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The Fantastic 4: First Steps Poster

The Fantastic 4: First Steps

Welcome to the family.
2025 | 115m | English

(179359 votes)

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Popularity: 116 (history)

Details

Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel's First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus and his enigmatic Herald, Silver Surfer.
Release Date: Jul 23, 2025
Director: Matt Shakman
Writer: Eric Pearson, Jeff Kaplan, Ian Springer, Kat Wood, Josh Friedman
Genres: Adventure, Science Fiction
Keywords strong woman, superhero, based on comic, end of the world, family, super power, superhero team, alternative reality, aftercreditsstinger, duringcreditsstinger, marvel cinematic universe (mcu), 1960s, retrofuturism
Production Companies Marvel Studios, Kevin Feige Productions
Box Office Revenue: $521,651,414
Budget: $200,000,000
Updates Updated: Oct 21, 2025
Entered: Aug 14, 2024
Trailers and Extras

No trailers or extras available.

Full Credits

Name Character
Pedro Pascal Reed Richards / Mister Fantastic
Vanessa Kirby Sue Storm / Invisible Woman
Ebon Moss-Bachrach Ben Grimm / The Thing
Joseph Quinn Johnny Storm / Human Torch
Ralph Ineson Galactus
Julia Garner Shalla-Bal / Silver Surfer
Paul Walter Hauser Harvey Elder / Mole Man
Natasha Lyonne Rachel Rozman
Sarah Niles Lynne Nichols / F4 Chief of Staff
Mark Gatiss Ted Gilbert
Ada Scott Franklin Richards
Matthew Wood H.E.R.B.I.E. (voice)
Angela Jones Mole Man Attack Witness
Maisie Shakman Donna / Saved Girl
Jay Underwood Power Plant Worker #1
Michael Bailey Smith Power Plant Worker #2
Alex Hyde-White ABC Newscaster William Russell
Rebecca Staab Channel 9 Newscaster Carolyn Haynes
Patrick Miller Larry the Lobbyist
Mather Zickel Boston Newscaster
Firdous Bamji Yancy Street Man
Bertie Caplan Wiseass Kid
Max Lester Yancy Street Kid
Hunter del Valle Marfo Yancy Street Kid
Riotafari Gardner Yancy Street Kid
Isla McRae Yancy Street Kid
Martin Wilkinson Timely Employee #1
Greg Haiste Timely Employee #2
Nathaniel Brimmer-Beller WHIH Reporter Albert Taft
Mark Weinman Baxter Reporter #1
Lizzie Clarke Baxter Reporter #2
Richard Summers-Calvert Baxter Reporter #3
Macaulay Cooper Hooligan
Ankur Bahl Pundit
Edward Bennett Pundit
Krysten Peck Sue Speech Crowd
Fintan Shevlin Sue Speech Crowd
Louis Sparks Sue Speech Crowd
Dana Myzer Sue Speech Crowd
Iverson Yabut Sue Speech Crowd
Russ Whismore Sue Speech Crowd
Patricia García Rodríguez Interpreter
Dede Ma Interpreter
Kasra Farahani Interpreter
Ortis Deley Lagos Family
Florence Odumosu Lagos Family
Ihla Omohegbe Lagos Family
Aamaya Oyedele Lagos Family
Isaiah Oyedele Lagos Family
Joseph Davidson New York Family
Cecilia Blair New York Family
Dale Mathurin New York Apartment Father
Iliana Norris Shalla-Bal's Daughter
Vienna Norris Shalla-Bal's Daughter
Ecow Smith-Asante Ghanian Anchor
Simon Thorp Australian Anchor
Kiff VandenHeuvel Newscaster
Corey Burton Ted Gilbert Announcer (voice)
Cheyenne Dasri Sally the Makeup Artist
Eric Stroud Stagehand
John Schwab The Thing Acting Double
Jack Parker H.E.R.B.I.E. Puppeteer
Sarah Mardel H.E.R.B.I.E. Puppeteer
Arina Ii H.E.R.B.I.E. Puppeteer
Alex J Sturman Ted Gilbert Show Dancer
Grace Durkin Ted Gilbert Show Dancer
Nahum McLean Ted Gilbert Show Dancer
Redmand Rance Ted Gilbert Show Dancer
Savannah Ffrench Ted Gilbert Show Dancer
Robert Downey Jr. Victor von Doom / Doctor Doom (uncredited)
Name Job
Alexandra Byrne Costume Design
Kasra Farahani Production Design
Jess Hall Director of Photography
Jeremy Simser Storyboard Artist
Barrie Gower Prosthetic Designer
Michael Giacchino Original Music Composer
Alistair Williams Special Effects Supervisor
Elizabeth Yianni-Georgiou Makeup Designer, Hair Designer
Jan Philip Cramer Visual Effects Supervisor
Aidan Brindle Stunts
Natasha Mullan "B" Camera Operator
David Pearce First Assistant "B" Camera
Damon Sewell Second Assistant "B" Camera
Olly Tellett First Assistant "A" Camera
Richard Bennett Storyboard Artist
Dan Grace Costume Supervisor
Doren John Farmer Stunts
Liam Georgensen Art Direction
