Popularity: 23 (history)
Director: | Kelly Marcel |
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Writer: | Kelly Marcel, Tom Hardy |
Staring: |
Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie's last dance. | |
Release Date: | Oct 22, 2024 |
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Director: | Kelly Marcel |
Writer: | Kelly Marcel, Tom Hardy |
Genres: | Adventure, Action, Science Fiction |
Keywords | hero, anti hero, villain, alien life-form, sequel, superhero, based on comic, aftercreditsstinger, woman director, angry, amused, indifferent, sony's spider-man universe |
Production Companies | Columbia Pictures, Arad Productions, Matt Tolmach Productions, Pascal Pictures, Hutch Parker Entertainment |
Box Office |
Revenue: $478,937,618
Budget: $120,000,000 |
Updates |
Updated: Aug 18, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Tom Hardy | Eddie Brock / Venom |
Chiwetel Ejiofor | Strickland |
Juno Temple | Dr. Teddy Paine |
Rhys Ifans | Martin |
Stephen Graham | Detective Mulligan |
Peggy Lu | Mrs. Chen |
Clark Backo | Sadie |
Alanna Ubach | Nova |
Cristo Fernández | Barman |
Jared Abrahamson | Captain Forrest |
Hala Finley | Echo |
Dash McCloud | Leaf |
Andy Serkis | Knull (voice) |
Reid Scott | Dr. Dan Lewis |
Jack Brady | Jim - Security |
Ivo Nandi | Javier |
Jake Allyn | Las Vegas Security Guard |
Otis Winston | Donald the Security Guard |
Jacob Tomuri | Tuxedo Guy |
Brooke Carter | Young Paine |
Fflyn Edwards | Thaddeus |
Elijah Isaiah Cook | Area 51 Soldier |
Norma Butikofer | Woman on Plane |
Elizabeth Cook | Keli Reule |
Martin McDougall | The General |
Angie Hsu | Army Medic |
Jade Nicholson-Lamb | Lab Tech (uncredited) |
Name | Job |
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Christina Petrou | Stunt Double |
Scott Edelstein | Visual Effects Supervisor |
Simone Coco | Visual Effects Supervisor |
Mathew Cowie | Animation Supervisor |
Kiel Figgins | Animation Supervisor |
Shawn Kelly | Animation Supervisor |
Lauren F. Ellis | Executive Visual Effects Producer |
Louise Hussey | Executive Visual Effects Producer |
Sophie Dawes | Visual Effects Producer |
Ben Snow | Visual Effects Supervisor |
Daniel Orlandi | Costume Design |
Mark Sanger | Editor |
Luke Tumber | Stunt Coordinator |
Chloë Pyne | Key Makeup Artist |
Andrea Cracknell | Hairstylist, Makeup Artist |
Yusuf Chaudhri | Stunts |
Chris Rosewarne | Concept Artist |
John Moffatt | Visual Effects Supervisor |
Aharon Bourland | Visual Effects Supervisor |
Greg Baxter | Visual Effects Producer |
Dan Deacon | Original Music Composer |
Andrew Palmer | Supervising Art Director |
Sean Haworth | Production Design |
Chris Lowe | Production Design |
Todd McFarlane | Characters |
David Michelinie | Characters |
Kelly Marcel | Director, Screenplay, Story |
Tom Hardy | Story |
Fabian Wagner | Director of Photography |
Jacob Tomuri | Stunt Coordinator |
George Kirby | Fight Choreographer, Stunt Double |
Eric Kasanowski | Compositing Supervisor |
Tom Symes | Standby Carpenter |
Lucy Eyre | Set Decoration |
Drew Verderame | Key Grip |
Andy Woodcock | Key Grip |
Scott Chase | Grip |
Anthony DeFrancesco | First Assistant Camera |
Jerry D. Knight | Lighting Technician |
Jonny Franklin | Gaffer |
Alberto García Casado | Electrician |
Arron Monkman | First Assistant Camera |
Junior Agyeman Owusu | Steadicam Operator |
Mitchell Payne | First Assistant Camera |
Joseph Ruiz | Dolly Grip |
William Sheffield | Best Boy Electric |
Agnieszka Szeliga | Camera Operator |
Lacey Terrell | Still Photographer |
Christopher TJ McGuire | Camera Operator |
Miriam Ouchi | Second Assistant Camera |
Anna Koronkiewicz | First Assistant Editor |
Jonny Winograd | First Assistant Editor |
Phil Barrie | Sound Effects Editor |
Ryan Collins | Sound Effects Editor |
Andrew DeCristofaro | Supervising Sound Editor |
David Werntz | Sound Effects Editor |
Matthew Thomas Hall | Sound Designer |
Monique Dulieu | Assistant Director |
Michael B. Koff | Production Sound Mixer |
Tom Edmondson | Second Unit First Assistant Director |
K.C. Hodenfield | First Assistant Director |
Dan Ciprian | Set Dresser |
Keith Morrison | Second Assistant Sound |
Kyle Cooper | Main Title Designer |
Name | Title |
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Joseph M. Caracciolo Jr. | Executive Producer |
Tom Hardy | Producer |
Avi Arad | Producer |
Kelly Marcel | Producer |
Matt Tolmach | Producer |
Hutch Parker | Producer |
Amy Pascal | Producer |
Ethan Duffy | Co-Producer |
K.C. Hodenfield | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 33 | 39 | 28 |
2024 | 5 | 43 | 61 | 31 |
2024 | 6 | 153 | 287 | 38 |
2024 | 7 | 132 | 172 | 107 |
2024 | 8 | 136 | 185 | 111 |
2024 | 9 | 230 | 349 | 107 |
2024 | 10 | 1058 | 7523 | 237 |
2024 | 11 | 3892 | 6160 | 2696 |
2024 | 12 | 6644 | 16024 | 2771 |
2025 | 1 | 2165 | 3569 | 956 |
2025 | 2 | 834 | 1311 | 153 |
2025 | 3 | 230 | 931 | 4 |
2025 | 4 | 78 | 88 | 66 |
2025 | 5 | 55 | 70 | 48 |
2025 | 6 | 47 | 55 | 39 |
2025 | 7 | 33 | 39 | 30 |
2025 | 8 | 30 | 36 | 27 |
2025 | 9 | 30 | 40 | 23 |
2025 | 10 | 23 | 26 | 22 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 164 | 543 |
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2025 | 9 | 103 | 339 |
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2025 | 8 | 63 | 301 |
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2025 | 7 | 85 | 292 |
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2025 | 6 | 56 | 247 |
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2025 | 5 | 40 | 152 |
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2025 | 4 | 46 | 134 |
