Popularity: 12 (history)
Director: | David Mackenzie |
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Writer: | David Mackenzie, Justin Piasecki |
Staring: |
Tom, a world class "fixer", specializes in brokering lucrative payoffs between corrupt corporations and the individuals who threaten their ruin. He keeps his identity a secret through meticulous planning and always follows an exacting set of rules. But when a message arrives one day from potential client Sarah, needing Tom's protection just to stay alive, the rules quickly start to change. | |
Release Date: | Aug 21, 2025 |
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Director: | David Mackenzie |
Writer: | David Mackenzie, Justin Piasecki |
Genres: | Drama, Thriller |
Keywords | angry, anxious, ambiguous |
Production Companies | Thunder Road, Black Bear Pictures, Sigma Films |
Box Office |
Revenue: $4,070,676
Budget: $0 |
Updates |
Updated: Oct 05, 2025 Entered: Sep 13, 2024 |
Name | Character |
---|---|
Riz Ahmed | Tom |
Lily James | Sarah |
Sam Worthington | Dawson |
Willa Fitzgerald | Rosetti |
Jared Abrahamson | Ryan |
Pun Bandhu | Lee |
Eisa Davis | Wash |
Matthew Maher | Hoffman |
Seth Barrish | Morel |
Victor Garber | Morel |
Reed Northrup | Maxx |
Aaron Roman Weiner | Carol |
Jessica Garza | Jennifer |
Name | Job |
---|---|
David Mackenzie | Director, Writer |
Justin Piasecki | Writer |
Mike Tehrani | ADR Mixer |
Hazel d Smith | Makeup & Hair |
Lewis Goldstein | Supervising Sound Editor, Sound Re-Recording Mixer |
Thomas Ryan | Supervising Sound Editor, Sound Re-Recording Mixer |
Bennett Kerr | Sound Effects Editor |
Andrew Mastronardi | Sound Effects Editor |
Wen-Hsuan Tseng | Foley Supervisor |
Annie Taylor | Foley Editor |
Shaun Brennan | Foley Artist |
Alexa Marcigliano | Stunts |
Paulina Jaśkiewicz | Production Assistant |
Matthew Atwood | Best Boy Electric |
Brigitte Whitmire | Casting Associate |
Andrew Geary | Colorist |
Jeffrey Dutemple | "A" Camera Operator, Steadicam Operator |
Avy Kaufman | Casting |
Giles Nuttgens | Director of Photography |
Matt Mayer | Editor |
Jane Musky | Production Design |
Alana Morshead | Costume Design |
Tony Doogan | Original Music Composer, Scoring Mixer |
Joshua First | Hair Department Head |
Anouck Sullivan | Makeup Department Head |
Keri Lederman | Set Decoration |
Charley Beal | Art Direction |
Brett J. Banakis | Set Designer |
Christine Lois | Set Designer |
Mara Palumbo Capps | Key Makeup Artist |
Vanessa Anderson | Key Hair Stylist |
Angie Jerbasi | Hairstylist |
Anton Gold | Sound Mixer |
Andrew Hubbard | Gaffer |
Dan Casey Jr. | Special Effects Technician |
Carlos Rodriguez | Special Effects Technician |
Nick Postiglione | Special Effects Technician |
Jay Rus | Special Effects Technician |
Edward Drohan | Special Effects Technician |
William Klayer | Second Unit Director of Photography |
Sarah Natoli | "C" Camera Operator |
Scott Tinsley | "C" Camera Operator |
Stu Feldman | Second Unit First Assistant Director |
Kim Shriver | Key Hair Stylist |
Mitchell Beck | Hairstylist |
Courtney Jarrell | Makeup Department Head |
Adelina Atashi | Key Makeup Artist |
Kim Taylor | Key Makeup Artist |
Danny McGrath | First Assistant Director |
Sean Hind | Second Assistant Director |
Simon Vickery | Additional Director of Photography |
Seamus McGarvey | Additional Director of Photography |
Damien Leitch | Focus Puller |
Derrick Ritchie | Gaffer |
Jonny McLoone | Sound Recordist |
Leslie Bloome | Foley Artist |
Ryan Collison | Foley Mixer |
Connor Nagy | Foley Mixer |
Alex Dreiblatt | Visual Effects Supervisor |
John K. Sesumi | Visual Effects Producer |
Ashley Pynn | Stunt Double |
Name | Title |
---|---|
Teddy Schwarzman | Producer |
David Mackenzie | Producer |
Michael Heimler | Executive Producer |
John Freidberg | Executive Producer |
Charlie Morrison | Executive Producer |
Erica Lee | Executive Producer |
Gillian Berrie | Producer |
Basil Iwanyk | Producer |
Poppy Steel | Associate Producer |
Douglas Graham | Associate Producer |
Per Melita | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 4 | 10 | 1 |
2024 | 5 | 3 | 6 | 1 |
2024 | 6 | 4 | 14 | 1 |
2024 | 7 | 3 | 8 | 1 |
2024 | 8 | 5 | 11 | 3 |
2024 | 9 | 8 | 32 | 3 |
2024 | 10 | 3 | 6 | 1 |
2024 | 11 | 3 | 13 | 1 |
2024 | 12 | 2 | 4 | 1 |
2025 | 1 | 2 | 4 | 1 |
2025 | 2 | 2 | 3 | 1 |
2025 | 3 | 1 | 2 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 4 | 7 | 1 |
2025 | 9 | 27 | 59 | 4 |
2025 | 10 | 14 | 17 | 12 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 77 | 147 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 1 | 246 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 60 | 356 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 93 | 591 |
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/relay-review/ "Relay begins with a fresh and intriguing proposition, sustained by strong performances and an immersive atmosphere, but it loses impact by opting for easy narrative shortcuts in the final stretch. Riz Ahmed once again confirms hi ... s talent in complex, understated roles, while Lily James and Sam Worthington bring emotional intensity and credible threat. Still, the execution doesn't quite match the ambition of its premise. With a less forced ending, it could have easily become one of the year's most striking thrillers. Instead, it remains a competent but frustrating experience, one that deserves recognition for the ideas it raises but also criticism for the opportunities it squanders." Rating: B-