| In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives. | |
| Release Date: | Mar 17, 2022 |
|---|---|
| Director: | Ti West |
| Writer: | Ti West |
| Genres: | Horror, Thriller |
| Keywords | sheriff, 1970s, shotgun, gas station, war veteran, texas, alligator, van, porn star, serial killer, slasher, violent death, porn actress, elderly couple, isolated farmhouse, existentialism, adult filmmaking, televangelist, intimate, pastiche, compassionate |
| Production Companies | A24, Little Lamb Productions |
| Box Office |
Revenue: $15,113,105
Budget: $1,000,000 |
| Updates |
Updated: Aug 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Mia Goth | Maxine / Pearl |
| Jenna Ortega | Lorraine |
| Brittany Snow | Bobby-Lynne |
| Kid Cudi | Jackson |
| Martin Henderson | Wayne |
| Owen Campbell | RJ |
| Stephen Ure | Howard |
| James Gaylyn | Sheriff Dentler |
| Simon Prast | Televangelist |
| Geoff Dolan | Deputy |
| Matthew J. Saville | Officer Mitchell |
| Bryony Skillington | Store Clerk |
| Karen Gillan | Radio Steak Seller (voice) (uncredited) |
| Name | Job |
|---|---|
| Karijus Schlogl | Set Designer |
| Cilla Leckie | Costume Supervisor |
| Chelsea Wolfe | Original Music Composer |
| Pascal Garneau | Sound Effects Editor |
| Frank Rueter | Visual Effects Supervisor |
| Peter Phok | Post Production Supervisor |
| Tomas Deckaj | First Assistant Director |
| Ant Davies | Second Assistant Director |
| Sophie Massey Broadbery | Second Second Assistant Director |
| Sue Mercer | Graphic Designer |
| Davi Aquino | Foley Editor, Foley Recordist |
| Bill Meadows | Mix Technician |
| Sam Spicer | Boom Operator |
| Margaret Austin | Stand In |
| Alex Falkner | Art Direction |
| Franca Gallo | Makeup Artist |
| Kevin Wasner | Key Makeup Artist, Special Effects Key Makeup Artist |
| Matthew Ericson | Sound Effects Editor |
| Jonathan Greber | Supervising Sound Editor |
| Frank A. Montaño | Sound Re-Recording Mixer |
| Graham Reznick | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer |
| Dion Hartley | Key Grip |
| Adrian Hebron | Gaffer |
| John Lott | Assistant Art Director |
| Jacob Jaffke | Unit Production Manager |
| Chris Hiles | Sound Mixer |
| Kevin Schultz | Foley Mixer |
| Ken Saville | Sound Mixer |
| Abigail Buchan | Stunt Double |
| Ditha Angraini | Stunt Double |
| Thomas McGinty | Stunt Double |
| Rebecca Birstock | Casting Associate |
| Karla Spika | Casting Assistant |
| Desiree Rose Cheer | Background Casting Director |
| Sarah Dunn | Graphic Designer |
| Olivia Masicz | Art Department Assistant |
| Phred Palmer | Property Master |
| Ruby Fitzgerald | Assistant Property Master |
| Martin Bath | Armorer |
| Abby Mariama | Props |
| Andrew Driver | Leadman |
| Ngaere Robertson | Set Dresser |
| Codey Morris | Set Dresser |
| Dean Hudson | Set Dresser |
| Patrick Pabalan | Set Dresser |
| Zachary Hyland | Set Dresser |
| Laetitia Belen | First Assistant Camera |
| Angelu Cayanan | Second Assistant Camera |
| Melissa Lawrence | Script Supervisor |
| Chris Moss | Still Photographer |
| Courtney Mayhew | Publicist |
| Mark Papalii | Best Boy Electric |
| Dominic Crossman | Electrician |
| Andy MacRae | Electrician |
| Hansel Verkerk | Generator Operator |
| Jan Kleinheins | Best Boy Grip |
| Justin Sykes | Dolly Grip |
| Conrad Hawkins | Grip |
| Travis Edwards | Rigging Grip |
| Eliza Zolnai | Sound Assistant |
| Verity Mackintosh | Production Coordinator |
| Seanne Culhane | Assistant Production Coordinator |
| Lucy Burns | Production Secretary |
| Reneau Skinner | Production Accountant |
| Karen Kong | Payroll Accountant |
| Monique Andrews | Assistant Accountant |
| Kyle Hooker | Assistant Accountant |
| Ayler Raven-Pearce | Accounting Clerk Assistant |
| Joe Fragassi | Post Production Accountant |
| Sarah Rubano | Hair Department Head, Makeup Designer, Hair Designer |
| Frankie Karena | Key Hair Stylist |
| Jose Noriega | Makeup & Hair |
| Sanchia Reed | Makeup & Hair |
| Cody Dysart | Wigmaker |
| Robert Pickens | Wigmaker |
| Sofia Sue Pedersen | Makeup & Hair |
| Blair Ryan | Makeup & Hair |
| Katie Fox-Heywood | Makeup & Hair |
| Brad Cunningham | Makeup & Hair |
| Sally Gray | Assistant Costume Designer |
| Jasmine Rogers-Scott | Key Set Costumer |
| Jess Neff | Truck Costumer |
| Holly Williamson | Costume Assistant |
| Rick Lipton | Dialect Coach |
| Paul Stieglbauer | Location Manager |
