Popularity: 39 (history)
| Director: | Adam B. Stein, Zach Lipovsky |
|---|---|
| Writer: | Jon Watts, Guy Busick, Lori Evans Taylor |
| Staring: |
| Plagued by a violent recurring nightmare, college student Stefanie heads home to track down the one person who might be able to break the cycle and save her family from the grisly demise that inevitably awaits them all. | |
| Release Date: | May 14, 2025 |
|---|---|
| Director: | Adam B. Stein, Zach Lipovsky |
| Writer: | Jon Watts, Guy Busick, Lori Evans Taylor |
| Genres: | Horror, Mystery |
| Keywords | restaurant, sequel, premonition, gore, fate, family, death, near-death experience, 1960s, cheating death, supernatural horror, dramatic, horror, teen scream |
| Production Companies | New Line Cinema, Practical Pictures, Domain Entertainment, Freshman Year, Fireside Films |
| Box Office |
Revenue: $285,330,814
Budget: $50,000,000 |
| Updates |
Updated: Aug 12, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Kaitlyn Santa Juana | Stefani Reyes |
| Teo Briones | Charlie Reyes |
| Rya Kihlstedt | Darlene Campbell |
| Richard Harmon | Erik |
| Owen Patrick Joyner | Bobby |
| Anna Lore | Julia |
| Alex Zahara | Uncle Howard |
| April Telek | Aunt Brenda |
| Andrew Tinpo Lee | Marty Reyes |
| Tony Todd | William John Bludworth |
| Brec Bassinger | Iris (1960's) |
| Gabrielle Rose | Iris (Present Day) |
| Max Lloyd-Jones | Paul Campbell |
| Brenna Llewellyn | Val |
| Natasha Burnett | Evie - Sky View Female Singer |
| Jayden Oniah | Little Boy |
| Mark Brandon | Mr. Fuller |
| Yvette Ferguson | Mrs. Fuller |
| Garfield Wilson | Chuck - Sky View Male Singer |
| Justin Stone | Sky View Bartender |
| Bernard Cuffling | Sky View Maitre D' |
| Travis Turner | Elevator Op |
| Noah Bromley | Sky View Penny Kid |
| Ardy Ramezani | Photographer |
| Panou | Plaza Security Guard |
| Robbie Segulam | Sky Deck Security Guard |
| Megan Hui | Sky Deck Hat Lady |
| Janelle Beadall | Tara |
| Kwesi Ameyaw | Professor Leo |
| Troy Mclaughlin | Chaplain |
| Kim Kondrashoff | Tattoo Boss |
| Tanya Gaudreault | Tattoo Piercing Customer |
| Nikolai Witschl | Morgue Worker |
| Jeanie Cloutier | Suspicious Female Doctor |
| Ethel Pitchford | Penny Lady |
| Sophia Chapdelaine | Jenny |
| Luke Alfred Bateman | Soccer Kid |
| Matty Finochio | Dr. Reddick |
| Shawn C. Orr | Mo, the Garbage Truck Driver |
| Name | Job |
|---|---|
| Jeffrey Reddick | Characters |
| Jon Watts | Story |
| Adam B. Stein | Director |
| Guy Busick | Screenplay, Story |
| Sabrina Pitre | Editor |
| Christian Sebaldt | Director of Photography |
| Rachel O'Toole | Production Design |
| Tim Wynn | Original Music Composer |
| Nordin Rahhali | Visual Effects Supervisor |
| Rich Delia | Casting |
| Alice S. Kim | Production Supervisor |
| Bliss McDonald | Production Manager |
| Stephen Chan | Visual Effects Supervisor |
| Raphaël Gaudin | Visual Effects Supervisor |
| Adam Lagattuta | Visual Effects Producer |
| Morgan Beggs | First Assistant Director |
| Carl Mason | First Assistant Director |
| Aimee Scott | Second Assistant Director |
| Timothy Paul Coderre | Third Assistant Director |
| Amanda Petura | Third Assistant Director |
| Philip Nee Nee | Second Unit First Assistant Director |
| Emely Martin | Second Unit First Assistant Director |
| Scott Aitken | Production Sound Mixer |
| Jeremy Peirson | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer |
| Thomas Jones | Supervising Sound Editor |
| Jonathan Wales | Sound Re-Recording Mixer |
| Simon Burnett | Stunt Coordinator, Stunts |
| Jon Kralt | Stunt Coordinator |
| Sean Rooney | Gaffer |
| Mia Bolton | Third Assistant Director |
| Dominic Dobrzensky | Assistant Director Trainee |
| Gary Hawes | Second Unit Director |
| Mackenzie McElligott | Assistant Director Trainee |
| Natasha Stoesz | Art Direction |
| Benjamin Mullen | Set Decoration |
| Michelle Hunter | Costume Design |
| Zach Lipovsky | Director |
| Mark Dennison | Online Editor |
| Liz Calandrello | Additional Editing |
| Ashley McCloud | Assistant Editor |
