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The Witch Poster

The Witch

Evil takes many forms.
2016 | 92m | English

(337987 votes)

TMDb IMDb

Popularity: 7 (history)

Director: Robert Eggers
Writer: Robert Eggers
Staring:
Details

In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member's faith, loyalty and love are tested in shocking ways.
Release Date: Feb 19, 2016
Director: Robert Eggers
Writer: Robert Eggers
Genres: Fantasy, Drama, Horror
Keywords magic, new hampshire, religion, new england, evil force, possession, woods, crying, praying, english colony, isolation, older woman seduces younger guy, puritan, witchcraft, folk horror, foreboding, witch, black magic, goat, false accusations, 17th century, callous
Production Companies Parts & Labor, RT Features, Rooks Nest Entertainment, Maiden Voyage Pictures, Pulse Films, Scythia Films, Code Red Productions, Mott Street Pictures, Very Special Projects
Box Office Revenue: $40,423,945
Budget: $4,000,000
Updates Updated: Aug 06, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Anya Taylor-Joy Thomasin
Ralph Ineson William
Kate Dickie Katherine
Harvey Scrimshaw Caleb
Ellie Grainger Mercy
Lucas Dawson Jonas
Julian Richings Governor
Bathsheba Garnett The Witch
Sarah Stephens The Witch, Young
Daniel Malik Black Phillip (voice)
Axtun Henry Dube Samuel
Athan Conrad Dube Samuel
Vivien Moore Lead Coven Witch
Karen Kaeja Coven Witch
Brandy Leary Coven Witch
R. Hope Terry Coven Witch
Carrie Eklund Coven Witch
Madlen Sopadzhiyan Coven Witch
Paul Kenworthy Militia Man 1
Mark Millmna Militia Man 2
Andy Volpe Militia Man 3
Phillip Wynne Wampanoag Man
Annawon Weeden Wampanoag Man
Michael O'Hare Pipe Smoker
Chris Messier Shepherd
Ron Young Old Slater
Nora Messier Shepherdess
Bill Rudder Settler
Grace Duffy Settler
Sophie Bermudez Settler
Corrine Manning Settler
Heather Huntington Stewart Chamber Pot Woman
Jeff Smith Nobelman (uncredited)
Name Job
Jarin Blaschke Director of Photography
Mark Korven Original Music Composer
Louise Ford Editor, Music Editor, Sound Editor
Craig Lathrop Production Design
John Buchan Casting
Jason Knight Casting
Dave Isern Steadicam Operator
Daniel McGraw Makeup Artist
Rosalie Chilelli Assistant Production Manager
Stephannie Hawkins Stunt Double
Vivien Moore Stunt Double
Robert Racki Stunt Coordinator
Carrie Eklund Stunts
Andrea Kristof Art Direction
Mary Kirkland Set Decoration
Linda Muir Costume Design
Chad S. Roberts Gaffer
Rafy Still Photographer
Luc Benning Special Effects Supervisor
Sarah Wormsbecher Visual Effects Producer
Geoff D.E. Scott Visual Effects Supervisor
Max MacDonald Special Effects Coordinator
Adam Stein Sound Designer
Christopher Guglick Sound Re-Recording Mixer
Jason Perreira Sound Re-Recording Mixer
Orest Sushko Sound Re-Recording Mixer
Traci Loader Key Makeup Artist, Stand In, Makeup Department Head
Scott Thom Construction Coordinator
Kate Grant Property Master
Andrew Redekop Set Designer
Wayne Griffin Dialogue Editor
Marilee Yorston Foley
Daniel Bros 3D Artist
Anthony De Chellis 3D Artist
Adam Hulbert 3D Artist
Damian Isherwood 3D Artist
Jacquelyn Racine Visual Effects Coordinator
Emily Switzer Visual Effects Coordinator
Nathaniel Larouche CG Supervisor
Brian Gedge Steadicam Operator
Greg Murray Dolly Grip
Tyler Emms Key Grip
Sherry Dayton ADR Voice Casting
Denise Fujiwara Choreographer
Jim Lovisek Animal Wrangler
Lori Roussell Script Supervisor
Regan Noble Wig Designer
Brian Campbell Unit Production Manager, Line Producer
Ashley Nay Assistant Hairstylist
Lydia Pensa Key Hairdresser
Philip Stilman Post Production Supervisor
Jennifer Haufler Assistant Director
Beau Ferris First Assistant Director
Jeff Brownell Second Assistant Director
Grant Boyle Third Assistant Director
Eric Bryson Stunt Coordinator
Steve Gagne Stunt Double
Kyle Borgogelli Grip
Mark Chapman Grip
Michael Swaigen Grip
Brandon Wei Driver
Jim Snell Transportation Captain
Frank Riso Driver
Sean Julian Driver
Jason Julian Driver
Carolyn Higo Driver
Darren Carruthers Driver
Andy Boyd Driver
Scott Clarke Transportation Coordinator
Phil C Cheney Production Assistant
Jackie Bowness Production Accountant
Diane Cox Catering
Francine Fayette Production Assistant
Madeleine F. Feldman Production Assistant
April Forward Production Assistant, Set Medic
Jody Gambino Production Assistant
Dan Kenkel Production Assistant
Sylvie LeClair Production Assistant
Sandra Lumlock Production Accountant
Keitha M. Redmond Production Coordinator
Jenny Smith Production Assistant
Debbie Shank Chef
Evan Watson Production Assistant
Douglas Brisebois Location Production Assistant
Morton Dorrell Location Manager
Evan Gregg Location Scout
Elmer Jones Location Manager
Alain Rochefort Location Scout
Sam Eggers Production Assistant
Jennifer Barbeau Extras Casting
Ehrling White Painter
Hector Vargas Painter
Marcelo Torres Painter
Michael Waram Carpenter
Glenn Short Carpenter
Marc Bouchard Carpenter
Katherine Eckler Stand In
Luca Hanes Stand In
Saint Michael Stand In
François Dagenais Prosthetics
Robert Eggers Writer, Director
Kharmel Cochrane Casting
Alex Scharfman Production Executive
Name Title
Lars Knudsen Producer
Rodrigo Teixeira Producer
Jay Van Hoy Producer
Chris Columbus Executive Producer
Alexandra Johnes Executive Producer
Jonathan Bronfman Executive Producer
Thomas Benski Executive Producer
Rosalie Chilelli Co-Producer
Lauren Haber Co-Producer
Daniel Bekerman Producer
Jodi Redmond Producer
Lourenço Sant'Anna Executive Producer
Michael Sackler Executive Producer
Julia Godzinskaya Executive Producer
Alex Sagalchik Executive Producer
Lucas Ochoa Executive Producer
Joel Burch Co-Producer
Mark Gingras Co-Executive Producer
Ethan Lazar Co-Executive Producer
Lon Molnar Co-Executive Producer
Eleanor Columbus Executive Producer
Sophie Mas Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 54 85 35
2024 5 63 103 47
2024 6 56 74 37
2024 7 59 94 36
2024 8 55 83 36
2024 9 45 66 33
2024 10 58 113 37
2024 11 62 103 42
2024 12 52 75 38
2025 1 75 107 57
2025 2 55 87 11
2025 3 16 53 3
2025 4 9 15 7
2025 5 9 11 7
2025 6 7 8 6
2025 7 7 8 6
2025 8 7 9 6