| Molly Cattell | Location Assistant |
| Connor Summerton | Location Assistant |
| Benjamin Bamford | Third Assistant Director |
| Austin Hobson | Assistant Unit Manager |
| Julie Gower | Craft Service |
| Andrew Lloyd | Construction Manager |
| Winks Schmidt | Construction Foreman |
| Gareth Cairns | Construction Foreman |
| Andy Hastings | Construction Foreman |
| Glenn Shaw | Transportation Captain |
| Sally Foster | Transportation Coordinator |
| Jason Docherty | Prosthetic Designer |
| Scott Milligan | Assistant Editor |
| Tom Efinger | Dialogue Editor, ADR Editor |
| Jared Connon | Line Producer |
| David Kashevaroff | Editor |
| Rebecca Dealy | Casting |
| Jessica Kelly | Casting |
| Thomas Salpietro | Set Decoration |
| Malgosia Turzanska | Costume Design |
| Eliot Rockett | Director of Photography |
| Augie Davis | Stunt Coordinator |
| Celia Rowlson-Hall | Choreographer |
| Abigail Savage | Sound Effects Editor |
| Peter McCaffrey | Camera Operator |
| Goro Koyama | Foley Artist |
| Jacqueline Lee Geurts | Stunt Double |
| Eli Roth | Thanks |
| Rob Gordon | Online Editor |
| Kevin Jung | Foley Editor |
| Tyler Bates | Original Music Composer |
| Tom Hammock | Production Design |
| Ti West | Writer, Director, Editor |
| Rodney Cook | Stunt Coordinator |
| Ali Herting | Thanks |
| Anastasya Nadya Putri | Post Production Accountant |
| Name | Title |
|---|---|
| Kevin Turen | Producer |
| Ashley Levinson | Executive Producer |
| Kid Cudi | Executive Producer |
| Dennis Cummings | Executive Producer |
| Harrison Kreiss | Executive Producer |
| Karina Manashil | Executive Producer |
| Peter Phok | Executive Producer |
| Jacob Jaffke | Producer |
| Sam Levinson | Producer |
| Ti West | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 214 | 517 | 132 |
| 2024 | 5 | 427 | 576 | 376 |
| 2024 | 6 | 324 | 481 | 153 |
| 2024 | 7 | 156 | 237 | 118 |
| 2024 | 8 | 110 | 173 | 63 |
| 2024 | 9 | 65 | 75 | 54 |
| 2024 | 10 | 77 | 119 | 55 |
| 2024 | 11 | 83 | 159 | 56 |
| 2024 | 12 | 61 | 91 | 48 |
| 2025 | 1 | 66 | 110 | 47 |
| 2025 | 2 | 47 | 66 | 11 |
| 2025 | 3 | 21 | 69 | 3 |
| 2025 | 4 | 11 | 16 | 8 |
| 2025 | 5 | 11 | 17 | 10 |
| 2025 | 6 | 10 | 14 | 8 |
| 2025 | 7 | 9 | 11 | 7 |
| 2025 | 8 | 9 | 10 | 8 |
| 2025 | 9 | 10 | 11 | 9 |
| 2025 | 10 | 11 | 14 | 9 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 255 | 614 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 188 | 651 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 104 | 569 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 283 | 649 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 119 | 642 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 240 | 666 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 208 | 645 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 184 | 605 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 91 | 763 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 258 | 580 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 214 | 687 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 144 | 562 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 131 | 319 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 120 | 379 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 34 | 182 |
MORE REVIEWS @ https://www.msbreviews.com/ "X pays homage to 70/80s classic slashers while simultaneously tackling important themes related to sexual pleasure/freedom, age, and self-acceptance in a deeper and more intelligent screenplay than meets the eye. Ti West (In a Valley of Violence) ret ... urns six years after his last feature film with a clear vision of a story that mixes uninhibited pornography with the purest gore that can be found on the big screen, all wrapped up in a constantly captivating narrative and insane third act. Mia Goth (Emma) shines tremendously with an imperceptible dual role that transforms a technically interesting movie into something truly impressive - makeup, visual/practical effects, and score deserve much praise. As hilarious as it is terrifying, it will be hard to forget, regardless of where the viewer falls on the opinion spectrum." Rating: B+
