Popularity: 18 (history)
Director: | Jon Favreau |
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Writer: | Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway |
Staring: |
After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil. | |
Release Date: | Apr 30, 2008 |
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Director: | Jon Favreau |
Writer: | Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway |
Genres: | Adventure, Action, Science Fiction |
Keywords | superhero, malibu, aftercreditsstinger, counterterrorism, powerful, middle east, arms dealer, based on comic, marvel cinematic universe (mcu), irreverent |
Production Companies | Marvel Studios, Fairview Entertainment, Marvel Entertainment |
Box Office |
Revenue: $585,174,222
Budget: $140,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Robert Downey Jr. | Tony Stark |
Terrence Howard | Rhodey |
Jeff Bridges | Obadiah Stane |
Gwyneth Paltrow | Pepper Potts |
Leslie Bibb | Christine Everhart |
Shaun Toub | Yinsen |
Faran Tahir | Raza |
Clark Gregg | Agent Coulson |
Bill Smitrovich | General Gabriel |
Sayed Badreya | Abu Bakaar |
Paul Bettany | Jarvis (voice) |
Jon Favreau | Hogan |
Peter Billingsley | William Ginter Riva |
Tim Guinee | Major Allen |
Will Lyman | Award Ceremony Narrator (voice) |
Tom Morello | Guard |
Marco Khan | Guard |
Daston Kalili | Guard |
Ido Mor | Guard |
Kevin Foster | Jimmy |
Garret Noël | Pratt |
Eileen Weisinger | Ramirez |
Ahmed Ahmed | Ahmed |
Fahim Fazli | Omar |
Gerard Sanders | Howard Stark |
Tim Rigby | Viper 1 |
Russell Richardson | Viper 2 |
Nazanin Boniadi | Amira Ahmed |
Thomas Craig Plumer | Colonel Craig |
Robert Berkman | Dealer at Craps Table |
Stacy Stas Hurst | Woman at Craps Table |
Lauren Scyphers | Woman at Craps Table |
Frank Nyi | Engineer |
Marvin Jordan | Air Force Officer |
Jim Cramer | Jim Cramer |
Donna Evans | Woman In SUV |
Reid Harper | Kid in SUV |
Summer Kylie Remington | Kid in SUV |
Ava Rose Williams | Kid in SUV |
Vladimir Kubr | Kid in SUV |
Callie Croughwell | Kid in SUV |
Javan Tahir | Gulmira Kid |
Sahar Bibiyan | Gulmira Mom |
Patrick O'Connell | Reporter |
Adam Harrington | Reporter |
Meera Simhan | Reporter |
Ben Newmark | Reporter |
Ricki Lander | Flight Attendant |
Jeannine Kaspar | Flight Attendant |
Sarah Cahill | Flight Attendant |
Stan Lee | Stan Lee |
Justin Rex | Air Force Lieutenant |
Zorianna Kit | Zorianna Kit |
Lana Kinnear | Stan's Girl |
Nicole Lindeblad | Stan's Girl |
Masha Lund | Stan's Girl |
Gabrielle Tuite | Stan's Girl |
Tim Griffin | CAOC Analyst |
Joshua Harto | CAOC Analyst |
Micah A. Hauptman | CAOC Analyst |
James Bethea | CAOC Analyst |
Mike Cochrane | Gulmira Villager (uncredited) |
Flavia Manes Rossi | Reporter (uncredited) |
Samuel L. Jackson | Nick Fury (uncredited) |
Kristin J. Hooper | Reporter (uncredited) |
Name | Job |
---|---|
Tad Griffith | Utility Stunts |
Riley Harper | Utility Stunts |
Russell Bobbitt | Property Master |
Mark Fergus | Screenplay |
Hawk Ostby | Screenplay |
Art Marcum | Screenplay |
Matt Holloway | Screenplay |
Ben Snow | Visual Effects Supervisor |
Daniel Sudick | Special Effects Coordinator |
Christopher Boyes | Sound Designer, Sound Re-Recording Mixer |
Hal Hickel | Animation Supervisor |
Jon Favreau | Director |
Mark Aaron Wagner | Utility Stunts |
Tim Trella | Utility Stunts |
Theo Kypri | Utility Stunts |
Mark Kubr | Utility Stunts |
