Popularity: 14 (history)
Director: | Jon Watts |
---|---|
Writer: | Chris McKenna, Erik Sommers |
Staring: |
Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent. | |
Release Date: | Jun 28, 2019 |
---|---|
Director: | Jon Watts |
Writer: | Chris McKenna, Erik Sommers |
Genres: | Adventure, Action, Science Fiction |
Keywords | venice, italy, europe, school trip, sequel, superhero, based on comic, destruction, aftercreditsstinger, duringcreditsstinger, marvel cinematic universe (mcu), tower of london, hilarious |
Production Companies | Columbia Pictures, Marvel Studios, Pascal Pictures |
Box Office |
Revenue: $1,131,927,996
Budget: $160,000,000 |
Updates |
Updated: Oct 05, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tom Holland | Peter Parker / Spider-Man |
Jake Gyllenhaal | Quentin Beck / Mysterio |
Samuel L. Jackson | Nick Fury |
Marisa Tomei | May Parker |
Jon Favreau | Happy Hogan |
Zendaya | MJ |
Jacob Batalon | Ned Leeds |
Tony Revolori | Flash Thompson |
Angourie Rice | Betty Brant |
Remy Hii | Brad Davis |
Martin Starr | Mr. Harrington |
JB Smoove | Mr. Dell |
Jorge Lendeborg Jr. | Jason Ionello |
Cobie Smulders | Maria Hill |
Numan Acar | Dimitri |
Zach Barack | Zach |
Zoha Rahman | Zoha |
Yasmin Mwanza | Yasmin |
Joshua Sinclair-Evans | Josh |
Tyler Luke Cunningham | Tyler |
Sebastián Viveros | Sebastian |
Toni Garrn | The Seamstress |
Peter Billingsley | William Ginter Riva |
Clare Dunne | Victoria |
Nicholas Gleaves | Guterman |
Claire Rushbrook | Janice |
J.K. Simmons | J. Jonah Jameson |
Dawn Michelle King | E.D.I.T.H. (voice) |
Jeroen van Koningsbrugge | Dutch Soccer Hooligan |
Michael de Roos | Dutch Soccer Hooligan |
Jan-Paul Buijs | Dutch Soccer Hooligan |
Sergio Pierattini | Venetian Glassblower |
Anjana Vasan | Queens Reporter |
Brian Law | Queens Reporter |
Evelyn Mok | Queens Reporter |
Tatiana Lunardon | Italian TV Newsreader |
Giada Benedetti | Italian Customs Office |
Lukáš Bech | Helpful Dutch Man |
Alessandro Giuggioli | Italian Street Vendor |
Petr Opava | Opera Singer |
Giuseppe Andriolo | Caricaturist |
Pat Kiernan | Pat Kiernan |
Shari Abdul | High School Reporter (uncredited) |
Mari Alexandrova | Tourist in Venice (uncredited) |
Kristen Alminta | Police Officer (uncredited) |
Vincent Angel | Midtown High Student (uncredited) |
Peter Arpesella | Airplane Pilot (uncredited) |
Lasco Atkins | Salvation Army guest (uncredited) |
Sitara Attaie | Dutch Lady (uncredited) |
Peter Bankolé | Mob Boss (uncredited) |
Blair Barnette | Queens Reporter (uncredited) |
Tuwaine Barrett | Officer Bristow (extended cut) |
Anna Benamati | Shop Owner in Venice (uncredited) |
Bruno Bilotta | Mob Boss (uncredited) |
Sharon Blynn | Soren (uncredited) |
Luigi Boccanfuso | Italian Builder in Venice (uncredited) |
Paolo Braghetto | Poliziotto (uncredited) |
Dante Brattelli | High School Student (uncredited) |
Graham Burton | London Passerby (uncredited) |
Ken Byrd | Post Office Customer (uncredited) |
Sokol Cahani | Mob Boss (uncredited) |
Darren Lee Campbell | Victoria's Crew (uncredited) |
Hélène Cardona | Austrian Backpacker (uncredited) |
Dian Cathal | American Reporter (uncredited) |
Jake Cerny | Airport Traveler (uncredited) |
Daphne Cheung | Passport Clerk (uncredited) |
Sam Chuck | High School Student (uncredited) |
