Popularity: 7 (history)
| Director: | Anna Boden, Ryan Fleck |
|---|---|
| Writer: | Geneva Robertson-Dworet, Anna Boden, Nicole Perlman, Meg LeFauve, Ryan Fleck |
| Staring: |
| The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe. | |
| Release Date: | Mar 06, 2019 |
|---|---|
| Director: | Anna Boden, Ryan Fleck |
| Writer: | Geneva Robertson-Dworet, Anna Boden, Nicole Perlman, Meg LeFauve, Ryan Fleck |
| Genres: | Adventure, Action, Science Fiction |
| Keywords | superhero, based on comic, alien invasion, super power, female hero, nostalgic, aftercreditsstinger, duringcreditsstinger, marvel cinematic universe (mcu), woman director, 1990s, alien technology, joyful |
| Production Companies | Marvel Studios |
| Box Office |
Revenue: $1,131,416,446
Budget: $152,000,000 |
| Updates |
Updated: Oct 12, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Brie Larson | Carol Danvers / Vers / Captain Marvel |
| Samuel L. Jackson | Nick Fury |
| Ben Mendelsohn | Talos / Keller |
| Jude Law | Yon-Rogg |
| Annette Bening | Supreme Intelligence / Dr. Wendy Lawson |
| Djimon Hounsou | Korath |
| Lee Pace | Ronan |
| Lashana Lynch | Maria Rambeau |
| Gemma Chan | Minn-Erva |
| Clark Gregg | Agent Coulson |
| Rune Temte | Bron-Charr |
| Algenis Perez Soto | Att-Lass |
| Mckenna Grace | Young Carol (13 Years Old) |
| Akira Akbar | Monica Rambeau (11 Years Old) |
| Matthew Maher | Norex |
| Chuku Modu | Soh-Larr |
| Vik Sahay | Hero Torfan |
| Colin Ford | Steve Danvers |
| Kenneth Mitchell | Joseph Danvers |
| Stephen A. Chang | Cadet Officer |
| Pete Ploszek | Bret Johnson |
| Matthew 'Spider' Kimmel | Spider |
| Stephen 'Cajun' Del Bagno | Cajun |
| London Fuller | Young Carol (6 Years Old) |
| Azari Akbar | Monica Rambeau (5 Years Old) |
| Mark Daugherty | Skrull Main Tech |
| Diana Toshiko | Skrull Tech #1 |
| Barry Curtis | Mall Security Guard |
| Emily Ozrey | Surfer Girl Talos #1 |
| Abigaille Ozrey | Surfer Girl Talos #2 |
| Marilyn Brett | Older Lady on Train |
| Stan Lee | Stan Lee |
| Robert Kazinsky | Biker (The Don) |
| Nelson Franklin | Medical Examiner |
| Patrick Brennan | Bartender |
| Patrick Gallagher | Security Chief |
| Ana Ayora | Agent Whitcher |
| Lyonetta Flowers | Monica's Grandmother |
| Rufus Flowers | Monica's Grandfather |
| Sharon Blynn | Soren |
| Auden L. Ophuls | Talos' Daughter |
| Harriet L. Ophuls | Talos' Daughter |
| Matthew Bellows | Accuser #1 |
| Richard Zeringue | Tom the Neighbor |
| Duane Henry | Talos-Kree Soldier |
| Chris Evans | Steve Rogers / Captain America (uncredited) |
| Scarlett Johansson | Natasha Romanoff / Black Widow (uncredited) |
| Don Cheadle | James 'Rhodey' Rhodes / War Machine (uncredited) |
| Mark Ruffalo | Bruce Banner / The Hulk (uncredited) |
| Kelly Sue DeConnick | Lady in Subway Station (uncredited) |
| Vinny O'Brien | Skrull Spy 2 (uncredited) |
| Joey Courteau | Kree Rail Passenger (uncredited) |
| Anthony Molinari | S.H.I.E.L.D. Agent (uncredited) |
| Name | Job |
|---|---|
| Christopher Townsend | Visual Effects Supervisor |
| Geneva Robertson-Dworet | Story, Screenplay |
| Pinar Toprak | Original Music Composer |
| Sanja Milković Hays | Costume Design |
| Elliot Graham | Editor |
| Debbie Berman | Editor |
| Anna Boden | Story, Screenplay, Director |
| Nicole Perlman | Story |
| Daniel Sudick | Special Effects Supervisor |
| Jennifer Elizabeth | Stunts |
| Clay Cullen | Stunt Driver |
| Jess Durham | Stunts |
| Zack Duhame | Stunts |
| Joe Bucaro III | Stunt Double |
| Steve Kelso | Stunt Driver |
| Tim Rigby | Stunts |
| Ingrid Kleinig | Stunt Double |
| Tamiko Brownlee | Stunts |
| Jan Philip Cramer | Head of Animation |
| Sarah Halley Finn | Casting |
| Dave Jordan | Music Supervisor |
| Jeff Habberstad | Second Unit Director |
| James M. Churchman | Stunt Coordinator |
| Pud Cusack | Sound Mixer |
| Stan Lee | Thanks |
| Christopher Boyes | Supervising Sound Editor, Sound Designer |
| Heba Thorisdottir | Makeup Department Head |
| Kasra Farahani | Art Direction |
| Kerry Lyn McKissick | Script Supervisor |
| Irena Stepić | Assistant Costume Designer |
| Michelle Lee | Stunt Double |
| Gary Rydstrom | Sound Designer |
| Lora Hirschberg | Sound Re-Recording Mixer |
| Bonnie Wild | Sound Re-Recording Mixer |
| David Acord | Sound Designer |
| Charles Ingram | Stunt Double |
| Joanna Bennett | Stunt Double |
| Hannah Betts | Stunt Double |
| Hank Amos | Stunt Coordinator |
| Marc Boyle | Additional Hairstylist |
| Suzanne Diaz | Makeup Artist |
| Jake Garber | Makeup Artist |
| Cassie Russek | Special Effects Makeup Artist |
| Doc Kane | ADR Mixer |
| Ronni Brown | Foley Artist |
| Shaun Farley | Foley Editor |
| Rahma Farahat | Art Department Assistant |
| Sun Lee | Matte Painter |
| Craig Hammack | Visual Effects Supervisor |
| Barbara Harris | ADR Voice Casting |
| Jason B. Stamey | Casting Associate |
| Stephen 'Cajun' Del Bagno | In Memory Of |
| Beth Mickle | Art Direction |
| Kelly Sue DeConnick | Thanks |
| Jack Kirby | Thanks, Characters |
