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Dark Phoenix

A Phoenix will rise. The X-Men will fall.
2019 | 114m | English

(222936 votes)

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Popularity: 8 (history)

Director: Simon Kinberg
Writer: Simon Kinberg
Staring:
Details

The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.
Release Date: Jun 05, 2019
Director: Simon Kinberg
Writer: Simon Kinberg
Genres: Adventure, Action, Science Fiction
Keywords mutant, telekinesis, superhero, based on comic, superhero team, 1990s, cosmic
Production Companies 20th Century Fox, Marvel Entertainment, TSG Entertainment, Genre Films, Hutch Parker Entertainment
Box Office Revenue: $252,442,974
Budget: $200,000,000
Updates Updated: Aug 02, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Sophie Turner Jean Grey / Dark Phoenix
James McAvoy Charles Xavier / Professor X
Nicholas Hoult Hank McCoy / Beast
Tye Sheridan Scott Summers / Cyclops
Michael Fassbender Erik Lensherr / Magneto
Alexandra Shipp Ororo Munroe / Storm
Evan Peters Peter Maximoff / Quicksilver
Jessica Chastain Vuk
Kodi Smit-McPhee Kurt Wagner / Nightcrawler
Jennifer Lawrence Raven Darkholme / Mystique
Scott Shepherd Dr. John Grey
Ato Essandoh Jones
Brian d'Arcy James President of the United States
Halston Sage Alison Blaire / Dazzler
Lamar Johnson Ben Hammil / Match
Summer Fontana Young Jean Grey
Hannah Emily Anderson Elaine Grey
Josh McLaglen Hospital Doctor
Todd Hallowell Hospital Doctor
Julianne Jain Hospital Doctor
Michael Kives Launch Reporter
Karen Ivany Launch Anchor
Lynne Adams NASA Flight Director
Alex Gravenstein NASA Tech
Daniel Rindress-Kay NASA Tech
Raphael Grosz-Harvey NASA Tech
Orphée Ladouceur-Nguyen NASA Tech
Richard Dagenais News Anchor
Dan Duran News Anchor
Isabel Farias Lehoux Brazilian News Anchor
Gryffin Hanvelt Brazilian Kid
Emilio La Torre Brazilian Kid
Julian Bailey Shuttle Commander
André Bédard Shuttle Astronaut
Michael Lipka Shuttle Astronaut
Robert Montcalm Shuttle Astronaut
Sebastian MacLean Shuttle Astronaut
Vanessa Jackson Shuttle Astronaut
David Patrick Green NASA Press Conference Speaker
Sean Dennis Military Police
Eloi Archambaudoin Dinner Party Guest
Yanek Gadzala Dinner Party Guest
Aphra Williams Dinner Party Guest
Maurizio Terrazzano Dinner Party Guest
Simon Alain Dinner Party Guest
Sébastien Bolduc Woods Party Mutant
Chris Claremont White House Guest
Matt Keyes Cop
Suzanna Lenir Cop
Amir Sám Nakhjavani Cop
Donny Falsetti Cop
Brady Allen Mutant Student
Dave Campbell Detective
Andrew Stehlin Ariki
Kota Eberhardt Selene Gallio
Tyler Elliot Burke Genosha Sentry
Danny Blanco Hall Army Ranger Captain
Aalia Adam Local Reporter
Peter Anthony Holder Local Reporter
Christopher B. MacCabe Dive Bar Bartender
Frank Fontaine Dive Bar Elderly Man
Bonkers 5th Avenue Dog
Sébastien Beaulac National Guard Officer
Alain Chanoine Military Train Guard
Doug Chapman Military Train Guard
Frédéric North Helicopter Pilot