Victoria Coburn | Passerby (uncredited) |
Kimberly Collison | Charity Event Mom (uncredited) |
Tiziana Coste | Local Venetian (uncredited) |
Jaylen Davis | Tourist (uncredited) |
Kristianne-Kaith Domingo | Passerby (uncredited) |
Andrew Dunkelberger | Courier (uncredited) |
Charlie Esquér | Mexican Survivor (uncredited) |
Ria Fend | Tourist in Venice (uncredited) |
Ferroz Fernandez | Tourist in Venice (uncredited) |
Vincent Frattini | Venice Local (uncredited) |
Massi Furlan | Flight Attendant (uncredited) |
Cynthia Garbutt | Charity Dinner Guest (uncredited) |
Thomas Goodridge | Tourist in Venice (uncredited) |
Sonia Goswami | Tourist (uncredited) |
Nicholle Hembra | Saved Londoner (uncredited) |
Michael Hennessy | Hotel Guest (uncredited) |
Meagan Holder | Pretty Tourist (uncredited) |
Patrick Doran | Partygoer (uncredited) |
Ruth Clarson | Tourist (uncredited) |
Chris Hyacinthe | Sneezy Tour Guide (uncredited) |
Michael Iacono | Airport Kid Traveler (uncredited) |
Roman Ibragimov | Bar Customer (uncredited) |
Theo Ip | Tourist (uncredited) |
Timothy Christian Jansen | High School Student (uncredited) |
Keon Kendrick | Flight Attendant (uncredited) |
Camille Kinloch | Midtown High School Student (uncredited) |
Michal Kubal | Czech TV News Anchor (uncredited) |
Hannah Kurczeski | Student (uncredited) |
Géraldine Lamarre | Traffic Warden (uncredited) |
Jimena Larraguivel | Mexican Villager (uncredited) |
Rich Lawton | Journalist (uncredited) |
Kat Leroy | Czech Traditional Dancer (uncredited) |
Gavin Lee Lewis | Londoner (uncredited) |
Patrick Loh | Airport Passenger (uncredited) |
Joseph Long | Mob Boss (uncredited) |
Ketan Majmudar | Berlin Commuter (uncredited) |
Tony Mardon | Londoner (uncredited) |
Antonín Mašek | Bellboy (uncredited) |
Ben Mendelsohn | Talos (uncredited) |
Bradley Wj Miller | Passerby (uncredited) |
Melissa Beth Miller | Tourist (uncredited) |
Anthony Molinari | Mob Guy (uncredited) |
Adrian Mozzi | Venice Local (uncredited) |
Brendan Murphy | Police Officer (uncredited) |
Amanda Musso | Carnival Hot Girl (uncredited) |
Emily Ng | Italian Tourist (uncredited) |
Daniel Olson | Czech Guy (uncredited) |
Hiten Patel | British Station Staff (uncredited) |
Luigi Petrazzuolo | Gondolier (uncredited) |
Aleksandrs Petukhovs | London Passerby (uncredited) |
Annie Pisapia | Traveler (uncredited) |
Jivan Xander Ramesh | Pedestrian (uncredited) |
Mike Ray | Passerby (uncredited) |
Sofia Renee | High School Student (uncredited) |
Cailan Robinson | Victoria's Crew (uncredited) |
Ray Rosario | TSA Agent (uncredited) |
Daniel Ryves | Dad Collecting Kids (uncredited) |
Maurice Sardison | Party Goer (uncredited) |
Karen-J Sear | American Tourist (uncredited) |
Ilya Tank Shilov | Venice Tourist (uncredited) |
Davina Sitaram | London Tourist (uncredited) |
Joakim Skarli | London Tourist (uncredited) |
Lucas Antoine Starrets | Tourist (uncredited) |
Faith Tarby | Perfumed Lady (uncredited) |
Emily Tebbutt | Venice Tourist (uncredited) |
Lesdy Vanessa | Tourist (uncredited) |
Jessica VanOss | Student (uncredited) |
Joe David Walters | Pawn Shop Owner (uncredited) |
Jo Wheatley | Armed Security Officer (uncredited) |
Rocco Wu | Peter's Art Classmate (uncredited) |
Samantha Mishinski | Student (uncredited) |
Aristou Meehan | Italian Boy (uncredited) |