| Joe Simon | Thanks, Characters |
| Gene Colan | Thanks |
| Roy Thomas | Thanks |
| Timothy Eulich | Stunts |
| Heidi Moneymaker | Stunt Double |
| Karin Silvestri | Stunts |
| Chris Palermo | Stunt Driver |
| Mallory Thompson | Stunts |
| Natalie Padilla | Stunts |
| Renae Moneymaker | Stunt Double |
| Keith Woulard | Stunts |
| Travis Gomez | Stunts |
| Andy Nicholson | Production Design |
| Susan McNamara | Unit Production Manager |
| Damien Carr | Visual Effects Producer |
| Katy Galow | Second Assistant Director |
| Andrew Campbell | Graphic Designer |
| Igor Meglic | Second Unit Director of Photography |
| Andrea Carter | Art Department Coordinator |
| Stephanie Higgins Frey | Art Department Coordinator |
| Elena Albanese | Art Direction |
| Jason T. Clark | Art Direction |
| Jordan Ferrer | Art Direction |
| Lauren E. Polizzi | Art Direction |
| Lauri Gaffin | Set Decoration |
| Andrew Max Cahn | Supervising Art Director |
| Janine Rath-Thompson | Hair Department Head |
| Jaime Leigh McIntosh | Hair Department Head |
| Kevin Carter | Contact Lens Painter |
| Cristina Patterson | Contact Lens Painter |
| Sean Kenney | Contact Lens Technician |
| Robert Smithson | Contact Lens Technician |
| Karen Bartek | Key Hair Stylist |
| Pauletta O. Lewis | Key Hair Stylist |
| Malanie J. Romero | Key Makeup Artist |
| Natasha Ladek | Wigmaker |
| Paddy Cullen | Production Manager |
| Michael Gowen | Assistant Art Director |
| Erin E. Riegel | Assistant Art Director |
| Anthony Syracuse | Construction Coordinator |
| Lanny Henson | Construction Coordinator |
| Travis Huffman | Construction Foreman |
| Anthony Carlino | Leadman |
| Andrew Petrotta | Property Master |
| Andy Park | Visual Development |
| Michael Kelem | Aerial Director of Photography |
| David B. Nowell | Aerial Director of Photography |
| Sarah Levy | Camera Operator |
| Ian Clampett | Camera Operator |
| John Lacy | Best Boy Electric |
| Morten Petersen | Best Boy Electric |
| Christopher Duskin | Camera Operator |
| Onofrio Nino Pansini | Camera Operator |
| Michael St. Hilaire | Camera Operator |
| Jerardo Gomez | Electrician |
| Richard Landry | Electrician |
| Sean Ricigliano | Epk Camera Operator |
| Ross Dunkerley | Gaffer |
| Jayden York | Libra Head Technician |
| Jason C. Fitzgerald | Rigging Gaffer |
| Dana Arnold | Rigging Gaffer |
| Matt Kennedy | Still Photographer |
| Ian Churchill | Ager/Dyer |
| Katy Johnson | Ager/Dyer |
| Sebastien Jutras | Ager/Dyer |
| Mairi Chisholm | Assistant Costume Designer |
| Linda Matthews | Costume Supervisor |
| Wendy M. Craig | Costume Supervisor |
| Askia Won-Ling Jacob | Costumer |
| Tricia Yoo | Costumer |
| Cookie Lopez | Costumer |
| Pamela Waggoner | Key Costumer |
| John M. 'Jack' Wright | Key Costumer |
| Jimmy Jay | Key Costumer |
| Mustapha Mimis | Key Set Costumer |
| Jessica Pazdernik | Key Set Costumer |
| Renia Green | Additional Hairstylist |
| Louisa V. Anthony | Hairstylist |
| Raissa Patton | Hairstylist |
| Laurel Kelly | Hairstylist |
| Jason Collins | Makeup Artist |
| Rob Seal | Makeup Artist |
| Alexandria Storm | Makeup Artist |
| Alexei Dmitriew | Makeup Artist |
| Jennifer Zide | Makeup Artist |
| R.J. McCasland | Makeup Artist |
| Thomas Floutz | Makeup Artist |
| Vasilios Tanis | Makeup Artist |
| Bruce Spaulding Fuller | Prosthetic Makeup Artist |
| Erica Akin | Special Effects Makeup Artist |
| Cary Ayers | Special Effects Makeup Artist |
| Carlton Coleman | Special Effects Makeup Artist |
| Matt Sprunger | Special Effects Makeup Artist |
| Danny Wagner | Special Effects Makeup Artist |
| Samantha Ward | Special Effects Makeup Artist |
| Rob Phillips | Ager/Dyer |
| Craig Anthony | Costumer |
| Siobhan Claridy | Costumer |
| Briana Heavener | Costumer |
| Katie Jenkinson | Costumer |
| Jimmy Kenney | Costumer |
| Cary Gunnar Lee | Costumer |
| Bianca White | Costumer |
| Tiffany Barry | Set Costumer |
| Steven Butler | Set Costumer |
| Charlie Dicus | Set Costumer |
| Bob Moore Jr. | Set Costumer |
| Lily Scott | Set Costumer |
| Danny Vick | Set Costumer |
| Jody Felz | Set Costumer |
| Jared Slater | Aerial Camera Technician |
| Chad Herr | Best Boy Grip |
| Jeremy Brussell | Best Boy Grip |
| Jennifer Lai | Camera Loader |
| Daniel A Hernandez | Digital Imaging Technician |
| Eduardo Eguia | Digital Imaging Technician |
| Jordan Harriman | Digital Imaging Technician |
| Jamie Metzger | Digital Imaging Technician |
| Jim Leidholdt | Dolly Grip |
| James D. Wickman | Dolly Grip |
| Chad B. Daring | Drone Operator |
| Bill Coe | First Assistant "A" Camera |
| Chuck Whelan | First Assistant "C" Camera |
| Robert M. Sagaser | First Assistant Camera |
| David Taylor | First Assistant Camera |
| Michael Ambrose | Gaffer |
| Michael Anderson | Key Grip |
| Peter Chrimes | Key Grip |
| Benoit Richard | Lighting Programmer |
| Buzzy Burwell | Lighting Technician |
| Cristian Cazor | Lighting Technician |
| Darrel D'Itri | Lighting Technician |
| Thomas M. Dangcil | Lighting Technician |
