Popularity: 12 (history)
Director: | Martin Campbell |
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Writer: | Simon Uttley, Matthew Orton, Paul Andrew Williams |
Staring: |
When a group of radical activists take over an energy company's annual gala, seizing 300 hostages, an ex-soldier turned window cleaner suspended 50 storeys up on the outside of the building must save those trapped inside, including her older brother. | |
Release Date: | Feb 19, 2025 |
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Director: | Martin Campbell |
Writer: | Simon Uttley, Matthew Orton, Paul Andrew Williams |
Genres: | Action, Thriller |
Keywords | |
Production Companies | Qwerty Films, Anton |
Box Office |
Revenue: $1,314,073
Budget: $0 |
Updates |
Updated: Aug 09, 2025 (Update) Entered: Feb 15, 2025 |
Name | Character |
---|---|
Daisy Ridley | Joey Locke |
Clive Owen | Marcus |
Taz Skylar | Noah |
Flavia Watson | Zee |
Ray Fearon | Kahn |
Rufus Jones | Geoffrey Milton |
Richard Hope | Alistair Lawson |
Lee Boardman | Gerald Milton |
Stella Stocker | Jennifer Fields |
Atanas Srebrev | CNN Anchorman |
Celine Arden | Kate |
Akie Kotabe | James Horsley |
Poppy Townsend White | Young Joey |
Andreea Diac | Joey's Mum |
Jorge Leon | Police Officer |
David Cheung | Vince |
Richa Prakash | Party Guest |
Rachel Kwok | Wyatt |
Lorna Lowe | Denise Slater |
Cassandra Spiteri | Elena Lanza |
Frances Katz | Angie |
Mélissa Humler | Freya |
Rebecca Bellavia | Mum |
Regina Seifert | Gabby Tressiter |
Ben Essex | Hendrik |
Karin Carlson | Jan |
Ruth Gemmell | Claire Hume |
Matthew Tuck | Micheal |
Kalyn Harper | |
Roy Hill | BBC Anchorman |
Colm Titus Day | Ed |
Taylor Coombes | Gala Guest (uncredited) |
Name | Job |
---|---|
Simon Uttley | Writer |
Amanda Monk | Costume Design |
Martin Campbell | Director |
Russell De Rozario | Production Design |
Cheryl Potter | Editor |
Oskar De Rozario | Art Direction |
Pete Ford | Stunt Coordinator |
Eigil Hansen | Director of Photography |
Rob Cameron | Set Decoration |
Jess Heath | Prosthetics |
Christian Bourne | Production Sound Mixer |
Matthew Orton | Writer |
Elaine Grainger | Casting |
Mark Joseph Portelli | Art Direction |
Tamsin Dorling | Makeup & Hair |
Jim Page | Editor |
Tom Hodge | Original Music Composer |
Nicola Buck | Makeup Supervisor |
Mona Turnbull | Makeup Artist |
Noah Dalluge | Dialogue Editor |
Mark Harris | Supervising Art Director |
Anita Burger | Hairstylist |
Millie Akerman-Blankley | Second Assistant Sound |
Emil Evtimov | Additional Photography |
Olly Freemantle | Assistant Foley Artist |
Phil Freudenfeld | Dialogue Editor, Sound Designer, ADR Supervisor |
Julia Hardecka | Second Assistant Sound |
George Lee | Sound Effects Editor |
Brad Rees | Sound Effects Editor |
Derek Trigg | Foley Artist |
Mark Clayton | Gaffer |
Steve Finn | Production Sound Mixer |
Glen Gathard | Supervising Sound Editor |
Thomas Kennedy | First Assistant Sound Editor |
Guy Mallett | Foley Mixer |
Cameron Speirs | Foley Artist |
Carl Thompson | Colorist |
Chiabella James | Still Photographer |
Zoe Freed | Foley Supervisor |
Greg Gettens | Sound Re-Recording Mixer |
Zoë King | Foley Artist |
Helen Miles | Sound Re-Recording Mixer |
Phil Stander | Second Assistant Sound |
Will Quiney | Music Supervisor |
Rachael Evelyn | Stunt Double |
Paul Andrew Williams | Writer |
Name | Title |
---|---|
Justin Ardalan-Raikes | Executive Producer |
Thomas Fanning | Producer |
Michael Kuhn | Producer |
Malcolm Ritchie | Executive Producer |
Martha Chima | Executive Producer |
Simon Uttley | Executive Producer |
Stanley Harper | Executive Producer |
Callum Grant | Producer |
Alastair Burlingham | Executive Producer |
Gavin Glendinning | Producer |
Sebastien Raybaud | Producer |
Regina Seifert | Associate Producer |
Alex Ashworth | Executive Producer |
Pieter Engels | Executive Producer |
Michael Torchia | Executive Producer |
Patti Harper | Executive Producer |
Chris Arthur | Producer |
Cindy Cowan | Producer |
Jane Hooks | Executive Producer |
Zac Reeder | Executive Producer |
Marcus Shirock | Executive Producer |
Bharatha Gangasani | Executive Producer |
Matthew Orton | Executive Producer |
Alan Harper | Executive Producer |
Linda Harper | Executive Producer |
Gary Raskin | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 3 | 6 | 1 |
2024 | 5 | 4 | 12 | 1 |
2024 | 6 | 2 | 5 | 0 |
2024 | 7 | 2 | 6 | 0 |
2024 | 8 | 3 | 9 | 1 |
2024 | 9 | 2 | 4 | 1 |
2024 | 10 | 3 | 8 | 1 |
2024 | 11 | 2 | 5 | 1 |
2024 | 12 | 5 | 14 | 1 |
2025 | 1 | 9 | 15 | 4 |
2025 | 2 | 29 | 50 | 10 |
2025 | 3 | 240 | 1510 | 1 |
2025 | 4 | 239 | 482 | 79 |
2025 | 5 | 44 | 80 | 30 |
2025 | 6 | 23 | 32 | 19 |
2025 | 7 | 15 | 19 | 11 |
2025 | 8 | 12 | 14 | 9 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 30 | 212 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 163 | 664 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 51 | 467 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 63 | 480 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 30 | 202 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 2 | 346 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 154 | 398 |
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/cleaner-review-daisy-ridley-shines-in-a-die-hard-inspired-thriller/ "Cleaner is a functional action-thriller that meets the genre's basic requirements without ever truly standing out. Daisy Ridley's all-in commitment elevates the material, bu ... t Martin Campbell's competent direction can't hide a predictable script and a thematic exploration that, while respectable, remains surface-level. In the end, it's 90 minutes of decent entertainment, but one that won't leave a lasting impact in the endless lineup of Die Hard's spiritual successors." Rating: B-
"Cleaner" ticks the basics boxes for an action thriller, whilst peddling the usual woke tropes. My advice, skip the first 20 minutes of this film. Its filled with the usual woke prattle about diversity, patriarchy, climate change, blah, blah, blah. All the while subtly pushing an unsavoury narra ... tive, that the Brit military, are somehow the good guys. Whats left thereafter, is a functional action thriller, with an Audrey Hepburn styled, tough girl character. The whole proposition is vaguely reminiscent of the first "Die Hard" film, only nowhere near as entertaining and endearing. In summary, a basic Brit action thriller, that offers up the what you might expect, once the lecturing has died down.