Sean Coleman | Yearbook Student (Uncredited) |
Name | Job |
---|---|
Leigh Folsom Boyd | Editor |
Anna B. Sheppard | Costume Design |
Matous Brichcin | Stunts |
Tina Jones | Set Decoration |
Charley Beal | Art Direction |
Livia Borgognoni | Art Direction |
Nigel Evans | Art Direction |
Joe Howard | Art Direction |
Gary Jopling | Art Direction |
Matthew Kerly | Art Direction |
James Lewis | Art Direction |
Jiri Matura | Art Direction |
Renate Nicolaisen | Art Direction |
Jann K. Engel | Supervising Art Director |
Vasilios Tanis | Makeup Artist |
Rachael Speke | Makeup Artist |
Adrian Rigby | Makeup Artist |
Nicola Pope | Makeup Artist |
Madlen Mierzwiak | Makeup & Hair |
Rachel Lennon | Makeup Artist |
Roseanna Larner | Makeup & Hair |
Tamsin Dorling | Makeup & Hair |
Oliver Benson | Assistant Art Director |
Michelle Johnson | Hair Department Head |
Janine Rath-Thompson | Hair Department Head |
Paula Price | Key Hair Stylist |
Layna Roberts | Key Hair Stylist |
Linda Eisenhamerová | Key Hair Stylist |
Seana Gorlick | Key Makeup Artist |
Blair Aycock | Key Makeup Artist |
Gabriela Poláková | Key Makeup Artist |
Matiki Anoff | Makeup Department Head |
Adam Sculthorp | Aerial Camera |
Jeremy Braben | Aerial Director of Photography |
Quinn McMillan | Camera Operator |
Richard Philpott | Camera Operator |
Mark Mitchell | Camera Operator |
Iain Mackay | Camera Operator |
Andrea Arnone | Camera Operator |
Xavier Guillen | Drone Cinematographer |
Alan Perrin | Drone Pilot |
Dani Rose | Drone Pilot |
Sean Ricigliano | Epk Camera Operator |
Alan Martin | Gaffer |
Annabelle Nutt | Gaffer |
Jonathan Spencer | Gaffer |
Stefano Marino | Gaffer |
Rodrigo Gutierrez | Camera Operator |
Eddie Flores | Key Grip |
Theo Bialek | Visual Effects Supervisor |
Ricky Loncaric | Key Grip |
Tommaso Mele | Key Grip |
Robert Stile | Key Grip |
Alfonso Lujan Jr. | Key Grip |
Brad Goss | Key Grip |
Simon Muir | Key Grip |
Joshua Dempsey | Lighting Technician |
Gary Nagle | Lighting Technician |
James Nesbitt | Lighting Technician |
Michael Gallart | Rigging Gaffer |
Jason Martin | Rigging Gaffer |
Hanoi De La Paz | Rigging Gaffer |
Robert B. Dechellis | Rigging Gaffer |
Brian McCafferty | Rigging Grip |
Andy Thomson | Russian Arm Operator |
James McMillan | "A" Camera Operator, Second Unit Cinematographer |
Shaun Cobley | Steadicam Operator |
Pete Cavaciuti | Steadicam Operator |
Jonathan Beattie | Steadicam Operator |
Petr Stuna | Still Photographer |
Kevin Baker | Still Photographer |
JoJo Whilden | Still Photographer |
Jo Beckett | Script Supervisor |
Holly Johnson | Script Supervisor |
Norina Mackey | Script Supervisor |
Deirdre Horgan | Script Supervisor |
Jane Gooday | Assistant Costume Designer |
Nina Jagersbacher | Assistant Costume Designer |
Eilish Zebrasky | Assistant Costume Designer |
Marina Ray | Assistant Costume Designer |
Peter Paul | Assistant Costume Designer |
Meghan Corea | Assistant Costume Designer |
Birgitta Fredlund | Costume Coordinator |
Daryl Bristow | Costume Supervisor |
Dagmar Pomajbikova | Costume Supervisor |
Lisa D. Quercioli | Costumer |
Anthony Drewett | Costumer |
Askia Won-Ling Jacob | Costumer |
Michaela Dejmalova | Costumer |
Helen Felstead | Key Costumer |
Max Brennan | Key Costumer |
Stacey Clare Richards | Key Costumer |
