The Fantastic 4: First Steps
Welcome to the family.
2025 | 115m | English
Popularity: 34 (history)
| Director: | Matt Shakman |
|---|---|
| Writer: | Kat Wood, Josh Friedman, Eric Pearson, Jeff Kaplan, Ian Springer |
| Staring: |
| Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel's First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus and his enigmatic Herald, Silver Surfer. | |
| Release Date: | Jul 23, 2025 |
|---|---|
| Director: | Matt Shakman |
| Writer: | Kat Wood, Josh Friedman, Eric Pearson, Jeff Kaplan, Ian Springer |
| Genres: | Action |
| Keywords | strong woman, superhero team, alternative reality, aftercreditsstinger, duringcreditsstinger, marvel cinematic universe (mcu), 1960s, retrofuturism, awestruck, commanding |
| Production Companies | Marvel Studios, Kevin Feige Productions |
| Box Office |
Revenue: $521,858,728
Budget: $200,000,000 |
| Updates |
Updated: Jan 22, 2026 Entered: Aug 14, 2024 |
| Name | Character |
|---|---|
| Pedro Pascal | Reed Richards / Mister Fantastic |
| Vanessa Kirby | Sue Storm / Invisible Woman |
| Ebon Moss-Bachrach | Ben Grimm / The Thing |
| Joseph Quinn | Johnny Storm / Human Torch |
| Ralph Ineson | Galactus |
| Julia Garner | Shalla-Bal / Silver Surfer |
| Paul Walter Hauser | Harvey Elder / Mole Man |
| Natasha Lyonne | Rachel Rozman |
| Sarah Niles | Lynne Nichols / F4 Chief of Staff |
| Mark Gatiss | Ted Gilbert |
| Ada Scott | Franklin Richards |
| Matthew Wood | H.E.R.B.I.E. (voice) |
| Angela Jones | Mole Man Attack Witness |
| Maisie Shakman | Donna / Saved Girl |
| Jay Underwood | Power Plant Worker #1 |
| Michael Bailey Smith | Power Plant Worker #2 |
| Alex Hyde-White | ABC Newscaster William Russell |
| Rebecca Staab | Channel 9 Newscaster Carolyn Haynes |
| Patrick Miller | Larry the Lobbyist |
| Mather Zickel | Boston Newscaster |
| Firdous Bamji | Yancy Street Man |
| Bertie Caplan | Wiseass Kid |
| Max Lester | Yancy Street Kid |
| Hunter del Valle Marfo | Yancy Street Kid |
| Riotafari Gardner | Yancy Street Kid |
| Isla McRae | Yancy Street Kid |
| Martin Wilkinson | Timely Employee #1 |
| Greg Haiste | Timely Employee #2 |
| Nathaniel Brimmer-Beller | WHIH Reporter Albert Taft |
| Mark Weinman | Baxter Reporter #1 |
| Lizzie Clarke | Baxter Reporter #2 |
| Richard Summers-Calvert | Baxter Reporter #3 |
| Macaulay Cooper | Hooligan |
| Ankur Bahl | Pundit |
| Edward Bennett | Pundit |
| Krysten Peck | Sue Speech Crowd |
| Fintan Shevlin | Sue Speech Crowd |
| Louis Sparks | Sue Speech Crowd |
| Dana Myzer | Sue Speech Crowd |
| Iverson Yabut | Sue Speech Crowd |
| Russ Whismore | Sue Speech Crowd |
| Patricia García Rodríguez | Interpreter |
| Dede Ma | Interpreter |
| Kasra Farahani | Interpreter |
| Ortis Deley | Lagos Family |
| Florence Odumosu | Lagos Family |
| Ihla Omohegbe | Lagos Family |
| Aamaya Oyedele | Lagos Family |
| Isaiah Oyedele | Lagos Family |
| Joseph Davidson | New York Family |
| Cecilia Blair | New York Family |
| Dale Mathurin | New York Apartment Father |
| Iliana Norris | Shalla-Bal's Daughter |
| Vienna Norris | Shalla-Bal's Daughter |
| Ecow Smith-Asante | Ghanian Anchor |
| Simon Thorp | Australian Anchor |
| Kiff VandenHeuvel | Newscaster |
| Corey Burton | Ted Gilbert Announcer (voice) |
| Cheyenne Dasri | Sally the Makeup Artist |
| Eric Stroud | Stagehand |
| John Schwab | The Thing Acting Double |
| Jack Parker | H.E.R.B.I.E. Puppeteer |
| Sarah Mardel | H.E.R.B.I.E. Puppeteer |
| Arina Ii | H.E.R.B.I.E. Puppeteer |
| Alex J Sturman | Ted Gilbert Show Dancer |
| Grace Durkin | Ted Gilbert Show Dancer |
| Nahum McLean | Ted Gilbert Show Dancer |
| Redmand Rance | Ted Gilbert Show Dancer |
| Savannah Ffrench | Ted Gilbert Show Dancer |
| Robert Downey Jr. | Victor von Doom / Doctor Doom (uncredited) |
| Name | Job |
|---|---|
| Alexandra Byrne | Costume Design, Costume Designer |
| Kasra Farahani | Production Design |
| Jess Hall | Director of Photography |
| Jeremy Simser | Storyboard Artist |
| Barrie Gower | Prosthetic Designer |
| Michael Giacchino | Original Music Composer |
| Alistair Williams | Special Effects Supervisor |
| Elizabeth Yianni-Georgiou | Hair Designer, Makeup Designer |
| Jan Philip Cramer | Visual Effects Supervisor |
| Aidan Brindle | Stunts |
| Natasha Mullan | "B" Camera Operator |
| David Pearce | First Assistant "B" Camera |
| Damon Sewell | Second Assistant "B" Camera |
| Olly Tellett | First Assistant "A" Camera |
| Richard Bennett | Storyboard Artist |
| Dan Grace | Costume Supervisor |
| Doren John Farmer | Stunts |
| Liam Georgensen | Art Direction |
| Tim Wooster | Second Unit Director of Photography |
| Stephen Woolfenden | Second Unit Director |
| Pete Ford | Stunts |
| Michael Byrch | Stunts |
| Raymond Prado | Storyboard Artist |
| Daryl Hartwell | "A" Camera Operator |
| Luke Tumber | Stunts |
| Josh Dyer | Stunts |