Brian A. Reynolds Helicopter Pilot
Doug Uttecht Helicopter Pilot
Ben Skorstad Helicopter Pilot
Warren Harris Helicopter Pilot
Melissa Toussaint UN Delegate Haiti (uncredited)
Craig Snoyer UN Guard (uncredited)
Tony Saquett Mutant (uncredited)
Stephane Ouellet National Guard (uncredited)
Xavier Sotelo UN Delegate Spain (uncredited)
Olivier Lamarche Local Cop (uncredited)
Christian Labbé CIA Agent (uncredited)
Guy Iannacone National Guard (uncredited)
Eldon Hunter Journalist (uncredited)
Christopher Hayes UN Reporter #1 (uncredited)
Amélie Hadouchi Girl on the Bus (uncredited)
Frédéric Gilles World Leader #1 (uncredited)
Julien Irwin Dupuy Helicopter Pilot 1 (uncredited)
Marine Buton French waitress (uncredited)
Daniel Cudmore (uncredited)
Ilyes Belayel NYPD (uncredited)
George Chiang Chinese UN Reporter (uncredited)
Éric Clark U.N. Lead Guard (uncredited)
Alexandre Bélanger Businessman (uncredited)
Joey Coleman Jean Grey's Uncle (uncredited)
Name Job
Stéphane Julien Stunts
Justin Howell Stunts
Lani Gelera Stunts
Naomi Frenette Stunts
Tig Fong Stunts
Penande Estime Stunts
Christopher Di Meo Stunts
Devyn Dalton Stunt Double
Bernadette Couture Stunts
Mike Chute Stunts
Jason Conyers Stunts
Jason Bell Stunts
Rodney Alexandre Stunt Double
Alex Armbruster Stunts
Carrie Bernans Stunt Double
Alex Stines Stunts
Emerson Wong Stunts
Andrew Stehlin Utility Stunts
Lilia Collar Digital Compositor
Alyssa Weisberg Casting
Michele Laliberte Supervising Art Director
Chris Dowell Post Production Supervisor
Justin Haut Production Supervisor
Randy Torres Sound Designer
Michael W. Mitchell Sound Effects Editor
Frederic Breault Visual Effects Supervisor
Phil Brennan Visual Effects Supervisor
Hugo Léveillé Visual Effects Supervisor
Jonathan Piche-Delorme Visual Effects Supervisor
Zachary Tucker Visual Effects Supervisor
Michael Scherer Stunt Coordinator
Michael Langford Animation Supervisor
Wesley Chandler Animation Supervisor
Daniel Auclair Production Manager
Dr Bhanu Pratap Singh Assistant Director
Andrea Kenyon Casting
Ravi Bansal Art Direction
Loic Zimmermann Art Direction
Sandra Nieuwenhuijsen Art Direction
Vincent Aird Art Direction
David Gaucher Art Direction
Mathieu Giguère Art Direction
Vincent Gingras-Liberali Art Direction
Félix Larivière-Charron Art Direction
Veronique Meunier Art Direction
Elise de Blois Set Decoration
Pierre Antoine Rousse Set Decoration
Ève Boulonne Set Decoration
Cyrille Chatelain Set Decoration
Elizabeth Wilcox Set Decoration
Lorette Leblanc Script Supervisor
Nathalie Paquette Script Supervisor
Milena Popović Script Supervisor
Brent Radford Armorer
Barbara Abelar Script Supervisor
Andre-Pierre Lampron Best Boy Electric
Maarten Kroonenburg Camera Operator
Geoffroy Beauchemin Camera Operator
David Luckenbach Camera Operator
Julie Garceau Digital Imaging Technician
Stephen Wells Dolly Grip
Chris Baxter Dolly Grip
Patrick Lima Dolly Grip
Michael Saintsbury Electrician
Eric Lefèbvre Electrician