| Trish Herremans | Lighting Technician |
| Thomas McCarty | Lighting Technician |
| Brian Minzlaff | Lighting Technician |
| Nick Zeigler | Lighting Technician |
| Scott Medcalf | Lighting Technician |
| Christopher Pritzlaff | Lighting Technician |
| Ronald 'Ronnie' Martin | Lighting Technician |
| Denise Brady | Rigging Grip |
| Ryan Chamberlain | Rigging Grip |
| Darin Devonshire | Rigging Grip |
| Gary J. Dodd | Rigging Grip |
| William Kent | Rigging Grip |
| Jason Klinger | Rigging Grip |
| King Lanaux | Rigging Grip |
| Matthew Thomas Moles | Rigging Grip |
| Robert J. Reilly | Rigging Grip |
| Charles Smith | Rigging Grip |
| Daniel Vlahos | Rigging Grip |
| Rebecca Walton | Rigging Grip |
| Joe L. Wright | Rigging Grip |
| Dan Wyssmann | Rigging Grip |
| Max Patrucco | Rigging Grip |
| Daniel Wurschl | Second Assistant Camera |
| Hai Le | Second Assistant Camera |
| Eric Amundsen | Second Assistant Camera |
| Bogdan Iofciulescu | Techno Crane Operator |
| Emir Isilay | Music Arranger |
| Tim Jones | Music Arranger |
| Peter Seibert | Music Arranger |
| Shannon Murphy | Music Coordinator |
| Trygge Toven | Music Coordinator |
| Joseph Bonn | Music Editor |
| Amanda Goodpaster | Music Editor |
| Tom Kramer | Music Editor |
| Jeanette Browning | ADR Recordist |
| Cameron Barker | Assistant Sound Editor |
| Marilyn Morris | Assistant Sound Editor |
| Alyssa Nevarez | Assistant Sound Editor |
| Sarah Shaw | Assistant Sound Editor |
| Richard Bullock Jr. | Boom Operator |
| Jonathan Fuh | Boom Operator |
| Chris Gridley | Dialogue Editor |
| Brad Semenoff | Dialogue Editor |
| James Spencer | Dialogue Editor |
| James Wright | Dolby Consultant |
| Geoff Vaughan | Foley Artist |
| Jana Vance | Foley Artist |
| Blake Collins | Foley Mixer |
| Qianbaihui Yang | Foley Supervisor |
| Teresa Eckton | Sound Effects Editor |
| Steven Richard Davis | Music Arranger |
| J.R. Grubbs | Sound Effects Editor |
| Lucas Miller | Sound Effects Editor |
| Kimberly Patrick | Sound Effects Editor |
| Dee Selby | Sound Effects Editor |
| Dan Abrams | Sound Engineer |
| Mark Lindauer | Sound Engineer |
| Ryan Stern | Sound Engineer |
| Andy Winderbaum | Sound Engineer |
| Kevin Culligan | Utility Sound |
| Chloe Patenaude | Utility Sound |
| Katarina Kushin | Art Department Assistant |
| Fritz Buckley | Assistant Property Master |
| Daniel M. Donato | Assistant Property Master |
| Bradley Good | Assistant Property Master |
| Hannah M. Hinkel | Assistant Property Master |
| David Christopher Campbell | Construction Buyer |
| Otto Broberg | Props |
| Albert Cuellar | Props |
| Alanna Suen | Props |
| Duncan Crawford | Sculptor |
| David French | Sculptor |
| J. Bryan Holloway | Sculptor |
| Cuitlahuac Morales Velazquez | Sculptor |
| Claire Fredrickson | Assistant Set Decoration |
| Jill Broadfoot | Set Decoration Buyer |
| Kate Fettis | Set Decoration Buyer |
| Sara Gardner-Gail | Set Decoration Buyer |
| Samuel J. Tell | Set Decoration Buyer |
| Ernie Avila | Set Designer |
| Robert Broadfoot | Set Designer |
| Tim Croshaw | Set Designer |
| Kevin Cross | Set Designer |
| Patrick Dunn-Baker | Set Designer |
| Scott Herbertson | Set Designer |
| Tammy S. Lee | Set Designer |
| David Moreau | Set Designer |
| Julien Pougnier | Set Designer |
| Shamim Seifzadeh | Set Designer |
| Mike Stassi | Set Designer |
| Scott M. Anderson | Set Dresser |
| Max Bostic | Set Dresser |
| John R. Boucher | Set Dresser |
| David Dunn | Set Dresser |
| Sean Ginevan | Set Dresser |
| Robert Gray | Set Dresser |
| Sam Hensen | Set Dresser |
| John Horning | Set Dresser |
| Michael A. Johnson | Set Dresser |
| David Ladish | Set Dresser |
| Dean Lakoff | Set Dresser |
| Danny Metz | Set Dresser |
| Brian Nabours | Set Dresser |
| David Napoli | Set Dresser |
| Mark Rodriguez | Set Dresser |
| Billy Sender | Set Dresser |
| Mike Sunga | Set Dresser |
| Andrew P. Flores | Standby Painter |
| Dino Hamilton | Standby Painter |
| Aaron Rodriguez | Standby Painter |
| Darrin Denlinger | Storyboard Artist |
| Anthony Liberatore | Storyboard Artist |
| Federico D'Alessandro | Storyboard Artist |
| Emily A. Neumann | Second Second Assistant Director |
| Cody Williams | Second Second Assistant Director |
| Erin Stern | Second Second Assistant Director |
| Yuliia Kondratova | 2D Artist |
| Jim O'Hagan | 2D Supervisor |
| Joshua Hakim | 3D Artist |
| Stiliyan Kyusheliev | 3D Artist |
| Johannes Ruf | 3D Artist |
| Felix Wolf | 3D Artist |
| Sebastian Schmall | 3D Generalist |
| David Kent | 3D Modeller |
| Albert Radosevic | 3D Modeller |
| Adam Michael Spring | 3D Modeller |
| Adrian Millington | Animation Supervisor |
| Raphael A. Pimentel | Animation Supervisor |
| Eric Petey | Animation Supervisor |
| Simone Kraus Townsend | Animation Supervisor |
| Bernd Angerer | Animation Director |
| Andrew Brumme | CG Artist |
| Cristiano Cesolari | CG Artist |
| Magdalena Cichocka | CG Artist |
| Bernhard Esperester | CG Artist |
| Alexander Hartwin | CG Artist |