Mike Justus | Stunt Double |
Joost Janssen | Stunt Driver |
Steve Holladay | Utility Stunts |
Freddie Hice | Utility Stunts |
Ben Hernandez Bray | Utility Stunts |
Rosine 'Ace' Hatem | Utility Stunts |
Gene Hartline | Utility Stunts |
Thomas Robinson Harper | Stunt Coordinator |
Richie Gaona | Utility Stunts |
Clay Donahue Fontenot | Stunt Double |
Donna Evans | Stunt Double |
Annie Ellis | Utility Stunts |
Dave Jordan | Music Supervisor |
Louis D'Esposito | Unit Production Manager |
Phil Neilson | Second Unit Director |
David J. Grant | Production Supervisor |
Luminita Docan | Post Production Supervisor |
Keith Woulard | Stunt Coordinator |
Eddie J. Fernandez | Utility Stunts |
Shannon Mills | Sound Designer |
Lora Hirschberg | Sound Re-Recording Mixer |
Randi Hiller | Casting |
Rebecca Gregg | Costume Design |
Andy Hass | Visual Effects |
Cristina Weigmann | Script Supervisor |
Shane Mahan | Effects Supervisor |
Gary Scalzo | Lighting Technician |
Alvin Zalamea | Stunts |
Victor Winters-Junco | Stunts |
Todd Warren | Utility Stunts |
Danielle Wait | Utility Stunts |
Craig Stecyk | Utility Stunts |
Cain Smead | Utility Stunts |
Paul Sklar | Utility Stunts |
Brian Simpson | Utility Stunts |
Mike Rufino | Utility Stunts |
Laurence Todd Rosenthal | Utility Stunts |
Craig Rondell | Stunt Driver |
J.C. Robaina | Utility Stunts |
Darryl Reeves | Utility Stunts |
John Pohmisano | Utility Stunts |
Damien Moreno | Utility Stunts |
Anderson Martin | Utility Stunts |
Anthony Kramme | Utility Stunts |
Hannah Kozak | Utility Stunts |
Krisztian Kery | Utility Stunts |
Ross A. Jordan | Utility Stunts |
Brandon Johnson | Utility Stunts |
Michael Hilow | Utility Stunts |
James M. Halty | Utility Stunts |
Glenn Goldstein | Utility Stunts |
Travis Fienhage | Stunts |
Tom Elliott | Utility Stunts |
Paul Eliopoulos | Utility Stunts |
Paul Crawford | Utility Stunts |
Jorge Cisneros | Utility Stunts |
Mark Chavarria | Utility Stunts |
Mark Chapman | Utility Stunts |
Sebastiano Cartier | Stunts |
Hal Burton | Utility Stunts |
Richard Bucher | Utility Stunts |
Matt Baker | Utility Stunts |
Greg Anthony | Utility Stunts |
Greg Fitzpatrick | Stunt Double |
Richard Bernard | Music Supervisor |
Sara E. White | Unit Production Manager |
Eric Heffron | First Assistant Director |
Michael J. Moore | Second Assistant Director |
Jonathan Taylor | Second Unit Director of Photography |
Matt Finick | Executive in Charge of Finance |
Charlie Davis | Executive In Charge Of Post Production |
Gary R. Wordham | Production Supervisor |
Richard F. Mays | Art Direction |
Suzan Wexler | Art Direction |
Brian Brown | Utility Stunts |
Michael E. Goldman | Assistant Art Director |
Rebecca Robertson | Script Supervisor |
Freddy Bouciegues | Utility Stunts |
Michael Bauman | Gaffer |
Greg Parsons | Additional Editor |
Derek Brechin | Additional Editor |
David Lowery | Storyboard Artist |
Stephen Platt | Storyboard Artist |
Eric Ramsey | Storyboard Artist |
Philip Keller | Storyboard Artist |
Dianne Chadwick | Graphic Designer |
Patrick McMahon | Post Production Assistant |
Ilham Hosseini | Translator |
Bobby Tahouri | Additional Music |
Clay Duncan | Additional Music |
Ryeland Allison | Additional Music |
Alan Meyerson | Scoring Mixer |
Jojo Villanueva | Music Coordinator |
Rebekah Johnson | Music Coordinator |
Shannon Erbe | Music Editor |
David Klotz | Music Editor |
John Nelson | Visual Effects Supervisor |
