 
  Popularity: 5 (history)
| Director: | Martin Scorsese | 
|---|---|
| Writer: | Shūsaku Endō, Jay Cocks, Martin Scorsese | 
| Staring: | 
| In the 17th century, two Portuguese Jesuit priests travel to Japan in an attempt to locate their mentor, who is rumored to have committed apostasy, and to propagate Catholicism. | |
| Release Date: | Dec 23, 2016 | 
|---|---|
| Director: | Martin Scorsese | 
| Writer: | Shūsaku Endō, Jay Cocks, Martin Scorsese | 
| Genres: | Drama, History | 
| Keywords | christianity, japan, missionary, based on novel or book, remake, betrayal, torture, martyrdom, crisis of faith, portuguese, jesuits (society of jesus), 17th century, shogunate, religious persecution, religious icon, apostasy | 
| Production Companies | CatchPlay, EFO Films, Waypoint Entertainment, Cappa Defina Productions, Sikelia Productions, Fábrica de Cine, SharpSword Films | 
| Box Office | Revenue: $23,834,809 Budget: $46,000,000 | 
| Updates | Updated: Aug 09, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Andrew Garfield | Rodrigues | 
| Adam Driver | Garupe | 
| Liam Neeson | Ferreira | 
| Tadanobu Asano | Interpreter | 
| Ciarán Hinds | Father Valignano | 
| Issey Ogata | Old Samurai / Inoue | 
| Shinya Tsukamoto | Mokichi | 
| Yoshi Oida | Ichizo | 
| Yosuke Kubozuka | Kichijiro | 
| Kaoru Endō | Unzen Samurai (Uneme) | 
| Diego Calderón | Prisoner Augustinian Friar #2 | 
| Rafael Kading | Prisoner Augustinian Friar #1 | 
| Matthew Blake | Prisoner Franciscan Friar | 
| Benoit Masse | Prisoner Augustinian Friar #3 | 
| Tetsuya Igawa | Prisoner Japanese Jesuit | 
| Shi Liang | Chinese Businessman (Mr. Chun) | 
| Panta | Tomogi Villager #1 (Yohei) | 
| Takuya Matsunaga | Tomogi Villager #2 (Toukichi) | 
| Miho Harita | Ichizo's Wife (Tomi) | 
| Hairi Katagiri | Tomogi Woman (Tsune) | 
| Masayuki Yamada | Tomogi Husband (Kasuke) | 
| Michié | Tomogi Wife (Mitsu) | 
| Hiroko Isayama | Tomogi Village Woman (Hiro) | 
| Yutaka Mishima | Goto Man #1 (Kuro) | 
| Yasunari Takeshima | Goto Man #2 (Haku) | 
| Yuri Ishizaka | Kichijiro Sister at Stake (Tae) | 
| Ryo Sato | Kichijiro Sister #2 (Hisa) | 
| Ruo Satô | Kichijiro Father (Kichizo) | 
| Yoriko Doguchi | Kichijiro Mother (Naka) | 
| Kisetsu Fujiwara | Kichijiro Brother #2 (Kichita) | 
| Yasushi Takahashi | Tomogi Villager | 
| Sanjuro Kobayashi | Tomogi Villager | 
| Mangorô Satô | Tomogi Villager | 
| Keiko Morikawa | Tomogi Villager | 
| Jin Maki | Boatman | 
| Naoto Yokouchi | Goto Swimming Man | 
| Kansai Eto | Old Goto Man (Mosuke) | 
| Shun Sugata | Samurai Commander | 
| Kazuhiko Ozaki | Tomogi Hostage #3 (Yahachi) | 
| Nana Komatsu | Monica (Haru) | 
| Ryo Kase | Juan (Chokichi) | 
| Fumitaka Terai | Christian Prisoner (Tobei) | 
| Hako Ohshima | Christian Prisoner (Kiku) | 
| Hideki Nishioka | Christian Prisoner (Mataichi) | 
| Takahiro Fujita | Inoue's Attendant | 
| Senmaru | Nagasaki Juggler | 
| Ryô Fujiwara | Nagasaki Child | 
| Nobuaki Fukuda | Jeering Man | 
| Munetaka Aoki | Prison Guard #1 | 
| SABU | Samurai #1 | 
| Tetsu Watanabe | Prison Guard #2 | 
| Exile Akira | Prison Official | 
| Shunya Tajima | Samurai at Beach #1 | 
| Ryuki Kitaoka | Samurai at Beach #2 | 
| Hiroki Noguchi | Samurai in Boat | 
| Katsuo Nakamura | Old Buddhist Priest | 
| Yoshihiro Takayama | Large Man | 
| Shoji Miyata | Vendor's Cries (voice) | 