Michael Marzovilla Gaffer
Marco Venditto Gaffer
David Dinel Key Grip
Alain Masse Key Grip
Jonathan Barbeau Lighting Technician
Simon Fraser Lighting Technician
Decoster Nicolas Lighting Technician
Henri Normand Lighting Technician
Jamie Pimentel Lighting Technician
Jean-Philippe Therrien Lighting Technician
Jean-Nicolas Barron Lighting Technician
Emilie Paquet Lighting Technician
Dan Goyens Rigging Gaffer
Guillaume Vidal Rigging Grip
Alain Bérard Stunts
Josh Bleibtreu Second Unit Director of Photography
Jonathan Taylor Second Unit Director of Photography
Francois Archambault Steadicam Operator
Hamid Shahsavari VFX Artist
Alexandra Magocsi VFX Artist
Prakash Goyal VFX Artist
Ali Dunn Stunts
Jim Dunn Stunt Driver
Mathieu Ledoux Stunts
Gilbert Larose Jr. Stunts
Thomas J. Larsen Utility Stunts
Brayden Jones Stunts
Millie Dallas Stunts
Stephane Dargis Stunts
Alison Cote Stunts
Leigh Bianco Stunts
Marco Bianco Stunts
Nancy Bouchard Stunts
Marie-Ève Beckers Stunts
Jonathan David Bédard Stunts
John Stoneham Jr. Stunts
Helen Stranzl Stunts
Simon Kinberg Writer, Director
Lee Smith Editor
Daniel Orlandi Costume Design
Brian Smrz Second Unit Director
Richard King Supervising Sound Editor
Hank Amos Stunt Coordinator
James M. Churchman Stunt Coordinator
Tim Wong Stunt Coordinator
Nina Lauren Stunt Double
Kimberley Zaharko Art Direction
Mauro Fiore Director of Photography
Robert Mattigetz Camera Operator
Doane Gregory Still Photographer
Alain Moussi Stunts
Stephannie Hawkins Stunts
Stan Lee Thanks, In Memory Of
Jack Kirby Thanks
Chris Claremont Thanks
Dave Cockrum Thanks
Len Wein Thanks
John Byrne Thanks
Josh McLaglen First Assistant Director
Janene Carleton Stunt Double
Shawnna Thibodeau Stunt Double
Emily Brobst Stunt Double
Jean Frenette Stunts
Adam Howell Stunts
Ry X Songs
Zandara Kennedy Stunt Driver
Angelica Lisk-Hann Stunt Driver, Stunts
Simon Northwood Stunts
Max Laferriere Stunts
Mike Joseph Stunts
Joseph Racki Stunts
Vaios Skretas Stunts
Karine Lemieux Stunts
Hans Zimmer Original Music Composer
Claude Paré Production Design
Cameron Waldbauer Special Effects Supervisor
Michael Hatzer Digital Colorist
Richard Norton Fight Choreographer, Stunt Coordinator
Jason Cavalier Stunts
David Fleming Additional Music
Wakako Sekine Digital Compositor
Alex Kyshkovych Fight Choreographer
Name Title
Samantha Ellison Associate Producer
Kathleen McGill Co-Producer
Kurt Williams Co-Producer
Simon Kinberg Producer
Lauren Shuler Donner Producer
Stan Lee Executive Producer
Todd Hallowell Producer
Josh McLaglen Executive Producer
Hutch Parker Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 145 371 87
2024 5 403 500 341
2024 6 250 399 94
2024 7 102 154 50
2024 8 105 142 70
2024 9 61 98 41
2024 10 51 78 42
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2024 12 43 53 36
2025 1 44 75 35
2025 2 39 56 10
2025 3 12 47 3
2025 4 21 84 8
2025 5 11 45 6
2025 6 35 82 7
2025 7 7 9 6
2025 8 6 9 5
2025 9 7 11 5
2025 10 7 9 5