Tim Wooster Second Unit Director of Photography
Stephen Woolfenden Second Unit Director
Pete Ford Stunts
Michael Byrch Stunts
Raymond Prado Storyboard Artist
Daryl Hartwell "A" Camera Operator
Luke Tumber Stunts
Josh Dyer Stunts
Steve Ellingworth Key Grip
Pablo Domínguez Concept Artist
Paul Jones Standby Carpenter
Aoife Power Researcher, Petty Cash Buyer
Jay Maidment Still Photographer
Caterina Boselli Location Coordinator
Peter Hayley-Barker Best Boy Grip
Andrea Cracknell Makeup Supervisor, Hair Supervisor
Nathan Elliott Assistant Set Decoration
Matt Craufurd Location Manager
Jess Esmond Assistant Set Decoration
Maisie Robinson Graphic Designer
Charis Theobald Graphic Designer
Ryan Stuart Stunts
Lee Walters Gaffer
Hannah Grant Stunts
Christoph Cordell Stunts
Yusuf Chaudhri Stunts
Cristian Knight Stunts
Alex Baily Art Direction
Nick Gottschalk Supervising Art Director
Tom Whitehead Art Direction
Oliver Herrick Assistant Art Director
Rebecca White Assistant Art Director
Laura Miller Art Direction
Guy Isherwood Assistant Art Director
William Morgan Coxford Assistant Production Coordinator
George Kirby Stunt Double
James Manning Second Assistant Director
Eric Kasanowski Compositing Supervisor
Laura Swift Stunt Double
Jason Sweers Graphic Designer
Dan West Storyboard Artist
Jille Azis Set Decoration
Sarah Halley Finn Casting
Stan Lee Comic Book, Characters
Matt Shakman Director
John Casali Production Sound Mixer
Rachael Evelyn Stunts
Gemma Hoff Makeup Artist, Hairstylist
Elliot Hawkes Stunts
Scott Stokdyk Visual Effects Supervisor
Lisa Marra Visual Effects Producer
Molly Doyle Casting Associate
Albert McCausland Draughtsman
Levan Doran Stunts
Josh Gold Supervising Sound Editor, Sound Designer
Lora Hirschberg Sound Re-Recording Mixer
Dave Jordan Music Supervisor
Danielle Dupre Sound Re-Recording Mixer
Phillip Leonhardt Visual Effects Supervisor
Paul Story Animation Supervisor
Christopher Elke Visual Effects Producer
Charlie Endean First Assistant Director
Bogdan Kumšackij Stunts
Aaron Cowan Visual Effects Producer
Daniele Bigi Visual Effects Supervisor
Kiel Figgins Animation Supervisor
Sebastian Lauer Visual Effects Supervisor
Matthew Wood Supervising Sound Editor
Mac Smith Sound Effects Editor
Megan Lynas Script Supervisor
David Chrastka Sound Effects Editor
Varpu Kronholm Stunts
Nona Khodai Editor
Tim Roche Editor
Felix Leech Stunts
Freddie Mason Stunts
Eric Pearson Story, Screenplay
Jeff Kaplan Story, Screenplay
Ian Springer Story, Screenplay
Kat Wood Story
Josh Friedman Screenplay
Justine von Winterfeldt Music Supervisor
Jeff Kryka Orchestrator
Ryan Meinerding Visual Development
Robert Allman Visual Effects Supervisor
Terel Gibson Additional Editor
Theo Bialek Visual Effects Supervisor
Julie Groll Visual Effects Producer
Bertrand Bry-Marfaing CG Supervisor
Eve Levasseur-Marineau CG Supervisor
Zac Campbell Compositing Supervisor
Tex Kadonaga Concept Artist
Daniel Sadalla Production Coordinator
Nicholas Roche-Gordon Key Set Costumer
Jamie Christopher In Memory Of
Cyndi Ochs Visual Effects Producer
Max Solomon Animation Supervisor
Prashant Nair CG Supervisor
Simone Vassallo CG Supervisor
Neil Weatherley CG Supervisor
Jack Kirby Comic Book, Characters
Simon Finney Camera Operator
Wouter Gilsing Compositing Supervisor
Jamie Hallett Visual Effects Supervisor
Sean Tizzard Stand In
Frankie Stellato Animation Supervisor
Matt Brumit Compositing Artist
Claudia Lecaros Visual Effects Producer
Tobias Keip CG Supervisor
Name Title
Louis D'Esposito Executive Producer
Tim Lewis Executive Producer
Grant Curtis Executive Producer
Mitchell Bell Co-Producer
Kevin Feige Producer
Robert Kulzer Executive Producer
Ryan Meinerding Associate Producer
Nick Pepin Associate Producer
Lulu Dillon Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 43 14
2024 5 53 61 34
2024 6 35 64 16
2024 7 40 93 18
2024 8 39 65 23
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2024 10 27 49 16
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2025 1 34 48 22
2025 2 57 132 8
2025 3 13 42 0
2025 4 16 34 7
2025 5 15 21 12
2025 6 26 42 18
2025 7 123 416 35
2025 8 191 359 135
2025 9 263 782 103
2025 10 227 569 116

