Canary Black
This mission is personal.
2024 | 103m | English
Popularity: 7 (history)
| Director: | Pierre Morel |
|---|---|
| Writer: | Matthew Kennedy |
| Staring: |
| Top level CIA agent Avery Graves is blackmailed by terrorists into betraying her own country to save her kidnapped husband. Cut off from her team, she turns to her underworld contacts to survive and help locate the coveted intelligence that the kidnappers want. | |
| Release Date: | Oct 10, 2024 |
|---|---|
| Director: | Pierre Morel |
| Writer: | Matthew Kennedy |
| Genres: | Action, Crime, Thriller |
| Keywords | spy thriller, central intelligence agency (cia), clinical |
| Production Companies | Anton Capital Entertainment, Sentient Entertainment, Brickell & Broadbridge International, Off The Pier Productions |
| Box Office |
Revenue: $525,704
Budget: $0 |
| Updates |
Updated: Jul 05, 2025 (Update) Entered: Oct 28, 2024 |
| Name | Character |
|---|---|
| Kate Beckinsale | Avery Graves |
| Rupert Friend | David Brooks |
| Saffron Burrows | Elizabeth Mills |
| Ray Stevenson | Jarvis Hedlund |
| Goran Kostić | Breznov |
| Ben Miles | DCIA Nathan Evans |
| Jaz Hutchins | Agent Maxfield |
| Romina Tonković | Sorina |
| Ana Cilas | Abby |
| Emma Gojković | Evans Assistant |
| Igor Pečenjev | Hostage Agent |
| Andrei Lenart | Niklaus |
| Luka Alagić | Laszlo Stoica |
| Rok Juričić | Mikolas |
| Masayoshi Haneda | Kenji Nakajima |
| Michael Brandon | US President |
| Jeff Mirza | Head of State - India |
| Rui Shang | Chinese President |
| Luis Torrecilla | Head of State - Mexico |
| Patrick Pearson | Security Officer |
| Ramona Von Pusch | German Chancellor Schneider |
| Charles Nishikawa | Japanese Prime Minister |
| Ivan Đuričić | PLK Guard |
| RIAZ SYED | UK Prime Minister |
| Martin Bratanov | Russian Aide |
| Fred Ledoux | French President |
| Katie Shalka | British Aide |
| Arben Bajraktaraj | Arben |
| Nadia Geras | Maggie Hedlund |
| Ognjen Milovanović | CIA Analyst |
| Adrian Pezdirc | CIA Liaison |
| Dominik Čičak | CIA Technician |
| Aleksandra Stojaković | Hotel Clerk |
| Rade Radolović | Wounded Survivor |
| Toni Malenica | Breznov's Guard |
| Zvonko Kozic | Homeless Guy |
| Jocelyn Cantius | GU13 Country Rep #1 |
| Juliene Jean Roger Renault | GU13 Country #1 Aide |
| Julia Huston | GU13 Country Rep #2 |
| Nikola Tutek | GU13 Country Rep #3 |
| Chander Mohan | GU13 Country Rep #4 |
| Paul Cunnington | GU13 Country Rep #5 |
| Juan José Núñez Andrade | GU13 Country Rep #6 |
| Gen Seto | GU13 Country Rep #7 |
| Domagoj Ferencic | U.S. Secretary Of State |
| Vesna Jakircevic | U.S. Aide |
| Claudia Anticevic | Female Coworker Eve |
| Nikola Vrabec | Male Coworker Parker |
| Omar Alboukharey | Russian Aide |
| Filip Ravnic | Medic |
| Name | Job |
|---|---|
| Yann Cuinet | First Assistant Director |
| Alex Cvetkov | Stunt Coordinator |
| Nikola Oreskovic | Stunts |
| Fabijan Krpelnik | Stunts |
| Bruno Štampalija | Second Assistant Director |
| Amy Dolan | Casting Associate |
| Pierre Morel | Director |
| Simon Higgins | Casting Assistant |
| Cedric Proust | Stunt Coordinator |
| Dan Hubbard | Casting |
| Ilir Smakici | Stunts |
| Vedran Miler | Stunts |
| Will Quiney | Music Supervisor |
| Thierry Arbogast | Director of Photography |
| Matthew Kennedy | Writer |
| Yvan Lucas | Digital Intermediate Colorist |
| Jessica Rose Weiss | Original Music Composer |
| Tania Goding | Editor |
| Sebastian T. Krawinkel | Production Design |
| Patrick Herzberg | Art Direction |
| Klara Niksic | Art Direction |
| Daniel Zavrski | Supervising Art Director |
| Bülent Akgün | Set Decoration |
| Nikolina Kostanšek | Costume Design |
| Danny McKenzie | Graphic Designer |
| Eva Milkovic | Set Decoration Buyer |
| Antonio Patljak | Set Designer |
| Kristina Prgomet | Graphic Designer |
| Hrvoje Uzbolt | Set Dresser |
| Rupert Hollier | Music Supervisor |
| Nicholas A. Phillips | Music Editor |
| Dean Wares | Title Designer |
| Name | Title |
|---|---|
| Sebastien Raybaud | Producer |
| Renee Tab | Producer |
| John Zois | Producer |
| Christopher Tuffin | Producer |
| Alastair Burlingham | Executive Producer |
| Carsten H.W. Lorenz | Executive Producer |
| Yann Cuinet | Co-Producer |
| Igor A. Nola | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 8 | 1 |
| 2024 | 5 | 5 | 9 | 3 |
| 2024 | 6 | 3 | 10 | 1 |
| 2024 | 7 | 3 | 6 | 1 |
| 2024 | 8 | 2 | 7 | 1 |
| 2024 | 9 | 7 | 25 | 1 |
| 2024 | 10 | 46 | 186 | 14 |
| 2024 | 11 | 654 | 1406 | 336 |
| 2024 | 12 | 248 | 370 | 164 |
| 2025 | 1 | 223 | 296 | 131 |
| 2025 | 2 | 109 | 167 | 20 |
| 2025 | 3 | 26 | 112 | 3 |
| 2025 | 4 | 12 | 15 | 11 |
| 2025 | 5 | 9 | 12 | 8 |
| 2025 | 6 | 8 | 10 | 6 |
| 2025 | 7 | 7 | 9 | 6 |
| 2025 | 8 | 6 | 8 | 5 |
| 2025 | 9 | 7 | 8 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 521 | 662 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 383 | 730 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 67 | 461 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 874 | 899 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 879 | 899 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 510 | 815 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 482 | 820 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 308 | 674 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 65 | 559 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 82 | 464 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 11 | 142 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 7 | 7 |
I can't find much to recommend in Canary Black. Following the by now well known DEI formula this is another girl boss flick that see's out heroine take on athletic men, twice her size and defeat them (must be the biology defying power of equity). That however, is not this flicks only shortcoming ... . Its loaded down with absurd contrivances. Batting a triggered mines warhead out a window like a softball, without any harm befalling our pristine heroine. Add to that, fighting in high heels against opponents who, weirdly, typically attack one at a time and odd little too convenient things, such as having a knife strategically placed in a car to cut plastic ties (plastic hand cuff style restraints). Acting is fine. I don't mind Kate Beckinsale and I have a lot of time for Ray Stevenson (who has sadly passed) and was fantastic in the series, Rome. In summary, Canary Black operates on a sliding scale from basic to downright ridiculous, with little in between.