| Stuart Sperling | Assistant Editor |
| Wil Parrott | Key Grip |
| Eric Milner | Still Photographer |
| Grace Loeppky | Dolly Grip |
| John Kuchera | Key Grip |
| Braden Haggerty | Underwater Camera |
| Tara Mews | Production Coordinator |
| Rebeca Nunes De Angeli | Set Designer |
| Justin Neenan | Set Designer |
| Janette Rhee | Set Designer |
| Jennifer Yee | Set Designer |
| David Siegel | Unit Production Manager |
| Cindy Smith | Unit Manager |
| Christopher Mark Pinhey | Makeup Department Head |
| Todd Masters | Makeup Designer |
| Tommy Clarke | Stunts |
| Jennifer Clarke | Stunts |
| Guy Bews | Stunts |
| Milena Brewster | Stunts |
| Mike Desabrais | Stunts |
| Crystal Dalman | Stunts |
| Don Lew | Stunts |
| Chad Sayn | Stunts |
| Owen Walstrom | Stunts |
| Chris Webb | Stunts |
| Megan Hui | Stunts |
| Lisa Chandler | Stunts |
| Brittany Spiteri | Stunt Double |
| Wyatt Cameron | Stunts |
| Janene Carleton | Stunts |
| Holly Raczynski | Stunts |
| Gael Mackie | Stunts |
| Mitra Suri | Stunts |
| Kailey Hyman | Stunts |
| Matt Kennedy | Stunt Double |
| Sonia Levesque | Set Decoration Buyer |
| Shannon Grover | Supervising Art Director |
| Fraser Hagen | Assistant Art Director |
| Darin van Veen | Assistant Art Director |
| Dean Heselden | "A" Camera Operator |
| John Davidson | "B" Camera Operator |
| Phil Barrie | Sound Effects Editor |
| Joe Dzuban | Sound Effects Editor |
| Jeff Sawyer | Sound Effects Editor |
| Jessie Pariseau | Foley Supervisor |
| Sarah Bourgeois | First Assistant Sound Editor |
| Goro Koyama | Foley Artist |
| Kevin Schultz | Foley Mixer |
| Kevin Jung | Foley Recordist |
| Colton Maddigan | Foley Recordist |
| Jason Elgar | Lighting Technician |
| Robin Hall | Lighting Technician |
| Morgan Larson | Lighting Technician |
| Thomas Martens | Lighting Technician |
| Tony Richardson | Lighting Technician |
| Isabel Boschi | Set Decoration Buyer |
| Ingrid Burgstaller | Set Decoration Buyer |
| Sergio Lavilla | Set Decoration Buyer |
| Oliver Zentner | Set Decoration Buyer |
| Lucas Alzu | Set Dresser |
| Erik-Kristian Canas-Petersen | Set Dresser |
| Andrew Hallman | Set Dresser |
| Victor Martinez Aja | Set Dresser |
| Cameron Meyer | Set Dresser |
| Jordan Andrews | Set Dresser |
| Savina Chen | Set Dresser |
| Kruno Malnar | Set Dresser |
| Kevin McBeath | Set Dresser |
| Nikola Vlajic | Set Dresser |
| Jeff Bailey | Set Dresser |
| Michael Foulds | Set Dresser |
| Jojo Manders | Set Dresser |
| Ali Mehaidle | Set Dresser |
| Dorothee Deichmann | Key Makeup Artist |
| Gitte Axen | Makeup Artist |
| Amber Crombach | Makeup Artist |
| Brittany Isaacs | Makeup Artist |
| Krista Seller | Makeup Artist |
| Bev Wright | Makeup Artist |
| Sandy Lindala | Makeup Effects |
| Mike Fields | Key Makeup Artist |
| Ashley Forshaw | Key Makeup Artist |
| Julie McHaffie | Hair Department Head |
| Diane Holme | Key Hair Stylist |
| Susan Boyd | Hairstylist |
| Katherine McCown | Casting Associate |
| Heather McGowan | Casting Associate |
| Ryan Bilodeau | Special Effects Technician |
| Tom Blacklock Jr. | Special Effects Technician |
| Jeremy Duncan | Special Effects Technician |
| James Kozier | Special Effects Technician |
| Curt Storms | Special Effects Technician |
| Kevin Wakahara | Special Effects Technician |
| Stirling Bancroft | Second Unit Director of Photography |
| Andrew Coppin | "A" Camera Operator |
| Tenzin Lhalungpa | "B" Camera Operator |
| Kris Jensen | Lighting Technician |
| Kristian Bailey | Sound Mixer |
| Sharon Markell | Hair Department Head |
| Sofia Phillips | Makeup Department Head |
| Tony Todd | In Memory Of |
| Lori Evans Taylor | Screenplay, Story |
| Name | Title |
|---|---|
| Jon Watts | Producer |
| Sheila Hanahan Taylor | Producer |
| Craig Perry | Producer |
| Anthony Tittanegro | Executive Producer |
| Andrew Lary | Executive Producer |
| Pete Chiappetta | Executive Producer |
| David Siegel | Executive Producer |
| Richard Brener | Executive Producer |
| Alice S. Kim | Co-Producer |
| Bliss McDonald | Co-Producer |
