Popularity: 31 (history)
| Director: | Jared Hess |
|---|---|
| Writer: | Chris Bowman, Gavin James, Neil Widener, Hubbel Palmer, Allison Schroeder, Chris Galletta |
| Staring: |
| Four misfits find themselves struggling with ordinary problems when they are suddenly pulled through a mysterious portal into the Overworld: a bizarre, cubic wonderland that thrives on imagination. To get back home, they'll have to master this world while embarking on a magical quest with an unexpected, expert crafter, Steve. | |
| Release Date: | Mar 31, 2025 |
|---|---|
| Director: | Jared Hess |
| Writer: | Chris Bowman, Gavin James, Neil Widener, Hubbel Palmer, Allison Schroeder, Chris Galletta |
| Genres: | Family, Comedy, Fantasy, Adventure |
| Keywords | exploration, miner, friendship, portal, friends, surrealism, survival, zombie, based on video game, aftercreditsstinger, duringcreditsstinger, journey, live action and animation, imagination, teamwork, fantasy, cheerful, exuberant, building |
| Production Companies | Warner Bros. Pictures, Vertigo Entertainment, Legendary Pictures, Mojang Studios, On the Roam, Domain Entertainment |
| Box Office |
Revenue: $957,749,195
Budget: $150,000,000 |
| Updates |
Updated: Oct 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jason Momoa | Garrett |
| Jack Black | Steve |
| Sebastian Eugene Hansen | Henry |
| Emma Myers | Natalie |
| Danielle Brooks | Dawn |
| Jennifer Coolidge | Vice Principal Marlene |
| Rachel House | Malgosha (voice) |
| Allan Henry | Malgosha (Creature Performer) |
| Bram Scott-Breheny | Young Steve |
| Moana Williams | Young Garrett |
| Jemaine Clement | Daryl / Bruce (voice) |
| Mark Wright | HR Person |
| Yvette Parsons | Delivery Person |
| Hiram Garcia | Mr. Gunchie |
| Bret McKenzie | Nitwit Onset Performer |
| Jared Hess | General Chungus (voice) |
| Batanai Mashingaidze | Matty the Waitress |
| Amanda Billing | Henry's Mother |
| Tommy Broadmore | Trevor |
| Frankie Creagh-Leslie | Trevor's Friend |
| Alison Quigan | Chuggy Executive #1 |
| John Smythe | Chuggy Executive #2 |
| Alex Tunui | Secretary |
| Craig Mckinney | Miner |
| Joel Rindelaub | Arcade Judge |
| Antony Degreat | Gamer #1 |
| Victor Kazaroho | Gamer #2 |
| Ben Carpenter | Henry Picture Double |
| Rowan Bacal | Greta |
| Brennan Standing | Lee |
| Dylan Chitekwe | Miles |
| Matt Berry | Nitwit (voice) |
| Alice May Connolly | Alex Double |
| Jens Bergensten | Waiter |
| Oliver Brotherhood | Auction Attendee |
| Daniel Middleton | Auction Attendee |
| Elizabeth Batty | Auction Attendee |
| Jessica Bravura | Auction Attendee |
| Kate McKinnon | Alex (voice) (uncredited) |
| Name | Job |
|---|---|
| Jon Valera | Stunt Coordinator, Second Unit Director |
| James Thomas | Editor |
| Amanda Neale | Costume Design |
| Gabe Hilfer | Music Supervisor |
| Karyn Rachtman | Music Supervisor |
| Mark Mothersbaugh | Original Music Composer |
| Yvan Lucas | Colorist |
| Enrique Chediak | Director of Photography |
| Michael Heathcote | Steadicam Operator, "A" Camera Operator |
| Richard Bennett | Storyboard Artist |
| Piotr Karwas | Visual Effects Supervisor |
| Tom Greene | Visual Effects Producer |
| Kevin Estey | Animation Supervisor |
| Erik Aadahl | Sound Designer, Supervising Sound Editor |
| Ethan Van der Ryn | Sound Designer, Supervising Sound Editor |
| Amber Richards | Set Decoration |
| Vinnie Ashton | Hair Designer, Makeup Designer |
| Nick Satriano | First Assistant Director |
| Sheldon Stopsack | Visual Effects Supervisor |
| Matt Cornelius | Property Master |
| Jason W. Jennings | Supervising Sound Editor |
| Tony Johnson | Production Sound Mixer |
| Veronica Li | Assistant Sound Editor |
| John Cavill | "B" Camera Operator |