Trending Position


Year Month High Avg
2025 8 290 704
Year Month High Avg
2025 7 223 695
Year Month High Avg
2025 6 188 648
Year Month High Avg
2025 5 100 562
Year Month High Avg
2025 4 208 644
Year Month High Avg
2025 3 106 528
Year Month High Avg
2025 2 155 518
Year Month High Avg
2025 1 76 336
Year Month High Avg
2024 12 119 519
Year Month High Avg
2024 11 160 607
Year Month High Avg
2024 10 166 505
Year Month High Avg
2024 8 609 820

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Reviews

Rangan
8.0

> While an evil force slowly possessing them, the family bond is put on a test. The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest aft ... er denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested. Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings. It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement. A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups. 8/10

May 16, 2024
mattwilde123
8.0

This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times. The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. ... The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic. It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document. ★★★★

Jun 23, 2021
dalboz
8.0

Talk about old school! “The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Chris ... t” by 1600 years. As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie. This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end. That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are. “The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.

Jun 23, 2021
r96sk
8.0

<em>'The Witch'</em>, Robert Eggers' feature directorial debut, is very good! I enjoyed all of these 90 minutes, I could've watched it go on for a little longer in truth. I really liked the atmosphere throughout, as well as the look of the film. The dialogue is particularly excellent, too. Everyo ... ne on the cast gives a terrific performance, shown perfectly by that final scene with them all together onscreen. Harvey Scrimshaw is super convincing in the aforementioned, I was almost questioning if they had got an adult actor and morphed him into Caleb, such was his high performance. Ellie Grainger and Lucas Dawson are class in that scene too, one of the most unsettling moments in this is as their characters convulse on the floor - that sorta thing with kids always creeps me out. I've gone too far into my review to not note Anya Taylor-Joy, who is quality from beginning to end. Ralph Ineson and Kate Dickie merit props as well. I mentioned in my recent review of (the good) <em>'Nosferatu'</em> that I was unsure how this one was going to fare in my personal ranking of this director's work, given the stark contrast with my thoughts on <em>'The Lighthouse'</em> (4/10) and <em>'The Northman'</em> (9/10). In actuality, this falls a notch below the latter; not far off the same rating, fwiw. It'll be fascinating to see what Eggers conjures up next, as long as it is not another piece in the ilk of that from 2019 then I'll excited to check it out.

Jan 15, 2025