| Michael Haupt | CG Artist |
| Eugen Kelle | CG Artist |
| Joshua Koilpillai | CG Artist |
| Jenny Leupold | CG Artist |
| Olivia Puchalla | CG Artist |
| Werner Reifberger | CG Artist |
| Jan Roth | CG Artist |
| Merten Tremer | CG Artist |
| Mona Wiemer | CG Artist |
| Matthias Winkler | CG Artist |
| Gregory John Jowle | CG Supervisor |
| David Michaels | CG Supervisor |
| Daisuke Nagae | CG Supervisor |
| Celia Jepson | CG Supervisor |
| Andrew Zink | CG Supervisor |
| Tonio Freitag | CG Supervisor |
| Alexander Schumann | CG Supervisor |
| Noah Vice | CG Supervisor |
| Patrick Hecht | CG Supervisor |
| Marc Schoenbeck | Compositing Artist |
| Ryan B. Clarke | Compositing Supervisor |
| Romain Rico | Compositing Supervisor |
| Bryan Smeall | Compositing Supervisor |
| Edson Williams | Compositing Supervisor |
| Benjamin James Ying | Compositing Supervisor |
| Benjamin Burr | Compositing Supervisor |
| Oliver Hohn | Compositing Supervisor |
| Guido Wolter | Compositing Supervisor |
| Micah Gallagher | Compositing Supervisor |
| Robert Jackson | Compositing Supervisor |
| Mortimer Warlimont | Compositing Supervisor |
| Alexey Kuchinsky | Compositing Supervisor |
| Gem Ronn Cadiz | Creature Technical Director |
| James McPhail | Creature Technical Director |
| Avijit Das | Creature Technical Director |
| Steve Nichols | Head of Animation |
| Gregory Bossert | Layout Supervisor |
| Patrik Marek | Layout Supervisor |
| Carlos Patrick De Leon | Layout Supervisor |
| Ngan Chung | Lead Animator |
| Bill Bridges | Lead Animator |
| Mathieu Dimuro | Lead Animator |
| Simon Pickard | Lead Animator |
| Alfonso Sicilia | Lead Animator |
| Vitor Libardi | VFX Lighting Artist |
| Lyndsey Will | VFX Lighting Artist |
| Michael Johns | VFX Lighting Artist |
| Shawn McCarten | VFX Lighting Artist |
| Jakob Jan Steffen | VFX Lighting Artist |
| Alexander Szabados | VFX Lighting Artist |
| Miguel Lleras Villaveces | VFX Lighting Artist |
| Sarah Neveu | Matte Painter |
| Jaeil Seo | Matte Painter |
| Rose Wang | Matte Painter |
| Yvonne Muinde | Matte Painter |
| Chris Radcliffe | Modelling Supervisor |
| Magnus Skagerlund | Modelling Supervisor |
| Timothy Blake | Modeling |
| Matt Dicken | Modeling |
| Gastón Emery | Modeling |
| Maximilian Lambrecht | Modeling |
| Dirk Mauche | Modeling |
| Dennis Mielke | Modeling |
| Francisco Paioes | Modeling |
| Josip Vrandecic | Modeling |
| Nicholas Hampshire | Pipeline Technical Director |
| Jason Holt | Pipeline Technical Director |
| Victoria Mothersill | Pipeline Technical Director |
| Marc-Olivier Rouleau | Pipeline Technical Director |
| David Zeng | Pipeline Technical Director |
| Tonya Strantzi | Pipeline Technical Director |
| Nathan Rusch | Pipeline Technical Director |
| Darragh Duffy | Pipeline Technical Director |
| Gina Guerrero | Pipeline Technical Director |
| Ümit Dönmez | Senior Animator |
| Stewart Alves | Senior Animator |
| Thierry Dezarmenien | Senior Animator |
| Brad Lincoln | Senior Animator |
| Jeff Vacanti | Senior Animator |
| John Saleem | Senior Modeller |
| Thirupathi Nomula | Senior Modeller |
| Andy Yamada | Stereoscopic Coordinator |
| Rahul Mhatre | Stereoscopic Supervisor |
| Simon D. Kern | Stereoscopic Supervisor |
| Tony Bacigalupi | VFX Editor |
| Lara Mazzawi | VFX Editor |
| Luke Botteron | VFX Editor |
| Alex Holcombe | VFX Editor |
| Lei Zhang | VFX Editor |
| Jan Reichmann | VFX Editor |
| Jaclyn Abrahante | Visual Effects Coordinator |
| Sara Bold | Visual Effects Coordinator |
| Sarah Cave | Visual Effects Coordinator |
| Lane Howard | Visual Effects Coordinator |
| Neil Hughes | Visual Effects Coordinator |
| Chelsea Mirus | Visual Effects Coordinator |
| Lucas John Ng | Visual Effects Coordinator |
| Anne-Marie Ouellet | Visual Effects Coordinator |
| Katrissa 'Kat' Peterson | Visual Effects Coordinator |
| Chaz Pizani | Visual Effects Coordinator |
| Rachel Sokoloski | Visual Effects Coordinator |
| Ellis Trespalacios | Visual Effects Coordinator |
| Molly McLaren | Visual Effects Coordinator |
| Mathieu Ardon Ktistakis | Visual Effects Coordinator |
| Jialing Danni Zhang | Visual Effects Coordinator |
| Anna Thenberg | Visual Effects Coordinator |
| Vani Rakesh | Visual Effects Coordinator |
| Harrison Goldstein | Visual Effects Coordinator |
| Cole Darby | Visual Effects Coordinator |
| Eva Mularonek | Visual Effects Coordinator |
| Samantha Abda | Visual Effects Coordinator |
| Diana Cobo | Visual Effects Coordinator |
| Jose A. Velazquez | Visual Effects Coordinator |
| Robert Drwila | Visual Effects Editor |
| Liana Jackson | Visual Effects Editor |
| Kosta Saric | Visual Effects Editor |
| John Polyson | Visual Effects Editor |
| Ilona Blyth | Visual Effects Producer |
| Praveen Kilaru | Visual Effects Producer |
| Monique Pollaehne | Visual Effects Producer |
| Jason Bath | Visual Effects Producer |
| Grace Hendley | Visual Effects Producer |
| Ryan Wilk | Visual Effects Producer |
| Sophie Carroll | Visual Effects Producer |
| Massimo Meo | Visual Effects Producer |