| Jared Hess | Director |
| Markus Persson | Video Game |
| Grant Major | Production Design |
| Andy McLaren | Art Direction |
| Jill Bogdanowicz | Colorist |
| Jason Bath | Visual Effects Producer |
| Chris Bowman | Story, Screenplay |
| Gavin James | Screenplay |
| Neil Widener | Screenplay |
| Hubbel Palmer | Story, Screenplay |
| Allison Schroeder | Story |
| Chris Galletta | Screenplay |
| Jens Bergensten | Thanks |
| Samuel Åberg | Thanks |
| Lydia Winters | Thanks |
| Johan Aronsson | Thanks |
| Eileen Lee | Thanks |
| Kevin Grace | Thanks |
| Alex Wiltshire | Thanks |
| Katie Penza | Thanks |
| Sean Flanery | Thanks |
| Isabella Balk | Thanks |
| Lisa Kempe | Thanks |
| Markus Toivonen | Thanks |
| Jonathan Costelloe | Stunt Coordinator |
| Sean Button | Stunt Coordinator |
| Cameron Hilts | Stunt Coordinator |
| Jake De Witt | Stunt Coordinator |
| Jared De Witt | Stunt Coordinator |
| Ashlen Aquila | Stunts |
| Yasushi Asaya | Stunts |
| Matt Bowden | Stunts |
| Andrea Berchtold | Stunts |
| Alexis Feodoroff | Sound Re-Recording Mixer |
| Melanie Graham | Sound Effects Editor |
| Andrew Moore | Sound Effects Editor |
| Simon Riley | Foley Artist |
| Julian Slater | Sound Re-Recording Mixer |
| Matt Stutter | Sound Effects Editor |
| Craig Tomlinson | Foley Editor |
| Dave Whitehead | Sound Designer |
| Tish Celestine | Hairstylist |
| Jacqui Leung | Makeup Artist |
| Anne Morgan | Hair Designer |
| Vanya Pell | Hairstylist |
| Aly Webby | Key Makeup Artist |
| Zahra Archer | Assistant Art Director |
| Samuel Dobrec | Set Designer |
| Sophie Calver | Second Assistant Director |
| Simon Ambridge | Unit Production Manager |
| Fiona Crawford | Visual Effects Producer |
| Kilou Picard | Visual Effects Producer |
| Delaney Del Vecchio | Additional Editing |
| Jonathan Woodford-Robinson | Additional Editing |
| Paulina Piasta | Set Designer |
| Ilan Blumberg | Set Designer |
| Simon Bright | Supervising Art Director |
| Carey Johnson | Art Department Coordinator |
| Karla Wallace | Art Department Coordinator |
| Kim Jarrett | Art Direction |
| Helen Strevens | Art Direction |
| Marcel Vidot | Art Direction |
| Talor Wikohika | Assistant Art Director |
| Marina Stojanovic | Assistant Art Director |
| Brendon Sweeney | Assistant Art Director |
| Dylan Coburn | Storyboard Artist |
| Martin Bailey | Storyboard Artist |
| Maxime Delalande | Storyboard Artist |
| Brenden Holster | "C" Camera Operator |
| Henry West | First Assistant "A" Camera |
| Sam Bailey | First Assistant "B" Camera |
| Tom Markham-Short | First Assistant "C" Camera |
| Nina Kalkoff | Second Assistant "A" Camera |
| Angelu Cayanan | Second Assistant "B" Camera |
| Jamieson Montgomery | Second Assistant "C" Camera |
| A. Kyo Moon | Digital Imaging Technician |
| Monique Knight | Script Supervisor |
| Jaclyn Willens | Production Supervisor |
| David Boden | Production Supervisor |
| Holly Keeman | Production Coordinator |
| Alex McShane | Production Secretary |
| Jono Wilce | Production Secretary |
| Laura Hutton | Second Second Assistant Director |
| Ben Bamford | Third Assistant Director |
| Maddy Powell | Third Assistant Director |
| Rosie Vavasour | Third Assistant Director |
| Abigail Callahan | Post Production Supervisor |
| Dan Pavis | First Assistant Editor |
| Dan Graham | Assistant Editor |
| Alex Olivares | Assistant Editor |
| Finn McGregor | Post Production Assistant |
| Sally Cunningham | Post Production Coordinator |
| Danielle Daly | Post Production Supervisor |
| Jamieson Shaw | Supervising Music Editor |
| Dominick Certo | Music Editor |
| Rose Mackenzie-Peterson | Music Editor |
| Ryan Cole | Dialogue Editor |
| Stefanie Ng | Dialogue Editor |
