Popularity: 8 (history)
| Director: | Jaume Collet-Serra |
|---|---|
| Writer: | Sam Stefanak |
| Staring: |
| In the aftermath of her husband's death, widow Ramona's struggle to raise her two kids is hindered by the arrival of a mysterious woman with supernatural abilities. | |
| Release Date: | Mar 27, 2025 |
|---|---|
| Director: | Jaume Collet-Serra |
| Writer: | Sam Stefanak |
| Genres: | Horror, Mystery |
| Keywords | widow, car accident, single mother, family, death, death of husband, isolated farmhouse, supernatural horror, suspense, psychological horror, horror, frightened |
| Production Companies | Universal Pictures, Blumhouse Productions, Homegrown Pictures |
| Box Office |
Revenue: $23,311,502
Budget: $12,000,000 |
| Updates |
Updated: Sep 28, 2025 Entered: Feb 15, 2025 |
| Name | Character |
|---|---|
| Danielle Deadwyler | Ramona |
| Okwui Okpokwasili | Woman |
| Peyton Jackson | Taylor |
| Estella Kahiha | Annie |
| Russell Hornsby | David |
| Chad Pitter | Taylor (Adult) |
| Name | Job |
|---|---|
| Sam Stefanak | Writer |
| Ally Conover | Casting |
| Dwjuan F. Fox | Line Producer |
| Timothy Alverson | Editor |
| Araxi Lindsey | Hair Department Head |
| James Moran | First Assistant Director |
| Tristan Kharvari McClain | Epk Producer |
| Wright McFarland | Art Direction |
| Pawel Pogorzelski | Director of Photography |
| Mylan Dockery | Production Supervisor |
| Meaghan F. McLaughlin | Second Assistant Director |
| Brett Murray | Sound Mixer |
| Jaume Collet-Serra | Director |
| Terri Taylor | Casting |
| Marc Fisichella | Production Design |
| Krisztian Majdik | Editor |
| Denise Tunnell | Makeup Department Head |
| Esraa Darwish | Second Second Assistant Director |
| Jennifer Carriere | Script Supervisor |
| Dan Gamache | Sound Re-Recording Mixer |
| Vincent Gandolfi | Grip |
| Eddie L. Watkins | Stunt Coordinator |
| Hailey Trifiro | Special Effects Makeup Artist |
| Tim James | Stunts |
| Sakeitha King | Key Hair Stylist |
| Michael Aj Dzenowagis | Special Effects Technician |
| Brittany Fottrell | Post Production Coordinator |
| Lorne Balfe | Original Music Composer |
| Claire Sanchez | Set Decoration |
| Janice Tunnell | Key Makeup Artist |
| Natasha Arellano | Makeup Artist |
| Roxy Dyson | Set Decoration Buyer |
| Bradley J Burnham | Set Designer |
| Chelsey Staggs | Set Decoration Buyer |
| Stefan Fraticelli | Foley Artist |
| Justin Helle | Foley Editor |
| Darren Maynard | Sound Effects Editor |
| Ethan Van der Ryn | Supervising Sound Editor |
| Erik Aadahl | Supervising Sound Editor |
| Drew Frazier | Gaffer |
| Bodie Orman | "A" Camera Operator |
| Satchel Buck Jones | Casting Associate |
| Michael Riley | Main Title Designer |
| Taylor Berry | Producer's Assistant |
| Camiel Van Den Brink | Producer's Assistant |
| Derek Larsen | Additional Editor |
| Name | Title |
|---|---|
| Stephanie Allain | Producer |
| Jaume Collet-Serra | Executive Producer |
| Dwjuan F. Fox | Co-Producer |
| Gabrielle Ebron | Executive Producer |
| Jason Blum | Producer |
| Danielle Deadwyler | Executive Producer |
| James Moran | Executive Producer |
| Jazmyn Tanski | Co-Producer |
| Jungyoon Kim | Associate Producer |
| Scott Greenberg | Executive Producer |
| Haley Pigman | Associate Producer |
| Jennifer Scudder Trent | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 2 | 1 |
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 3 | 5 | 2 |
| 2024 | 7 | 4 | 11 | 1 |
| 2024 | 8 | 3 | 5 | 2 |
| 2024 | 9 | 3 | 5 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 2 | 6 | 1 |
| 2024 | 12 | 2 | 4 | 1 |
| 2025 | 1 | 7 | 19 | 2 |
| 2025 | 2 | 5 | 9 | 1 |
| 2025 | 3 | 9 | 29 | 1 |
| 2025 | 4 | 102 | 291 | 8 |
| 2025 | 5 | 55 | 95 | 33 |
| 2025 | 6 | 29 | 40 | 24 |
| 2025 | 7 | 17 | 25 | 11 |
| 2025 | 8 | 9 | 12 | 8 |
| 2025 | 9 | 7 | 9 | 6 |
| 2025 | 10 | 8 | 10 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 285 | 713 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 81 | 529 |
| Year | Month | High | Avg |
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| 2025 | 8 | 265 | 645 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 83 | 467 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 10 | 262 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 19 | 219 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 3 | 111 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 28 | 343 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 566 | 684 |
“Ramona” (Danielle Deadwyler) is hobbling around their remote rural home with her two, bored, kids “Taylor” (Payton Jackson) and “Annie” (Estella Kahiha) when they espy a woman, clad in black, sitting on a chair on the edge of their property. “Ramona” goes out to investigate and returns somewhat spo ... oked. She locks them all in, but the disappearance of their yapping dog “Charlie” and lots of dark shadows cast across their house as their enigmatic visitor seems to get ever closer, sees the family get more and more nervous as home truths start to emerge and we learn just why she has her leg in a brace. This has a few moments of menace to it, especially as the lighting and the audio are used to quite good effect towards the end, but the remainder of this is missing too many elements to the story to make it very compelling. Nobody’s acting is up to much and the writing delivers dialogue and repetitious scenarios that struggle to stretch this short story out for ninety minutes. Nothing very new, here, sorry.
<em>'The Woman in the Yard'</em> has a metaphor for all to see, though fails to craft anything else of note. For such a short movie (not even 90 mins), this noticeably dragged for me. It gets a little interesting towards the end, but even then doesn't make up for the meandering set-up. Danielle D ... eadwyler is a decent lead, I can't say this'll stay at the front of my memory when thinking of her filmography though; <em>'The Piano Lesson'</em> remains the one, so far. As usual when a film falls flat in most departments, I don't hold any blame with the cast anyway. Most of the 'scares' come via cheap jumps, rather than anything truly uncomfortable. In fairness, there is one unsettling scene at the death but that's all I've got in terms of praise. With just one location and a few characters, greater writing and visuals were needed - for me, at least.