| Erin D. O'Connor | Visual Effects Producer |
| Allison Glennon | Visual Effects Producer |
| Mare McIntosh | Visual Effects Producer |
| Paul Driver | Visual Effects Producer |
| Michael Perdew | Visual Effects Producer |
| Julien Cimino | Visual Effects Producer |
| Ryan Flick | Visual Effects Producer |
| Andrew Eick | Visual Effects Producer |
| Christine Neumann | Visual Effects Producer |
| Jonathan Beres | Visual Effects Production Assistant |
| Jon Roth | Visual Effects Production Assistant |
| Hawkins DuBois | Visual Effects Production Assistant |
| Sharon Das | Visual Effects Production Assistant |
| Stephanie Cziczo | Visual Effects Production Assistant |
| Anna Mudrak | Visual Effects Production Assistant |
| Marlene Nehls | Visual Effects Production Manager |
| Karolina Simos-Dziewonska | Visual Effects Production Manager |
| Gabrielle Buchan | Visual Effects Production Manager |
| Ethan Maharaj | Visual Effects Production Manager |
| Katie Stetson | Visual Effects Production Manager |
| Shaan Nelson | Visual Effects Production Manager |
| Mark Story | Visual Effects Production Manager |
| Beverly Abbott | Visual Effects Production Manager |
| Kenneth Coyne | Visual Effects Production Manager |
| Nicholas Murphy | Visual Effects Production Manager |
| Nick Crew | Visual Effects Supervisor |
| Vinod Gundre | Visual Effects Supervisor |
| David Hodgins | Visual Effects Supervisor |
| Graham Page | Visual Effects Supervisor |
| Josh Dagg | Visual Effects Supervisor |
| Lee Briggs | Visual Effects Producer |
| Brendan Seals | Visual Effects Supervisor |
| Kevin Souls | Visual Effects Supervisor |
| Oliver Schulz | Visual Effects Supervisor |
| Ed Bruce | Visual Effects Supervisor |
| Dominik Zimmerle | Visual Effects Supervisor |
| Yeri Casanova | Visual Effects Coordinator |
| Carlos Flores Tavitas | Visual Effects Coordinator |
| Tulika Kabra | Visual Effects Coordinator |
| Juliette Lemaire | Visual Effects Coordinator |
| Neha Samant | Visual Effects Coordinator |
| Errol Stussi | Visual Effects Coordinator |
| Snehal Kanchan Mistry | Visual Effects Coordinator |
| Ramona Dominick | Visual Effects Coordinator |
| Teresa Hernandez | Visual Effects Coordinator |
| Scott Kunysz | Visual Effects Coordinator |
| Ariadna Roa Salazar | Visual Effects Coordinator |
| Daria Zecha | Visual Effects Coordinator |
| Christopher Leloup | Visual Effects Compositor |
| Kevin Bowers | Special Effects Technician |
| Roy K. Cancino | Special Effects Technician |
| Allison Gainza | Special Effects Technician |
| Martin J. Gibbons | Special Effects Technician |
| Morgan Guynes | Special Effects Technician |
| Todd Jensen | Special Effects Technician |
| Darin O'Neill | Special Effects Technician |
| Ellie Oster | Special Effects Technician |
| Epiffany Phillips | Special Effects Technician |
| Bobby Stenwall | Special Effects Technician |
| Michael A. Tice | Special Effects Technician |
| Kenneth Van Order | Special Effects Technician |
| Molly Doyle | Casting Assistant |
| Eric Nuyten | Casting Assistant |
| Debbie Andrews | Casting Associate |
| Chris Velez | Casting Associate |
| Brad Bittner | Extras Casting |
| Josh Engler | Extras Casting |
| Sandra Marthon | Extras Casting |
| Chase Lubag | Extras Casting Assistant |
| Jess Jansen | Assistant Editor |
| Tom Scott | Assistant Editor |
| Scott Fox | Colorist |
| Jeremy-Voissem | Colorist |
| Brian Chandler | Dailies Operator |
| Max Magbee | Dailies Operator |
| Lorn Vriniotis | Digital Intermediate |
| Elijah Eastlund | Digital Intermediate Producer |
| Madeline Kushner | Editorial Production Assistant |
| Jessica Baclesse | First Assistant Editor |
| Kimberly Boritz | First Assistant Editor |
| Wayan Blue Palmieri | Stereoscopic Editor |
| Jennifer Antoinette Kennedy | Location Coordinator |
| Win Riley | Location Manager |
| Bonnie Marquette | Location Manager |
| Samantha C. Kirkeby | Script Supervisor |
| Alison Hoberman | Craft Service |
| Jeff Winn | Craft Service |
| Ian Crockett | First Assistant Accountant |
| Donna Wills | First Assistant Accountant |
| Kevin LaRosa Jr. | Pilot |
| David Hickey | Payroll Accountant |
| Christian Malouf | Payroll Accountant |
| Vincent Slaughter | Payroll Accountant |
| Katy Tatian-Genovese | Payroll Accountant |
| Stephanie Ann Schwartz | Payroll Accountant |
| Amy Denning Winfrey | Payroll Accountant |
| Ross Jensen | Production Controller |
| Sara Bartkiewicz | Production Coordinator |
| Katherine Lucy McLure | Production Coordinator |
| Lauren VanOrsdale | Production Coordinator |
| Jordan Gilbert | Production Coordinator |
| T.J. Bryson | Production Secretary |
| Laura Galinson | Studio Teacher |
| Thomas O'Flaherty | Studio Teacher |
| Stacy Parker | Travel Coordinator |
| John M. Pisani | Unit Publicist |
| Geno Hart | Transportation Coordinator |
| Michael Connor | Transportation Captain |
| Angel DeSanti | Transportation Co-Captain |
| Mark Maymo | Transportation Co-Captain |