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2025 | 3 | 17 | 75 |
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2025 | 2 | 19 | 48 |
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2025 | 1 | 4 | 17 |
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2024 | 12 | 1 | 9 |
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2024 | 11 | 2 | 16 |
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2024 | 10 | 1 | 104 |
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2024 | 9 | 15 | 50 |
Year | Month | High | Avg |
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2024 | 8 | 123 | 255 |
A solid enough send off for this <em>'Venom'</em> trilogy. <em>'Venom: The Last Dance'</em> is decently amusing and produces enough entertainment with its plot. I didn't personally find it overly funny, though the person a few seats across from me had an absolute blast - never a bad thing seeing ... people enjoy themselves! Tom Hardy remains the key element of these films, they would be far less enjoyable without his presence. There's a nice montage of sorts towards the end, it admittedly didn't 'hit' all that much for me but I imagine it's effective for proper fans of the series. Rhys Ifans and Chiwetel Ejiofor stick out most from the other characters.
The other two at the very least were enjoyable. This one, not so much. The villian is forced, the movie feels so chopped up, there's no threat because the creatures and Eddie both just heal each other. It had bad dialogue for some scenes, and a weird sub plot about shoes. Oh, and also, one of ... Eddie's flashbacks he wasn't even there for.
Perhaps this was just one sequel too many as the story here is really rather thin, but there's still enough chemistry between "Eddie" (Tom Hardy) and his eponymous symbion to raise a smile or two. This time it's not just the pursuing human population that's a problem for them, but there are creature ... s from the homeworld of "Venom" homing in on their unique "codex" so that they can help free their leader from incarceration to wreak havoc on the universe. Along the way, they encounter the hippie "Martin" (Rhys Ifans) and his family and cadge a lift in their VW camper-van whilst offering a fairly tuneless rendition of some David Bowie. It all builds up to a fairly predictable denouement with humanity facing some tough choices, the seemingly indestructible aliens on the verge of success and our intrepid partnership having to consider the ultimate sacrifice. Yep, we've seen it all before and though the visual effects are pretty impressive, that's not really enough to sustain it as it rather procedurally rolls along. There is occasionally some wit in the script and Hardy looks like he's having fun, but Chiwetel Ejiofor is largely under-used and it relies far too heavily on repetitive combat scenes to really make it stand out amidst the surfeit of 2024 comic-book derivatives. It's all watchable enough, but it's not a patch on the first one from 2018.
Venom: The Last Dance expands on the chaotic relationship between Eddie Brock and his symbiote Venom with more depth, tension, and humor, while also introducing a menacing new adversary in the form of the Xenophages. But yet, this cartonish way ended while making its last dance, really it was kind o ... f last DANCE even writer pen director direction couldn't go with it and make its end like Bollywood was pretty mid honestly ____ we didn’t see venom much for a movie that ends a highly loved trilogy. also I didn’t see the “MAIN BIG BAD GUY of DARKNESS ANNIHILATION EVERYTHING” do anything. THAT GUY and CODEX concept couldn't go through to see but no MORE BLACK symbiote...
I like all the Venom movies. The humour works. Fun to watch Hardy play a puppet. Would have been a 10 without that blast door thing. Still a blast. No deductions for runtime. ...
I'm typically not a fan of the Marvel universe films. I find them over stated, not especially intelligent and oftentimes, quite repetitive. "Venom" is the rare exception to this rule. For starters there's Tom Hardy, who is, by any measure, an excellent actor. Secondly, there's the interplay betw ... een Hardy and Venom which can be genuinely funny. This latest and possibly last film in the series, "Venom: The Last Dance", is, I believe, the weakest in the line up. Unlike its predecessors, it feels a little bit rushed and somehow, anti climatic. That said, it still has its moments of engaging humour and not half decent action. In summary, its a shame to see "Venom" shelved (if in fact that's the case) as its one of the better Marvel universe franchises, with great chemistry between Hardy and his other worldly alter ego, Venom. Worth a look if you enjoyed the other films.
Okay, here’s the deal with _Venom: The Last Dance_. It’s like ordering your favorite burger and realizing halfway through they forgot the sauce. Tom Hardy? Still killing it as Eddie and Venom—his back-and-forth with himself is weirdly entertaining and even a little emotional. There are some genuinel ... y fun and heartfelt moments that remind you why this duo worked in the first place. But man, the rest? A hot mess. The plot is all over the map, the new characters are forgettable, and the villain? Weak sauce. It feels like the filmmakers just kind of shrugged and said, “Eh, good enough.” Sure, there are flashes of that buddy-comedy charm, but not enough to save the movie from feeling like it’s limping to the finish line. If this is the final Venom movie (and I hope it is), I’m not gonna cry about it. It’s a mixed bag—fun in bits, but overall, it’s like Venom himself: a bit too sloppy to fully love.