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Reviews

msbreviews
7.0

FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/the-fantastic-four-first-steps-review-marvels-first-family-finally-gets-the-film-it-deserves/ "The Fantastic Four: First Steps not only introduces a team with the potential to lead the MCU's new era, but also establishes its own distinct identit ... y: heartfelt, visually striking, and emotionally grounded. Between Michael Giacchino's chilling score and the immersive retro-futuristic aesthetic - not to mention the undeniable chemistry among the four leads - there's a rare cohesion in this origin story, despite a few secondary issues. The emotional weight in Vanessa Kirby's expressions, the intimate dilemmas faced by Pedro Pascal, and the vulnerability shown by Joseph Quinn and Ebon Moss-Bachrach reveal an uncommon care for human detail. If these are the first steps, they're sure-footed - and full of soul." Rating: B+

Jul 23, 2025
JPV852
8.0

Fun sci-fi fantasy that features a solid cast, good visual effects and okay enough story. Not great but well worth the price of admission. That said, can't say I have a desire to revisit for a long while. **3.75/5** ...

Jul 25, 2025
Simon Foster
N/A

"Unlike the last dozen-or-so MCU plods, which turned derring-do comic book heroics into endurance tests, THE FANTASTIC FOUR: FIRST STEPS spins a ripping yarn that soars not only on spectacle, but also smarts and sentiment..." Read the full review here: https://bit.ly/4o5P6rP ...

Jul 25, 2025
Geronimo1967
7.0

Well good news, after ages and having given up trying “Sue” (Vanessa Kirby) and boffin “Reed” (Pedro Pascal) are going to have a bairn! This is great news for her brother “Johnny” (Joseph Quinn) and the stony fourth member of their gang “Ben” (Egon Moss-Bacharach). The news is greeted enthusiastical ... ly by their adoring fans too, but those celebrations are cut short when a mysterious woman descends from what looks like a meteor shower to forewarn them that their planet is doomed. Her (Julia Garner) boss “Galactus” (Ralph Ineson) is on his way, and he is hungry for not just some rare earths, but all of it! Blessed with their array of super-powers, the quartet embark in their warp-capable rocket to meet this chap and he offers them an alternative to global destruction. It’s one hell of a sacrifice for the would-be parents though, but with the fate of humanity hanging on their decision - what will they choose? Perhaps they can think of a scientific alternative? There is a slightly retro-look to the production, with their flying car looking like a converted Citroën that belonged in a Jacques Tati film, and there is plenty of inter-galactic adventure with some effective visual effects, a decent degree of menace and it stays sufficiently devoid of sentiment, and the multiverse, until the denouement. Though they do gel well together, none of the acting isn’t really anything special, nor is the writing, but “Ben” looks good with his beard and Quinn probably steals the show with his engagingly flaming character and his spray-on white 501s. There are loads of gadgets and gizmos and anyone who has ever had to argue with a child seat and a car might empathise, too. It’s an old-fashioned save the world movie that hasn’t sold it’s soul to the CGI, and I enjoyed it.