Barbara Sweryda | Key Costumer |
Jacqueline Mulligan | Seamstress |
Jonathan Richards | Set Costumer |
Nicola Belton | Textile Artist |
Kaniez Braganza | Textile Artist |
Moira Shaughnessy | Wardrobe Supervisor |
Anna Maria Genuise | Wardrobe Supervisor |
Molly Doyle | Casting Assistant |
Eliza Heslop | Casting Assistant |
Georgia Fleury Reynolds | Casting Assistant |
Olivia Brittain | Casting Associate |
Shannon Avalos | Extras Casting |
Brad Bittner | Extras Casting |
Jirí Hrstka | Extras Casting |
Bárbara Pérez-Solero | Art Direction |
Michael Miller | ADR Mixer |
Nick Roberts | ADR Mixer |
Milos Stojanovic | ADR Mixer |
Mario De Socio | ADR Recordist |
Gabriel Sanders | Boom Operator |
Martin Švojger | Boom Operator |
Paul E. Miller | Boom Operator |
James Morioka | Dialogue Editor |
Rick Owens | Foley Artist |
Kyle Rochlin | Foley Mixer |
Alec Rubay | Foley Supervisor |
Sean Byrnes | Production Sound Mixer |
Julian Townsend | Production Sound Mixer |
Petr Čechák | Production Sound Mixer |
Chris Diebold | Sound Designer |
Andy Sisul | Sound Designer |
Steven Ticknor | Sound Designer, Supervising Sound Editor |
Karen Vassar Triest | Sound Editor |
Casey Genton | Sound Effects Editor |
Ken McGill | Sound Effects Editor |
Lloyd Dudley | Sound Mixer |
Andrew Sissons | Sound Mixer |
Kevin O'Connell | Sound Re-Recording Mixer |
Katherine Pearl | Art Department Coordinator |
Katerina van Gemundova | Art Department Coordinator |
Xuria Cristobal | Art Department Coordinator |
Cindy M. Ichikawa | Art Department Coordinator |
Colin H. Fraser | Construction Manager |
Mimi Violette | Graphic Designer |
Lisa Williams | Graphic Designer |
Petr Mazura | Leadman |
Anthony Carlino | Leadman |
Graeme Purdy | Property Master |
Daniel Boxer | Property Master |
Rodrigo Busto | Property Master |
James Eubank | Property Master |
Robert Broadfoot | Set Designer |
Jim Hewitt | Set Designer |
Karl J. Martin | Set Designer |
Mirko von Berner | Swing |
Jerad Marantz | Concept Artist |
Anna Sweeney | Assistant Editor |
Jared Hasselbach | VFX Artist |
Florian Boury | VFX Artist |
Brad Lucas | Digital Compositor |
Andy Martinez Calzadilla | Visual Effects |
Aldo Martinez Calzadilla | Animation |
Andrea Maxwell | Visual Effects Editor |
Paul Song | Digital Compositor |
Ndosi Anyabwile | Digital Compositor |
Lee Orloff | Sound Mixer |
Jasper M. Baltzersen | Digital Compositor |
Daniel Dupre | Digital Compositor |
Richard Fox | Digital Compositor |
Daniel J. Pastor | Digital Compositor |
Eric Timm | Compositing Artist |
Douglas James Smith | Lighting Artist |
Joe Watts | Stunts |
Kiante Elam | Stunt Double |
Paola Altobelli | Stunts |
Nina Armstrong | Stunts |
Jan Brichcín | Stunts |
Marek Brichcin | Stunts |
Petr Bozdech | Stunts |
Liam Carey | Stunts |
Kevin Cassidy | Stunts |
Brona Chaloupkova | Stunts |
Massimiliano Catasta | Stunts |
Giampiero Comanducci | Stunts |
Brycen Counts | Stunts |
Jason Curle | Stunts |
Jim Dowdall | Stunts |
Federica Della Martira | Stunts |
Zuzana Drdacka | Stunts |
Hana Dvorská | Stunts |
Michaela Dvorska | Stunts |
Martin Engel | Stunts |
Josie Forman | Stunts |
Rocco Maria Franco | Stunts |
Sarah Franzl | Stunts |
Madeleine Hance | Stunt Coordinator |
Romana Hájková | Stunts |
Gabriella Harman | Stunts |
James Harris | Stunts |
Rachel Holifield | Stunts |