| Steve Ellingworth | Key Grip |
| Pablo Domínguez | Concept Artist |
| Paul Jones | Standby Carpenter |
| Aoife Power | Petty Cash Buyer, Researcher |
| Jay Maidment | Still Photographer |
| Caterina Boselli | Location Coordinator |
| Peter Hayley-Barker | Best Boy Grip |
| Andrea Cracknell | Makeup Supervisor, Hair Supervisor |
| Nathan Elliott | Assistant Set Decoration |
| Matt Craufurd | Location Manager |
| Jess Esmond | Assistant Set Decoration |
| Maisie Robinson | Graphic Designer |
| Charis Theobald | Graphic Designer |
| Ryan Stuart | Stunts |
| Lee Walters | Gaffer |
| Hannah Grant | Stunts |
| Christoph Cordell | Stunts |
| Yusuf Chaudhri | Stunts |
| Cristian Knight | Stunts |
| Alex Baily | Art Direction |
| Nick Gottschalk | Supervising Art Director |
| Tom Whitehead | Art Direction |
| Oliver Herrick | Assistant Art Director |
| Rebecca White | Assistant Art Director |
| Laura Miller | Art Direction |
| Guy Isherwood | Assistant Art Director |
| William Morgan Coxford | Assistant Production Coordinator |
| George Kirby | Stunt Double |
| James Manning | Second Assistant Director |
| Eric Kasanowski | Compositing Supervisor |
| Laura Swift | Stunt Double |
| Jason Sweers | Graphic Designer |
| Dan West | Storyboard Artist |
| Jille Azis | Set Decoration |
| Sarah Halley Finn | Casting |
| Stan Lee | Characters, Comic Book |
| Matt Shakman | Director |
| John Casali | Production Sound Mixer |
| Rachael Evelyn | Stunts |
| Gemma Hoff | Hairstylist, Makeup Artist |
| Elliot Hawkes | Stunts |
| Scott Stokdyk | Visual Effects Supervisor |
| Lisa Marra | Visual Effects Producer |
| Molly Doyle | Casting Associate |
| Albert McCausland | Draughtsman |
| Levan Doran | Stunts |
| Josh Gold | Supervising Sound Editor, Sound Designer |
| Lora Hirschberg | Sound Re-Recording Mixer |
| Dave Jordan | Music Supervisor |
| Danielle Dupre | Sound Re-Recording Mixer |
| Phillip Leonhardt | Visual Effects Supervisor |
| Paul Story | Animation Supervisor |
| Christopher Elke | Visual Effects Producer |
| Charlie Endean | First Assistant Director |
| Bogdan Kumšackij | Stunts |
| Aaron Cowan | Visual Effects Producer |
| Daniele Bigi | Visual Effects Supervisor |
| Kiel Figgins | Animation Supervisor |
| Sebastian Lauer | Visual Effects Supervisor |
| Matthew Wood | Supervising Sound Editor |
| Mac Smith | Sound Effects Editor |
| Megan Lynas | Script Supervisor |
| David Chrastka | Sound Effects Editor |
| Varpu Kronholm | Stunts |
| Nona Khodai | Editor |
| Tim Roche | Editor |
| Felix Leech | Stunts |
| Freddie Mason | Stunts |
| Kat Wood | Story |
| Josh Friedman | Screenplay |
| Justine von Winterfeldt | Music Supervisor |
| Jeff Kryka | Orchestrator |
| Ryan Meinerding | Visual Development |
| Robert Allman | Visual Effects Supervisor |
| Terel Gibson | Additional Editor |
| Theo Bialek | Visual Effects Supervisor |
| Julie Groll | Visual Effects Producer |
| Bertrand Bry-Marfaing | CG Supervisor |
| Eve Levasseur-Marineau | CG Supervisor |
| Zac Campbell | Compositing Supervisor |
| Tex Kadonaga | Concept Artist |
| Daniel Sadalla | Production Coordinator |
| Nicholas Roche-Gordon | Key Set Costumer |
| Jamie Christopher | In Memory Of |
| Cyndi Ochs | Visual Effects Producer |
| Max Solomon | Animation Supervisor |
| Prashant Nair | CG Supervisor |
| Simone Vassallo | CG Supervisor |
| Neil Weatherley | CG Supervisor |
| Jack Kirby | Characters, Comic Book |
| Frankie Stellato | Animation Supervisor |
| Matt Brumit | Lighting Artist, Compositing Artist |
| Claudia Lecaros | Visual Effects Producer |
| Tobias Keip | CG Supervisor |
| Valentina Coccia | Unit Production Manager |
| Michael Semanick | Additional Sound Re-Recording Mixer |
| Juan Peralta | Additional Sound Re-Recording Mixer |
| Scott R. Lewis | Additional Sound Re-Recording Mixer |
| Wouter Gilsing | 2D Supervisor |
| Jamie Hallett | Animation, Visual Effects |
| Tim Lewis | Unit Production Manager |
| Sandra Balej | VFX Supervisor |
| Marcus Dryden | VFX Supervisor |
| Evan Jacobs | Other |
| Tom Poole | Other |
| Ben Wright | Stunts |
| Leigh Maddern | Stunts |
| David Cronnelly | Other |
| Sam Stefan | Other |
| Martin Wilde | Stunt Double |
| Ailís Smith | Stunt Double |
| Joe Kennard | Stunt Double |
| Joseph Paxton | Stunt Double |
| Sina Ali | Stunts |
| Adam Basil | Stunts |
| JJ Battell | Stunts |
| Eddy Beckett | Stunts |
| Anna Benton | Stunts |
| Marco Bertagna | Stunts |
| Alex Cahill | Stunts |
| Phil Campbell | Stunts |
| Nick Chopping | Stunts |
| Mike Collin | Stunts |
| Matt Crook | Stunts |
| Dom Dumaresq | Stunts |
| Rick English | Stunts |
| Dan Griffiths | Stunts |
| James Harris | Stunts |
| Jessica Hawkins | Stunts |
| Lyndon S. Hellewell | Stunts |
| Rob Hunt | Stunts |
| Jamie Karitzis | Stunts |
| Robbie Keane | Stunts |
| Troy Kenchington | Stunts |
| Lauren King | Stunts |
| Kenny Knight | Stunts |