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2025 10 490 783
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Reviews

maketheSWITCH
3.0

It’s just a shame that 'X-Men' was never able to live up to its potential in this form. Drawn of clichés, a tired script and a tired cast, it’s a big wet flop of a film where it looked like the cast were just there to collect their cheques. It’s probably something to wait for a digital release and w ... atch on a rainy Sunday afternoon where you can fall asleep during the exhausting middle section and wake up at the mildly less-exhausting end. If anyone needs me, I’ll be looking for Cyclops, hot choccie, blanket and hug. - Brent Davidson Read Brent's full article... https://www.maketheswitch.com.au/article/review-x-men-dark-phoenix-untapped-potential

Jun 23, 2021
msbreviews
5.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Honestly, I'm going straight to the point, and I'm going to try not to waste anyone's time since that's precisely what Dark Phoenix did. Clearly, no one in the production team cared about this movie. Now, after watching the fi ... lm, it's pretty easy to understand the reasons behind the constant delays, and the poor marketing campaign (I barely saw anything remotely publicizing this movie). It's not a complete disaster, it's not an absolute mess, but the third act is such a stab into the fans' hearts. Literally, one of the most abrupt endings of the last few years. It really feels like a producer entered the writers' room and said something along the lines of "let's just hurry this up, Marvel Cinematic Universe is right around the corner, nothing of what we do here matters." I'm not going to lie, it's actually true. No matter how amazing or horrible this film ended up to be, it wouldn't really matter, which is probably the most negative aspect of this Disney-Fox merger. Days Of Future Past is arguably one of the better X-Men installments, but Apocalypse and Dark Phoenix feel such a waste of time because they never really explore what the time-travel event really changed, and now time's up, a complete reboot is coming. The first act of this movie is genuinely remarkable. I felt invested in both the story and characters, I was deeply captivated by what they were doing, and Hans Zimmer's score elevates a specific sequence that on IMAX really shows off both the visual and audio's phenomenal quality. Until midway through, it's a pretty well-written, well-performed, and exciting film (with occasional minor issues). However, after a risky yet convincing plot point, Simon Kinberg annihilates everything he was working on until then. From this moment on, I can feel the famous merger being signed, and everyone working on this movie just giving up. The writing becomes atrocious, one of the most forgettable and nonsensical villains ever shows up (and I thought that comic-book adaptations were working past the cliche "bad guys"), characters like Quiksilver are barely in the film (why set up his relationship with his father if they never approach that subplot again?), and the ending lasts around three minutes. Three. In this amount of time, they do the equivalent of the last hour of Avengers: Endgame. Now, try to imagine that epic hour of climactic battles crushed into a couple of minutes... The cast truly tries. Sophie Turner carries this movie with such an emotionally powerful performance that I almost feel that she alone deserved a positive review. James McAvoy (Professor Charles Xavier) continues his streak of gripping displays (if he doesn't get a freaking Oscar in the next years, I'll explode), Michael Fassbender is splendid as Magneto, and Jennifer Lawrence (Mystique) doesn't do much. Nicholas Hoult (Beast) is a pleasant surprise, but Jessica Chastain (Smith) is the only one at fault here. I never felt any interest from the actress in getting into a superhero film, and honestly, it shows. She's definitely the one that couldn't care less about what comes out of this, so she just offers a one-dimensional performance for a pretty lousy villain. The screenplay is filled with characters making uncharacteristic decisions (they feel unearned), and exposition scenes that don't really do justice to the compelling backstories. Nevertheless, I always feel the need to come back to the ending. I rather have a slow start, but a strong finish than the other way around. Dark Phoenix delivers a fast-paced, entertaining, and captivating first act, but slowly starts to degrade until it culminates with one of the saga's worst third acts. Sure, the action is great, and it's quite well-filmed actually, but it all ends so quickly that you don't have enough time even to try to enjoy it. If it wasn't for Hans Zimmer's score, which completely nailed me to the screen, my brain would have shut itself down before the wrap-up. It's a shame that such a beloved franchise like the X-Men has to end like this. Simon Kinberg, knowing that the merger was going to happen, should have changed the last half, and risk a lot more, to be honest. If the movie really didn't matter, then they should have tried to do something that was never done before, and go all-out. If it fails, it fails, but at least it would have been remembered as a courageous and powerful film. This way, not only it's a disappointing culmination to a 20-year saga, but it's forgettable. It's not even horrible enough for people to remember how bad it was, it's just ... Meh. If they didn't care, how can they ask the audience to do it for them? All in all, Dark Phoenix ends up being what everyone feared it would be: a movie that didn't matter, at all. One that didn't even try to pay homage to an extraordinary saga that notably influenced the comic-book genre. The worst of all is that everyone can imagine how great it could have been since the cast is perfect (Sophie Turner shines), Hans Zimmer's score is sumptuous, and the action is riveting. The worst feeling that a fan can have is that disappointment with how the film turned out to be mixed with the frustration due to how well a fan can imagine how amazing it could have been. However, a flawed narrative with a terrible villain and questionable character decisions ruins those dreams. With one of the most abrupt endings of the last years, X-Men reaches its end as an isolated franchise, and it now rests its hopes on Kevin Feige and Marvel co. that the MCU will do the mutants justice. PS: as you know, I try to avoid trailers as much as I can. After watching Dark Phoenix's ones, I can only advise you to not watch a single one. Not even the first one. Especially that first one! I can't understand how someone approves trailers so spoilery as these ones. Unbelievable. Rating: C