Jiří Horký | Stunts |
Gary Kane | Stunts |
Marek Jelinek | Stunts |
Ellie Keighley | Stunts |
Akouala Cristel Julien | Stunts |
Jiří Kraus | Stunts |
Keone Kim | Stunts |
Petr Kučera | Stunts |
Carly Michaels | Stunts |
David Matoušek | Stunts |
Riccardo Mioni | Stunt Coordinator |
David Newton | Stunts |
Daniele Nguyen | Stunts |
Jake Osborn | Stunts |
Vaclav Pacal | Stunts |
Wilson Peres | Stunts |
Catherine Peck | Stunts |
Jaroslav Peterka | Stunts |
Monika Podzimkova | Stunts |
Marta Pinna | Stunts |
Tomáš Peteráč | Stunts |
Valentina Rossi Stuart | Stunts |
Federico Regazzo | Stunts |
Tomas Rydval | Stunts |
Petr Sekanina | Stunts |
Marek Simbersky | Stunts |
Michaela Salamounova | Stunts |
Venice Smith | Stunts |
Martin Spur | Stunts |
Adam Smith | Stunts |
Frantisek Stupka | Stunts |
Mark Stanton-Kelly | Stunts |
Tamara Tassi | Stunts |
Karen Teoh | Stunts |
Greg Townley | Stunt Double |
Vittorio Verdirosi | Stunts |
Miroslav Valka | Stunts |
Jan Vosmik | Stunts |
Aaron Vexler | Stunts |
Jiří Vostrovský | Stunts |
Gavin Barnes | Stunts |
Stephanie Carey | Stunt Driver |
Tony Lazzara | Stunts |
Todd Harris | Storyboard Artist |
William Alexander | 3D Artist |
Darrell Warner | Costume Illustrator |
George Cottle | Second Unit Director, Stunt Coordinator |
Jon Watts | Director |
Chris McKenna | Writer |
Erik Sommers | Screenplay |
Stan Lee | Comic Book |
Donald Mowat | Makeup Artist |
Daniel McGraw | Makeup Artist |
Jake Garber | Makeup Artist |
Mike Lutz | Set Costumer |
Heba Thorisdottir | Makeup Department Head |
Grant Armstrong | Supervising Art Director |
Daniel Aranyó | Second Unit Director of Photography |
Sarah Halley Finn | Casting |
Jason B. Stamey | Casting Associate |
Dan Kenyon | Sound Effects Editor |
Dicken Berglund | ADR Mixer |
Harrison Osterfield | Actor's Assistant |
Mark LeDoux | Visual Effects Supervisor |
Christian Wood | Digital Compositor |
Hunter Berk | ADR Mixer |
John Brubaker | Compositing Supervisor |
Timothy Eulich | Stunt Double |
Amy Johnston | Stunts |
Luci Romberg | Stunts |
Hayley Ainsley | Stunts |
Georgina Armstrong | Stunts |
Liam Coote | Stunts |
James Cox | Stunt Double |
Lucky Davis | Stunts |
Andrius Davidenas | Stunts |
Danny Euston | Stunts |
James Embree | Stunts |
Maria Gnecchi | Stunts |
Dan Griffiths | Stunts |
David R. Grant | Stunts |
Maria Hippolyte | Stunts |
Paul Heasman | Stunts |
Jacob Hugghins | Stunts |
Michael Giacchino | Original Music Composer |
Pavel Krátký | Stunts |
Maurice Lee | Stunts |
Sarah Lochlan | Stunts |
Chelsea Mather | Stunts |
Theo Morton | Stunts |
William Morts | Stunts |
James Mitchell-Clyde | Stunts |
Chris Pollard | Stunts |
Emanuele Romano | Stunts |
Laura Swift | Stunts |
Marie Švecová | Stunts |
Rocky Taylor | Stunts |
Marlow Warrington-Mattei | Fight Choreographer |
Eddie Yansick | Stunts |
Chris Barnes | Stunts |
Elizabeth Donker Curtius | Stunts |
Aja Frary | Stunt Double |
Luke Gomes | Stunt Double |
Ingrid Kleinig | Stunts |
Jess King | Stunts |
Jade Quon | Stunts |
Tracey Ruggiero | Utility Stunts |
Riley Flanagan | Second Assistant Director |
Jay Maidment | Still Photographer |
Darnell Appling | Actor's Assistant |
Tilly Powell | Stunts |
Annabel Wood | Stunts |
Dan Lebental | Editor |
Claude Paré | Production Design |