| Christina Low | Stunts |
| Kim McGarrity | Stunts |
| Steven Mullins | Stunts |
| Dominic Preece | Stunts |
| Daniel Rawlins | Stunts |
| Shane Roberts | Stunts |
| Douglas Robson | Stunts |
| Fenix Searle | Stunts |
| Jonny Stockwell | Stunts |
| Pablo Verdejo | Stunts |
| Marlow Warrington-Mattei | Stunts |
| Marcus White | Stunts |
| Donna Williams | Stunts |
| Leo Woodruff | Stunts |
| Rob Hayns | Other |
| Neal Murray | Other |
| Bastien Figueredo | Stand In |
| Hannah Power | Stand In |
| Daniel Missing | Stand In |
| Kim Jalava | Stand In |
| Michael Green | Stand In |
| Adam Ross | Other |
| Naomi Baker | Other |
| Wesley Burt | Other |
| Rodney Fuentebella | Other |
| Ian Joyner | Other |
| Ji Hye Lee | Other |
| Alexander Mandradjiev | Other |
| Phil Saunders | Other |
| Jana Schirmer | Other |
| John Staub | Other |
| Jackson Sze | Other |
| Oliver Goodier | Art Direction |
| Rachel Aulton | Standby Art Director |
| Milly Hanson | Assistant Art Director |
| Stephanie Clerkin | Assistant Art Director |
| Madeleine Macdonald | Art Department Coordinator |
| Denise Ball | Draughtsman |
| Grieg Cockburn | Draughtsman |
| Kate Beard | Draughtsman |
| Will Camm | Draughtsman |
| Eunice Naddamba | Draughtsman |
| Viki Atkinson | Draughtsman |
| Rob Bean | Other |
| Dominique Sanglier | Graphic Designer |
| Eleanor Lamb | Graphic Designer |
| Charlotte Anthony | Draughtsman |
| Rachel Buist | Draughtsman |
| Tessa Flanagan | Draughtsman |
| Kitty Fraser | Draughtsman |
| Matthew Geldard | Draughtsman |
| Harry Gibson | Draughtsman |
| Matt Hurry | Draughtsman |
| Andrew Merrison | Draughtsman |
| Gareth Palethorpe | Draughtsman |
| Andy Young | Draughtsman |
| Thomas du Crest | Concept Artist |
| Patrick Dunn-Baker | Conceptual Illustrator |
| Seth Engstrom | Conceptual Illustrator |
| George Hull | Conceptual Illustrator |
| Benjamin Last | Conceptual Illustrator |
| Till Nowak | Conceptual Illustrator |
| Joe Studzinski | Conceptual Illustrator |
| Josh Viers | Conceptual Illustrator |
| Giles Asbury | Storyboard Artist |
| Doug Lefler | Storyboard Artist |
| Simeon Wilkins | Storyboard Artist |
| Gregor Hutchison | Art Department Assistant |
| Lydia Moss | Art Department Assistant |
| Grace Nagel | Art Department Assistant |
| Candice Marchlewski | Assistant Set Decoration |
| Adrian Greenwood | Other |
| Emma James | Set Decorating Coordinator |
| Daisy Wormell | Assistant Set Decoration |
| Maggie Musial | Assistant Set Decoration |
| Daisy Azis | Assistant Set Decoration |
| James Laing | Other |
| Alan Tongs | Other |
| James Cura | Other |
| Patricia Pawlowski | Other |
| Mahalia John | Second Assistant "A" Camera |
| Martin Stephens | "C" Camera Operator |
| Leigh Gold | First Assistant "C" Camera |
| Apolo Wilson | Second Assistant "C" Camera |
| Faith Glenister | Camera Loader |
| Kai-yan Lai | Camera Trainee |
| Chris Murphy | Boom Operator |
| Jake Chilcott | Boom Operator |
| John Bowman | Other |
| Ben Montague | Other |
| Iona Greaves | Other |
| Lily Archbutt | Other |
| Jay Patel | Digital Imaging Technician |
| Tommy Shackles | Other |
| Tom Ormerod | Production Supervisor |
| Danielle Rogers | Production Coordinator |
| Sophia Davey | Assistant Production Coordinator |
| Suzanna Rajnai | Travel Coordinator |
| Ferdinand Hunter | Other |
| Nadeem Ashayer | Other |
| Eamonn Cawley | Other |
| Pandora Showan | Other |
| Jenna Pearson | Third Assistant Director |
| Simon Jenkins | Third Assistant Director |
| Jasmine O'Gilvie | Production Secretary |
| Claire Stratton | Other |
| James Underwood | Other |
| Bella Armfield | Production Assistant |
| Asti Bagger | Production Assistant |
| Harrison Cunliffe | Production Assistant |
| Monique Dulieu | Production Assistant |
| Alexandra Haigh | Production Assistant |
| James Head | Production Assistant |
| Elise Lamb | Production Assistant |
| Matt McMullan | Production Assistant |
| Leon Peart | Production Assistant |
| Zoe Theil | Production Assistant |
| James Richardson | Other |
| Clair Hanson | Production Accountant |
| Sally Stabler | First Assistant Accountant |
| Rajneet Jabbal | Other |
| James Fisher | Other |
| Sophie Morrissey | Payroll Accountant |
| Faye Dewhurst | Payroll Accountant |
| Teresa Doult | Payroll Accountant |
| Andrew McDowell | Other |
| India Ayles | Assistant Costume Designer |
| Emma Burnand | Assistant Costume Designer |
| Joanne Lees | Assistant Costume Designer |
| Charlotte Wiseman | Assistant Costume Designer |
| Kate Chadderton | Costume Coordinator |
| Andrew Domachowski | Other |
| Anna Haigh | Other |
| Soizic Quentin de Coupigny | Other |
| Angela Pledge | Other |
| Phoebe Allies | Other |
| Rosie Smith | Other |
| Naomi Critcher | Other |
| Jamie Harvey | Other |
| Claire Baldwin | Set Costumer |
| Mike Hodge | Set Costumer |
| Sophie Earnshaw | Set Costumer |
