli Kent Executive Producer
John Lithgow Executive Producer
Emily Gotto Executive Producer
Nicholas Lazo Executive Producer
Catherine Fitzgerald Producer
Orlando Stewart Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 1 2 1
2024 5 1 2 1
2024 6 1 4 0
2024 7 2 6 0
2024 8 4 7 2
2024 9 12 31 5
2024 10 6 12 2
2024 11 3 7 1
2024 12 4 7 1
2025 1 4 7 1
2025 2 5 8 1
2025 3 11 46 1
2025 4 9 14 3
2025 5 6 13 2
2025 6 3 6 2
2025 7 3 4 2
2025 8 2 2 1
2025 9 2 4 1
2025 10 5 9 3

Trending Position


Year Month High Avg
2025 10 170 585
Year Month High Avg
2025 8 688 822
Year Month High Avg
2025 7 67 472
Year Month High Avg
2025 5 405 739
Year Month High Avg
2025 4 26 452
Year Month High Avg
2025 3 11 438
Year Month High Avg
2025 2 816 816

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Reviews

SteveForsing
8.0

I can't begin to tell you how glad I am that this showed up at the local Regal. I figured I was going to have to wait and rent it. That being said, after you leave the moviehouse and think about what you just watched, you're going to be immediately fucked up. It's been a minute since I watched so ... mething that really is equal parts, depressing, vile, sinister and diabolically funny all at the same time. Thankfully, James Ashcroft is able to get two legends together in Geoffrey Rush and John Lithgow. The result is an early horror favorite of the year.

Mar 27, 2025
SteveForsing
8.0

I can't begin to tell you how glad I am that this showed up at the local Regal. I figured I was going to have to wait and rent it. That being said, after you leave the moviehouse and think about what you just watched, you're going to be immediately messed up. It's been a minute since I watched somet ... hing that really is equal parts, depressing, vile, sinister and diabolically funny all at the same time. Thankfully, James Ashcroft is able to get two legends together in Geoffrey Rush and John Lithgow giving their all. The result is an early horror favorite of the year.

Mar 27, 2025
Brent_Marchant
3.0

Fewer moviegoing experiences are more frustrating than watching a film in which the creators have no clear vision for what they’re trying to say. Regrettably, such is the case with this second feature offering from writer-director James Ashcroft. When a revered judge (Geoffrey Rush) suffers a stroke ... , he’s moved to what has to be the most ineptly run convalescent home in New Zealand to undergo rehabilitation. While there, however, he – like many of the facility’s other residents – becomes the target of taunting and abuse by another patient (John Lithgow), a manic dementia case who menaces them with a macabre hand-held puppet he calls Jenny Pen, the one who he contends rules over everyone housed at the home. When the judge protests, though, he’s summarily ignored and called delusional by the utterly clueless staff, an aspect of the narrative that’s wholly implausible and undermines the credibility of whatever the story is supposed to represent. That’s made worse by a meandering story that seems to vacillate between presenting a straightforward tale of elder abuse and floating the possibility that the judge may indeed be suffering from his own internal delusions now that he’s trapped in his own stroke-afflicted body. That kind of purposeful ambiguity might have worked better if it had been employed more skillfully, but, as it stands, that uncertainty is never properly developed. And, as the film plays out, it grows progressively more unbelievable and disjointed, leaving viewers wondering what’s truly supposed to be going on. What’s more, this offering is laughingly billed as a horror flick, but there’s virtually nothing the least bit scary about it; it instead languishes in the realm of a modest (though largely unfocused and unengaging) psychological thriller. To its credit, the film incorporates some searing comic relief in the form of witty, pointed one-liners (mostly delivered by Rush), and the two leads struggle mightily to elevate this cinematic mess into something more respectable. But even their considerable talents – no doubt a casting choice aimed at providing a touch of class to a production unworthy of it – are not enough to salvage this woefully undercooked project. Please, do yourself a favor and don’t waste your time or money on this one.

Apr 27, 2025