Jul 26, 2025
ChrisSawin
8.0

Much of The Fantastic Four: First Steps is built around Reed Richards (Pedro Pascal) and Sue Storm (Vanessa Kirby) getting pregnant and having their child, Franklin. Everything seems to be built around baby proofing and preparing for someone new to enter their lives until The Silver Surfer (Julia Ga ... rner) arrives to let everyone know that an enormous cosmic being named Galactus plans to swing by and eat the entire planet. The superhero film feels like a sci-fi film from the 1960s, which makes sense since Fantastic Four #1 debuted in 1961. Maybe it’s the bright colors or the fact that H.E.R.B.I.E. is featured so prominently, but the first half of the film feels like a multi-episode arc of The Jetsons. Things are lighthearted and fairly silly until The Silver Surfer shows up. But The Fantastic Four and James Gunn’s Superman seem to be honoring the silver age of comic books, which is a welcome change for superhero films. Oddly, the marketing makes it seem like the family bond amongst The Fantastic Four is so strong because it doesn’t seem that great while watching it. The film isn’t an origin story, as you only get a brief montage of how they got their powers. But there’s a lot of indecisiveness amongst the team with Franklin on the way. The way time passes in the film is weird. Sue’s pregnancy and Franklin’s age (apart from a certain time jump) seem accelerated, and it’s difficult to decipher if that much time has passed (nine months for the pregnancy, plus however many additional months Franklin is supposed to be) or if it’s fast-tracked because they all have powers. The casting in The Fantastic Four: First Steps is fine, but they still seem to be finding a rhythm as a team. Reed’s brain works in a way that has him thinking of the worst scenarios, while his plans and logic stem from building everything around the most horrible solution. Sue just wants her baby to thrive in the presence of a loving family. She doesn’t want to give him to Galactus or decide his fate if he happens to have powers. She wants him to live and flourish with his own identity and choices. The film seems to hint at Johnny being a womanizer, but he’s painfully single here. He latches onto The Silver Surfer and devotes a good chunk of the film to learning her language just so he can talk to her. The fate of the world may be at stake, sure, but dat silver ass has light years to travel and he’s got to make his moves now. Ben is kinda boring, honestly. He shows interest in Rachel Rozman (Natasha Lyonne) and returning to the places that remind him of what it’s like to feel normal, but unless he’s destroying something or lifting a car over his head, he’s a little forgettable. He isn’t conflicted enough and doesn’t clobber enough things to leave a lasting impression. Reed and Sue have noticeable chemistry, and they should given that they’re married. And Johnny and Ben have this macho kind of bro energy where they’re always ribbing each other and yet also sarcastically supporting one another (Ben’s beard, Johnny referring to himself in third person). As a foursome and a team, though, they still seem to be lacking, like they’re still learning to coordinate cohesively instead of Reed or Sue calling it on the spot. The film takes place four years after the cosmic storm that caused them to gain their powers. But maybe the “first steps” part of the title refers to them still learning to work together as a team, as well as Franklin’s first baby steps. The visual effects are mostly extremely impressive, with a few noticeable green screen shots and face animations being the only funky inclusions. The Silver Surfer’s face looks awkward at times, like it isn’t properly centered on Julia Garner’s body, or something. I wasn’t a huge fan of how the Human Torch looked either. His body is just orange with some lazy flames at the sides that don’t even cover his entire body. The Silver Surfer chase sequences in the wormhole are some of the best the MCU has ever done. There was a bit of an uproar amongst the internet community when The Silver Surfer turned out to be female in this, but the character is given the coolest moments in the film and arguably the film’s most emotional sequence apart from the film’s finale. It's been apparent since Doctor Strange has been hinting at it in both of his films, but the MCU needs to go fully cosmic for its next phase. Despite being beloved around the world and being a team for a decent amount of time, it feels like The Fantastic Four are still working out the kinks of being a solid team in First Steps. The performances are solid, the chemistry amongst the cast is great, and there are sentimental moments sprinkled throughout the entire film. There’s a lot of promise in what the future of the MCU holds with this version of The Fantastic Four, and it’s somewhat of a relief to have a Fantastic Four film that is actually worthwhile and hopefully worth revisiting with fondness instead of regret.

Jul 26, 2025
abednegojs
N/A

I like drama, but i don't like action ...

Aug 29, 2025
dumasori
7.0

**Not bad!!** Because of the crap Marvel has been pumping overt the last decade, I went to watch this movie with very low hopes. It was a surprising experience that the movie turned out to be pretty OK. Storyline is not too complicated. It is a simple predictable story without too much twisted ... plots or surprises. Nonetheless, the storytelling is captivating and you don’t realize how the 1:30 hr passed. Acting is pretty decent, Pedro Pascal shines in his acting. There is no typical Marvel BS in this movie. If I had seen this movie about 15 years ago, I would have called it an average. But I am so sick and fatigued with crap movies these days, that even a normal movie like this feels good. Overall it is worth watching.