| Ella Sehic | Other |
| Steve Gell | Other |
| Mohamed Elfata | Textile Artist |
| Lydia Gamble | Textile Artist |
| Emma van Blommestein | Textile Artist |
| Michelle Ho | Textile Artist |
| Terry Archer | Dresser |
| David Ball | Dresser |
| Felicity Goldsworthy | Dresser |
| Carolyn Handscombe | Dresser |
| Sarah Ferdinando | Other |
| Jessica Hassall | Other |
| Chan Chi Wan | Other |
| Daniel Kearns | Art Direction |
| Richard Jolley | Art Direction |
| Bradley Almond | Costume Assistant |
| Zara de Freitas | Costume Assistant |
| Angela Egan | Costume Assistant |
| Elanor Howard-Kitching | Costume Assistant |
| Oliver Koumbas | Costume Assistant |
| Rosie Lack | Costume Assistant |
| Thomas Mortimer | Costume Assistant |
| Maria Smith | Costume Assistant |
| Marta Torres Pena | Costume Assistant |
| Hannah Warren | Costume Assistant |
| Hannah Shircore | Other |
| Aslim (Lisa) Sonmez | Other |
| Kinza Wong | Other |
| Daljit Colthorpe | Other |
| Carla Eve | Other |
| Courtney Ullrich | Hairstylist |
| Chloë Pyne | Hairstylist, Makeup Artist |
| Karen Teitge | Hairstylist, Makeup Artist |
| Cat O'Daly | Hairstylist, Makeup Artist |
| Bella Ava Georgiou | Hairstylist, Makeup Artist |
| Sammi Maslauskatie | Other |
| Giulia Tedone | Other |
| Sinead Sweeney | Other |
| Gemma Curran | Other |
| Shelley King | Other |
| Sophia Michael | Other |
| Hannah Green | Other |
| Cheska Cavallaro | Other |
| Emily Balazs | Other |
| Jess Upton | Other |
| Jordan Halford | Other |
| Dara Hannon | Other |
| Jess Utting | Other |
| Kiri Phillips | Other |
| Jo Flowers | Wigmaker |
| Charlotte Broadbent | Other |
| Gemma Clader | Other |
| Hanna Canfor-Barrett | Other |
| Julie Dartnell | Other |
| Mark English | Other |
| Sarah Grispo | Other |
| Lisa Isles | Other |
| Nicky Knowles | Other |
| Suzi Long | Other |
| Gary Machin | Other |
| Emma Mash | Other |
| Antonia Neophytou | Other |
| Sue O'Neill | Other |
| Deborah Taylor | Other |
| Sophia Weston | Other |
| Louise Young | Other |
| Emma Micallef | Other |
| Charlotte Haldane | Other |
| Paula Shanahan | Other |
| Anthony Parker | Other |
| John Eldred-Tooby | Other |
| Becky Johnson | Other |
| Harvey Smith | Other |
| Jim Bones | Other |
| Chloe Muton-Philips | Hair Supervisor |
| Emma Faulkes | Other |
| Amie Aspen | Other |
| Paula Eden | Other |
| Tristan Mathews | Post Production Supervisor |
| Matthew Ellena | First Assistant Editor |
| Kaitlin Hollingsworth | First Assistant Editor |
| Kathryn Prescott | First Assistant Editor |
| Nashia Wachsman | Music Editor |
| Paul Apelgren | Music Editor |
| Stephen M. Davis | Music Editor |
| Jason Barnes | First Assistant Editor |
| Alex Levy | Music Editor |
| Bryan Tan | Other |
| Tyshana Richard | Other |
| Christina V. Silva | Post Production Coordinator |
| Sarah E. Sharp | Editorial Production Assistant |
| Alex Kim | Editorial Production Assistant |
| Jeremy Richardson | First Assistant Editor |
| Hannah Owen | Other |
| Adam McHattie | Other |
| Talia Caouki | Other |
| Krystal Johnson | Other |
| Craig Tanner | Other |
| David Black | Other |
| Ian McClarren | Other |
| Geoff Murillo | Other |
| Ryan O'Sullivan | Other |
| John Mangia | VFX Supervisor |
| Kevin Souls | VFX Supervisor |
| Sandro Blattner | VFX Supervisor |
| Dennis Murillo | Visual Effects Production Manager |
| Minnie Latham | Visual Effects Coordinator |
| Hank Kilgore | Visual Effects Coordinator |
| Joseph Anya | Visual Effects Coordinator |
| Isaiah Thomas | Visual Effects Coordinator |
| Steven Enis | Visual Effects Coordinator |
| Carlos Escobosa | Visual Effects Coordinator |
| Kosta Saric | VFX Editor |
| Anton Capaldo-Smith | VFX Editor |
| Michael Fendick | VFX Editor |
| Tyler Whitman | VFX Editor |
| Michael Stone | VFX Editor |
| Patrick Gallagher | VFX Editor |
| Adam Kimmerlin | VFX Editor |
| Andrew R. Jones | Animation Supervisor |
| David J. Phillips | Compositing Artist |
| Greg VanZyl | Compositing Artist |
| Matthew Walker | Compositing Artist |
| Kyle Brown | Compositing Artist |
| Esdras Prudente | Compositing Artist |
| Anu Bamidele | Visual Effects Production Assistant |
| Anna K. Fischer | Visual Effects Production Assistant |
| Olivia Johnson | Visual Effects Production Assistant |
| Kayleigh Corcoran | Visual Effects Production Assistant |
| Ben Wiseman | Visual Effects Production Assistant |
| Max Tunon | Visual Effects Production Assistant |
| Emma Webb | Stereoscopic Supervisor |
| Keri Foster | Special Effects Coordinator |
| Dai Kneath | Special Effects Technician |
| Simon Lorenzo | Special Effects Technician |
| Peter Britten | Special Effects Technician |
| Mark Bullimore | Special Effects Technician |
| Andy Bunce | Special Effects Technician |
| Chris Gibbs | Special Effects Technician |
| Curtis Iggulden | Special Effects Technician |
| Kevin Rogan | Special Effects Technician |