| Adam Pinkstaff | Transportation Captain |
| Wayne Roberts | Transportation Co-Captain |
| Don J. Hug | Production Supervisor |
| Michael Furniss | Visual Effects |
| Dan Finnegan | VFX Artist |
| David Lopez | Thanks |
| Takayuki Sato | Title Graphics |
| Doug Delaney | Senior Colorist |
| Jeffrey G. Barnett | Stunts |
| Kevin R. Wright | Other |
| Chuck Zlotnick | Still Photographer |
| Meg LeFauve | Story |
| Ben Davis | Director of Photography |
| Camille Friend | Hair Department Head |
| Alfred Ainsworth Jr. | Video Assist Operator |
| Bryan Andrews | Storyboard Artist |
| Carlos Ciudad | Visual Effects Producer |
| Paul Butterworth | Visual Effects Supervisor |
| Trent Claus | Visual Effects Supervisor |
| Josh Viers | Concept Artist |
| Kyana F. Davidson | Executive Assistant |
| Tara Macken | Stunts |
| Danielle Dupre | Sound Re-Recording Assistant |
| Charles Crivier | Key Grip |
| Nia Hansen | Sound Designer |
| Ryan Fleck | Story, Screenplay, Director |
| Lars P. Winther | First Assistant Director |
| Gwendolyn Yates Whittle | Supervising Sound Editor |
| Geoffrey Haley | Steadicam Operator, Camera Operator |
| Liz Bernard | Animation Supervisor |
| Hanzhi Tang | Digital Effects Supervisor |
| Christian Kaestner | Visual Effects Supervisor |
| Malte Sarnes | Visual Effects Supervisor |
| Nick Pepin | Production Assistant |
| Adam Lytle | Utility Stunts |
| Chris Romrell | Stunts |
| Till Nowak | Concept Artist |
| Douglas Noe | Special Effects Makeup Artist |
| Name | Title |
|---|---|
| Louis D'Esposito | Executive Producer |
| Stan Lee | Executive Producer |
| Mary Livanos | Associate Producer |
| David J. Grant | Co-Producer |
| Jonathan Schwartz | Executive Producer |
| Kevin Feige | Producer |
| Patricia Whitcher | Executive Producer |
| Victoria Alonso | Executive Producer |
| Lars P. Winther | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 185 | 496 | 96 |
| 2024 | 5 | 436 | 612 | 380 |
| 2024 | 6 | 338 | 504 | 165 |
| 2024 | 7 | 107 | 237 | 44 |
| 2024 | 8 | 70 | 120 | 48 |
| 2024 | 9 | 50 | 76 | 36 |
| 2024 | 10 | 58 | 108 | 38 |
| 2024 | 11 | 57 | 109 | 40 |
| 2024 | 12 | 50 | 70 | 39 |
| 2025 | 1 | 58 | 115 | 41 |
| 2025 | 2 | 44 | 68 | 10 |
| 2025 | 3 | 20 | 76 | 3 |
| 2025 | 4 | 25 | 88 | 9 |
| 2025 | 5 | 61 | 233 | 7 |
| 2025 | 6 | 28 | 95 | 7 |
| 2025 | 7 | 7 | 9 | 6 |
| 2025 | 8 | 8 | 14 | 6 |
| 2025 | 9 | 8 | 12 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 121 | 507 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 126 | 422 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 94 | 399 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 114 | 385 |
| Year | Month | High | Avg |
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| 2025 | 5 | 81 | 313 |
| Year | Month | High | Avg |
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| 2025 | 4 | 85 | 345 |
| Year | Month | High | Avg |
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| 2025 | 3 | 55 | 353 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 131 | 336 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 113 | 419 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 245 | 566 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 166 | 509 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 150 | 408 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 279 | 456 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 145 | 263 |
I would not pay to see it. I did see it for free already...so at least, I was not cheated of my money ["I laughed, I cried, I kissed $10 good-bye!"--most other movies]. I saw sneak preview a few months back and it was the full-length feature but it was missing music in the end credit section and may ... have some added additional editing since then. What I did see, it was on par with Thor: Dark World in quality and has higher wokeness than Han Solo and Star War: Last Jedi. Probably worst Marvel movie since the start of this universe started with the great Iron Man...only thing that could have been worse if Inhuman movie was made. So hold on to your money and maybe watch this at 2nd run theater ($1.75 each...maybe $3 at most) or online free...so you know how this added character will lessen the Avenger's End Game plot. The CGI special effects are just okay but the simpleton story, underwhelming acting and almost-no character development are at the expense to make this the tops of any recent movies with its wokeness and identity politics…And Brie Larson character is just boring with no depth…just like Disney did to current Star Wars movies' female lead. DEFINITELY do NOT spend the money to see it on IMAX or any other expensive premium screenings or waiting in line on opening weekend. Maybe newer version (a few years back) Ghostbust(-h)ers was slightly better...which is not saying much. Already seeing highly rated tweets from critics, I am sure these are the same movie critics that gave great ratings to last years movies, "The Favourite" and "Sorry to Bother You". Yeah, Don't see this either!