| Rachel Tenner | Casting |
| Rosalie Button | Stunts |
| Lee Chesley | Stunts |
| Paddy Church | Stunts |
| Kani Collier | Stunts |
| Dorian Djoudi | Stunts |
| Kim Fardy | Stunts |
| Stephen Grey | Stunts |
| Akihiro Haga | Stunts |
| Bevan Hodder | Stunts |
| Nailah Johnson | Stunts |
| Jack Kingsley | Stunts |
| Scott Marsh | Stunts |
| Rob McKenzie | Stunts |
| Meg Morrison | Stunts |
| Kiara Pascale | Stunts |
| Matt Phillips | Stunts |
| Anthony Rinna | Stunts |
| Briar Rose | Stunts |
| Andrew Stehlin | Stunts |
| Ian Streetz | Stunts |
| Sharn Te Pou | Stunts |
| Mark Trotter | Stunts |
| Kyran van Asch | Stunts |
| Jimmy Waitman | Stunts |
| Gemma Weston | Stunts |
| Alexandra Whitley | Stunts |
| Casey Wright | Stunts |
| Namihei Koshige | Stunts |
| Esther Lau Young | Stunts |
| BENEE | Musician |
| Sloan Struble | Musician |
| Jill Messick | In Memory Of |
| Eleanor Calder | Assistant Production Coordinator |
| Chelcie Harman | Assistant Production Coordinator |
| Jason Pike | Assistant Production Coordinator |
| Mike Daley | Assistant Production Coordinator |
| Austin Alig | Assistant Production Coordinator |
| Michael Donaldson | Foley Recordist |
| Callum Scott | Foley Recordist |
| Katie Chilton-Towle | Sound Mix Technician |
| Eliza Meldrum | Assistant Set Decoration |
| Gareth Edwards | Assistant Set Decoration |
| David Kolff | Leadman |
| Tim Shortt-Smith | Set Dresser |
| Haley Williams | Set Dresser |
| Gareth Mills | Set Dresser |
| Ashlee Fidow | Stunts |
| Alexander Nowotny | Effects Supervisor |
| Dan Lemmon | Visual Effects Supervisor |
| Zac Campbell | VFX Artist |
| Andrew Tapper | Assistant Director |
| Liz Bernard | Animation Supervisor |
| Name | Title |
|---|---|
| Todd Hallowell | Executive Producer |
| Jill Messick | Producer |
| Pete Chiappetta | Executive Producer |
| Anthony Tittanegro | Executive Producer |
| Andrew Lary | Executive Producer |
| Nick Satriano | Co-Producer |
| Roy Lee | Producer |
| Jon Spaihts | Executive Producer |
| Mary Parent | Producer |
| Vu Bui | Producer |
| Torfi Frans Ólafsson | Producer |
| Jason Momoa | Producer |
| Jay Ashenfelter | Executive Producer |
| Jon Berg | Producer |
| Cale Boyter | Producer |
| Kayleen Walters | Executive Producer |
| Brian Andrew Mendoza | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 31 | 9 |
| 2024 | 5 | 18 | 26 | 13 |
| 2024 | 6 | 17 | 32 | 9 |
| 2024 | 7 | 21 | 35 | 14 |
| 2024 | 8 | 17 | 27 | 13 |
| 2024 | 9 | 77 | 105 | 29 |
| 2024 | 10 | 41 | 56 | 32 |
| 2024 | 11 | 64 | 110 | 28 |
| 2024 | 12 | 60 | 106 | 43 |
| 2025 | 1 | 73 | 105 | 52 |
| 2025 | 2 | 65 | 94 | 14 |
| 2025 | 3 | 64 | 185 | 1 |
| 2025 | 4 | 631 | 1022 | 120 |
| 2025 | 5 | 540 | 943 | 261 |
| 2025 | 6 | 249 | 457 | 167 |
| 2025 | 7 | 106 | 158 | 78 |
| 2025 | 8 | 61 | 78 | 52 |
| 2025 | 9 | 41 | 57 | 33 |
| 2025 | 10 | 33 | 37 | 28 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 67 | 351 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 38 | 243 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 41 | 124 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 21 | 56 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 9 | 21 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 1 | 11 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 1 | 7 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 7 | 93 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 40 | 529 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 237 | 660 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 333 | 653 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 34 | 529 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 597 | 671 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 50 | 529 |