| Robin Schoonraad | Special Effects Technician |
| Don Allan | Special Effects Technician |
| Jonathan Bickerdike | Special Effects Technician |
| Laurence Harvey | Special Effects Technician |
| Shane Harvey | Special Effects Technician |
| Dominic Mewburn-Crooke | Special Effects Technician |
| Aaron Parrott | Special Effects Technician |
| Steve Pippet | Special Effects Technician |
| Darren Shearwood | Special Effects Technician |
| Charles Tycer | Special Effects Technician |
| Joe White | Special Effects Technician |
| Ty Teiger | Property Master |
| George Thomson | Assistant Property Master |
| Michele Panattoni | Other |
| Steve Ball | Other |
| Neil Murrum | Carpenter |
| Charlie Harris | Carpenter |
| Mark Button | Concept Artist |
| Ryan de Silva | Concept Artist |
| Emma Drought | Painter |
| Charlotte Epstein | Painter |
| Joe Goodbrand | Painter |
| Kirk Hawkins | Painter |
| Russell Read | Painter |
| Justin Swales | Painter |
| Andres Lareo Vazquez | Painter |
| Robert West | Painter |
| Liam McGill | Rigging Gaffer |
| Paul Jones | Standby Carpenter |
| Ben Henshall | Standby Carpenter |
| Jack Connolly | Standby Rigger |
| Duncan Broadfoot | Location Manager |
| Sam Bather | Location Manager |
| Tom Elliott | Assistant Location Manager |
| Marc Fabrega Cervera | Assistant Location Manager |
| Toby Blyther | Unit Manager |
| Jaimie Barnett | Assistant Unit Manager |
| Reg Poerscout-Edgerton | Additional Casting |
| Lillie Jeffrey | Additional Casting |
| Jordyn Gregory | Casting Associate |
| Adylene Villanueva | Executive Assistant |
| Lucy Ordaz | Casting Assistant |
| Benedict Minghella | Casting Associate |
| Sian Crisp | Casting Assistant |
| Pandora Showman | Extras Casting |
| Terri Douglas | ADR Voice Casting |
| Stacy Mann | Unit Publicist |
| James Cronin | BTS Videographer |
| Sarah Shepherd | Dialogue Coach |
| Jennifer Hamilton | Executive Assistant |
| Randi Jackson | Executive Assistant |
| Nick Fehrenbach | Executive Assistant |
| William Stickley | Construction Manager |
| Kathleen Haynes | Construction Coordinator |
| Stuart Bradley | Construction Buyer |
| Mark Titmus | Machinist |
| Steve Hubbucks | Machinist |
| Dean Ridgway | Electrician |
| Matthew Walker | Scenic Artist |
| Tom Kirkwood | Scenic Artist |
| Steve Jolley | Sculptor |
| Neil Hedger | Sculptor |
| Tom Smith | Sculptor |
| James Dean | Sculptor |
| Davy Jones | Sculptor |
| Sergi Páez | Assistant Production Coordinator |
| Gemma Monzó | Production Coordinator |
| William Bennett | Supervising Carpenter |
| Lee Biggs | Supervising Carpenter |
| Anthony Challenor | Supervising Carpenter |
| Marcus Ehren | Supervising Carpenter |
| Chris Frewin | Supervising Carpenter |
| Conor Hayes | Supervising Carpenter |
| John Kirsop | Supervising Carpenter |
| Joe Laidlaw | Supervising Carpenter |
| Gareth Newvell | Supervising Carpenter |
| Mark Seath | Supervising Carpenter |
| Graham Shepherdly | Supervising Carpenter |
| Jason Whyman | Supervising Carpenter |
| Dominic Fysh | Second Unit First Assistant Director |
| Jake Braver | Second Unit Director, Visual Effects Supervisor |
| Roberto Aguirre-Sacasa | Thanks |
| Mark Bagley | Thanks |
| Brian Michael Bendis | Thanks |
| Mark Buckingham | Thanks |
| John Buscema | Thanks |
| John Byrne | Thanks |
| Sean Chen | Thanks |
| Gerry Conway | Thanks |
| Alan Davis | Thanks |
| Tom DeFalco | Thanks |
| Nick Dragotta | Thanks |
| Dale Eaglesham | Thanks |
| Neil Edwards | Thanks |
| Steve Epting | Thanks |
| Jonathan Hickman | Thanks |
| Stuart Immonen | Thanks |
| Sean Izaakse | Thanks |
| Paul Jenkins | Thanks |
| Karl Kesel | Thanks |
| Jim Krueger | Thanks |
| John Paul Leon | Thanks |
| David Marquez | Thanks |
| Mark Millar | Thanks |
| Ryan North | Thanks |
| Phil Noto | Thanks |
| Sara Pichelli | Thanks |
| Paolo Rivera | Thanks |
| Alex Ross | Thanks |
| Mark Russell | Thanks |
| Dan Slott | Thanks |
| Mark Waid | Thanks |
| Mike Wieringo | Thanks |
| Ron Wilson | Thanks |
| Chip Zdarsky | Thanks |
| Patrick Haskew | Pre-Visualization Supervisor |
| Joanne Smithies | Pre-Visualization Supervisor |
| Shannon Justison | Pre-Visualization Supervisor |
| Jen Pearson | VFX Editor |
| Sebastien Tessier | CG Supervisor |
| Anik Seguin | VFX Editor |
| Julius Kwan | Animation Supervisor |
| Kelvin Richie Ha Yee | Compositing Supervisor |
| Alex Llewellyn | Compositing Supervisor |
| Amanda Pamela Llewellyn | Compositing Lead |
| Bumjun Jeremy Kim | Compositing Lead |
| Yashvhanth Chandrasekaran | Compositing Lead |
| Laura Ingram | Compositing Lead |
| Marco Carboni | CG Supervisor |
| Juan Antonio Espigares Enríquez | Compositing Supervisor |
| Simon Scott | VFX Editor |
| Mathieu Vig | Animation Supervisor |
| Chi-Chang Chu | CG Supervisor |
| Alison Luong | Digital Producer |
| Natalie Miller | Visual Effects Producer |