Steve Gentry | Driver |
Matthew Libatique | Director of Photography |
Sarah Halley Finn | Casting |
Laura Jean Shannon | Costume Design |
Daniel Stevens | Stunt Double |
Ray Siegle | Utility Stunts |
Kevin Scott | Utility Stunts |
Michael Runyard | Utility Stunts |
Gilbert Rosales | Utility Stunts |
Thomas Rosales Jr. | Utility Stunts |
Jason Rodriguez | Utility Stunts |
Mic Rodgers | Utility Stunts |
Mario Roberts | Utility Stunts |
Tim Rigby | Stunt Coordinator |
Rex Reddick | Utility Stunts |
Chad Randall | Utility Stunts |
J.J. Perry | Utility Stunts |
Chris Palermo | Utility Stunts |
Anthony Martins | Utility Stunts |
Brian Machleit | Utility Stunts |
Matt Leonard | Utility Stunts |
Oakley Lehman | Stunt Double |
Nito Larioza | Utility Stunts |
David Ott | Utility Stunts |
Dino Dos Santos | Utility Stunts |
Vince Deadrick Jr. | Stunt Double |
Keith Splinter Davis | Utility Stunts |
J.J. Dashnaw | Utility Stunts |
Max Daniels | Utility Stunts |
Clay Cullen | Utility Stunts |
Geo Corvera | Utility Stunts |
Norm Compton | Utility Stunts |
Richard Cetrone | Stunt Double |
Loyd Catlett | Stunt Double |
David Castillo | Utility Stunts |
Chris Carnel | Utility Stunts |
Joe Bucaro III | Utility Stunts |
Jon Braver | Utility Stunts |
Sandy Berumen | Stunts |
Tammie Baird | Stunt Driver |
Daniel Arrias | Utility Stunts |
Stan Winston | Special Effects |
J. Michael Riva | Production Design |
John T. Cypert | Utility Stunts |
Stan Lee | Comic Book |
Don Heck | Comic Book |
Larry Lieber | Comic Book |
Jack Kirby | Comic Book |
Gabriel Beristain | Additional Photography |
Michael Tronick | Additional Editor |
John Bartnicki | Post Production Assistant |
Harry Humphries | Military Consultant |
Atli Örvarsson | Additional Music |
Alison Faulk | Choreographer |
Bob Brown | Utility Stunts |
Jeff 'JJ' Dashnaw | Utility Stunts |
David F. Klassen | Supervising Art Director |
Hans Zimmer | Executive Music Producer |
Dan Lebental | Editor |
Ramin Djawadi | Original Music Composer |
Trinh Tran | Production Assistant |
Frank E. Eulner | Supervising Sound Editor |
Luke LaFontaine | Utility Stunts |
Kevin Derr | Utility Stunts |
Robert Alonzo | Utility Stunts |
Ross T. Fanger | Executive In Charge Of Production |
Lorne Balfe | Additional Music |
Susan Pickett | Visual Effects Production Manager |
Chris Castaldi | Second Assistant Director |
Victoria Alonso | Visual Effects Producer |
Mark Ulano | Production Sound Mixer |
Isaac McKee | Lighting Technician |
Name | Title |
---|---|
Ari Arad | Executive Producer |
David Maisel | Executive Producer |
Jeremy Latcham | Associate Producer |
Eric Heffron | Associate Producer |
Avi Arad | Producer |
Stan Lee | Executive Producer |
Louis D'Esposito | Executive Producer |
Jon Favreau | Executive Producer |
Peter Billingsley | Executive Producer |
Kevin Feige | Producer |
Victoria Alonso | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 121 | 179 | 90 |
2024 | 5 | 162 | 206 | 139 |
2024 | 6 | 135 | 212 | 103 |
2024 | 7 | 120 | 155 | 82 |
2024 | 8 | 138 | 217 | 113 |
2024 | 9 | 113 | 161 | 94 |
2024 | 10 | 108 | 187 | 76 |
2024 | 11 | 103 | 187 | 79 |
2024 | 12 | 93 | 166 | 71 |
2025 | 1 | 110 | 172 | 85 |
2025 | 2 | 92 | 114 | 23 |
2025 | 3 | 45 | 118 | 4 |
2025 | 4 | 23 | 31 | 18 |
2025 | 5 | 21 | 24 | 18 |
2025 | 6 | 17 | 20 | 15 |
2025 | 7 | 19 | 24 | 16 |
2025 | 8 | 17 | 20 | 16 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 33 | 119 |
