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Iron Man

Heroes aren't born. They're built.
2008 | 126m | English

(1190238 votes)

TMDb IMDb

Popularity: 18 (history)

Details

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.
Release Date: Apr 30, 2008
Director: Jon Favreau
Writer: Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway
Genres: Adventure, Action, Science Fiction
Keywords superhero, malibu, aftercreditsstinger, counterterrorism, powerful, middle east, arms dealer, based on comic, marvel cinematic universe (mcu), irreverent
Production Companies Marvel Studios, Fairview Entertainment, Marvel Entertainment
Box Office Revenue: $585,174,222
Budget: $140,000,000
Updates Updated: Aug 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Robert Downey Jr. Tony Stark
Terrence Howard Rhodey
Jeff Bridges Obadiah Stane
Gwyneth Paltrow Pepper Potts
Leslie Bibb Christine Everhart
Shaun Toub Yinsen
Faran Tahir Raza
Clark Gregg Agent Coulson
Bill Smitrovich General Gabriel
Sayed Badreya Abu Bakaar
Paul Bettany Jarvis (voice)
Jon Favreau Hogan
Peter Billingsley William Ginter Riva
Tim Guinee Major Allen
Will Lyman Award Ceremony Narrator (voice)
Tom Morello Guard
Marco Khan Guard
Daston Kalili Guard
Ido Mor Guard
Kevin Foster Jimmy
Garret Noël Pratt
Eileen Weisinger Ramirez
Ahmed Ahmed Ahmed
Fahim Fazli Omar
Gerard Sanders Howard Stark
Tim Rigby Viper 1
Russell Richardson Viper 2
Nazanin Boniadi Amira Ahmed
Thomas Craig Plumer Colonel Craig
Robert Berkman Dealer at Craps Table
Stacy Stas Hurst Woman at Craps Table
Lauren Scyphers Woman at Craps Table
Frank Nyi Engineer
Marvin Jordan Air Force Officer
Jim Cramer Jim Cramer
Donna Evans Woman In SUV
Reid Harper Kid in SUV
Summer Kylie Remington Kid in SUV
Ava Rose Williams Kid in SUV
Vladimir Kubr Kid in SUV
Callie Croughwell Kid in SUV
Javan Tahir Gulmira Kid
Sahar Bibiyan Gulmira Mom
Patrick O'Connell Reporter
Adam Harrington Reporter
Meera Simhan Reporter
Ben Newmark Reporter
Ricki Lander Flight Attendant
Jeannine Kaspar Flight Attendant
Sarah Cahill Flight Attendant
Stan Lee Stan Lee
Justin Rex Air Force Lieutenant
Zorianna Kit Zorianna Kit
Lana Kinnear Stan's Girl
Nicole Lindeblad Stan's Girl
Masha Lund Stan's Girl
Gabrielle Tuite Stan's Girl
Tim Griffin CAOC Analyst
Joshua Harto CAOC Analyst
Micah A. Hauptman CAOC Analyst
James Bethea CAOC Analyst
Mike Cochrane Gulmira Villager (uncredited)
Flavia Manes Rossi Reporter (uncredited)
Samuel L. Jackson Nick Fury (uncredited)
Kristin J. Hooper Reporter (uncredited)
Name Job
Tad Griffith Utility Stunts
Riley Harper Utility Stunts
Russell Bobbitt Property Master
Mark Fergus Screenplay
Hawk Ostby Screenplay
Art Marcum Screenplay
Matt Holloway Screenplay
Ben Snow Visual Effects Supervisor
Daniel Sudick Special Effects Coordinator
Christopher Boyes Sound Designer, Sound Re-Recording Mixer
Hal Hickel Animation Supervisor
Jon Favreau Director
Mark Aaron Wagner Utility Stunts
Tim Trella Utility Stunts