| Claudia Lechen | 2D Supervisor |
| Sagar Mehta | 2D Supervisor |
| Anna Penn | VFX Editor |
| Beck Veitch | Compositing Supervisor |
| Sophie Ingram | Visual Effects Production Manager |
| Dana Peters | CG Supervisor |
| Mark McNicholl | CG Supervisor |
| Mei Lee Lim | Visual Effects Producer |
| Xu Li | Visual Effects Supervisor |
| Jared Sandrew | Visual Effects Supervisor |
| Chris Morley | Visual Effects Supervisor |
| Shad Davis | Executive Visual Effects Producer |
| Donna Cullen | Visual Effects Producer |
| Simon Wilches-Castro | Animation Supervisor |
| Kyrsten Mate | Sound Designer |
| Richard Gould | Sound Effects Editor |
| David Chrastka | Sound Effects Editor |
| Robert Stambler | Sound Effects Editor |
| Angela Kwan Ang | Dialogue Editor |
| Vanessa Lapato | Dialogue Editor |
| James Spencer | ADR Editor |
| Alyssa Nevarez | Foley Editor |
| Andre Fenley | Foley Editor |
| Ronni Brown | Foley Artist |
| Jana Vance | Foley Artist |
| Richard Duarte | Foley Mixer |
| Trey Turner | Other |
| Doc Kane | ADR Mixer |
| Brett Voss | ADR Recordist |
| Logyn Okuda | Other |
| Cliff Masterson | Conductor |
| Alfonso Casado Trigo | Conductor |
| Warren Brown | Scoring Mixer |
| Jeffrey Ford | Thanks |
| Matt Fraction | Thanks |
| Glen David Gold | Thanks |
| Scottie Waldron | Thanks |
| Nicholas St. Clair | Animation |
| Eric Andrusyszyn | Compositing Artist |
| Michael Ling | Other |
| Chris Lyons | Special Effects Makeup Artist |
| Eric Pearson | Story, Screenplay |
| Jeff Kaplan | Story, Screenplay |
| Ian Springer | Story, Screenplay |
| Emma Britton | Stunts |
| Adam Kubert | Thanks |
| Jack Bell | VFX Editor |
| Name | Title |
|---|---|
| Louis D'Esposito | Executive Producer |
| Tim Lewis | Executive Producer |
| Grant Curtis | Executive Producer |
| Mitchell Bell | Co-Producer |
| Robert Kulzer | Executive Producer |
| Ryan Meinerding | Associate Producer |
| Nick Pepin | Associate Producer |
| Lulu Dillon | Associate Producer |
| Kevin Feige | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 43 | 14 |
| 2024 | 5 | 53 | 61 | 34 |
| 2024 | 6 | 35 | 64 | 16 |
| 2024 | 7 | 40 | 93 | 18 |
| 2024 | 8 | 39 | 65 | 23 |
| 2024 | 9 | 24 | 32 | 17 |
| 2024 | 10 | 27 | 49 | 16 |
| 2024 | 11 | 31 | 47 | 19 |
| 2024 | 12 | 30 | 46 | 19 |
| 2025 | 1 | 34 | 48 | 22 |
| 2025 | 2 | 57 | 132 | 8 |
| 2025 | 3 | 13 | 42 | 0 |
| 2025 | 4 | 16 | 34 | 7 |
| 2025 | 5 | 15 | 21 | 12 |
| 2025 | 6 | 26 | 42 | 18 |
| 2025 | 7 | 123 | 416 | 35 |
| 2025 | 8 | 191 | 359 | 135 |
| 2025 | 9 | 263 | 782 | 103 |
| 2025 | 10 | 232 | 569 | 111 |
| 2025 | 11 | 94 | 132 | 63 |
| 2025 | 12 | 56 | 65 | 50 |
| 2026 | 1 | 42 | 57 | 33 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 25 | 59 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 24 | 47 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 5 | 25 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 3 | 10 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 1 | 19 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 3 | 16 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 1 | 8 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 3 | 30 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 18 | 67 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 4 | 106 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 19 | 347 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 3 | 162 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 115 | 474 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 223 | 617 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 191 | 605 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 887 | 917 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 887 | 887 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 530 | 703 |
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/the-fantastic-four-first-steps-review-marvels-first-family-finally-gets-the-film-it-deserves/ "The Fantastic Four: First Steps not only introduces a team with the potential to lead the MCU's new era, but also establishes its own distinct identit ... y: heartfelt, visually striking, and emotionally grounded. Between Michael Giacchino's chilling score and the immersive retro-futuristic aesthetic - not to mention the undeniable chemistry among the four leads - there's a rare cohesion in this origin story, despite a few secondary issues. The emotional weight in Vanessa Kirby's expressions, the intimate dilemmas faced by Pedro Pascal, and the vulnerability shown by Joseph Quinn and Ebon Moss-Bachrach reveal an uncommon care for human detail. If these are the first steps, they're sure-footed - and full of soul." Rating: B+
Fun sci-fi fantasy that features a solid cast, good visual effects and okay enough story. Not great but well worth the price of admission. That said, can't say I have a desire to revisit for a long while. **3.75/5** ...