Hmmm - I didn't really get what all the fuss is about with this. A group of folks rent a house on the farm of an elderly couple. They arrive and settle down to make their porn film. Director "RJ" (Owen Campbell) isn't happy when his girlfriend "Lorraine" (Jenna Ortega) wants to join in and determine ... s to skedaddle in the middle of the night. Suffice to say, he doesn't quite manage and next thing the whole load of them are in peril of their lives. This contains one of the daftest old age sex scenes I have ever seen, but that is all I found even vaguely memorable about this rather derivative film. Sure, it's got an hungry alligator but the ending is weak, and the characters just parodied everything crass from the tacky late 1970s adult entertainment industry in a really flat, sterile, fashion. Takes too long to get going, and certainly does not need to be seen on a big screen. More V than X, I'd say.
Certainly a messed up horror-thriller, this had its moments but I'm not sure how much replay power it has. However the acting was fairly good, particularly Mia Goth and the premise itself was fun. **3.5/5** ...
Finally, a new quality original slasher! What a refreshing entry into the modern-day horror genre. So many movies are either plagued with remakes or supernatural elements, it is so nice to see a back to bones hack and slash. This movie does way more than that though, deep down there is a very heart ... touching story about growing old and becoming irrelevant. It is so interesting to be so emotionally connected to the killer but yet disturbed by the actions they take as well. I just cannot get over how good this movie is! The gore, the setup, the dialogue, the plot, everything about it I dug. Extremely excited to see what Pearl has to offer later this month. **Score:** _93%_ | **Verdict:** _Masterpiece_
**By: Louisa Moore / www.ScreenZealots.com** Ti West is a great visual director, and you can count on his films looking polished and amazing. Such is the case with “X,” the first film in his series of slashers (including the prequel, “Pearl,” and the upcoming “MaXXXine,” which is currently in dev ... elopment). While “X” was released first, I would still recommend watching “Pearl” beforehand. Either order is fine, but I think screening the prequel and keeping the actual story timeline in order makes the most sense if you’re just starting out. “X” features grindhouse style horror that offers an homage to 1970s classics like “The Texas Chainsaw Massacre” but the film also lends a unique, fresh spin on the genre. The year is 1979, and aspiring adult film actress Maxine Minx (Mia Goth) is joined by her cast and crew (Brittany Snow, Kid Cudi, Jenna Ortega, Owen Campbell, and Martin Henderson) to make a different kind of pornographic picture. The group ventures to a remote farmhouse in rural Texas to shoot their film, but something feels “off” about the elderly property owners Howard and Pearl (Stephen Ure and Goth, in a dual role). Their reclusive hosts are unaware of what’s going on out back until they catch the performers in the act. This sets off a chain of very violent events that has everyone fighting for their lives. The retro horror setting serves the story well, even if it has the most basic of plots. What makes this script (penned by West) stand out is the dry humor and interesting, well-written characters that have a lot of depth. It doesn’t take long to start to like and care for these people, which makes their inevitable demise hit a little harder. West’s script includes themes of aging, ambition, voyeurism, and jealousy, all tied together with the joy of setting yourself free from repression. Stifled desire causes the elderly couple to begin their killing spree, but there is so much more underneath the carnage. The film features explicit bloody violence, gore, nudity, and sex, earning its hard “R” rating. West doesn’t turn his camera from the bloodshed even when the audience instinctively looks away. If you aren’t accustomed to horror, this film may not be for you. The cast is comprised of terrific indie actors who trust their director onscreen and off, which shows in their work. Being able to feel so free in front of the camera makes it an easier task to also stand behind it, and all of this results in great entertainment for the audience. The movie is fun and smart, if uncomplicated. “X” ends with a wholly satisfying finale and avoids the pitfalls of frustrating the audience, as so many independent horror films seem to do. It’s a slower burn for sure, but what a rewarding ride.
