Popularity: 25 (history)
Director: | Sean Byrne |
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Writer: | Nick Lepard |
Staring: |
A savvy and free-spirited surfer is abducted by a shark-obsessed serial killer. Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. | |
Release Date: | Jun 05, 2025 |
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Director: | Sean Byrne |
Writer: | Nick Lepard |
Genres: | Horror, Thriller |
Keywords | shark attack, animal attack, tape, serial killer, creature, shark, held captive, survival horror, tape recording , killer shark, ritual sacrifice, animal horror, anxious, female surfer, psychological horror, suspenseful, horror |
Production Companies | LD Entertainment, Oddfellows Entertainment, Range Media Partners, Brouhaha Entertainment |
Box Office |
Revenue: $4,569,549
Budget: $2,000,000 |
Updates |
Updated: Sep 03, 2025 Entered: Jul 02, 2025 |
Name | Character |
---|---|
Hassie Harrison | Zephyr |
Jai Courtney | Bruce Tucker |
Josh Heuston | Moses Markley |
Ella Newton | Heather |
Liam Greinke | Greg |
Rob Carlton | Dave |
Ali Basoka | Little Girl Lexi |
Michael Goldman | Cop |
Carly Haynes | Lexi's Young Mum |
Dylan Eastland | Store Cashier |
Jon Quested | Senior Constable Green |
James Munn | Surfer 1 |
Ryland Pearson-McManus | Surfer 2 |
Giorgia Stawaruk | Eva Groenen |
Lucas Crawford | Dreadlock Girl |
Nathan Gordon | SLSC Life Guard |
Name | Job |
---|---|
Nick Lepard | Writer |
Marion Boyce | Costume Design |
Nikki Barrett | Casting |
Matt Enfield | First Assistant Director |
Christian B. Young | Set Designer |
Chloe Turner | Foley Editor |
Julian Summers | Special Effects Supervisor |
Adam Dalli | Costume Supervisor |
Fergus Rotherham | Colorist |
Jackie Sullivan | Script Supervisor |
Teah Fraser | Production Runner |
Michael Yezerski | Original Music Composer |
Sean Byrne | Director |
Pete Baxter | Production Design |
Simon Green | Second Assistant Director |
Matthew Ault | Boom Operator |
Craig Walmsley | Sound Recordist, Production Sound Mixer |
Madeleine Ellis | Visual Effects Coordinator |
Olivia de Wet | Costume Assistant |
Luke Harrison Ford | Location Manager |
Harry Sweby | Script Coordinator |
Andrew Lindley | Production Accountant |
David White | Sound Re-Recording Mixer, Sound Designer |
Zeljka Stanin | Hair Designer, Makeup Designer |
Paul Phillips | Stunt Coordinator |
Joel Betts | "B" Camera Operator |
Jaden Thompson | Lighting Technician |
Toni Ffrench | Key Hair Stylist, Key Makeup Artist |
Vicki Sands | Makeup Artist |
Justin Dix | Special Effects Makeup Artist |
Peter Purcell | Sound Re-Recording Mixer |
Cate Cahill | Sound Effects Designer, Sound Effects Editor |
Shelley Farthing-Dawe | Director of Photography, "A" Camera Operator |
Kasra Rassoulzadegan | Editor |
Anastasia Adams | Set Decoration |
Mathew Hilton | Assistant Set Decoration |
Thalia Colettis | ADR Recording Engineer |
Alex Mangu-Thurgood | Special Effects Technician |
Maddison Mellers | Stunt Double |
Bianca Maeseele | Key Costumer |
Andrew Kotatko | Music Supervisor |
Hudson Adams | Cast Driver |
Andrew Mason | Visual Effects Supervisor |
Jimmy Christiansen | Stunt Double |
Louise Coulston | Makeup & Hair |
Sharon Robbins | Makeup Artist |
Jacqui Deacon | Makeup Artist |
Damien Hendry | Special Effects Technician |
Blair Slater | Foley Supervisor, Foley Editor |
Benjamin Dugard | Gaffer |
Isobel Boekeman | Makeup Artist |
Kelly Graham | Casting Associate |
Dave White | Sound Supervisor |
Name | Title |
---|---|
Pete Shilaimon | Producer |
Chris Ferguson | Producer |
Jacob Yakob | Executive Producer |
Andrew Mason | Producer |
Brian Kavanaugh-Jones | Producer |
Mehrdod Heydari | Executive Producer |
Michael Glassman | Executive Producer |
Marlaina Mah | Executive Producer |
Troy Lum | Producer |
Mickey Liddell | Producer |
Fred Berger | Executive Producer |
Joseph Yakob | Executive Producer |
Giorgia Stawaruk | Executive Producer |
Dani Sommerhauser | Associate Producer |
Penny Lin | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 5 | 2 | 4 | 1 |
2024 | 6 | 2 | 5 | 1 |
2024 | 7 | 3 | 7 | 0 |
2024 | 8 | 3 | 6 | 1 |
2024 | 9 | 2 | 4 | 1 |
2024 | 10 | 2 | 5 | 1 |
2024 | 11 | 1 | 3 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 1 | 2 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 4 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 3 | 7 | 1 |
2025 | 6 | 12 | 15 | 8 |
2025 | 7 | 46 | 198 | 7 |
2025 | 8 | 61 | 154 | 35 |
2025 | 9 | 31 | 37 | 26 |
2025 | 10 | 26 | 27 | 25 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 102 | 492 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 46 | 175 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 38 | 180 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 3 | 365 |
I suppose if you are called “Zephyr” then you’re likely to be a bit of a free spirit, so when we meet this one (Hassie Harrison) we ought not to be surprised that she does pretty much what she likes when she likes. That includes having a one night stand with the rather drippy but fit-looking realtor ... “Moses” (Josh Heuston) before she absconds before pancakes to ride the waves. Thing is, she’s got no fin key so has to borrow one from the friendly “Tucker” (Jai Courtney) whom we already know is a bit of a wrong ‘un. Next thing, she awakens tied to a bed on a boat next to “Heather” (Ella Newton) with both ready to star in the ultimate in horror flicks sustained only by Vegemite sandwiches (on stodgy white bread, too!). With him holding all the cards, things don’t look too good for these two women but luckily “Zephyr” is a gutsy and resourceful young woman and meantime the hapless and pining “Moses” is concerned that she has gone missing-in-action and is trying to find out where she’s gone. Can fate be thwarted? Can he track down his chum in time? Hmmm. Well, sadly there just isn’t anything about this that leaves any doubt about the conclusion, and the episodic, start/stop/start again nature of the storytelling just strings us along with a series of implausible scenarios that pad it out with all the certainty of the undoubted denouement. Aided by some impressive underwater photography, this could have been quite a fun half hour if Sean Byrne had had the courage of his original convictions and just let the initial impetus do the work, but once the thing starts to repeat itself it just becomes a bit preposterous as serendipity takes just too great and frequent a role. Pity, it had potential.
What a great movie! It was super intense, not a single boring moment and most likely satisfying ending. I enjoyed this movie very much. ...