"Unlike the last dozen-or-so MCU plods, which turned derring-do comic book heroics into endurance tests, THE FANTASTIC FOUR: FIRST STEPS spins a ripping yarn that soars not only on spectacle, but also smarts and sentiment..." Read the full review here: https://bit.ly/4o5P6rP ...
Well good news, after ages and having given up trying “Sue” (Vanessa Kirby) and boffin “Reed” (Pedro Pascal) are going to have a bairn! This is great news for her brother “Johnny” (Joseph Quinn) and the stony fourth member of their gang “Ben” (Egon Moss-Bacharach). The news is greeted enthusiastical ... ly by their adoring fans too, but those celebrations are cut short when a mysterious woman descends from what looks like a meteor shower to forewarn them that their planet is doomed. Her (Julia Garner) boss “Galactus” (Ralph Ineson) is on his way, and he is hungry for not just some rare earths, but all of it! Blessed with their array of super-powers, the quartet embark in their warp-capable rocket to meet this chap and he offers them an alternative to global destruction. It’s one hell of a sacrifice for the would-be parents though, but with the fate of humanity hanging on their decision - what will they choose? Perhaps they can think of a scientific alternative? There is a slightly retro-look to the production, with their flying car looking like a converted Citroën that belonged in a Jacques Tati film, and there is plenty of inter-galactic adventure with some effective visual effects, a decent degree of menace and it stays sufficiently devoid of sentiment, and the multiverse, until the denouement. Though they do gel well together, none of the acting isn’t really anything special, nor is the writing, but “Ben” looks good with his beard and Quinn probably steals the show with his engagingly flaming character and his spray-on white 501s. There are loads of gadgets and gizmos and anyone who has ever had to argue with a child seat and a car might empathise, too. It’s an old-fashioned save the world movie that hasn’t sold it’s soul to the CGI, and I enjoyed it.
Much of The Fantastic Four: First Steps is built around Reed Richards (Pedro Pascal) and Sue Storm (Vanessa Kirby) getting pregnant and having their child, Franklin. Everything seems to be built around baby proofing and preparing for someone new to enter their lives until The Silver Surfer (Julia Ga ... rner) arrives to let everyone know that an enormous cosmic being named Galactus plans to swing by and eat the entire planet. The superhero film feels like a sci-fi film from the 1960s, which makes sense since Fantastic Four #1 debuted in 1961. Maybe it’s the bright colors or the fact that H.E.R.B.I.E. is featured so prominently, but the first half of the film feels like a multi-episode arc of The Jetsons. Things are lighthearted and fairly silly until The Silver Surfer shows up. But The Fantastic Four and James Gunn’s Superman seem to be honoring the silver age of comic books, which is a welcome change for superhero films. Oddly, the marketing makes it seem like the family bond amongst The Fantastic Four is so strong because it doesn’t seem that great while watching it. The film isn’t an origin story, as you only get a brief montage of how they got their powers. But there’s a lot of indecisiveness amongst the team with Franklin on the way. The way time passes in the film is weird. Sue’s pregnancy and Franklin’s age (apart from a certain time jump) seem accelerated, and it’s difficult to decipher if that much time has passed (nine months for the pregnancy, plus however many additional months Franklin is supposed to be) or if it’s fast-tracked because they all have powers. The casting in The Fantastic Four: First Steps is fine, but they still seem to be finding a rhythm as a team. Reed’s brain works in a way that has him thinking of the worst scenarios, while his plans and logic stem from building everything around the most horrible solution. Sue just wants her baby to thrive in the presence of a loving family. She doesn’t want to give him to Galactus or decide his fate if he happens to have powers. She wants him to live and flourish with his own identity and choices. The film seems to hint at Johnny being a womanizer, but he’s painfully single here. He latches onto The Silver Surfer and devotes a good chunk of the film to learning her language just so he can talk to her. The fate of the world may be at stake, sure, but dat silver ass has light years to travel and he’s got to make his moves now. Ben is kinda boring, honestly. He shows interest in Rachel Rozman (Natasha Lyonne) and returning to the places that remind him of what it’s like to feel normal, but unless he’s destroying something or lifting a car over his head, he’s a little forgettable. He isn’t conflicted enough and doesn’t clobber enough things to leave a lasting impression. Reed and Sue have noticeable chemistry, and they should given that they’re married. And Johnny and Ben have this macho kind of bro energy where they’re always ribbing each other and yet also sarcastically supporting one another (Ben’s beard, Johnny referring to himself in third person). As a foursome and a team, though, they still seem to be lacking, like they’re still learning to coordinate cohesively instead of Reed or Sue calling it on the spot. The film takes place four years after the cosmic storm that caused them to gain their powers. But maybe the “first steps” part of the title refers to them still learning to work together as a team, as well as Franklin’s first baby steps. The visual effects are mostly extremely impressive, with a few noticeable green screen shots and face animations being the only funky inclusions. The Silver Surfer’s face looks awkward at times, like it isn’t properly centered on Julia Garner’s body, or something. I wasn’t a huge fan of how the Human Torch looked either. His body is just orange with some lazy flames at the sides that don’t even cover his entire body. The Silver Surfer chase sequences in the wormhole are some of the best the MCU has ever done. There was a bit of an uproar amongst the internet community when The Silver Surfer turned out to be female in this, but the character is given the coolest moments in the film and arguably the film’s most emotional sequence apart from the film’s finale. It's been apparent since Doctor Strange has been hinting at it in both of his films, but the MCU needs to go fully cosmic for its next phase. Despite being beloved around the world and being a team for a decent amount of time, it feels like The Fantastic Four are still working out the kinks of being a solid team in First Steps. The performances are solid, the chemistry amongst the cast is great, and there are sentimental moments sprinkled throughout the entire film. There’s a lot of promise in what the future of the MCU holds with this version of The Fantastic Four, and it’s somewhat of a relief to have a Fantastic Four film that is actually worthwhile and hopefully worth revisiting with fondness instead of regret.