Theo Kypri Utility Stunts
Mark Kubr Utility Stunts
Mike Justus Stunt Double
Joost Janssen Stunt Driver
Steve Holladay Utility Stunts
Freddie Hice Utility Stunts
Ben Hernandez Bray Utility Stunts
Rosine 'Ace' Hatem Utility Stunts
Gene Hartline Utility Stunts
Thomas Robinson Harper Stunt Coordinator
Richie Gaona Utility Stunts
Clay Donahue Fontenot Stunt Double
Donna Evans Stunt Double
Annie Ellis Utility Stunts
Dave Jordan Music Supervisor
Louis D'Esposito Unit Production Manager
Phil Neilson Second Unit Director
David J. Grant Production Supervisor
Luminita Docan Post Production Supervisor
Keith Woulard Stunt Coordinator
Eddie J. Fernandez Utility Stunts
Shannon Mills Sound Designer
Lora Hirschberg Sound Re-Recording Mixer
Randi Hiller Casting
Rebecca Gregg Costume Design
Andy Hass Visual Effects
Cristina Weigmann Script Supervisor
Shane Mahan Effects Supervisor
Gary Scalzo Lighting Technician
Alvin Zalamea Stunts
Victor Winters-Junco Stunts
Todd Warren Utility Stunts
Danielle Wait Utility Stunts
Craig Stecyk Utility Stunts
Cain Smead Utility Stunts
Paul Sklar Utility Stunts
Brian Simpson Utility Stunts
Mike Rufino Utility Stunts
Laurence Todd Rosenthal Utility Stunts
Craig Rondell Stunt Driver
J.C. Robaina Utility Stunts
Darryl Reeves Utility Stunts
John Pohmisano Utility Stunts
Damien Moreno Utility Stunts
Anderson Martin Utility Stunts
Anthony Kramme Utility Stunts
Hannah Kozak Utility Stunts
Krisztian Kery Utility Stunts
Ross A. Jordan Utility Stunts
Brandon Johnson Utility Stunts
Michael Hilow Utility Stunts
James M. Halty Utility Stunts
Glenn Goldstein Utility Stunts
Travis Fienhage Stunts
Tom Elliott Utility Stunts
Paul Eliopoulos Utility Stunts
Paul Crawford Utility Stunts
Jorge Cisneros Utility Stunts
Mark Chavarria Utility Stunts
Mark Chapman Utility Stunts
Sebastiano Cartier Stunts
Hal Burton Utility Stunts
Richard Bucher Utility Stunts
Matt Baker Utility Stunts
Greg Anthony Utility Stunts
Greg Fitzpatrick Stunt Double
Richard Bernard Music Supervisor
Sara E. White Unit Production Manager
Eric Heffron First Assistant Director
Michael J. Moore Second Assistant Director
Jonathan Taylor Second Unit Director of Photography
Matt Finick Executive in Charge of Finance
Charlie Davis Executive In Charge Of Post Production
Gary R. Wordham Production Supervisor
Richard F. Mays Art Direction
Suzan Wexler Art Direction
Brian Brown Utility Stunts
Michael E. Goldman Assistant Art Director
Rebecca Robertson Script Supervisor
Freddy Bouciegues Utility Stunts
Michael Bauman Gaffer
Greg Parsons Additional Editor
Derek Brechin Additional Editor
David Lowery Storyboard Artist
Stephen Platt Storyboard Artist
Eric Ramsey Storyboard Artist
Philip Keller Storyboard Artist
Dianne Chadwick Graphic Designer
Patrick McMahon Post Production Assistant
Ilham Hosseini Translator
Bobby Tahouri Additional Music
Clay Duncan Additional Music
Ryeland Allison Additional Music
Alan Meyerson Scoring Mixer
Jojo Villanueva Music Coordinator