Alright, buckle up, because I just saw a movie that completely blew my mind! Seriously, I'm still buzzing. From the very first scene, I was absolutely hooked, and it didn't let go until the credits rolled. The story? Oh my gosh, the story! It was so clever and well-crafted. It had twists and turn ... s I never saw coming, but it all made perfect sense in the end. It was like a puzzle that slowly came together, and every piece was perfectly placed. You know when a movie makes you think? This one definitely did that. It wasn't just mindless action or fluff; it had real substance. And the characters! They were so real and relatable. I felt like I knew them, like I was right there with them on their journey. They had depth, they had flaws, they had moments that made me laugh, and moments that made me want to cry. I was completely invested in what happened to them. The actors did an amazing job bringing them to life. You could feel their emotions through the screen. Visually, it was stunning. The way it was shot, the colors, the sets – everything was just beautiful. It wasn't just pretty to look at, though; it also added to the story and the mood. Some scenes were so powerful, they'll stay with me for a long time. The music was also perfect! It really enhanced the emotions and made everything even more impactful. Honestly, I can't think of a single thing I didn't like about this movie. It had everything: a great story, amazing characters, beautiful visuals, and a fantastic soundtrack. It made me feel so many different things, and it left me thinking long after it was over. If you're looking for a movie that will take you on a journey and leave you completely satisfied, this is it. Trust me, you won't be disappointed! It's a 10/10 masterpiece in my book!
Who doesn’t like a white woolly llama? Well that’s probably the highlight of this derivative CGI-fest that finds a quartet of geeks and gamers dragged through a magical portal to a world ruled by the evil “Malgosha”. Now she wants to use this glowing cube to escape from her dark and dingy “Overworld ... ” realm and take over the peaceable and colourful real-world but she hasn’t banked on the tenacity of former gaming champion “Garrett” (Jason Momoa) and the geeky “Henry” (Sebastian Hansen) who reunite with the long trapped “Steve” (Jack Black) to save the day and the world. You don’t really need to know much about the video game to appreciate the simplicity of this, but then again I’m note sure you’d need to be much over 5 to appreciate it either. The visuals are engagingly 1980s with some references that did remind me a bit of “Back to the Future” (1985) meets “Dungeons & Dragons” and a decent soundtrack that allows Black to get straight into his element and prove that it is possible to entertain amidst what was undoubtedly (for him) a sea of green! Momoa isn’t afraid to send himself up both Danielle Brooks and Sebastian Henry seem to be ready to immerse themselves in this once in a lifetime opportunity to be in a big-budget movie without really having any lines to learn, cues to make or long sessions in the make up chair. As ever with these weakly written fantasies, the denouement is never in jeopardy but with so much enthusiasm on the screen for something that was, for many, an integral part of their growing up it’s difficult to be overly critical of something so shamelessly sentimental. What it isn’t, though, is funny and the laughs are few and far between so I think it’s best to just aim low and let the whole tide of your adolescence (if you are old enough) to wash over you before you leave the cinema, completely forget all about this and hope there isn’t a sequel.