Year | Month | High | Avg |
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2025 | 7 | 40 | 98 |
Year | Month | High | Avg |
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2025 | 6 | 34 | 91 |
Year | Month | High | Avg |
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2025 | 5 | 22 | 93 |
Year | Month | High | Avg |
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2025 | 4 | 56 | 372 |
Year | Month | High | Avg |
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2025 | 3 | 30 | 324 |
Year | Month | High | Avg |
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2025 | 2 | 35 | 114 |
Year | Month | High | Avg |
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2025 | 1 | 43 | 111 |
Year | Month | High | Avg |
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2024 | 12 | 44 | 140 |
Year | Month | High | Avg |
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2024 | 11 | 51 | 130 |
Year | Month | High | Avg |
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2024 | 10 | 67 | 145 |
Year | Month | High | Avg |
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2024 | 9 | 72 | 121 |
Year | Month | High | Avg |
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2024 | 8 | 41 | 67 |
Imaginative illustration of an epic story. It combines the modern background society, e.g. terrorism, with the unconventional high-tech fantasy. Our leading actor Robert Downey Jr. deeply embodies the soul of the Iron Man in himself. We common people never lived this way :P ...
**A long form review originally posted in 2010:** Marking the beginning of the latest Marvel franchise, _The Avengers_, is Jon Favreau's _Iron Man_. I'm quite fond of Super Hero movies, I don't love them to the same extent that I do the slasher or psychological thriller genres, but they do hol ... d a small place in my heart all to themselves. I'm pretty pumped for this whole "Avengers" thing to come to fruition, 'cause honestly it's all been great so far, starting with Iron Man, whom Robert Downey Jr. (_Natural Born Killers, Gothika, Kiss Kiss Bang Bang, A Scanner Darkly, Zodiac, Sherlock Holmes, Due Date_) portrays, and incredibly so. It's important to set yourself a starting point. More specifically, what I mean is, a reason. Batman's parents were murdered, and his home was destroyedby crime; The Punisher's whole family was murdered in front of him and he big-time snapped; characters like the X-Men and the Fantastic 4 are defending themselves and end up having a penchant for world-saving. Those are all fine, and so long as you have one, I'm happy. But I really kind of like Tony Stark's reason for becoming Iron Man... He's a dick. That's why. He's a dick that supplies the world with the most lethal weapons in existence, and they take lives left, right and centre. Then, he's put through the world where they get used, and finally is told by the person who helped him escape that world, not to waste his life. He believes he is still alive for a reason, he decides that reason is to become a dick that is intent on privatising world peace. Which I think makes perfect sense. That may have come across as sarcasm, but I was deadly serious. Tony Stark becomes Iron man, and that's why. It works fantastically. We then get to see all the incarnations of his suit, how difficult it was to make, what it runs on, the technology, everything. And I'm a huge