Jun 23, 2021
Movie Queen41
6.0

I don't think this was the disaster that the critics make it out to be, but it is one of the lesser Fox X-Men movies. Both the opening scene where the X-Men rescue astronauts stranded in space and the ending where Magneto and the X-Men fight aliens on a train were well done action scenes. It's the m ... iddle that sags a bit. The film lacks energy and emotional impact. Simon Kinberg wrote and directed this second go around of the Phoenix Saga as a way to atone for writing the mediocre The Last Stand. But this film does not really improve on that film at all. I am eager to see Kevin Feige cover the full Phoenix Saga properly in a trilogy. You cannot cram the Phoenix story into one movie. We've barely gotten to know these young versions of these characters from Apocalypse. The worst performance is from Jennifer Lawrence, whose Raven is completely smug and obnoxious towards Prof. X. I was happy when she exited the movie. You can tell she doesn't care about this franchise at all. Beast acts completely out of character and joins Magneto to kill Jean--something he would never do. Quicksilver exits the movie quickly after being injured by Jean and only returns at the very end. His relationship with his father, Magneto, is never addressed. Scott Summers takes orders from Mystique (ugh!) and never shows any leadership abilities. The villains are generic evil aliens who want to use the Phoenix Force to take over the world. They are just bargain basement Skrulls. Then there are the usual continuity errors with other X-Men movies. Apocalypse showed that Phoenix was a part of Jean, just like The Last Stand did. Now we are told that the Phoenix lives outside of Jean and comes from outer space. Also, when you see how things end for Prof. X and Jean in this movie, it's unlikely that either of them would appear at the end of Days of Future Past to greet Logan at the school. Overall, disappointing and the perfect time for Disney to reboot this property.

Jun 23, 2021
shailen
5.0

It's a really good movie with superb graphics and storyline. ...