I will be doing a combined review for the two films, "X" and "Pearl." Upon seeing the high ratings given by both the general public and critics to these movies, I am left puzzled about what truly makes a good film. Let's start with "X," a movie that I found to be absolutely terrible. The film ... revolves around pornography rather than a cohesive storyline, resulting in a disjointed and atrocious viewing experience. The cinematography, acting, storytelling, and writing were all subpar, yet critics inexplicably praised it. The attempt to elevate the film with Jenna Ortega fell short, as she had minimal screen time amidst excessive male and adult nudity, making it unsuitable for general viewing. This is a movie best watched in private, not recommended by me at all. Moving on to "Pearl," I was equally disappointed as it also relied heavily on sexual themes. The film took a bizarre turn, culminating in a scene that made me walk out of the theater in disbelief. It's baffling to see these films receive acclaim, especially when performances like Mia Goth's are lacking. It seems that the current focus is on titillation rather than genuine storytelling. As we await the verdict on the third film, it appears that the world may be more interested in gratification than meaningful narratives.
X by Ti West is definitely a unique take on the slasher genre. The story feels fresh and unlike anything I’ve seen before, making it a solid introduction to something new. The acting by all the characters was good, not perfect, but strong enough to carry the film. It didn’t blow me away, but it work ... ed well with the story. The plot itself is very straightforward and easy to follow, but it takes a bit too long to get going. The first act feels stretched out, with not much happening until later, and it’s a little unclear when the first act transitions into the second. That pacing could’ve been tighter, but once the story picks up, things really start moving, and the payoff is worth it. Visually, the film nails the 1970s vibe with gritty yet polished cinematography that draws you in. An interesting choice is the use of the 1.37:1 and the 1.90:1 aspect ratio, which enhances the viewing experience. Overall, it’s a solid horror movie with a unique spin, even if it has its pacing flaws. It’s definitely worth a watch if you’re into stylish, slow-burn horror.
<em>'X'</em>... I didn't see that coming! Admittedly, I practically came in fully blind, but still. It's not only an impressively stylish movie, it's an absolutely wild ride from beginning to completion. A fantastic horror slasher, it's brought to life superbly on and 'off' screen. Mia Goth bring ... s an excellent performance, that one scream fails to escape my memory... co-star Jenna Ortega matches her in that department though, perhaps even surpasses. I've known Goth by name for a while, but this is the first movie of hers that I've logged. Ortega herself is very good too, as are all of the others in this 2022 release. Brittany Snow does well, is it just me (probably) that sees a facial resemblance to Christine Lakin? (shoutout anyone who watched <em>'Internet Icon'</em> featuring her back in the day). Scott Mescudi (aka Kid Cudi, that <i>one</i> shot is a madness btw 😂 *insert Rowley Jefferson gif here*). Martin Henderson, Owen Campbell and Stephen Ure play their part too. The deaths are awesome - super well done. The one with the secondary eye pop edit got me squeamish; the editing is top tier. Just looked up the filming locations for this... New Zealand?! I was totally convinced that the farm was the same one used for <em>'The Walking Dead'</em>. Aside from a few differences, the house and barn match my (admittedly fading) memory of Hershel's digs. Clearly not! Lastly, I did not even realise, until looking at the Wikipedia article in fact, that Goth played Pearl as well... crazy prosthetics! That does make the eponymous follow-up's cover make a lot more sense (given I knew it was a prequel), I was questioning that until this very moment.