fan of back story, which Iron Man delivers. It's sort of the antithesis of DC's _Batman Begins_. Though they're both young adults that come from money with no family, a British butler (although Iron man's butler Jarvis was transformed into AI for the film [he was an actual person in the comics]), they have a board of directors take care of their family's billionaire business until they're ready to eventually take the reins, they both become "____ Man" and go about saving the innocent, not through superpowers but technology. I'm sure I could go on. But they're also incredibly different. Where Batman is a total bad ass, the gothic unknown defender of the night that uses fear as a weapon to protect his home town, and yet refuses to kill; Iron Man is a bright, shiny, loud attention grabber, who goes all international to fight crime, he wants the world to know he's Iron Man and his enemies are totally lame, so no wonder he has no qualms about killing! Batman's secret identity, Bruce Wayne, is an angsty tosser, that tries way to hard. But Tony Stark, is a witty, brilliant inventor, who has basically harnessed all of Batman's training, strength, weapons, vehicles and flight, improved them, and put them in to a single suit. So though I personally prefer Batman as a hero, I prefer Tony Stark as a character. The interaction between Stark and Pepper Potts, played by Gwyneth Paltrow (_Se7en, The Talented Mr. Ripley, The Royal Tenenbaums, Sky Captain and the World of Tomorrow_) was incredible. It just goes to show what good casting can achieve, even in an action flick, the dialogue is hilarious and clever. Is it possible for a Super Hero movie to be a bad Super Hero film but a great film? I guess it is. The antagonists are lacking to say the least, and their dispatching leaves even more to be desired. Which is normally not too huge when you get the rest so perfect, unfortunately, it's a comic book film, about Super Heroes, and Super Villains. They fight one another over and over, in fact that's pretty much what the comics are about in their entirety, so it's quite a major short coming. That being said, it's really the only one that _Iron Man_ has. In a way though, they're a similar comparison to the latest Batman films again; Iron Monger and Whiplash are flashy, but disappointing, where The Joker, Two-Face, Scarecrow and Ra's al Ghul are top notch as bad guys. Whereas Ironman's Obadiah Stane and Ivan Vanko were great characters, but Batman's The Joker is only seen in his villain persona, and Harvey Dent, Jonathan Crane and Henri Ducard are nothing more than vessels for their alter-egos. All that aside, the film is just plain good, and you don't need to be a fan of Iron Man, Super Heroes or comics in general to enjoy _Iron Man_. 82% -Gimly
Iron Man did a lot more than just launch the Marvel Cinematic Universe. It was the first comic book movie in a long time to integrate the fantastical nature of superheroes and supervillains into a real world setting with consequences. It also showed how great of a filmmaker Jon Favreau is and reboot ... ed the career of Robert Downey Jr. For all this, Iron Man is a fantastic movie, still one of the best MCU films. It's so much fun to watch. Yet it displays a lot of intelligence, exploring the internal dilemma of a man profiteering off war when faced with the harsh reality that he is part of a system that corrupts absolutely.