Rebekah Johnson Music Coordinator
Shannon Erbe Music Editor
David Klotz Music Editor
John Nelson Visual Effects Supervisor
Steve Gentry Driver
Matthew Libatique Director of Photography
Sarah Halley Finn Casting
Laura Jean Shannon Costume Design
Daniel Stevens Stunt Double
Ray Siegle Utility Stunts
Kevin Scott Utility Stunts
Michael Runyard Utility Stunts
Gilbert Rosales Utility Stunts
Thomas Rosales Jr. Utility Stunts
Jason Rodriguez Utility Stunts
Mic Rodgers Utility Stunts
Mario Roberts Utility Stunts
Tim Rigby Stunt Coordinator
Rex Reddick Utility Stunts
Chad Randall Utility Stunts
J.J. Perry Utility Stunts
Chris Palermo Utility Stunts
Anthony Martins Utility Stunts
Brian Machleit Utility Stunts
Matt Leonard Utility Stunts
Oakley Lehman Stunt Double
Nito Larioza Utility Stunts
David Ott Utility Stunts
Dino Dos Santos Utility Stunts
Vince Deadrick Jr. Stunt Double
Keith Splinter Davis Utility Stunts
J.J. Dashnaw Utility Stunts
Max Daniels Utility Stunts
Clay Cullen Utility Stunts
Geo Corvera Utility Stunts
Norm Compton Utility Stunts
Richard Cetrone Stunt Double
Loyd Catlett Stunt Double
David Castillo Utility Stunts
Chris Carnel Utility Stunts
Joe Bucaro III Utility Stunts
Jon Braver Utility Stunts
Sandy Berumen Stunts
Tammie Baird Stunt Driver
Daniel Arrias Utility Stunts
Stan Winston Special Effects
J. Michael Riva Production Design
John T. Cypert Utility Stunts
Stan Lee Comic Book
Don Heck Comic Book
Larry Lieber Comic Book
Jack Kirby Comic Book
Gabriel Beristain Additional Photography
Michael Tronick Additional Editor
John Bartnicki Post Production Assistant
Harry Humphries Military Consultant
Atli Örvarsson Additional Music
Alison Faulk Choreographer
Bob Brown Utility Stunts
Jeff 'JJ' Dashnaw Utility Stunts
David F. Klassen Supervising Art Director
Hans Zimmer Executive Music Producer
Dan Lebental Editor
Ramin Djawadi Original Music Composer
Trinh Tran Production Assistant
Frank E. Eulner Supervising Sound Editor
Luke LaFontaine Utility Stunts
Kevin Derr Utility Stunts
Robert Alonzo Utility Stunts
Ross T. Fanger Executive In Charge Of Production
Lorne Balfe Additional Music
Susan Pickett Visual Effects Production Manager
Chris Castaldi Second Assistant Director
Victoria Alonso Visual Effects Producer
Mark Ulano Production Sound Mixer
Isaac McKee Lighting Technician
Name Title
Ari Arad Executive Producer
David Maisel Executive Producer
Jeremy Latcham Associate Producer
Eric Heffron Associate Producer
Avi Arad Producer
Stan Lee Executive Producer
Louis D'Esposito Executive Producer
Jon Favreau Executive Producer
Peter Billingsley Executive Producer
Kevin Feige Producer
Victoria Alonso Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 121 179 90
2024 5 162 206 139
2024 6 135 212 103
2024 7 120 155 82
2024 8 138 217 113
2024 9 113 161 94
2024 10 108 187 76
2024 11 103 187 79
2024 12 93 166 71
2025 1 110 172 85
2025 2 92 114 23
2025 3 45 118 4
2025 4 23 31 18
2025 5 21 24 18
2025 6 17 20 15
2025 7 19 24 16
2025 8 17 20 16