Who doesn’t like a white woolly llama? Well that’s probably the highlight of this derivative CGI-fest that finds a quartet of geeks and gamers dragged through a magical portal to a world ruled by the evil “Malgosha”. Now she wants to use this glowing cube to escape from her dark and dingy “Overworld ... ” realm and take over the peaceable and colourful real-world but she hasn’t banked on the tenacity of former gaming champion “Garrett” (Jason Momoa) and the geeky “Henry” (Sebastian Hansen) who reunite with the long trapped “Steve” (Jack Black) to save the day and the world. You don’t really need to know much about the video game to appreciate the simplicity of this, but then again I’m not sure you’d need to be much over 5 to appreciate that either. The visuals are engagingly 1980s with some references that did remind me a bit of “Back to the Future” (1985) meets “Dungeons & Dragons” whilst a decent soundtrack that allows Black to get straight into his element and prove that it is possible to entertain amidst what was undoubtedly (for him) a sea of green! Momoa isn’t afraid to send himself up and both Danielle Brooks and Sebastian Henry seem to be ready to immerse themselves in this once in a lifetime opportunity to be in a big-budget movie without really having any lines to learn, cues to make or long sessions in the make-up chair. As ever with these weakly written fantasies, the denouement is never in jeopardy but with so much enthusiasm on the screen for something that was, for many, an integral part of their growing up it’s difficult to be overly critical of something so shamelessly sentimental. What it isn’t, though, is funny and the laughs are few and far between so I think it’s best to just aim low and let the whole tide of your adolescence (if you are old enough) to wash over you before you leave the cinema, completely forget all about this and hope there isn’t a sequel.
Chickey Jockey is so fun to watch. I love it so much ...
⸻ I was really disappointed by the movie and I was even more surprised that Jack Black agreed to take on such a role It just didn’t fit him at all and it honestly brought down his image in my eyes. The script was weak and the story was not good either. Overall I think it was a poor choice for Jac ... k Black, considering I usually see him as a great actor The movie definitely doesn’t deserve more than a 4 out of 10.
I am Enderman! (I love that line in the movie) ...
**As a child, i yearned for the mines**, and this movie encapsulates this energy perfectly. Back on my little farm, my **chickens** would have to **jog** **Key** West, Florida every day! And that's why I could **the never** go in the mines. But now, this movie has come to cushion my fall with it's ... **Water Bucket, released**. Oh yea all of that up above. I didnt live on a farm as a child but i did yearn for the mines. Anyway movie was very funny so yea. some of the models are weird too. Anyways, 6.5/10.
<em>'A Minecraft Movie'</em> is, eh, a great time? I'm genuinely taken aback by how much I actually enjoyed this one. All 101 minutes are extremely stupid and silly, but they lean into it so much that I happily managed to look past it. It entertained me, what can I say? I did play Minecraft growi ... ng up but only casually, though I did admittedly heavily watch YouTubers play it (s/o Mindcrack, CaptainSparklez, ChimneySwift11 lmao). Personally, I was more a superflat, creative world type of guy, the amount of time I wasted (nay, embraced) building 'true to life' cities... good times. Despite not being super into the game's inner workings, I still picked up plenty of calls to the game which is fun. The world itself here feels fun and vibrant, they take some creative license but it only turns out positive. Based on early shots I saw pre-release, I didn't like the look but in actuality the animation is excellent. The humour is strong too, I was chuckling all the way through - rather unexpectedly. Much of the comedy is played for adults as well, I would've predicted it'd be more directly for kids; not that there's anything crazy in this, but it's not super dumbed down, which is pleasant. It all has a pulse, that's for sure. Jack Black is funny, he fully commits to the role of Steve and, for me, it ended up being somewhat of a perfect performance to be honest; no-one would've bettered Black. I wasn't actually sold when I heard the casting, so I'm glad I was wrong. Jason Momoa is the same, especially after seeing trailers. Momoa is very good in this, as are the whole cast in truth. Sebastian Hansen, Emma Myers and Danielle Brooks are all pluses. Rachel House brings strong voice work, while Jennifer Coolidge (and Hiram Garcia) have solid smaller parts too. A cast that surpassed my (admittedly aimless) expectations. In fact, that last sentence just about sums up my overall thoughts on this 2025 release. I'm sure I should not have liked this as much as I did, but here we are! If you told me hours ago that I'd be giving it this rating, I'd have called you an absolute nutter. Based on the general reaction I'm seeing, I should probably keep my thoughts on this quiet. I am susceptible to a supposed bad movie every now and then, leave me alone. Mind you, many others do agree with me so... goat video game adaptation?!