When director Jon Favreau and Sarah Halley cast Robert Downey Jr, they glimpsed something magnificent: a more-than-skilled actor who faultlessly portrayed the role of Tony Stark. Despite Favreau's initial decision in choosing a fresh face, he ended up delighted due to his charismatic, natural and co ... mfortable attitude. He did not realise it yet, but he was moulding with the right measures a whole superhero cinematic universe which lasted until today and still goes for more. The filmmakers took the proper time to introduce a character whose production was undecided since New Line Pictures argued that the main character [Iron Man] had no potential to be brought up to the theatres. Therefore, planning from scratch a prosperous superhero who was not related to the typical Fantastic Four, X-Men or Spider-Man [famous superhero films of the 2000s] was quite a challenge. However, the director unquestionably demonstrated his skills at the visual effects, the rock metal music, the accurate dialogues for each moment and finally, the remarkable development of each persona. How exactly? Establishing the visual effects of a high-speed-altitude enthusiast was marvellous, considering the time of the creation. The way Favreau adjusted the Iron Man gave numerous innovative perspectives of a superhero while in battle. If we first watched the 'Spidey Sense', then it was time to behold the flying upper and upper. What an achievement ladies and gentleman! Taking into account the sound effect, it was splendid in every single way because it gave decent time to evoke emotions, from sadness to awesomeness, it permitted to feel the sensation of building a strong armour or flying as fast as possible. Man! That AC/DC hard rock music was well-defined to this fascinating character. Did I mention that Downey's son is growing on music? He has a band, and it's called "The Dose Band". Just watch the School of Rock's report. Probably there is where the influence came by. On the other hand, this film gives such iconic quotes which will live on our memory: "Is it better to be feared or respected?", "Sometimes you gotta run before you can walk", "I am Iron Man". WOW! What potential we have got here! Finally, but not least, the impeccable action scenes and drama ones were the highest achieves Iron Man had got. The sequence in the cavern traped with Dr Yinsen serves to the protagonist time to reflect on himself and the responsibility he has in protecting the world against high-tech diseases. Plus, the very unusual but gorgeous chemistry between Tony Stark and his secretary/companion Pepper Potts is another striking feature which is not considered at all was. When Kevin Feige, the current president of Marvel Studios, was asked about his desition about casting Gwyneth Paltrow he confessed the following: "Gwyneth is the embodiment of a leading lady. She brings intelligence, poise and an incredible range of talent to this role". Throughout the movie, these two characters happened to be facing their professional and sentimental relationship naturally owing to the Iron Man. The way Pepper Potts clings on to the fact that his beloved boss is in troublesome scenarios, it's just pure tenderness and shows how much potential this couple has. The cast assuredly introduced not only convincing performances but strong characters which will be handy for the following Marvel instalments, just watching Jeff Bridges as the badass Iron Monger is superb! The film producer nailed it! If someone asked me about the flaws it has presented, probably I would say the dark tone, some petit explicit scenes (bearing in mind there are children as spectators) and the lack of sense of humour at times. Still, it is mostly pure perfection. [83/100]
When director Jon Favreau and Sarah Halley cast Robert Downey Jr, they glimpsed something magnificent: a more-than-skilled actor who faultlessly portrayed the role of Tony Stark. Despite Favreau's initial decision in choosing a fresh face, he ended up delighted due to his charismatic, natural and co ... mfortable attitude. He did not realise it yet, but he was moulding with the right measures a whole superhero cinematic universe which lasted until today and still goes for more. The filmmakers took the proper time to introduce a character whose production was undecided since New Line Pictures argued that the main character [Iron Man] had no potential to be brought up to the theatres. Therefore, planning from scratch a prosperous superhero who was not related to the typical Fantastic Four, X-Men or Spider-Man [famous superhero films of the 2000s] was quite a challenge. However, the director unquestionably demonstrated his skills at the visual effects, the rock metal music, the accurate dialogues for each moment and finally, the remarkable development of each persona. How exactly? Establishing the visual effects of a high-speed-altitude enthusiast was marvellous, considering the time of the creation. The way Favreau adjusted the Iron Man gave numerous innovative perspectives of a superhero while in battle. If we first watched the 'Spidey Sense', then it was time to behold the flying upper and upper. What an achievement ladies and gentleman! Taking into account the sound effect, it was splendid in every single way because it gave decent time to evoke emotions, from sadness to awesomeness, it permitted to feel the sensation of building a strong armour or flying as fast as possible. Man! That AC/DC hard rock music was well-defined to this fascinating character. Did I mention that Downey's son is growing on music? He has a band, and it's called "The Dose Band". Just watch the School of Rock's report. Probably there is where the influence came by. On the other hand, this film