| Chris Pan | Executive Producer |
| Warren Zide | Executive Producer |
| Dave Neustadter | Executive Producer |
| Toby Emmerich | Producer |
| Dianne McGunigle | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 15 | 18 | 11 |
| 2024 | 5 | 18 | 24 | 11 |
| 2024 | 6 | 16 | 27 | 9 |
| 2024 | 7 | 22 | 44 | 11 |
| 2024 | 8 | 17 | 27 | 11 |
| 2024 | 9 | 20 | 35 | 9 |
| 2024 | 10 | 20 | 29 | 12 |
| 2024 | 11 | 17 | 24 | 13 |
| 2024 | 12 | 23 | 33 | 14 |
| 2025 | 1 | 34 | 46 | 18 |
| 2025 | 2 | 72 | 129 | 10 |
| 2025 | 3 | 21 | 72 | 0 |
| 2025 | 4 | 28 | 42 | 22 |
| 2025 | 5 | 274 | 551 | 43 |
| 2025 | 6 | 620 | 1205 | 220 |
| 2025 | 7 | 271 | 578 | 169 |
| 2025 | 8 | 112 | 169 | 80 |
| 2025 | 9 | 65 | 82 | 54 |
| 2025 | 10 | 46 | 54 | 39 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 56 | 140 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 31 | 93 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 12 | 33 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 9 | 23 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 1 | 8 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 1 | 9 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 18 | 125 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 2 | 357 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 14 | 356 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 560 | 853 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 217 | 695 |
Imagine if your room-mate kept getting recurring nightmares that she was going to find herself impaled on a rusty bit of iron after falling from a collapsed revolving restaurant hundreds of feet in the air? Yep - I’d probably just quietly put a pillow over her head one night, too. Luckily, “Stefani” ... (Kaitlyn Santa Reyes) gets to go home and try to get to the bottom of things. When she mentions this to her family, it turns out that the dream has it’s roots in fact and that is all comes down to whacky grandma “Iris” (Gabrielle Rose) who lives in a remote location that wouldn’t have looked out of place in a “Mad Max” movie and who has her own theory about just what happened on that very night, fifty years ago, and about death. As with the other “Final Destination” series, death is much more of an animate object with a plan, a scheme and boy does it not like it when a plan doesn’t come together. Pretty swiftly, the young lass concludes that over the intervening years the grim reaper has been settling scores and now it is the turn of her family. They all think she’s bonkers, but when their attitudinal cousin “Erik” (Richard Harmon) finds himself having an exceptionally narrow escape, they begin to sit up and take notice. Thing is, though, do they seriously think they can thwart the original man with the scythe? You know that expression about a moth fluttering it’s wings by the Amazon and there being an tsunami in Sri Lanka? Well some of the deathly cause and effect scenarios here are just as entertainingly far fetched as we learn to appreciate the terrors of some otherwise benign garden implements, a nose-ring and a rusty old weathervane - to name but a few instruments - that can be used to facilitate our always brutal and gory journey to the hereafter. The disasters-in-waiting are all fairly visually teed up for us, so we can anticipate the grizzle before it inevitably occurs - but what we can’t always do is anticipate just how these incidents will pan out. Death may have a plan, but it’s an adaptable one and as the family start to dwindle in typically slasher-horror fashion we are able to pick out favourites (mine was the annoying “Aunt Brenda” (April Talek)) and hope that they might be next! This is enjoyable stuff that needs to be watched in the spirit intended. No, the script isn’t up to much nor are any of the standard acting performances from the Blumhouse book of scream then run before making implausible decisions and ending up - well you know how that usually pans out. Aim low and be prepared to be entertained, and though overlong, this ought to make you giggle and cringe a little.