Went in not paying attention to any of the drama surrounding the movie. The movie was just like the trailers, boring. Terrible fight choreography and all in acting by Brie. Cinematography was so bad, way too many cuts. Samuel L Jackson and Goose were brilliant and Mendelsohn was incredible as Talos. ... The movie relied too much in 90s nostalgia. Not great when the main actor is out done by a cat.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) As a fair and impartial film critic, I need to state this: I don't care about the controversy surrounding Brie Larson or the agendas this movie is trying to push or not. I'm not part of any hate group or factions that hate tho ... se hate groups. I just want to watch a good superhero origin film, that introduces me to a new character that I'm supposed to care about and root for. Read my review, sure, but make up your own mind. Go see the movie and be honest. Since that's out of the way, let's keep going ... It was always going to be a huge risk trying to introduce such an important and powerful character like Carol Danvers into the end of Phase Three. Not only she comes from nowhere (as far as I remember, she was barely mentioned in previous films or even not mentioned at all before Infinity War), but it's the last movie before the climactic, era-ending Avengers: Endgame. She is the one who is going to take our heroes to victory against Thanos, the bad guy who I dare say easily defeated on his own pretty much every superhero we knew until that moment. So, while I was not expecting an outstanding story packed with phenomenal action, I was also hoping for more than just a simple origin film like it came from Phase One. Unfortunately, that's exactly what I got. Everything is fine. Just okay. There's no exceptional fight scene, but most of it is decent. There's no visual wonder, but it doesn't look bad. The characters' potential feels wasted, but they work for the plot. Everything is frustratingly balanced, which is something I would praise in a bunch of other movies, but this isn't 2008 anymore. Marvel isn't starting its cinematic universe, it is almost finishing a whole arc involving more than 20 installments! I'm going straight to the one character everyone wants to talk about: Goose ... Sorry, Captain Marvel! Jokes aside, this is one of the issues I was worried about going into the film theater. I escaped 99% of the marketing for this movie as I do with every other flick. I didn't watch a single clip/trailer, I know as much about the controversy surrounding this installment as my dog and I kept my expectations realistic having in mind what I truly know about the film and only the film itself. The one thing I was not able to hide from were the headlines giving tremendous praise to ... a cat. Now, follow me on this: I'm going to watch a superhero origin movie. A whole new character is waiting for me at the big screen. I'm excited to know more about her, where does she come from, what her powers are and so much more. Some headlines show up on my social media feed, and I find that a CAT "steals the show," "deserves a spin-off," and I don't even know what more. Granted, the cat is indeed funny. It provides some chuckles here and there. That's it. I love cats, but I honestly can't figure out why everyone is so amazed by an animal doing animal things. Maybe it's because the rest of the film isn't that entertaining ... or perhaps just because people really, really love cats. Like the movie itself, I think it's a mixture of both options. Back to what matters and to who everyone should be talking about: Brie Larson. Marvel rarely misses its casting choices, and being Larson an Academy-Award winner, her talent is undeniable. She has everything she needs to consistently deliver a strong performance, so I'm surprised that she couldn't stand out from the film's overall blandness. I repeat, the movie isn't bad, at all. However, I was expecting an actress of Brie Larson's caliber to elevate, at least, her own character, but she's like everyone else: just good enough. I don't know if her performance was limited by bad direction or by her own decisions, but the potential is there, and I'm sure the Russo brothers will give her a much more thrilling arc in Endgame. The two best attributes of the entire film are, without a single doubt, the buddy-cop relationship that Carol and Nick Fury (Samuel L. Jackson) develop, and the groundbreaking de-aging CGI. Story-wise, the interactions between these two characters are so captivating and humorous that the pacing issues of the first act gradually start to disappear. Carol's past is often approached with quick flashes and a lot of cheap exposition, so it's a breath of fresh air to have SLJ and Larson play off of each other. Nevertheless, the de-aging technology used is absolutely astounding. My fellow readers, welcome to the future of filmmaking, where any actor/actress can portray a younger version of themselves and not be visually disturbing. I completely forgot SLJ is 70-years-old! The best visual effects/CGI are the ones you don't even know they're there and Captain Marvel succeeds in delivering mind-blowing, realistic, younger versions of well-known actors. Character-wise, Anna Boden and Ryan Fleck should have done way better. So much wasted potential in such a crucial moment in the MCU. Carol Danvers has a great backstory, but the way it was explored kind of diminishes its impact. Still, as Captain Marvel, she is indeed a badass woman! There are some cool action sequences, especially in the beginning, but as the movie slowly progresses on its story, the fight scenes got more sloppy, choppy and way too dark. Jude Law (Yon-Rogg) is amazing as he always is, and Ben Mendelsohn is brilliant as Talos. Both characters have interesting subplots that come together well, which is not something that can be said for the rest of the Marvel "villains." Technically ... You guessed it, it's okay! Taking away the jaw-dropping de-aging CGI, the visuals seem to lack some sort of style. Looking back at Black Panther, Captain America or Guardians of the Galaxy, each movie has a visual aesthetic that belongs to their own stories. Captain Marvel doesn't really feel like it has its own style. I truly feel that with other directors, this film could have been way better. Boden and Fleck already proved that they are capable filmmakers, but maybe they were not ready to lead such a massive blockbuster. That said, the 90s score is awesome and quite adequate to the movie's period. There are a couple of moments where the VFX regarding Carol Danvers's powers are spectacular, but everything ultimately feels like this is a Phase One film, instead of the 21st MCU installment. All in all, Captain Marvel achieves the minimum requirements: introduce the fans to a new superhero, who is going to be extremely important in the eventual defeat of Thanos. Carol Danvers is a fascinating character with an emotional backstory, but the screenplay isn't structured or explored in the most entertaining way possible. Brie Larson delivers a strong performance, pushing aside her haters, even if I feel that under other directors, she would have reached her character's full potential. Her scenes with Samuel L .Jackson are hilarious and the best part of the whole movie, as well as the groundbreaking de-aging CGI, which is absolutely mind-blowing. The action sequences needed better editing and some more choreography (this is MCU's Phase Three and 2019, so I want to be able to actually see what's happening), but the most prominent "issue" is how the story blindly obeys the superhero origin film's formula. This isn't exactly a flaw or a problem, it's just that I was expecting more. A lot more. In the end, there's not a memorable fight scene, an emotionally overwhelming moment or even a genuinely bone-chilling, epic scene. It doesn't leave you salivating for Avengers: Endgame, but it also doesn't leave you less excited. Everything is just ... fine. And there's nothing wrong with that. But there's also nothing extraordinary. Rating: B-
Captain Marvel is a hot mess narratively and never really knows what kind of movie it wants to be. Brie Larson is constantly fighting direction and poor writing and losing the battle in the end. The last thing the MCU needs right now is a Mary Sue with no life. The one thing this movie misses more t ... han anything else though is heart. Without a reason or purpose for existing one is left asking…other than explaining pointless MCU plot points and creating a plethora of fresh plot holes…why was this movie made and who was it made for? Kudos must be given to the make-up artists and a lot of the tech guys behind the scenes. C-
I wasn't going to see this movie at all based on the stupid comments made by Brie Larson but I tagged along with some friends anyway. Let me just say it was a massive mistake. I underestimated how difficult it would be to stand looking at the lead actress misogynistic and talentless face for two hou ... rs. On top of the train wreck that was her 'performance' the whole story just felt flat and bland, I don't want to spoil the plot for those who have already bought tickets and are going to see it anyway, but let's just say that it was almost as underwhelming in story as it was in acting. DO NOT RECOMMEND! 1/10
Captain Marvel bored the living hell out of me. I'm tired of these special effects laden "event films" where every scene has to be flashy lights and fighting and explosions where nothing of real value is at stake. Not one character in this film has a personality or character arc. It's one big extend ... ed buildup to showcase how badly Captain Marvel is going to kick Thanos' ass. I like the character but I did not like what this movie does with her character. I was also shocked at how bad Brie Larson's performance was; she's an incredible actress but I feel Jennifer Lawrence put more effort into her Mystique than Larson did with Carol Danvers. Also if your idea of female empowerment is a nasty leather jacket biker guy whistling at a girl saying "give me a kiss" and then the girl just goes and steals his bike, you have no clue what real female empowerment is.