gives such iconic quotes which will live on our memory: "Is it better to be feared or respected?", "Sometimes you gotta run before you can walk", "I am Iron Man". WOW! What potential we have got here! Finally, but not least, the impeccable action scenes and drama ones were the highest achieves Iron Man had got. The sequence in the cavern traped with Dr Yinsen serves to the protagonist time to reflect on himself and the responsibility he has in protecting the world against high-tech diseases. Plus, the very unusual but gorgeous chemistry between Tony Stark and his secretary/companion Pepper Potts is another striking feature which is not considered at all was. When Kevin Feige, the current president of Marvel Studios, was asked about his desition about casting Gwyneth Paltrow he confessed the following: "Gwyneth is the embodiment of a leading lady. She brings intelligence, poise and an incredible range of talent to this role". Throughout the movie, these two characters happened to be facing their professional and sentimental relationship naturally owing to the Iron Man. The way Pepper Potts clings on to the fact that his beloved boss is in troublesome scenarios, it's just pure tenderness and shows how much potential this couple has. The cast assuredly introduced not only convincing performances but strong characters which will be handy for the following Marvel instalments, just watching Jeff Bridges as the badass Iron Monger is superb! The film producer nailed it! If someone asked me about the flaws it has presented, probably I would say the dark tone, some petit explicit scenes (bearing in mind there are children as spectators) and the lack of sense of humour at times. Still, it is mostly pure perfection. [83/100]
My first taste of the Marvel Cinematic Universe. A great start! I absolutely enjoyed seeing <em>'Iron Man'</em>. Robert Downey Jr. is terrific as the titular character, who is a blast to watch throughout - love the design! The plot is very entertaining, I like how it tells the story; simply, but ... very effectively. Terrence Howard, Jeff Bridges and Gwyneth Paltrow, meanwhile, all add to the film with good performances. The special effects are very neat, as are all the action sequences. I will say the score isn't the strongest, at least in terms of what I'd expect from this sorta film. I wouldn't say it's bad per se, just not as spectacular as it could've (should've?) been; especially with someone like Ramin Djawadi composing. I love a film with great music, so hopefully that improves as I watch the MCU expand. I know, I'm extremely late to this particularly party but happy to finally begin watching.
**An excellent film, which only loses a little in some details related to the writing of the script and the conception of some characters.** I'm not a fan of superhero movies, but like any movie fan in general, I've seen a good handful of them. This was the first film made by Marvel and financed ... by the company itself, and it brings us one of its most acclaimed heroes. The film shows how a young playboy millionaire named Tony Stark, with a fortune inherited from his father and largely made from the production and sale of weapons, becomes a vigilante determined not to allow the misuse of the weapons he sells. I don't know much about comics, but I believe that the film was limited to adapting to the cinema a story already written on paper about the origins of the character, giving it, perhaps, a touch of the present. The plot is one of the strongest points of the film, not only for the way it introduces the character in the context of the current geopolitical conflicts (with the Middle East issue very present), but mainly for the way it transforms Tony Stark into a deeper character, who lives a catharsis that opens his conscience to questions that he was not sensitive enough to understand. Put more simply, if initially Stark was a rich and spoiled idiot, he ends the movie with another awareness of what he should do and how his attitudes influence the world around him. However, I also felt that once Stark realizes what he has to do, and it becomes clear who the enemy is to defeat, the script quickly loses quality and becomes much more basic and underdeveloped. With a skillful direction provided by Jon Favreau, the cast gave us a very good performance. Of course, the public's attention is focused on Robert Downey Jr., an actor who started working in the 80s, but only began to emerge at the turn of the millennium, with some productions (*Gothika*, *Good Night and Good Luck*, *Zodiac*) that he entered before accepting Marvel's proposal. He is perfect in character and gives us his life's work as an actor. Beside him, we can still admire Gwynneth Paltrow, in a more discreet but competent role. The villain was secured by Jeff Bridges, but his work is not so well executed and the actor sometimes doesn't seem to know exactly how to behave in the character. What can we say about the production values and technical quality of a movie with a millionaire budget of 140 million dollars? It is a film determined to be a blockbuster, which fully achieved all its objectives, earning high profits, pleasing the fans and achieving high praise from the general public and the specialized critics. And the money invested is in plain sight, with a declared bet on very high quality CGI, wonderfully well-executed sound and image effects and really good sets and costumes (with great emphasis - obviously - on Iron Man's suit and Stark's mansion). The cinematography is excellent, the filming work was really well done, and the editing was detailed, giving the film a pleasant rhythm that doesn't tire us out. Finally, a note of praise for the excellent and epic soundtrack.