| Noriwo Mitsuda | Vendor's Cries (voice) | 
| Ayumu Saito | Prison Guard #3 | 
| Béla Baptiste | Dieter Albrecht | 
| Asuka Kurosawa | Rodrigues' Wife | 
| Motokatsu Suzuki | Edo Guard (uncredited) | 
| Yasushi Takada | Doshin (uncredited) | 
| Ten Miyazawa | Carpenter (uncredited) | 
| Name | Job | 
|---|---|
| Tim Monich | Dialect Coach | 
| Zoran Veselić | First Assistant Camera, First Assistant "A" Camera | 
| Thelma Schoonmaker | Editor | 
| Dante Ferretti | Production Design, Costume Design | 
| Shūsaku Endō | Novel | 
| Ping-Wen Wang | Production Office Assistant | 
| Huang Wen-Ying | Supervising Art Director | 
| Wang Zhicheng | Art Direction | 
| Francesca Lo Schiavo | Set Decoration | 
| Victor Paguia | Stunt Coordinator | 
| Rodrigo Prieto | Director of Photography | 
| Federico Costantini | Concept Artist | 
| Chris Navarro | ADR Mixer | 
| G.A. Aguilar | Second Unit, Second Unit Director, Stunt Coordinator | 
| Pablo Helman | Visual Effects Supervisor | 
| Alexander Eckert | Production Office Assistant | 
| Ellen Lewis | Casting | 
| Ding-Yang Weng | Art Direction | 
| Michael Tsung-Ying Yang | Art Direction | 
| Laura Calvo | Makeup Effects | 
| Noriko Watanabe | Makeup Department Head, Makeup Designer, Hair Designer | 
| Kelley Cribben | Post Production Supervisor | 
| Manu Gargi | Unit Production Manager | 
| Steve Lionetti | Production Supervisor | 
| Allison Niedermeier | Production Supervisor | 
| Diane L. Sabatini | Unit Production Manager | 
| Erica Wei Ju Chang | Set Designer | 
| Court Chu | Concept Artist, Conceptual Design | 
| Federico Constantini | Conceptual Design | 
| Benji Cox | Set Designer | 
| Domenico Reordino | Painter | 
| Wesley Ting | Greensman | 
| R. Bruce Steinheimer | Special Effects | 
| Daniel Gonzalez Solozabal | Compositors | 
| Weldon Huang | Visual Effects Coordinator | 
| Ricardo Rocca | Utility Stunts | 
| Colin Anderson | Camera Operator | 
| Ian Bird | Grip | 
| Kerry Brown | Still Photographer | 
| Karl Engeler | Gaffer | 
| Chris Hansford | Grip | 
| Lukasz Jogalla | Second Unit Director of Photography, Second Unit Cinematographer | 
| George Anton | Grip | 
| Sanjay Sami | Grip | 
| Joe Stick | Rigging Gaffer | 
| Basil Smith | First Assistant Camera | 
| Damian Wyvill | Camera Operator | 
| Susan Kulkarni | Assistant Costume Designer | 
| Jason Esquivel | Editorial Staff | 
| Thomas Kuo | Editorial Staff | 
| Ken Lebre | Editorial Staff | 
| Ito Chang | Location Manager | 
| Brendon 'Moose' Boyd | Transportation Captain | 
| Guiomar Alonso | Other | 
| Nadeem Ashayer | Set Production Assistant | 
| Michael Barnes | Legal Services | 
| Jami Chan | Production Coordinator | 
| Nick D'Benedetto | Legal Services, Actor's Assistant | 
| Anne Fader | Finance | 
| Harald Galinski | Finance | 
| Jessica Lichtner | Script Supervisor | 
| Kanehira Mitani | Set Production Assistant | 
| Brian Nitzkin | Legal Services | 
| Tanoa Parks | Production Controller | 
| Tony Smith | Security | 
| Eric W. Thompson | Legal Services | 
| James P. Warren | Other | 
| Ryan Doell | Visual Effects Coordinator | 
| Alexandra Fahey | Visual Effects Coordinator | 
| Philippe Majdalani | Digital Intermediate | 
| Chad Schermerhorn | Digital Intermediate | 
| Randall Poster | Music Supervisor | 
| John Schaefer | Music Supervisor | 
| Sean Findley | Visual Effects Producer | 