okay i wanted to see this despite the 'contravercy sexist pig like men have turned this into'so i went to my local theater picked a showtime and picked out some snacks the movie was decent not good not bad just the right amount of each to make it watchable for folks the action had a nice pace and th ... e humor was just right and i think captain marvel herself is a beautiful badass and i adored the cat he was so cute and fluffy i say go see it dont over expect but go see it
I never watched a movie 2 time but captain marvel is one and only movie that i watched 2 time in my life.Amazing movie. ...
It has good visuals, good action, and some decent humour. This movie does what it needs to do by introducing Captain Marvel, although I was hoping Marvel would do something different and unique from their other origin story. ...
Look, as an actor, it is your duty to make sure that you promote your brand to the best of your ability, it's JUST as important as the work that you do shooting the film. I don't care about the political side of the events that transpired before the release of this movie, but I hope that Hollywood l ... earns the lesson taught by Brie Larson.
* I liked the CGI special effects and a few of the plot twists they threw in keep it from being too predictable. Cons: Completely neglecting the source material, appropriating the existing character and twisting them to send a message. Capt Marvell was a male super hero and they should have ran wit ... h Ms Marvel or made a new super-hero character for this film. Breaking canon - Facts established in previous MCU films were contradicted in this film, so now I don't know which film's telling of history to believe. Handling of Nick Fury's character was poorly done. I won't see him as the gritty, battle-hardened vet that he was in previous films. Advice - Skip this film. It causes confusion by disrupting everything that came before it. It's like a reboot of the marvel universe ... or a parallel dimension. Save your money for another movie. * Summary: Decent, but Breaks the MCU
Not too bad if you didn't set high expectation. Overall is ok. Action is nice. ...
It was alright. Some entertaining scenes and the de-aging they did on Samuel L. Jackson was fantastic. Still not sure about Brie Larson in the lead but at least showed far more personality than her blank stares in Endgame. The visual effects also was fairly good, especially on Earth (vs. on Hala or ... w/e it was called). Worth a rental.
Very good, it's entertaining. I like the story that entails <em>'Captain Marvel'</em>. It's possibly not told in the most incredible way, but by the end I did enjoy how it unfolded and connected to what we've seen recently in the MCU. Brie Larson is pleasant in the lead role, a tad wooden in p ... arts but overall I rate what she gives this film. It's cool to have Samuel L. Jackson's character get a deeper dive and bigger screen time than usual. I also liked Ben Mendelsohn as Talos. Other cast members, like Jude Law, are fine if forgettable. Everything else about this is basically what you'd normally get from an MCU production: strong action, great effects, solid humour and an interesting plot. This 21st film from the universe is a good'un!
Well.... ....We have seen this before. The word "rehashing" has been thrown around a lot in some reviews, but really it's like a copy of a copy of a copy of a copy on a cheap circa early 80 copy machine. You've seen it before when it was a lot better. The good news, I suppose, is that the trai ... lers were honest, Brie Larson is honestly doing her best to imitate a block of wood and is just as animated and believable as a super hero. And Sam Jackson, digitally younger, is still too old to do the required action scenes as evident by the enormous amount of cuts it takes to make it vaguely resemble actual action. However, he still manages to outshine Larson in the action department. And, of course, nothing could improve it more than a killer soundtrack. Unfortunately Captain Marvel only manages to produce a cringey soundtrack and I has always been a No Doubt fan (at least until 2000'sReturn of Saturn). But the good news is they did reduce the transparent political posturing to a minimum (compared to what people had thought) but even then it is still far more than you'd get with better super hero moves *cough*Wonder Woman*cough*
Ok movie where she fights aliens and humans. They could have made more sense of the story. Captain Marvel was a man back then not a woman too. ...
Help, woke lobbyists took-over Marvel ...
Captain Marvel (2019) was an interesting watch, but it didn't fully hit the mark for me. The plot felt like it was trying to do too much at once, juggling an origin story, cosmic warfare, and humor without giving enough time to really develop Carol Danvers as a character. Instead of making me care a ... bout her journey, the movie just told me she was powerful and expected that to be enough. There were definitely some cool moments, but the pacing was uneven, with scenes that dragged and others that felt rushed. The directing was solid in terms of keeping things visually engaging, but it lacked the depth needed to make the emotional beats land. The cinematography was well done, especially in the action sequences, but at times it felt like the movie was trying too hard to make every scene look flashy instead of focusing on storytelling. The performances were a mixed bag, Samuel L. Jackson carried a lot of the energy, and the supporting cast did well, but Brie Larson's portrayal of Carol felt distant, which made it hard to connect with her character. The script didn't help much either, relying more on quippy one-liners and exposition rather than giving the characters room to breathe. The sound design and score were decent but not particularly memorable. The music choices leaned heavily on nostalgia, which worked in some moments but felt forced in others. Action sequences had a good rhythm thanks to the sound design, but overall, the movie lacked a distinct musical identity. While Captain Marvel had its highlights, it felt more like a checklist of MCU requirements than a truly compelling superhero film. It's entertaining enough, but it doesn't leave much of a lasting impact.