**Iron Man had all the class, quirks, genius, and fun to birth one of the greatest film franchises in cinematic history.** The movie that started it all. That created the personality of a multi-billion dollar entertainment behemoth. That introduced the world to the first of many characters that h ... ave become household names and cultural icons. Iron Man stormed on the screen with a lead actor that Hollywood had given up on and a small start-up studio without a single movie under its belt backed by Disney, who had little to no live-action comic experience of their own. But director Jon Favreau’s adlibbed approach leveraged the strengths of his cast and created a world that was simultaneously realistic and magical - where a man could build a flying suit of armor, or a Thunder god could fall in love with a quirky mortal. Many forget that Robert Downey Jr’s personal struggles had left him blacklisted by many in Hollywood, making his casting a risky stroke of brilliance. The result of all this was precisely the lightning in a bottle needed to birth the Marvel Cinematic Universe.
An ok movie. I just wish there was more action. The storyline was great but could have been a lot better with more action. ...
Having inherited his father's skill, "Tony Stark" is supplying just about every bit of military hardware to the US Government. On a trip to Afghanistan, however, his convoy is ambushed and he is seriously injured. He awakens in a cave, held hostage by insurgents, and with the help of co-captive "Yin ... sen" (Shaun Toub) must use all of his skills to stay alive and to find a way out of his predicament. Cannibalising just about every bit of kit he can find, he concocts a power source to keep him alive and a suit of armour that enables him to fight his way out. Once free, he determines to further hone this flying suit of armour and use it for the common good. His business partner "Vanko" (Jeff Bridges) soon realises there are other, more lucrative, uses and a conspiracy is soon afoot. Can "Stark" thwart him and save the day? As ever, there is no jeopardy whatsoever - what this is, is a fun action adventure with loads of top notch visual effects and quite a bit of humour in a script well delivered by an on-form Downey well supported by Gwyneth Paltrow and a solid cast. The "Iron Man" stories are not the most complex. It's a pretty linear depiction of good and evil - though it does, at the start, demonstrate some of the ironies of the weapons supplies industry. It's overly long, we spend just a bit too much time getting going, but once it does - it is worth a watch on a big screen.
The true miracle of Iron Man isn't just that it launched the biggest cinematic franchise of all time - it's that it works so well on its own terms. Made without a finished script and relying heavily on actor improvisation, the film somehow emerges as a cohesive, emotionally resonant origin story tha ... t still holds up nearly two decades later. Robert Downey Jr. doesn't just play Tony Stark; he *is* Tony Stark, embodying a character arc that transforms a narcissistic billionaire into a man of purpose with surprising nuance and authenticity. His natural wit, emotional intelligence, and lived-in charm carry the movie, but it's the grounded direction - practical suits, real locations, restrained CGI - that gives Iron Man its timeless grit and weight. The first suit-up scene alone remains one of the most satisfying moments in the entire MCU. Jeff Bridges gives Obadiah Stane just enough calm menace to make his escalation feel earned, even if predictable. And Gwyneth Paltrow's Pepper Potts deserves more credit - not just as the emotional anchor to Tony's chaos, but as an active player in his survival. The emotional beats - from Yinsen's death to the rescue in the desert, from "don't waste your life" to "it's going to be okay" - hit harder than expected, enhanced by a surprisingly effective score. Iron Man remains a testament to character-first storytelling, and even after 30+ entries, it still comfortably sits in my MCU Top 10. Rating: A