Trending Position


Year Month High Avg
2025 8 33 119
Year Month High Avg
2025 7 40 98
Year Month High Avg
2025 6 34 91
Year Month High Avg
2025 5 22 93
Year Month High Avg
2025 4 56 372
Year Month High Avg
2025 3 30 324
Year Month High Avg
2025 2 35 114
Year Month High Avg
2025 1 43 111
Year Month High Avg
2024 12 44 140
Year Month High Avg
2024 11 51 130
Year Month High Avg
2024 10 67 145
Year Month High Avg
2024 9 72 121
Year Month High Avg
2024 8 41 67

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Reviews

izgzhen
N/A

Imaginative illustration of an epic story. It combines the modern background society, e.g. terrorism, with the unconventional high-tech fantasy. Our leading actor Robert Downey Jr. deeply embodies the soul of the Iron Man in himself. We common people never lived this way :P ...

Jun 23, 2021
Ruuz
8.0

**A long form review originally posted in 2010:** Marking the beginning of the latest Marvel franchise, _The Avengers_, is Jon Favreau's _Iron Man_. I'm quite fond of Super Hero movies, I don't love them to the same extent that I do the slasher or psychological thriller genres, but they do hol ... d a small place in my heart all to themselves. I'm pretty pumped for this whole "Avengers" thing to come to fruition, 'cause honestly it's all been great so far, starting with Iron Man, whom Robert Downey Jr. (_Natural Born Killers, Gothika, Kiss Kiss Bang Bang, A Scanner Darkly, Zodiac, Sherlock Holmes, Due Date_) portrays, and incredibly so. It's important to set yourself a starting point. More specifically, what I mean is, a reason. Batman's parents were murdered, and his home was destroyedby crime; The Punisher's whole family was murdered in front of him and he big-time snapped; characters like the X-Men and the Fantastic 4 are defending themselves and end up having a penchant for world-saving. Those are all fine, and so long as you have one, I'm happy. But I really kind of like Tony Stark's reason for becoming Iron Man... He's a dick. That's why. He's a dick that supplies the world with the most lethal weapons in existence, and they take lives left, right and centre. Then, he's put through the world where they get used, and finally is told by the person who helped him escape that world, not to waste his life. He believes he is still alive for a reason, he decides that reason is to become a dick that is intent on privatising world peace. Which I think makes perfect sense. That may have come across as sarcasm, but I was deadly serious. Tony Stark becomes Iron man, and that's why. It works fantastically. We then get to see all the incarnations of his suit, how difficult it was to make, what it runs on, the technology, everything. And I'm a huge fan of back story, which Iron Man delivers. It's sort of the antithesis of DC's _Batman Begins_. Though they're both young adults that come from money with no family, a British butler (although Iron man's butler Jarvis was transformed into AI for the film [he was an actual person in the comics]), they have a board of directors take care of their family's billionaire business until they're ready to eventually take the reins, they both become "____ Man" and go about saving the innocent, not through superpowers but technology. I'm sure I could go on. But they're also incredibly different. Where Batman is a total bad ass, the gothic unknown defender of the night that uses fear as a weapon to protect his home town, and yet refuses to kill; Iron Man is a bright, shiny, loud attention grabber, who goes all international to fight crime, he wants the world to know he's Iron Man and his enemies are totally lame, so no wonder he has no qualms about killing! Batman's secret identity, Bruce Wayne, is an angsty tosser, that tries way to hard. But Tony Stark, is a witty, brilliant inventor, who has basically harnessed all of Batman's training, strength, weapons, vehicles and flight, improved them, and put them in to a single suit. So though I personally prefer Batman as a hero, I prefer Tony Stark as a character. The interaction between Stark and Pepper Potts, played by Gwyneth Paltrow (_Se7en, The Talented Mr. Ripley, The Royal Tenenbaums, Sky Captain and the World of Tomorrow_) was incredible. It just goes to show what good casting can achieve, even in an action flick, the dialogue is hilarious and clever. Is it possible for a Super Hero movie to be a bad Super Hero film but a great film? I guess it is. The antagonists are lacking to say the least, and their dispatching leaves even more to be desired. Which is normally not too huge when you get the rest so perfect, unfortunately, it's a comic book film, about Super Heroes, and Super Villains. They fight one another over and over, in fact that's pretty much what the comics are about in their entirety, so it's quite a major short coming. That being said, it's really the only one that _Iron Man_ has. In a way though, they're a similar comparison to the latest Batman films again; Iron Monger and Whiplash are flashy, but disappointing, where The Joker, Two-Face, Scarecrow and Ra's al Ghul are top notch as bad guys. Whereas Ironman's Obadiah Stane and Ivan Vanko were great characters, but Batman's The Joker is only seen in his villain persona, and Harvey Dent, Jonathan Crane and Henri Ducard are nothing more than vessels for their alter-egos. All that aside, the film is just plain good, and you don't need to be a fan of Iron Man, Super Heroes or comics in general to enjoy _Iron Man_. 82% -Gimly

Jun 23, 2021
tmdb44006625
8.0

Iron Man did a lot more than just launch the Marvel Cinematic Universe. It was the first comic book movie in a long time to integrate the fantastical nature of superheroes and supervillains into a real world setting with consequences. It also showed how great of a filmmaker Jon Favreau is and reboot ... ed the career of Robert Downey Jr. For all this, Iron Man is a fantastic movie, still one of the best MCU films. It's so much fun to watch. Yet it displays a lot of intelligence, exploring the internal dilemma of a man profiteering off war when faced with the harsh reality that he is part of a system that corrupts absolutely.