Jun 23, 2021
Wuchak
7.0

***A fuller rendition of the Jean Grey Plot of “X-Men 3” with Sophie Turner*** This is another take on the Jean Grey story of “X-Men: The Last Stand” (2006). That movie was good up until the last act with the conventional battle between the good and bad mutants at Alcatraz Island, which diverged ... from the more interesting core story concerning Jean. “Dark Phoenix” (2019) has a similar problem in that Jean’s inner conflict between good and evil is the most interesting element, along with the other mutants being troubled by her transformation and trying to figure out how to handle it. Unfortunately, as with “X-Men 3,” the filmmakers insist on having everything come down to a big battle sequence that’s overlong and predictable, although it’s better and more moving here. A good example of predictableness is when Magneto (Michael Fassbender) utilizes many rifles to shoot Vuk (Jessica Chastain); you know very well that the bullets are going to be totally useless. The ending’s not bad, just tedious and perfunctory, similar to the big battle sequence in “Avengers: Endgame,” albeit less dull. The original climax of “Dark Phoenix” took place in space and had too many similarities to “Captain Marvel,” which beat “Dark Phoenix” to the theaters. So the creators had to reshoot the ending as a battle sequence involving a train, but it didn’t feel tacked on or inorganic, although the Juk/aliens subplot did. I prefer Sophie Turner to Famke Janssen in the titular role. She’s just an all-around pleasure to behold, although acting-wise she’s not yet up to the caliber of Fassbender, James McAvoy (Xavier) or Jennifer Lawrence (Raven), not even close. In any case, I found the Phoenix story fascinating just as I did with “The Last Stand,” but here it’s more fleshed out, which makes it better in some ways. I just wish the creators would have the gonads to do something fresh rather than strap the conventional “big battle” ending on what could have been a great movie. If you liked “First Class” (2011), “Days of Future Past” (2014) and “Apocalypse” (2016), “Dark Phoenix” is cut from the same cloth in all-around quality. I prefer “Days” and “Apocalypse,” but “Dark Phoenix” ain’t no slouch, despite what detractors might say; and it’s superior to “First Class.” The film runs 1 hour, 53 minutes. GRADE: B+

Jun 23, 2021
Ruuz
3.0

I don't know if _Dark Phoenix_ is the **worst** entry in the X-Men franchise. I feel like I remember being much more angry walking out of _Last Stand_ than this one. _Dark Phoenix_ didn't really make me "angry"... It didn't make me feel anything I guess. But there was just **nothing** I liked about ... this. Like, _Apocalypse_ was a bad movie, absolutely, but I really enjoyed that bit in the middle where the young X-Men got to the shopping centre together. That elevated it for me, even if it didn't stop it being a bad movie. _Dark Phoenix_ has no such moment. Nothing. I. Liked. _Final rating:★½: - Boring/disappointing. Avoid where possible._

Jun 23, 2021
JPV852
5.0

Not as bad as I feared and the plot in and of itself was fine, as were the performances (outside of accents going in and out depending on the scene), even Sophie Turner was okay, the visual effects were alright and the direction serviceable. However, the biggest problem was the dialogue which ranged ... from predictable (to the point I could predict lines from time to time) to absolutely atrocious. Not sure where this ranks amongst the "franchise", though initially I'd say it is above Apocalypse, a movie I didn't care much for but a far cry from First Class and Days of Future Past. **2.75/5**

Jun 23, 2021
Dark Jedi
6.0

I had seen somewhat mixed opinions of this movie and none of them were really that great so I had some doubts about it. Anyway, the other day I sat down with the kids and watched it. Far from the greatest X-Men movie but it’s not that bad either. It’s okayish. The story is fairly decent and, a ... s usual, the special effects (which is really why I watch these movies) is quite good actually. The characters are doing a decent enough job of their roles although none of them are really up to the standard Patrick Stewart brought to the franchise. The biggest gripe I have with the movie is it’s incessant whining. Jean is quite cool when she get’s pissed off and shows off her powers pretty much stopping anything that gets thrown at her. However those good moments are overshadowed by both her and other characters going into whining mode every so often. And Hank is just a bloody annoying asshole. I haven’t really read that many X-Men comics (didn’t have them in Sweden when I grew up) so I cannot say I know much about Jean’s real story in those. I noticed that a lot of people complained about the story in the movie not being “the right” one. Sure, when they take a known character and remakes him for no good reason that pisses me off as well but this is NOT a one star movie by any stretch of the imagination. Overall I cannot say that I really felt disappointed having watched it. Not exactly overjoyed either but it made for a decent enough movie evening with the kids.