| Jason H. Snell | Visual Effects Supervisor | 
| Tom Fleischman | Sound Re-Recording Mixer | 
| Philip Stockton | Supervising Sound Editor | 
| Ellen Meng-Hsuan Lin | Makeup Artist | 
| David Nichols | Key Grip | 
| David Webb | Assistant Director | 
| Rachel Chen | Makeup & Hair | 
| Kerryn Flewell-Smith | Key Hair Stylist, Key Makeup Artist | 
| Giny Hung | Makeup Artist | 
| Jennifer Lamphee | Makeup & Hair | 
| Caleb Schneider | Special Effects Makeup Artist | 
| Richard Goodwin | Second Unit First Assistant Director | 
| Schiele Lee | Third Assistant Director | 
| Jeremy Marks | Second Assistant Director | 
| Josh Muzaffer | Second Second Assistant Director | 
| Francisco Ortiz | Second Assistant Director | 
| Chang Yu Pang | Third Assistant Director | 
| Trevor Tavares | Second Second Assistant Director | 
| Jill Beecher | Concept Artist | 
| W. Haley Ho | Set Designer | 
| Hogan Lee | Assistant Set Decoration | 
| Scott Brock | Associate Editor, Sound Effects Editor | 
| Marko Costanzo | Foley Artist | 
| Chris Fielder | Assistant Sound Editor | 
| Justin Frieden | ADR Coordinator | 
| Eugene Gearty | Sound Designer | 
| Frank Kern | Foley Supervisor | 
| Craig Kyllonen | First Assistant Sound Editor | 
| Marissa Littlefield | ADR Editor | 
| Branka Mrkic | Dialogue Editor | 
| Harry Platford | ADR Recordist | 
| Guntis Sics | Sound Mixer | 
| Steven Visscher | Foley Editor | 
| Craig Bauer | Second Assistant "A" Camera | 
| Jessica Chu | Assistant Camera | 
| Sebastien Deveze | Lighting Technician | 
| Ching-Tse Lee | First Assistant "B" Camera | 
| Massimo Luongo | Lighting Technician | 
| Ángel Gómez De La Torre | Stunt Double | 
| Kate Sprance | Casting Associate | 
| Jack Tung | Costume Supervisor | 
| Alex Gurvits | Assistant Editor | 
| Jennifer Dunnington | Music Editor | 
| Thierry Malet | Orchestrator | 
| Randall Balsmeyer | Title Designer | 
| Larry Kaplan | Unit Publicist | 
| Scott Keery | Property Master | 
| Lance Julian | Marine Coordinator | 
| Kathryn Kluge | Original Music Composer | 
| Kim Allen Kluge | Original Music Composer | 
| Jay Cocks | Screenplay | 
| Martin Scorsese | Screenplay, Director | 
| Chris Lyons | Special Effects Makeup Artist | 
| Daniel Adams | Stunt Double | 
| Name | Title | 
|---|---|
| Gastón Pavlovich | Producer | 
| Vittorio Cecchi Gori | Producer | 
| Barbara De Fina | Producer | 
| Randall Emmett | Producer | 
| Irwin Winkler | Producer | 
| Emma Tillinger Koskoff | Producer | 
| Len Blavatnik | Executive Producer | 
| George Furla | Executive Producer | 
| Wayne Marc Godfrey | Executive Producer | 
| Brent Ryan Green | Associate Producer | 
| Tarek Anthony Jabre | Co-Executive Producer | 
| Ken Kao | Executive Producer | 
| Chad A. Verdi | Executive Producer | 
| Brandt Andersen | Executive Producer | 
| Dale A. Brown | Executive Producer | 
| Ted Fox | Executive Producer | 
| Manu Gargi | Executive Producer | 
| Niels Juul | Executive Producer | 
| Matthew J. Malek | Executive Producer | 
| Mark D. Rogers | Associate Producer | 
| Diane L. Sabatini | Co-Producer | 
| Michelle Verdi | Executive Producer | 
| Tyler Zacharia | Executive Producer | 
| Stuart Ford | Executive Producer | 
| Martin Scorsese | Producer | 
| Dan Kao | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
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| 2024 | 4 | 125 | 347 | 53 | 