Jun 23, 2021
ThePeruvianPost
8.0

When director Jon Favreau and Sarah Halley cast Robert Downey Jr, they glimpsed something magnificent: a more-than-skilled actor who faultlessly portrayed the role of Tony Stark. Despite Favreau's initial decision in choosing a fresh face, he ended up delighted due to his charismatic, natural and co ... mfortable attitude. He did not realise it yet, but he was moulding with the right measures a whole superhero cinematic universe which lasted until today and still goes for more. The filmmakers took the proper time to introduce a character whose production was undecided since New Line Pictures argued that the main character [Iron Man] had no potential to be brought up to the theatres. Therefore, planning from scratch a prosperous superhero who was not related to the typical Fantastic Four, X-Men or Spider-Man [famous superhero films of the 2000s] was quite a challenge. However, the director unquestionably demonstrated his skills at the visual effects, the rock metal music, the accurate dialogues for each moment and finally, the remarkable development of each persona. How exactly? Establishing the visual effects of a high-speed-altitude enthusiast was marvellous, considering the time of the creation. The way Favreau adjusted the Iron Man gave numerous innovative perspectives of a superhero while in battle. If we first watched the 'Spidey Sense', then it was time to behold the flying upper and upper. What an achievement ladies and gentleman! Taking into account the sound effect, it was splendid in every single way because it gave decent time to evoke emotions, from sadness to awesomeness, it permitted to feel the sensation of building a strong armour or flying as fast as possible. Man! That AC/DC hard rock music was well-defined to this fascinating character. Did I mention that Downey's son is growing on music? He has a band, and it's called "The Dose Band". Just watch the School of Rock's report. Probably there is where the influence came by. On the other hand, this film gives such iconic quotes which will live on our memory: "Is it better to be feared or respected?", "Sometimes you gotta run before you can walk", "I am Iron Man". WOW! What potential we have got here! Finally, but not least, the impeccable action scenes and drama ones were the highest achieves Iron Man had got. The sequence in the cavern traped with Dr Yinsen serves to the protagonist time to reflect on himself and the responsibility he has in protecting the world against high-tech diseases. Plus, the very unusual but gorgeous chemistry between Tony Stark and his secretary/companion Pepper Potts is another striking feature which is not considered at all was. When Kevin Feige, the current president of Marvel Studios, was asked about his desition about casting Gwyneth Paltrow he confessed the following: "Gwyneth is the embodiment of a leading lady. She brings intelligence, poise and an incredible range of talent to this role". Throughout the movie, these two characters happened to be facing their professional and sentimental relationship naturally owing to the Iron Man. The way Pepper Potts clings on to the fact that his beloved boss is in troublesome scenarios, it's just pure tenderness and shows how much potential this couple has. The cast assuredly introduced not only convincing performances but strong characters which will be handy for the following Marvel instalments, just watching Jeff Bridges as the badass Iron Monger is superb! The film producer nailed it! If someone asked me about the flaws it has presented, probably I would say the dark tone, some petit explicit scenes (bearing in mind there are children as spectators) and the lack of sense of humour at times. Still, it is mostly pure perfection. [83/100]