Matthew J. Lloyd | Director of Photography |
Tony Lamberti | Sound Re-Recording Mixer, Supervising Sound Editor |
Jonathan Cohen | Stunts |
Bradley Farmer | Stunts |
Julian Foddy | Visual Effects Supervisor |
Alexis Wajsbrot | Visual Effects Supervisor |
Zac Campbell | Compositing Lead |
Cyndi Ochs | Visual Effects Producer |
Charles Crivier | Key Grip |
Claudia Lecaros | Visual Effects Producer |
Martin Gordon | Stunts |
Jeff Okabayashi | First Assistant Director |
Steve Ditko | Comic Book |
Janek Sirrs | Visual Effects Supervisor |
Jörn Großhans | Visual Effects Supervisor |
Chris Munro | Production Sound Mixer |
Larkin Seiple | Additional Photography |
Nadia Hansell | Stunts |
Douglas Robson | Stunts |
Luke Scott | Stunt Double |
Jack Kirby | Comic Book |
Joe Simon | Comic Book |
Vicky Leung | Stunts |
Julie Groll | Visual Effects Producer |
Brendan Seals | Visual Effects Supervisor |
Tom Wood | Visual Effects Supervisor |
Julius Lechner | Visual Effects Supervisor |
Chris Lentz | Animation Supervisor |
Ellie Rawlings | Transportation Coordinator |
Vincent Cirelli | Visual Effects Supervisor |
Jon Moore | Picture Car Coordinator |
Name | Title |
---|---|
Amy Pascal | Producer |
Matt Tolmach | Executive Producer |
Louis D'Esposito | Executive Producer |
Eric Hauserman Carroll | Executive Producer |
Avi Arad | Executive Producer |
Stan Lee | Executive Producer |
Victoria Alonso | Executive Producer |
Thomas M. Hammel | Executive Producer |
Kevin Feige | Producer |
Matthew Stillman | Co-Producer |
Rachel O'Connor | Executive Producer |
David Minkowski | Co-Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 97 | 122 | 79 |
2024 | 5 | 117 | 151 | 85 |
2024 | 6 | 109 | 143 | 78 |
2024 | 7 | 115 | 186 | 79 |
2024 | 8 | 113 | 171 | 90 |
2024 | 9 | 90 | 107 | 73 |
2024 | 10 | 98 | 164 | 72 |
2024 | 11 | 96 | 136 | 72 |
2024 | 12 | 87 | 124 | 72 |
2025 | 1 | 86 | 117 | 62 |
2025 | 2 | 76 | 109 | 17 |
2025 | 3 | 24 | 93 | 3 |
2025 | 4 | 14 | 17 | 13 |
2025 | 5 | 24 | 67 | 12 |
2025 | 6 | 22 | 57 | 12 |
2025 | 7 | 14 | 19 | 13 |
2025 | 8 | 20 | 23 | 17 |
2025 | 9 | 15 | 19 | 12 |
2025 | 10 | 16 | 17 | 14 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 87 | 467 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 126 | 524 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 186 | 585 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 309 | 662 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 108 | 462 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 62 | 459 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 66 | 503 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 52 | 468 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 64 | 370 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 87 | 295 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 131 | 437 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 111 | 391 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 313 | 618 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 310 | 587 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 126 | 235 |
The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’ ... , but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again. - Jess Fenton Read Jess' full article... https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!! ...