| 2024 | 5 | 352 | 480 | 290 | 
| 2024 | 6 | 200 | 354 | 77 | 
| 2024 | 7 | 60 | 137 | 23 | 
| 2024 | 8 | 26 | 45 | 16 | 
| 2024 | 9 | 26 | 42 | 15 | 
| 2024 | 10 | 25 | 57 | 16 | 
| 2024 | 11 | 21 | 38 | 14 | 
| 2024 | 12 | 27 | 49 | 16 | 
| 2025 | 1 | 39 | 70 | 22 | 
| 2025 | 2 | 25 | 40 | 4 | 
| 2025 | 3 | 7 | 25 | 2 | 
| 2025 | 4 | 5 | 8 | 2 | 
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| 2025 | 6 | 5 | 7 | 3 | 
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| 2025 | 10 | 388 | 646 | 
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| 2025 | 1 | 827 | 927 | 
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| 2024 | 11 | 998 | 998 | 
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| 2024 | 10 | 905 | 912 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 984 | 984 | 
**_Great filmmaking, cast and locations, but strangely inert (overlong) story_** Released in late 2016 and directed by Martin Scorsese based on the novel by Shûsaku Endô, "Silence" chronicles events in 1640 when two Jesuit priests (Andrew Garfield & Adam Driver) journey to Japan to check on the p ... ersecuted church and find out what happened to their mentor, whom it is rumored fell from the faith (Liam Neeson). Issei Ogata is on hand as the sadistic, but seemingly reasonable Japanese inquisitor. The Jesuits were a society of Catholic missionaries started in 1540 in response to the spreading evangelism of the Protestant reformers. They were an essential part of the Roman counter-Reformation. With this in mind, the seeming Christianity portrayed in the movie is decidedly Catholic in nature, with the requisite unbiblical stuff, like confessions to priests, icons, rosary beads, etc. In tone and theme, "Silence" is reminiscent of movies like the excellent "Black Robe" (1991), the solid "The Mission" (1986) and the surprisingly great "Black Death" (see my review). There are also elements of "The Bridge on the River Kwai" (1957). If you appreciate any of these films you might appreciate "Silence," but it didn't work for me. Sure, Scorsese is a great auteur and so the filmmaking is top-of-the-line – the cinematography, the cast, the costuming, locations and score. Unfortunately, the story's not compelling and I never connected with the main character, despite Garfield's quality performance. There's some worthy mindfood (or spiritfood) to glean from the proceedings, however, like: Why does God allow the excruciating persecution of His faithful? Why is He silent? IS He silent? Can a believer be restored after cowardly denying the Lord in the face of torture/death? Can a Christian hide their faith while living in a thoroughly hostile culture? But I didn't buy for a second that the Japanese couldn't conceive of a Deity that transcends physical nature, like the sun, sea or mountain. While the idea may have been alien to their communal mindset at the time, it's absurd to think that no individual man or woman could discern the obvious (see Psalm 19:1 & Romans 1:20). Although I'm sorta glad I saw it, "Silence" is curiously dull and overlong; and so I never care to see it again. There are far superior movies that tackle similar topics. Those who give it the highest possible rating must be fanatical devotees of Scorsese. The movie runs 161 minutes and was shot in Taiwan and the Cathedral Of Saint Paul In Macau, China. GRADE: C-