Jun 23, 2021
ThePeruvianPost
8.0

When director Jon Favreau and Sarah Halley cast Robert Downey Jr, they glimpsed something magnificent: a more-than-skilled actor who faultlessly portrayed the role of Tony Stark. Despite Favreau's initial decision in choosing a fresh face, he ended up delighted due to his charismatic, natural and co ... mfortable attitude. He did not realise it yet, but he was moulding with the right measures a whole superhero cinematic universe which lasted until today and still goes for more. The filmmakers took the proper time to introduce a character whose production was undecided since New Line Pictures argued that the main character [Iron Man] had no potential to be brought up to the theatres. Therefore, planning from scratch a prosperous superhero who was not related to the typical Fantastic Four, X-Men or Spider-Man [famous superhero films of the 2000s] was quite a challenge. However, the director unquestionably demonstrated his skills at the visual effects, the rock metal music, the accurate dialogues for each moment and finally, the remarkable development of each persona. How exactly? Establishing the visual effects of a high-speed-altitude enthusiast was marvellous, considering the time of the creation. The way Favreau adjusted the Iron Man gave numerous innovative perspectives of a superhero while in battle. If we first watched the 'Spidey Sense', then it was time to behold the flying upper and upper. What an achievement ladies and gentleman! Taking into account the sound effect, it was splendid in every single way because it gave decent time to evoke emotions, from sadness to awesomeness, it permitted to feel the sensation of building a strong armour or flying as fast as possible. Man! That AC/DC hard rock music was well-defined to this fascinating character. Did I mention that Downey's son is growing on music? He has a band, and it's called "The Dose Band". Just watch the School of Rock's report. Probably there is where the influence came by. On the other hand, this film gives such iconic quotes which will live on our memory: "Is it better to be feared or respected?", "Sometimes you gotta run before you can walk", "I am Iron Man". WOW! What potential we have got here! Finally, but not least, the impeccable action scenes and drama ones were the highest achieves Iron Man had got. The sequence in the cavern traped with Dr Yinsen serves to the protagonist time to reflect on himself and the responsibility he has in protecting the world against high-tech diseases. Plus, the very unusual but gorgeous chemistry between Tony Stark and his secretary/companion Pepper Potts is another striking feature which is not considered at all was. When Kevin Feige, the current president of Marvel Studios, was asked about his desition about casting Gwyneth Paltrow he confessed the following: "Gwyneth is the embodiment of a leading lady. She brings intelligence, poise and an incredible range of talent to this role". Throughout the movie, these two characters happened to be facing their professional and sentimental relationship naturally owing to the Iron Man. The way Pepper Potts clings on to the fact that his beloved boss is in troublesome scenarios, it's just pure tenderness and shows how much potential this couple has. The cast assuredly introduced not only convincing performances but strong characters which will be handy for the following Marvel instalments, just watching Jeff Bridges as the badass Iron Monger is superb! The film producer nailed it! If someone asked me about the flaws it has presented, probably I would say the dark tone, some petit explicit scenes (bearing in mind there are children as spectators) and the lack of sense of humour at times. Still, it is mostly pure perfection. [83/100]

Jun 23, 2021
r96sk
9.0

My first taste of the Marvel Cinematic Universe. A great start! I absolutely enjoyed seeing <em>'Iron Man'</em>. Robert Downey Jr. is terrific as the titular character, who is a blast to watch throughout - love the design! The plot is very entertaining, I like how it tells the story; simply, but ... very effectively. Terrence Howard, Jeff Bridges and Gwyneth Paltrow, meanwhile, all add to the film with good performances. The special effects are very neat, as are all the action sequences. I will say the score isn't the strongest, at least in terms of what I'd expect from this sorta film. I wouldn't say it's bad per se, just not as spectacular as it could've (should've?) been; especially with someone like Ramin Djawadi composing. I love a film with great music, so hopefully that improves as I watch the MCU expand. I know, I'm extremely late to this particularly party but happy to finally begin watching.

Jun 23, 2021
FilipeManuelNeto
9.0

**An excellent film, which only loses a little in some details related to the writing of the script and the conception of some characters.** I'm not a fan of superhero movies, but like any movie fan in general, I've seen a good handful of them. This was the first film made by Marvel and financed ... by the company itself, and it brings us one of its most acclaimed heroes. The film shows how a young playboy millionaire named Tony Stark, with a fortune inherited from his father and largely made from the production and sale of weapons, becomes a vigilante determined not to allow the misuse of the weapons he sells. I don't know much about comics, but I believe that the film was limited to adapting to the cinema a story already written on paper about the origins of the character, giving it, perhaps, a touch of the present. The plot is one of the strongest points of the film, not only for the way it introduces the character in the context of the current geopolitical conflicts (with the Middle East issue very present), but mainly for the way it transforms Tony Stark into a deeper character, who lives a catharsis that opens his conscience to questions that he was not sensitive enough to understand. Put more simply, if initially Stark was a rich and spoiled idiot, he ends the movie with another awareness of what he should do and how his attitudes influence the world around him. However, I also felt that once Stark realizes what he has to do, and it becomes clear who the enemy is to defeat, the script quickly loses quality and becomes much more basic and underdeveloped. With a skillful direction provided by Jon Favreau, the cast gave us a very good performance. Of course, the public's attention is focused on Robert Downey Jr., an actor who started working in the 80s, but only began to emerge at the turn of the millennium, with some productions (*Gothika*, *Good Night and Good Luck*, *Zodiac*) that he entered before accepting Marvel's proposal. He is perfect in character and gives us his life's work as an actor. Beside him, we can still admire Gwynneth Paltrow, in a more discreet but competent role. The villain was secured by Jeff Bridges, but his work is not so well executed and the actor sometimes doesn't seem to know exactly how to behave in the character. What can we say about the production values ​​and technical quality of a movie with a millionaire budget of 140 million dollars? It is a film determined to be a blockbuster, which fully achieved all its objectives, earning high profits, pleasing the fans and achieving high praise from the general public and the specialized critics. And the money invested is in plain sight, with a declared bet on very high quality CGI, wonderfully well-executed sound and image effects and really good sets and costumes (with great emphasis - obviously - on Iron Man's suit and Stark's mansion). The cinematography is excellent, the filming work was really well done, and the editing was detailed, giving the film a pleasant rhythm that doesn't tire us out. Finally, a note of praise for the excellent and epic soundtrack.