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the ... events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all. Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance. He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ. Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did. Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out. Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable. I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that. It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues. Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst. All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it! Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary. What I liked: Tom Holland continues to be a charming actor. ...
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series ... is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind. I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema ... but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit. As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well. The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely ... not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film! ...
Great family movie. Has enough comedy, action, and drama to keep you entertained. Love how the villain played on poor old Spideys naiveness. Underwhelming ending though. ...
Spider-Man: Far From Home is the first of a new chapter in the MCU. Sad though, because it's all the first one with the late Stan Lee. Still, this was not a bad film. And I am glad they showed that twist where Mysterio was the real bad guy (a nod to the mainstream comics) - I would not have enjo ... yed the film if they had altered the background of the character. And that mid-credit scene - I can't wait for the third film! Maybe they'll finally introduce the Sinister Six, and maybe Matt Murdcock/Daredevil.
A good end to Phase Three of the Marvel Cinematic Universe. In short, I like <em>'Spider-Man: Far from Home'</em>. I do think it's someway off its predecessor, but I still had a suitably fun time watching this. Tom Holland remains top notch in the main role, with Jake Gyllenhaal, Samuel L. Jackso ... n and Zendaya supporting strongly. The story is a solid one, I like the concept of it; especially with Gyllenhaal's character. Some of the special effects do look a little questionable, but only in relation to how great the effects usually are in the MCU. Compared to an 'average' film, they still look good. By sheer process of the elimination, it probably is one of my least favourite films from this universe. That's not a negative though, as I very much like it and keenly await the currently unnamed sequel.
My favourite Movie.movie villain,costume was great. Great and Amazing Movie.Must Watch. ...
The Best Spider-Man Movie of All time. ...
This movie is great. It is better than **Spider-Man: Homecoming** and must watch. ...
I'll be honest upfront and say that I am still not a fan of MJ. She is supposed to be a redhead, she is supposed to be a sexpot, and she is supposed to both know she's hot and have no issues telling other people that. She's supposed to be well out of Parker's league. This is a bit too far from the s ... ource material for me. And the same goes with Flash. He's really supposed to be that guy that burns out the moment he graduates from high school. All muscle and no brain. And this Flash has a future. He's not going to deliver your pizza when you go visit your parents. But, beyond that, it's still a fun movie, but one that didn't have as many laughs as the first outing. Although Holland still delivers, this has a more somber and serious tone and, really, Jake Gyllenhaal is not at all as good of a villain as Michael Keaton was. He's kind of irritating to watch and, really he always has been. The plot twist, if took my wife by surprise, but honestly it was something that absolutely everyone familiar with the source material could see coming from the trailers. It didn't come as a surprise for those of us that read the comic books. Still, it was fun and sentimental and paid a respect to the Avengers that I suspect certain movies in the franchise will not. That being said it's not going to have the laughs of Homecoming, it couldn't and still feel appropriate.
The "Spider-man" franchise seems to be the one that is bucking the recent, repetitive, trend with the films actually getting better each time. The dynamic between Tom Holland's webbed-wonder and Jake Gyllenhaal's "Peck" in this is great and now that we don't have to pretend we don't know the identit ... y pf "Spidey", we can develop the character much more fully so the relationship with MJ (Marisa Tomei) is also taking better shape too. It's fast-moving, entertaining and the plot is fun. For a change, the CGI is complementary to the production rather than the sole reason for it. Good stuff, this, more please!