I like drama, but i don't like action ...
**Not bad!!** Because of the crap Marvel has been pumping overt the last decade, I went to watch this movie with very low hopes. It was a surprising experience that the movie turned out to be pretty OK. Storyline is not too complicated. It is a simple predictable story without too much twisted ... plots or surprises. Nonetheless, the storytelling is captivating and you don’t realize how the 1:30 hr passed. Acting is pretty decent, Pedro Pascal shines in his acting. There is no typical Marvel BS in this movie. If I had seen this movie about 15 years ago, I would have called it an average. But I am so sick and fatigued with crap movies these days, that even a normal movie like this feels good. Overall it is worth watching.
There’s a distinctive charm to “The Fantastic Four: First Steps,” a refreshing, visually inventive take on the MCU formula. Director Matt Shakman brings Marvel’s First Family into a retro-futuristic 1960s setting that makes the movie stand out from the typical summer superhero fare. Shakman delivers ... a world of bold colors, bubble-helmeted scientists, and sleek, sci-fi tech that’s unexpectedly delightful, if a bit slow moving. Reed Richards (Pedro Pascal) and his wife Sue Storm (Vanessa Kirby) have their first baby on the way. They, along with Reed’s brother-in-law Johnny (Joseph Quinn) and best friend Ben (Ebon Moss-Bachrach), are excited to welcome a new bundle of joy into their home. But when a mysterious woman known as Silver Surfer (Julia Garner) shows up with a dire warning from a ravenous space god called Galactus (Ralph Ineson), Sue and Reed are given an impossible choice: give up their newborn son to save Earth, or let the entire planet be destroyed. This conflict sounds compelling, but it’s also where the film stumbles. Galactus is more of a looming concept than a compelling villain, with motivations that feel too impersonal and very vague. Silver Surfer is a terrific character with an interesting back story, but the movie never quite gives her enough to do. The Four aren’t bogged down with an elaborate origin story either, and it works well here. They’re already established by the time we meet them, which allows for more time spent on character dynamics. I could see how casual audiences who are less familiar with the comic book characters could find the lack of an origin story disappointing, but the actors and their chemistry more than make up for it. The film leans into its “found family” theme with heart and sincerity, placing an emphasis on character over spectacle. The strong performances from the cast boost the film’s overall credibility, and the special effects are (admittedly) top notch. The themes lean heavily on the idea that family is not only biological, but also can be chosen, and there’s a nice balance between the need to be superheroes as well as parents and a strongly bonded family. Although there is plenty to like here, “The Fantastic Four: First Steps” isn’t a movie I’d ever want to revisit. I can’t honestly say that I’m excited to see any of these characters in future films, and I actually found the Four to be a little bit boring. And while it’s so nice to see a Marvel film that isn’t trying desperately to be forcefully stuffed into some extended universe timeline, the movie doesn’t entirely escape the studio’s usual pitfalls. By: Louisa Moore / SCREEN ZEALOTS
There’s a distinctive charm to “The Fantastic Four: First Steps,” a refreshing, visually inventive take on the MCU formula. Director Matt Shakman brings Marvel’s First Family into a retro-futuristic 1960s setting that makes the movie stand out from the typical summer superhero fare. Shakman delivers ... a world of bold colors, bubble-helmeted scientists, and sleek, sci-fi tech that’s unexpectedly delightful, if a bit slow moving. Reed Richards (Pedro Pascal) and his wife Sue Storm (Vanessa Kirby) have their first baby on the way. They, along with Reed’s brother-in-law Johnny (Joseph Quinn) and best friend Ben (Ebon Moss-Bachrach), are excited to welcome a new bundle of joy into their home. But when a mysterious woman known as Silver Surfer (Julia Garner) shows up with a dire warning from a ravenous space god called Galactus (Ralph Ineson), Sue and Reed are given an impossible choice: give up their newborn son to save Earth, or let the entire planet be destroyed. This conflict sounds compelling, but it’s also where the film stumbles. Galactus is more of a looming concept than a compelling villain, with motivations that feel too impersonal and very vague. Silver Surfer is a terrific character with an interesting back story, but the movie never quite gives her enough to do. The Four aren’t bogged down with an elaborate origin story either, and it works well here. They’re already established by the time we meet them, which allows for more time spent on character dynamics. I could see how casual audiences who are less familiar with the comic book characters could find the lack of an origin story disappointing, but the actors and their chemistry more than make up for it. The film leans into its “found family” theme with heart and sincerity, placing an emphasis on character over spectacle. The strong performances from the cast boost the film’s overall credibility, and the special effects are (admittedly) top notch. The themes lean heavily on the idea that family is not only biological, but also can be chosen, and there’s a nice balance between the need to be superheroes as well as parents and a strongly bonded family. Although there is plenty to like here, “The Fantastic Four: First Steps” isn’t a movie I’d ever want to revisit. I can’t honestly say that I’m excited to see any of these characters in future films, and I actually found the Four to be a little bit boring. And while it’s so nice to see a Marvel film that isn’t trying desperately to be forcefully stuffed into some extended universe timeline, the movie doesn’t entirely escape the studio’s usual pitfalls. By: Louisa Moore / SCREEN ZEALOTS
Look I am a huge Marval Movie fan and I thought this movie was one of my favorite movies of 2025 and one of my favorite Marvel Movies ever! ...
80/100 Our 4 heroes must save the world from a being that eats planets. This was a really fun and nostalgic entry in the MCU lexicon. Taking place in the 60s in a different universe, it perfectly blends the 60s feel and aesthetics with advanced technology. The family dynamics were nicely presente ... d with depth, heart and humor. The action is top notch and the special effects were awe inspiring in scale. Galactus made a great omnipotent being and the Silver Surfer was also very well portrayed. We've waited far too long for a good F4 movie and I'm so glad to finally see it. -- DrNostromo.com
Easily the best Fantastic Four film, not that it’s a high bar. Fourth time was definitely the charm (not including the unreleased 90s film). ...