Jun 22, 2022
mooney240
10.0

**Iron Man had all the class, quirks, genius, and fun to birth one of the greatest film franchises in cinematic history.** The movie that started it all. That created the personality of a multi-billion dollar entertainment behemoth. That introduced the world to the first of many characters that h ... ave become household names and cultural icons. Iron Man stormed on the screen with a lead actor that Hollywood had given up on and a small start-up studio without a single movie under its belt backed by Disney, who had little to no live-action comic experience of their own. But director Jon Favreau’s adlibbed approach leveraged the strengths of his cast and created a world that was simultaneously realistic and magical - where a man could build a flying suit of armor, or a Thunder god could fall in love with a quirky mortal. Many forget that Robert Downey Jr’s personal struggles had left him blacklisted by many in Hollywood, making his casting a risky stroke of brilliance. The result of all this was precisely the lightning in a bottle needed to birth the Marvel Cinematic Universe.

Feb 10, 2023
SoSmooth1982
6.0

An ok movie. I just wish there was more action. The storyline was great but could have been a lot better with more action. ...

Jul 04, 2023
Geronimo1967
7.0

Having inherited his father's skill, "Tony Stark" is supplying just about every bit of military hardware to the US Government. On a trip to Afghanistan, however, his convoy is ambushed and he is seriously injured. He awakens in a cave, held hostage by insurgents, and with the help of co-captive "Yin ... sen" (Shaun Toub) must use all of his skills to stay alive and to find a way out of his predicament. Cannibalising just about every bit of kit he can find, he concocts a power source to keep him alive and a suit of armour that enables him to fight his way out. Once free, he determines to further hone this flying suit of armour and use it for the common good. His business partner "Vanko" (Jeff Bridges) soon realises there are other, more lucrative, uses and a conspiracy is soon afoot. Can "Stark" thwart him and save the day? As ever, there is no jeopardy whatsoever - what this is, is a fun action adventure with loads of top notch visual effects and quite a bit of humour in a script well delivered by an on-form Downey well supported by Gwyneth Paltrow and a solid cast. The "Iron Man" stories are not the most complex. It's a pretty linear depiction of good and evil - though it does, at the start, demonstrate some of the ironies of the weapons supplies industry. It's overly long, we spend just a bit too much time getting going, but once it does - it is worth a watch on a big screen.

Jun 03, 2024
msbreviews
9.0

The true miracle of Iron Man isn't just that it launched the biggest cinematic franchise of all time - it's that it works so well on its own terms. Made without a finished script and relying heavily on actor improvisation, the film somehow emerges as a cohesive, emotionally resonant origin story tha ... t still holds up nearly two decades later. Robert Downey Jr. doesn't just play Tony Stark; he *is* Tony Stark, embodying a character arc that transforms a narcissistic billionaire into a man of purpose with surprising nuance and authenticity. His natural wit, emotional intelligence, and lived-in charm carry the movie, but it's the grounded direction - practical suits, real locations, restrained CGI - that gives Iron Man its timeless grit and weight. The first suit-up scene alone remains one of the most satisfying moments in the entire MCU. Jeff Bridges gives Obadiah Stane just enough calm menace to make his escalation feel earned, even if predictable. And Gwyneth Paltrow's Pepper Potts deserves more credit - not just as the emotional anchor to Tony's chaos, but as an active player in his survival. The emotional beats - from Yinsen's death to the rescue in the desert, from "don't waste your life" to "it's going to be okay" - hit harder than expected, enhanced by a surprisingly effective score. Iron Man remains a testament to character-first storytelling, and even after 30+ entries, it still comfortably sits in my MCU Top 10. Rating: A

Jul 17, 2025