Aug 05, 2025
screenzealots
N/A

There’s a distinctive charm to “The Fantastic Four: First Steps,” a refreshing, visually inventive take on the MCU formula. Director Matt Shakman brings Marvel’s First Family into a retro-futuristic 1960s setting that makes the movie stand out from the typical summer superhero fare. Shakman delivers ... a world of bold colors, bubble-helmeted scientists, and sleek, sci-fi tech that’s unexpectedly delightful, if a bit slow moving. Reed Richards (Pedro Pascal) and his wife Sue Storm (Vanessa Kirby) have their first baby on the way. They, along with Reed’s brother-in-law Johnny (Joseph Quinn) and best friend Ben (Ebon Moss-Bachrach), are excited to welcome a new bundle of joy into their home. But when a mysterious woman known as Silver Surfer (Julia Garner) shows up with a dire warning from a ravenous space god called Galactus (Ralph Ineson), Sue and Reed are given an impossible choice: give up their newborn son to save Earth, or let the entire planet be destroyed. This conflict sounds compelling, but it’s also where the film stumbles. Galactus is more of a looming concept than a compelling villain, with motivations that feel too impersonal and very vague. Silver Surfer is a terrific character with an interesting back story, but the movie never quite gives her enough to do. The Four aren’t bogged down with an elaborate origin story either, and it works well here. They’re already established by the time we meet them, which allows for more time spent on character dynamics. I could see how casual audiences who are less familiar with the comic book characters could find the lack of an origin story disappointing, but the actors and their chemistry more than make up for it. The film leans into its “found family” theme with heart and sincerity, placing an emphasis on character over spectacle. The strong performances from the cast boost the film’s overall credibility, and the special effects are (admittedly) top notch. The themes lean heavily on the idea that family is not only biological, but also can be chosen, and there’s a nice balance between the need to be superheroes as well as parents and a strongly bonded family. Although there is plenty to like here, “The Fantastic Four: First Steps” isn’t a movie I’d ever want to revisit. I can’t honestly say that I’m excited to see any of these characters in future films, and I actually found the Four to be a little bit boring. And while it’s so nice to see a Marvel film that isn’t trying desperately to be forcefully stuffed into some extended universe timeline, the movie doesn’t entirely escape the studio’s usual pitfalls. By: Louisa Moore / SCREEN ZEALOTS

Aug 09, 2025
screenzealots
N/A

There’s a distinctive charm to “The Fantastic Four: First Steps,” a refreshing, visually inventive take on the MCU formula. Director Matt Shakman brings Marvel’s First Family into a retro-futuristic 1960s setting that makes the movie stand out from the typical summer superhero fare. Shakman delivers ... a world of bold colors, bubble-helmeted scientists, and sleek, sci-fi tech that’s unexpectedly delightful, if a bit slow moving. Reed Richards (Pedro Pascal) and his wife Sue Storm (Vanessa Kirby) have their first baby on the way. They, along with Reed’s brother-in-law Johnny (Joseph Quinn) and best friend Ben (Ebon Moss-Bachrach), are excited to welcome a new bundle of joy into their home. But when a mysterious woman known as Silver Surfer (Julia Garner) shows up with a dire warning from a ravenous space god called Galactus (Ralph Ineson), Sue and Reed are given an impossible choice: give up their newborn son to save Earth, or let the entire planet be destroyed. This conflict sounds compelling, but it’s also where the film stumbles. Galactus is more of a looming concept than a compelling villain, with motivations that feel too impersonal and very vague. Silver Surfer is a terrific character with an interesting back story, but the movie never quite gives her enough to do. The Four aren’t bogged down with an elaborate origin story either, and it works well here. They’re already established by the time we meet them, which allows for more time spent on character dynamics. I could see how casual audiences who are less familiar with the comic book characters could find the lack of an origin story disappointing, but the actors and their chemistry more than make up for it. The film leans into its “found family” theme with heart and sincerity, placing an emphasis on character over spectacle. The strong performances from the cast boost the film’s overall credibility, and the special effects are (admittedly) top notch. The themes lean heavily on the idea that family is not only biological, but also can be chosen, and there’s a nice balance between the need to be superheroes as well as parents and a strongly bonded family. Although there is plenty to like here, “The Fantastic Four: First Steps” isn’t a movie I’d ever want to revisit. I can’t honestly say that I’m excited to see any of these characters in future films, and I actually found the Four to be a little bit boring. And while it’s so nice to see a Marvel film that isn’t trying desperately to be forcefully stuffed into some extended universe timeline, the movie doesn’t entirely escape the studio’s usual pitfalls. By: Louisa Moore / SCREEN ZEALOTS

Aug 09, 2025
bloucks
10.0

Look I am a huge Marval Movie fan and I thought this movie was one of my favorite movies of 2025 and one of my favorite Marvel Movies ever! ...

Oct 08, 2025