May 16, 2024
Geronimo1967
5.0

This had the potential to be the best of the franchise; bur sadly it isn't/wasn't/never will be. It's an amalgam of loose acting right from the start with neither James McAvoy's more mobile version of "Xavier" nor Michael Fassbender's anything but magnetic "Erik" managing to inject anything like eno ... ugh to liven this dreary and repetitive story up. Then there's the mediocre writing and special effects that we have seen so many times before. It goes nowhere, but never quickly enough as the ending seems tantalisingly close, but takes way too long to arrive. It'll be fine on the telly on a dark winter's evening, but that's about it.

May 29, 2024
MonsterMartha
1.0

I've been a huge X-Men fan for many years. I especially loved the comic dark Phoenix saga. This movie was a travesty. It was a train wreck from the moment it started and never got any better only got worse. It had nothing to do with the storyline of dark Phoenix like in the comics. The lineup wasnt ... the same... No wolverine, no hellfire club... I can go on and on and pick this movie apart but I really don't have the time nor do I wish to. Simply put dark Phoenix sucks. The only saving grace to this film is James McAvoy who even in this movie was overshadowed by the stupidity of The angst. It's a shame they didn't do the true story of dark Phoenix because that would have been a good movie. I thought at the end of apocalypse when you see the Phoenix rise from out of Jean you would get that in this movie but it seems that whoever wrote the script and whoever directed this decided that the stupid teeny angst bullcrap was more important than the true story of who dark Phoenix was. Avoid this movie.

Jul 26, 2022
GenerationofSwine
1.0

Well... I thought The Last Stand was bad. You know, the movie where they took one of the most classic of classic legendary Claremont X-Men stories and merged it with a Joss Whedon X-Men story line that had nothing to do with Dark Phoenix and.... just lost the plot entirely. I mean that was pretty ... bad. This is worse. This is ultra woke Politically Correct kinda Ghostbusters 2016, they have a message about genderstudies that trumps the story and didn't you know that everyone of a certain race, gender, and sexuality is absolute evil even if they have a long history of being the good guy sort of plot. And, in the end, it even had less to do with the Dark Phoenix Saga than the Last Stand did. Source material... even X-Men story in name only... and I mean that even after X-Men lost the Marvel Flagship marquee status and did the same downward trajectory as, well, as the X-Men reboot did.

Jan 10, 2023
realedk
2.0

I don't understand the point of this movie. It seems to be attempting a copy-paste of Endgame's success, while jumping to making Jean the Phoenix _immediately_, just like the X2 and X3 films, which were both criticized for this very thing! Why make Charles the villain? I think most viewers can agree ... , blocking Jean's mind was the right thing to do. Sophie Turner's acting in this film was also particularly poor. The performances by McAvoy, Lawrence, Fassbender, and Peters were what keeps this film from the 10% in my books. Trash.

Feb 12, 2025
CertifiedHuman
3.0

The worst part about this is that (almost) everyone on screen is trying so fucking hard, but the writing completely sinks it. The entire plot relies on everyone in the story acting wildly out of character, it has the worst villain of an X-Men movie, and Quicksilver, the most promising new character ... introduced in the series, is completely sidelined and wasted. And on top of that, nothing ever comes of him being Magneto's son. Magneto never even finds out. While Days of Future Past was great, the whole idea of this new series set in the past was just so ill-conceived it hurts. It could've been great, but it was squandered by lots of genuinely stupid decisions. Like, why the hell do these movies take place over like forty years? No one ages that entire time and none of the movies past DOFP even make good use of their time periods. So why even do it if all it does is make everything make no sense? That scene in DOFP showing this timelines future is kind of pointless after this one. How could any of these characters convincingly age up to that point from the 90's? It's just such a fucking mess, it's completely baffling. Hopefully whatever Disney has planned for the X-Men is a lot better thought out.

Apr 11, 2025