<em>'Final Destination Bloodlines'</em> is unexpectedly terrific. I watched the original five movies two months ago and highly enjoyed the first flick, though the subsequent follow-ups weren't the best (though I did like <em>'Final Destination 5'</em>). This is the best sequel, no doubt. What I w ... anted going in was mindless fun and cool deaths. For me, it ticked both of those boxes with full conviction. I think I gained entertainment from every offing, which is pleasing. They are very nicely done, rather creative too. I'm sure the plot has holes, but honestly... <a href="https://youtu.be/RsYi2VH2y6U?si=EYdGbleQqyzUPFt6&t=2" rel="nofollow"><i>"we don't care"</i></a>. The cast are all pleasing, there isn't anyone who blew me away or anything but I did really enjoy those onscreen here. Kaitlyn Santa Juana is the standout, but Gabrielle Rose, Richard Harmon and the rest (I see you, Teo Briones of <em>'Chucky'</em>) are all good value. The special effects are satisfying, as well. I will state that the film is possibly more funny than I think it intends to be, which isn't a bad thing whatsoever for me but I did sense it wasn't quite intending to be as amusing as it is in parts; even if they are, of course, going for laughs still. Maybe I'm wrong. All's well that ends well, either way. I'd rank this higher than the original. There isn't much in it, but this does narrowly outdo that one in my opinion. Kudos to all involved, because this release could've easily went down like a lead balloon (that sounds like a plot for one of these films; I want compo if that's what FD7 turns out to be, New Line Cinema).
Best final destination movie yet. It's unpredictable, tense and beautifully shot. Also love that they included Mortal Kombat 1 gameplay and had a cameo for Kitana showing off her fatal blow and gameplay. Awesome way to show and reference Mortal Kombat and the character of Kitana. ...
Frankly I'm amazed at the glowing reviews. Whilst "Final Destination: Bloodlines", isn't a bad film, its not without its shortcomings. On the upside acting is competent, the story-line predictable but polished, with believable, relatable, characterisations. There's also a competently handled dos ... e of sixties nostalgia, that taps into the kinds of fears anyone who has eaten at a revolving restaurant, perched atop a tall tower, might entertain. Having eaten at two, one in Hong Kong and another in China, myself, this felt familiar and did make me chuckle (nervously). Where I believe, this film falls down, is it could have crafted, cunningly clever kills, without the need to make them gratuitous. I found this aspect of the film, off putting and I probably wont watch another, for this reason. Its cheap, tasteless, sensationalist and frankly, unnecessarily degrades, what otherwise, could have been an eerily entertaining experience. In summary, a lot to like but the heavy handed, gratuitously cruel, cringe worthy, death scenes, for me, detracted from the enjoyment of this film.
This was creative, gory, hilarious, and an eminently appropriate swan song for horror legend and scream king Tony Todd. (As no FD film would be complete without Bludworth taking a moment to philosophize malevolently about death.) This iteration nails everything, from the tremendous opening sequen ... ce to the gory, creative, often hilarious death sequences, and sprinkles in a few other cameos you may recognize if you're familiar with the series. It also throws a few curve balls to keep things interesting, and I definitely wasn't expecting the soundtrack to contain banger after banger nor for the jokes to land so well, but the writers knocked it out of the park. The only downer is that Tony Todd is clearly in his last days, and if you're a horror fan, that was tough to see. I'm just glad he got to do what he loved until the very end. Forget Disney. Forget Mission Impossible 3. Go see Final Destination: Bloodlines and actually have some fun instead.
Bro, what was that?! 😂 Everything was chill as long as the girl thought she had cheated death, but the moment she found out she actually didn’t — boom, full chaos mode activated! 💀🔥 ...
nice, excellent like all other parts ...
Was pretty good. Enjoyed it. ...
Solid and darkly entertaining horror-thriller that is fun from start to finish. Some gnarly death scenes and decent effects in addition to decent enough performances. **3.75/5** ...
**Boring and stupid** Lame and lazy plot, without and logic or direction people keep making stupid choices and die with unnecessary gore. That’s the summary of this stupid movie. The characters were so stupid, that actually I was rooting for the so called ‘death’. This is not even worth for ... lazy day movie. Save your energy and brain for something else.